Yugoslavia's diverse and interconnected art scenes from the 1960s to the 1980s, linked to the country's experience with socialist self-management. In Yugoslavia from the late 1960s to the late 1980s, state-supported Student Cultural Centers became incubators for new art. This era's co...

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Bibliographische Detailangaben

1. Verfasser:	Ilić, Marko ca. 20. Jh (VerfasserIn)
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Cambridge, MA ; London MIT Press 2021
Schlagworte:	Iveković, Sanja > 1949- Abramović, Marina > 1946- Geschichte 1960-1990 Performance > Künste Concept-art Politik Jugoslawien New Art Practice (Art movement) Art and society / Yugoslavia Art and society Yugoslavia
Online-Zugang:	FUBA1 KUBA2 Volltext
Zusammenfassung:	Yugoslavia's diverse and interconnected art scenes from the 1960s to the 1980s, linked to the country's experience with socialist self-management. In Yugoslavia from the late 1960s to the late 1980s, state-supported Student Cultural Centers became incubators for new art. This era's conceptual and performance art--known as Yugoslavia's New Art Practice--emerged from a network of diverse and densely interconnected art scenes that nurtured the early work of Marina Abramović, Sanja Iveković, Neue Slowenische Kunst (NSK), and others. In this book, Marko Ilić offers the first comprehensive examination of the New Art Practice, linking it to Yugoslavia's experience with socialist self-management and the political upheavals of the 1980s.
Beschreibung:	1 Online-Ressource (viii, 374 Seiten) Illustrationen
ISBN:	9780262361415 9780262361422
DOI:	10.7551/mitpress/12746.001.0001