First cut: conversations with film editors
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Berkeley
University of California Press
c1992
|
| Series: | ACLS Humanities E-Book
|
| Subjects: | |
| Online Access: | KUBA1 KUBA3 KUBA4 |
| Item Description: | Includes bibliographical references (p. 403-404) and index |
| Physical Description: | 1 Online-Ressource (ix, 417 Seiten) |
| ISBN: | 0520075889 |
Staff View
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV047184281 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 210309s1992 |||| o||u| ||||||eng d | ||
| 020 | |a 0520075889 |9 0-520-07588-9 | ||
| 035 | |a (ZDB-17-ACL)MIU01000000000000009641353 | ||
| 035 | |a (OCoLC)1241676288 | ||
| 035 | |a (DE-599)BVBBV047184281 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Y3 |a DE-Y7 |a DE-Y2 | ||
| 100 | 1 | |a Oldham, Gabriella |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a First cut |b conversations with film editors |c Gabriella Oldham |
| 264 | 1 | |a Berkeley |b University of California Press |c c1992 | |
| 300 | |a 1 Online-Ressource (ix, 417 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a ACLS Humanities E-Book | |
| 500 | |a Includes bibliographical references (p. 403-404) and index | ||
| 505 | 0 | |a Being an editor / Sheldon Kahn -- Becoming an editor / Emily Paine -- Distilling the documentary / Tom Haneke -- Film as all the arts / Carol Littleton -- Flashback, flashforward / Harold F. Kress and Carl Kress -- The essential film / Geof Bartz -- Telling stories / Tom Rolf -- Sparking life, shaping people / Paul Barnes -- Touching the heart / Anne V. Coates -- Maximizing the moment / Bill Pankow -- "Percussive" editing / Paul Hirsch -- Keeping the beat / Donn Cambern -- Seeing the invisible / Evan Lottman -- Remaining versatile / Peter C. Frank -- "Good stuff" never changes / John D. Dunning -- Subliminal truths / Ted Winterburn -- The inner voice / Sidney Levin -- Drawing the emotional line / Merle Worth -- The supreme collaboration / Barry Malkin | |
| 505 | 0 | |a Diplomatic takes / Rudi Fehr -- Creating a legacy / Richard Marks -- "Locking" up / Alan Heim | |
| 650 | 4 | |a Motion pictures |x Editing | |
| 650 | 4 | |a Motion picture editors | |
| 710 | 2 | |a American Council of Learned Societies |e Sonstige |4 oth | |
| 912 | |a ZDB-17-ACL | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032589565 | ||
| 966 | e | |u http://hdl.handle.net/2027/heb.08062 |l KUBA1 |p ZDB-17-ACL |q KHI |x Verlag |3 Volltext | |
| 966 | e | |u http://hdl.handle.net/2027/heb.08062 |l KUBA3 |p ZDB-17-ACL |q DFK |x Verlag |3 Volltext | |
| 966 | e | |u http://hdl.handle.net/2027/heb.08062 |l KUBA4 |p ZDB-17-ACL |q BHR |x Verlag |3 Volltext | |
Record in the Search Index
| _version_ | 1804182276941021184 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Oldham, Gabriella |
| author_facet | Oldham, Gabriella |
| author_role | aut |
| author_sort | Oldham, Gabriella |
| author_variant | g o go |
| building | Verbundindex |
| bvnumber | BV047184281 |
| collection | ZDB-17-ACL |
| contents | Being an editor / Sheldon Kahn -- Becoming an editor / Emily Paine -- Distilling the documentary / Tom Haneke -- Film as all the arts / Carol Littleton -- Flashback, flashforward / Harold F. Kress and Carl Kress -- The essential film / Geof Bartz -- Telling stories / Tom Rolf -- Sparking life, shaping people / Paul Barnes -- Touching the heart / Anne V. Coates -- Maximizing the moment / Bill Pankow -- "Percussive" editing / Paul Hirsch -- Keeping the beat / Donn Cambern -- Seeing the invisible / Evan Lottman -- Remaining versatile / Peter C. Frank -- "Good stuff" never changes / John D. Dunning -- Subliminal truths / Ted Winterburn -- The inner voice / Sidney Levin -- Drawing the emotional line / Merle Worth -- The supreme collaboration / Barry Malkin Diplomatic takes / Rudi Fehr -- Creating a legacy / Richard Marks -- "Locking" up / Alan Heim |
| ctrlnum | (ZDB-17-ACL)MIU01000000000000009641353 (OCoLC)1241676288 (DE-599)BVBBV047184281 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02288nmm a2200397zc 4500</leader><controlfield tag="001">BV047184281</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">210309s1992 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0520075889</subfield><subfield code="9">0-520-07588-9</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-17-ACL)MIU01000000000000009641353</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1241676288</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047184281</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-Y7</subfield><subfield code="a">DE-Y2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Oldham, Gabriella</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">First cut</subfield><subfield code="b">conversations with film editors</subfield><subfield code="c">Gabriella Oldham</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Berkeley</subfield><subfield code="b">University of California Press</subfield><subfield code="c">c1992</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (ix, 417 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">ACLS Humanities E-Book</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (p. 403-404) and index</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Being an editor / Sheldon Kahn -- Becoming an editor / Emily Paine -- Distilling the documentary / Tom Haneke -- Film as all the arts / Carol Littleton -- Flashback, flashforward / Harold F. Kress and Carl Kress -- The essential film / Geof Bartz -- Telling stories / Tom Rolf -- Sparking life, shaping people / Paul Barnes -- Touching the heart / Anne V. Coates -- Maximizing the moment / Bill Pankow -- "Percussive" editing / Paul Hirsch -- Keeping the beat / Donn Cambern -- Seeing the invisible / Evan Lottman -- Remaining versatile / Peter C. Frank -- "Good stuff" never changes / John D. Dunning -- Subliminal truths / Ted Winterburn -- The inner voice / Sidney Levin -- Drawing the emotional line / Merle Worth -- The supreme collaboration / Barry Malkin</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Diplomatic takes / Rudi Fehr -- Creating a legacy / Richard Marks -- "Locking" up / Alan Heim</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield><subfield code="x">Editing</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion picture editors</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">American Council of Learned Societies</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-17-ACL</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032589565</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://hdl.handle.net/2027/heb.08062</subfield><subfield code="l">KUBA1</subfield><subfield code="p">ZDB-17-ACL</subfield><subfield code="q">KHI</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://hdl.handle.net/2027/heb.08062</subfield><subfield code="l">KUBA3</subfield><subfield code="p">ZDB-17-ACL</subfield><subfield code="q">DFK</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://hdl.handle.net/2027/heb.08062</subfield><subfield code="l">KUBA4</subfield><subfield code="p">ZDB-17-ACL</subfield><subfield code="q">BHR</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV047184281 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:46:02Z |
| indexdate | 2024-07-10T09:04:59Z |
| institution | BVB |
| isbn | 0520075889 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032589565 |
| oclc_num | 1241676288 |
| open_access_boolean | |
| owner | DE-Y3 DE-Y7 DE-Y2 |
| owner_facet | DE-Y3 DE-Y7 DE-Y2 |
| physical | 1 Online-Ressource (ix, 417 Seiten) |
| psigel | ZDB-17-ACL ZDB-17-ACL KHI ZDB-17-ACL DFK ZDB-17-ACL BHR |
| publishDate | 1992 |
| publishDateSearch | 1992 |
| publishDateSort | 1992 |
| publisher | University of California Press |
| record_format | marc |
| series2 | ACLS Humanities E-Book |
| spelling | Oldham, Gabriella Verfasser aut First cut conversations with film editors Gabriella Oldham Berkeley University of California Press c1992 1 Online-Ressource (ix, 417 Seiten) txt rdacontent c rdamedia cr rdacarrier ACLS Humanities E-Book Includes bibliographical references (p. 403-404) and index Being an editor / Sheldon Kahn -- Becoming an editor / Emily Paine -- Distilling the documentary / Tom Haneke -- Film as all the arts / Carol Littleton -- Flashback, flashforward / Harold F. Kress and Carl Kress -- The essential film / Geof Bartz -- Telling stories / Tom Rolf -- Sparking life, shaping people / Paul Barnes -- Touching the heart / Anne V. Coates -- Maximizing the moment / Bill Pankow -- "Percussive" editing / Paul Hirsch -- Keeping the beat / Donn Cambern -- Seeing the invisible / Evan Lottman -- Remaining versatile / Peter C. Frank -- "Good stuff" never changes / John D. Dunning -- Subliminal truths / Ted Winterburn -- The inner voice / Sidney Levin -- Drawing the emotional line / Merle Worth -- The supreme collaboration / Barry Malkin Diplomatic takes / Rudi Fehr -- Creating a legacy / Richard Marks -- "Locking" up / Alan Heim Motion pictures Editing Motion picture editors American Council of Learned Societies Sonstige oth |
| spellingShingle | Oldham, Gabriella First cut conversations with film editors Being an editor / Sheldon Kahn -- Becoming an editor / Emily Paine -- Distilling the documentary / Tom Haneke -- Film as all the arts / Carol Littleton -- Flashback, flashforward / Harold F. Kress and Carl Kress -- The essential film / Geof Bartz -- Telling stories / Tom Rolf -- Sparking life, shaping people / Paul Barnes -- Touching the heart / Anne V. Coates -- Maximizing the moment / Bill Pankow -- "Percussive" editing / Paul Hirsch -- Keeping the beat / Donn Cambern -- Seeing the invisible / Evan Lottman -- Remaining versatile / Peter C. Frank -- "Good stuff" never changes / John D. Dunning -- Subliminal truths / Ted Winterburn -- The inner voice / Sidney Levin -- Drawing the emotional line / Merle Worth -- The supreme collaboration / Barry Malkin Diplomatic takes / Rudi Fehr -- Creating a legacy / Richard Marks -- "Locking" up / Alan Heim Motion pictures Editing Motion picture editors |
| title | First cut conversations with film editors |
| title_auth | First cut conversations with film editors |
| title_exact_search | First cut conversations with film editors |
| title_exact_search_txtP | First cut conversations with film editors |
| title_full | First cut conversations with film editors Gabriella Oldham |
| title_fullStr | First cut conversations with film editors Gabriella Oldham |
| title_full_unstemmed | First cut conversations with film editors Gabriella Oldham |
| title_short | First cut |
| title_sort | first cut conversations with film editors |
| title_sub | conversations with film editors |
| topic | Motion pictures Editing Motion picture editors |
| topic_facet | Motion pictures Editing Motion picture editors |
| work_keys_str_mv | AT oldhamgabriella firstcutconversationswithfilmeditors AT americancounciloflearnedsocieties firstcutconversationswithfilmeditors |