Reinventing cinema: movies in the age of media convergence
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New Brunswick, N.J.
Rutgers University Press
c2009
|
| Schriftenreihe: | ACLS Humanities E-Book
|
| Schlagworte: | |
| Online-Zugang: | KUBA1 KUBA3 KUBA4 |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 1 Online-Ressource (viii, 215 Seiten) |
| ISBN: | 9780813545462 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV047184331 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 210309s2009 |||| o||u| ||||||eng d | ||
| 020 | |a 9780813545462 |9 978-0-8135-4546-2 | ||
| 035 | |a (ZDB-17-ACL)KOHA0000000000000000002745 | ||
| 035 | |a (OCoLC)1241676468 | ||
| 035 | |a (DE-599)BVBBV047184331 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Y3 |a DE-Y7 |a DE-Y2 | ||
| 100 | 1 | |a Tryon, Chuck |d 1970- |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Reinventing cinema |b movies in the age of media convergence |c Chuck Tryon |
| 264 | 1 | |a New Brunswick, N.J. |b Rutgers University Press |c c2009 | |
| 300 | |a 1 Online-Ressource (viii, 215 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a ACLS Humanities E-Book | |
| 500 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a Introduction -- The rise of the movie geek: DVD culture, cinematic knowledge, and the home viewer -- The screen is alive: digital effects and Internet culture in the 1990s cyberthriller -- Wall-to-wall color: moviegoing in the age of digital projection -- Desktop productions: digital distribution and public film cultures -- Toppling the gates: blogging as networked film criticism -- Hollywood remixed: movie trailer mashups, five-second movies, and film culture -- Conclusion | |
| 650 | 4 | |a Motion pictures |z United States |x History |y 20th century | |
| 650 | 4 | |a Motion pictures |z United States |x History |y 21st century | |
| 650 | 4 | |a Digital media |x Influence | |
| 650 | 4 | |a Motion picture industry |x Technological innovations | |
| 650 | 4 | |a Digital cinematography | |
| 650 | 4 | |a Convergence (Telecommunication) | |
| 650 | 0 | 7 | |a Neue Medien |0 (DE-588)4196910-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Filmwissenschaft |0 (DE-588)4154385-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Digitalisierung |0 (DE-588)4123065-6 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 0 | 1 | |a Neue Medien |0 (DE-588)4196910-8 |D s |
| 689 | 0 | 2 | |a Filmwissenschaft |0 (DE-588)4154385-3 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 1 | 1 | |a Digitalisierung |0 (DE-588)4123065-6 |D s |
| 689 | 1 | |5 DE-604 | |
| 710 | 2 | |a American Council of Learned Societies |e Sonstige |4 oth | |
| 912 | |a ZDB-17-ACL | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032589615 | ||
| 966 | e | |u http://hdl.handle.net/2027/heb.08140 |l KUBA1 |p ZDB-17-ACL |q KHI |x Verlag |3 Volltext | |
| 966 | e | |u http://hdl.handle.net/2027/heb.08140 |l KUBA3 |p ZDB-17-ACL |q DFK |x Verlag |3 Volltext | |
| 966 | e | |u http://hdl.handle.net/2027/heb.08140 |l KUBA4 |p ZDB-17-ACL |q BHR |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804182277025955840 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Tryon, Chuck 1970- |
| author_facet | Tryon, Chuck 1970- |
| author_role | aut |
| author_sort | Tryon, Chuck 1970- |
| author_variant | c t ct |
| building | Verbundindex |
| bvnumber | BV047184331 |
| collection | ZDB-17-ACL |
| contents | Introduction -- The rise of the movie geek: DVD culture, cinematic knowledge, and the home viewer -- The screen is alive: digital effects and Internet culture in the 1990s cyberthriller -- Wall-to-wall color: moviegoing in the age of digital projection -- Desktop productions: digital distribution and public film cultures -- Toppling the gates: blogging as networked film criticism -- Hollywood remixed: movie trailer mashups, five-second movies, and film culture -- Conclusion |
| ctrlnum | (ZDB-17-ACL)KOHA0000000000000000002745 (OCoLC)1241676468 (DE-599)BVBBV047184331 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02705nmm a2200565zc 4500</leader><controlfield tag="001">BV047184331</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">210309s2009 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780813545462</subfield><subfield code="9">978-0-8135-4546-2</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-17-ACL)KOHA0000000000000000002745</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1241676468</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047184331</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-Y7</subfield><subfield code="a">DE-Y2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Tryon, Chuck</subfield><subfield code="d">1970-</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Reinventing cinema</subfield><subfield code="b">movies in the age of media convergence</subfield><subfield code="c">Chuck Tryon</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New Brunswick, N.J.</subfield><subfield code="b">Rutgers University Press</subfield><subfield code="c">c2009</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (viii, 215 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">ACLS Humanities E-Book</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Introduction -- The rise of the movie geek: DVD culture, cinematic knowledge, and the home viewer -- The screen is alive: digital effects and Internet culture in the 1990s cyberthriller -- Wall-to-wall color: moviegoing in the age of digital projection -- Desktop productions: digital distribution and public film cultures -- Toppling the gates: blogging as networked film criticism -- Hollywood remixed: movie trailer mashups, five-second movies, and film culture -- Conclusion</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield><subfield code="z">United States</subfield><subfield code="x">History</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield><subfield code="z">United States</subfield><subfield code="x">History</subfield><subfield code="y">21st century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Digital media</subfield><subfield code="x">Influence</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion picture industry</subfield><subfield code="x">Technological innovations</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Digital