Performer training and technology: preparing our selves
"Performer Training and Technology employs philosophical approaches to technology, including postphenomenology and Heidegger's thinking, to examine the way technology manifests, influences, and becomes used in performer training discourse and practice. The book offers in-depth discussions...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2021
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| Schlagworte: | |
| Online-Zugang: | FUBA1 Volltext |
| Zusammenfassung: | "Performer Training and Technology employs philosophical approaches to technology, including postphenomenology and Heidegger's thinking, to examine the way technology manifests, influences, and becomes used in performer training discourse and practice. The book offers in-depth discussions of present and past performer training practices through a lens that has never been applied before; considers the employment of key digital artefacts; and develops a series of analytical tools that can be useful in scholarly and practical explorations. An array of intriguing subjects are covered including the role of electric lights in Stanislavski's work on concentration; the use of handheld tools, such as sticks in Zarrilli's psychophysical training and Meyerhold's Biomechanics; the emergence of new forms of training in relation to motion capture technology; and the way the mobile phone complicates notions and practices of attention in learning and training contexts. This book is of vital relevance to performer training scholars and practitioners; theatre, performance, and dance scholars and students; and especially those interested in philosophies of technology"-- |
| Beschreibung: | Description based on print version record |
| Beschreibung: | 1 Online Ressource (xiv, 201 Seiten) Illustrationen |
| ISBN: | 9781315559322 1315559323 |
| DOI: | 10.4324/9781315559322 |
Internformat
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| 245 | 1 | 0 | |a Performer training and technology |b preparing our selves |c Maria Kapsali |
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| 500 | |a Description based on print version record | ||
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Datensatz im Suchindex
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| author | Kapsali, Maria |
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| dewey-full | 792.02/8023 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.02/8023 |
| dewey-search | 792.02/8023 |
| dewey-sort | 3792.02 48023 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
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| doi_str_mv | 10.4324/9781315559322 |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:51:13Z |
| indexdate | 2024-07-10T09:05:30Z |
| institution | BVB |
| isbn | 9781315559322 1315559323 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032606527 |
| oclc_num | 1334054315 |
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| physical | 1 Online Ressource (xiv, 201 Seiten) Illustrationen |
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| publishDate | 2021 |
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| publisher | Routledge |
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| spelling | Kapsali, Maria Verfasser (DE-588)1259748871 aut Performer training and technology preparing our selves Maria Kapsali London ; New York Routledge 2021 1 Online Ressource (xiv, 201 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Description based on print version record "Performer Training and Technology employs philosophical approaches to technology, including postphenomenology and Heidegger's thinking, to examine the way technology manifests, influences, and becomes used in performer training discourse and practice. The book offers in-depth discussions of present and past performer training practices through a lens that has never been applied before; considers the employment of key digital artefacts; and develops a series of analytical tools that can be useful in scholarly and practical explorations. An array of intriguing subjects are covered including the role of electric lights in Stanislavski's work on concentration; the use of handheld tools, such as sticks in Zarrilli's psychophysical training and Meyerhold's Biomechanics; the emergence of new forms of training in relation to motion capture technology; and the way the mobile phone complicates notions and practices of attention in learning and training contexts. This book is of vital relevance to performer training scholars and practitioners; theatre, performance, and dance scholars and students; and especially those interested in philosophies of technology"-- Acting / Study and teaching Technology and the arts Erscheint auch als Druck-Ausgabe, Hardcover 978-1-138-67780-7 Erscheint auch als Druck-Ausgabe, Paperback 978-1-138-67781-4 https://doi.org/10.4324/9781315559322 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Kapsali, Maria Performer training and technology preparing our selves Acting / Study and teaching Technology and the arts |
| title | Performer training and technology preparing our selves |
| title_auth | Performer training and technology preparing our selves |
| title_exact_search | Performer training and technology preparing our selves |
| title_exact_search_txtP | Performer training and technology preparing our selves |
| title_full | Performer training and technology preparing our selves Maria Kapsali |
| title_fullStr | Performer training and technology preparing our selves Maria Kapsali |
| title_full_unstemmed | Performer training and technology preparing our selves Maria Kapsali |
| title_short | Performer training and technology |
| title_sort | performer training and technology preparing our selves |
| title_sub | preparing our selves |
| topic | Acting / Study and teaching Technology and the arts |
| topic_facet | Acting / Study and teaching Technology and the arts |
| url | https://doi.org/10.4324/9781315559322 |
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