The Oxford handbook of Western music and philosophy:

Whether regarded as a perplexing object, a morally captivating force, an ineffable entity beyond language, or an inescapably embodied human practice, music has captured philosophically inclined minds since time immemorial. In turn, musicians of all stripes have called on philosophy as a source of in...

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Bibliographische Detailangaben
Weitere Verfasser: McAuley, Tomás ca. 20./21. Jh (HerausgeberIn), Nielsen, Nanette ca. 20./21. Jh (HerausgeberIn), Levinson, Jerrold 1948- (HerausgeberIn), Phillips-Hutton, Ariana ca. 20./21. Jh (HerausgeberIn)
Format: Buch
Sprache:English
Veröffentlicht: New York, NY, United States of America Oxford University Press [2021]
Schriftenreihe:Oxford handbooks
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Online-Zugang:Klappentext
Zusammenfassung:Whether regarded as a perplexing object, a morally captivating force, an ineffable entity beyond language, or an inescapably embodied human practice, music has captured philosophically inclined minds since time immemorial. In turn, musicians of all stripes have called on philosophy as a source of inspiration and encouragement, and scholars of music through the ages have turned to philosophy for insight into music and into the worlds that sustain it. In this Handbook, contributors build on this legacy to conceptualize the rich interactions of Western music and philosophy as a series of meeting points between two vital spheres of human activity. They draw together key debates at the intersection of music studies and philosophy, offering a field-defining overview while also forging new paths. Chapters cover a wide range of musics and philosophies, including concert, popular, jazz, and electronic musics, and both analytic and continental philosophy
Beschreibung:xv, 1134 Seiten Illustrationen, Notenbeispiele
ISBN:9780199367313
0199367310

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