cinematography</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Convergence (Telecommunication)</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Neue Medien</subfield><subfield code="0">(DE-588)4196910-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Filmwissenschaft</subfield><subfield code="0">(DE-588)4154385-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Digitalisierung</subfield><subfield code="0">(DE-588)4123065-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Neue Medien</subfield><subfield code="0">(DE-588)4196910-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Filmwissenschaft</subfield><subfield code="0">(DE-588)4154385-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Digitalisierung</subfield><subfield code="0">(DE-588)4123065-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">American Council of Learned Societies</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-17-ACL</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032589615</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://hdl.handle.net/2027/heb.08140</subfield><subfield code="l">KUBA1</subfield><subfield code="p">ZDB-17-ACL</subfield><subfield code="q">KHI</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://hdl.handle.net/2027/heb.08140</subfield><subfield code="l">KUBA3</subfield><subfield code="p">ZDB-17-ACL</subfield><subfield code="q">DFK</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://hdl.handle.net/2027/heb.08140</subfield><subfield code="l">KUBA4</subfield><subfield code="p">ZDB-17-ACL</subfield><subfield code="q">BHR</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV047184331 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:46:02Z |
| indexdate | 2024-07-10T09:04:59Z |
| institution | BVB |
| isbn | 9780813545462 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032589615 |
| oclc_num | 1241676468 |
| open_access_boolean | |
| owner | DE-Y3 DE-Y7 DE-Y2 |
| owner_facet | DE-Y3 DE-Y7 DE-Y2 |
| physical | 1 Online-Ressource (viii, 215 Seiten) |
| psigel | ZDB-17-ACL ZDB-17-ACL KHI ZDB-17-ACL DFK ZDB-17-ACL BHR |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | Rutgers University Press |
| record_format | marc |
| series2 | ACLS Humanities E-Book |
| spelling | Tryon, Chuck 1970- Verfasser aut Reinventing cinema movies in the age of media convergence Chuck Tryon New Brunswick, N.J. Rutgers University Press c2009 1 Online-Ressource (viii, 215 Seiten) txt rdacontent c rdamedia cr rdacarrier ACLS Humanities E-Book Includes bibliographical references and index Introduction -- The rise of the movie geek: DVD culture, cinematic knowledge, and the home viewer -- The screen is alive: digital effects and Internet culture in the 1990s cyberthriller -- Wall-to-wall color: moviegoing in the age of digital projection -- Desktop productions: digital distribution and public film cultures -- Toppling the gates: blogging as networked film criticism -- Hollywood remixed: movie trailer mashups, five-second movies, and film culture -- Conclusion Motion pictures United States History 20th century Motion pictures United States History 21st century Digital media Influence Motion picture industry Technological innovations Digital cinematography Convergence (Telecommunication) Neue Medien (DE-588)4196910-8 gnd rswk-swf Filmwissenschaft (DE-588)4154385-3 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Digitalisierung (DE-588)4123065-6 gnd rswk-swf Film (DE-588)4017102-4 s Neue Medien (DE-588)4196910-8 s Filmwissenschaft (DE-588)4154385-3 s DE-604 Digitalisierung (DE-588)4123065-6 s American Council of Learned Societies Sonstige oth |
| spellingShingle | Tryon, Chuck 1970- Reinventing cinema movies in the age of media convergence Introduction -- The rise of the movie geek: DVD culture, cinematic knowledge, and the home viewer -- The screen is alive: digital effects and Internet culture in the 1990s cyberthriller -- Wall-to-wall color: moviegoing in the age of digital projection -- Desktop productions: digital distribution and public film cultures -- Toppling the gates: blogging as networked film criticism -- Hollywood remixed: movie trailer mashups, five-second movies, and film culture -- Conclusion Motion pictures United States History 20th century Motion pictures United States History 21st century Digital media Influence Motion picture industry Technological innovations Digital cinematography Convergence (Telecommunication) Neue Medien (DE-588)4196910-8 gnd Filmwissenschaft (DE-588)4154385-3 gnd Film (DE-588)4017102-4 gnd Digitalisierung (DE-588)4123065-6 gnd |
| subject_GND | (DE-588)4196910-8 (DE-588)4154385-3 (DE-588)4017102-4 (DE-588)4123065-6 |
| title | Reinventing cinema movies in the age of media convergence |
| title_auth | Reinventing cinema movies in the age of media convergence |
| title_exact_search | Reinventing cinema movies in the age of media convergence |
| title_exact_search_txtP | Reinventing cinema movies in the age of media convergence |
| title_full | Reinventing cinema movies in the age of media convergence Chuck Tryon |
| title_fullStr | Reinventing cinema movies in the age of media convergence Chuck Tryon |
| title_full_unstemmed | Reinventing cinema movies in the age of media convergence Chuck Tryon |
| title_short | Reinventing cinema |
| title_sort | reinventing cinema movies in the age of media convergence |
| title_sub | movies in the age of media convergence |
| topic | Motion pictures United States History 20th century Motion pictures United States History 21st century Digital media Influence Motion picture industry Technological innovations Digital cinematography Convergence (Telecommunication) Neue Medien (DE-588)4196910-8 gnd Filmwissenschaft (DE-588)4154385-3 gnd Film (DE-588)4017102-4 gnd Digitalisierung (DE-588)4123065-6 gnd |
| topic_facet | Motion pictures United States History 20th century Motion pictures United States History 21st century Digital media Influence Motion picture industry Technological innovations Digital cinematography Convergence (Telecommunication) Neue Medien Filmwissenschaft Film Digitalisierung |
| work_keys_str_mv | AT tryonchuck reinventingcinemamoviesintheageofmediaconvergence AT americancounciloflearnedsocieties reinventingcinemamoviesintheageofmediaconvergence |