Giorgione's ambiguity:
"The Venetian painter known as Giorgione or "big George" died at a young age in the dreadful plague of 1510, possibly having painted no more than thirty works. But many of these are among the most mysterious and alluring in the history of art. Paintings such as the Three Philosophers...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Reaktion Books
2020
|
| Schriftenreihe: | Renaissance lives
|
| Schlagworte: | |
| Zusammenfassung: | "The Venetian painter known as Giorgione or "big George" died at a young age in the dreadful plague of 1510, possibly having painted no more than thirty works. But many of these are among the most mysterious and alluring in the history of art. Paintings such as the Three Philosophers and The Tempest remain compellingly elusive, seeming to deny the viewer the possibility of interpreting their meaning. Tom Nichols argues that this visual ambiguity was quite deliberate, and that it was essential to Giorgione's approach in all his paintings. Nichols shows that Giorgione abandoned the more intellectual and rationalizing tendencies of Renaissance art, acknowledging the limits to human awareness or understanding. He was also to develop a newly sensual kind of art based on the intimate experiences of the body"--Inside back cover |
| Beschreibung: | 253 Seiten Illustrationen |
| ISBN: | 9781789142976 |
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| 505 | 8 | |a Introduction -- Who was Giorgione? -- Artistic context and early religious paintings -- Portraits and portrait-types -- Landscape and figure -- Nudes -- Conclusion | |
| 520 | 3 | |a "The Venetian painter known as Giorgione or "big George" died at a young age in the dreadful plague of 1510, possibly having painted no more than thirty works. But many of these are among the most mysterious and alluring in the history of art. Paintings such as the Three Philosophers and The Tempest remain compellingly elusive, seeming to deny the viewer the possibility of interpreting their meaning. Tom Nichols argues that this visual ambiguity was quite deliberate, and that it was essential to Giorgione's approach in all his paintings. Nichols shows that Giorgione abandoned the more intellectual and rationalizing tendencies of Renaissance art, acknowledging the limits to human awareness or understanding. He was also to develop a newly sensual kind of art based on the intimate experiences of the body"--Inside back cover | |
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Datensatz im Suchindex
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| contents | Introduction -- Who was Giorgione? -- Artistic context and early religious paintings -- Portraits and portrait-types -- Landscape and figure -- Nudes -- Conclusion |
| ctrlnum | (OCoLC)1244566580 (DE-599)BVBBV047159722 |
| discipline | Kunstgeschichte |
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| illustrated | Illustrated |
| index_date | 2024-07-03T16:40:26Z |
| indexdate | 2024-07-10T09:04:18Z |
| institution | BVB |
| isbn | 9781789142976 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032565364 |
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| physical | 253 Seiten Illustrationen |
| publishDate | 2020 |
| publishDateSearch | 2020 |
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| publisher | Reaktion Books |
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| series2 | Renaissance lives |
| spelling | Nichols, Tom 1958- Verfasser (DE-588)133254429 aut Giorgione's ambiguity Tom Nichols London Reaktion Books 2020 253 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier Renaissance lives Introduction -- Who was Giorgione? -- Artistic context and early religious paintings -- Portraits and portrait-types -- Landscape and figure -- Nudes -- Conclusion "The Venetian painter known as Giorgione or "big George" died at a young age in the dreadful plague of 1510, possibly having painted no more than thirty works. But many of these are among the most mysterious and alluring in the history of art. Paintings such as the Three Philosophers and The Tempest remain compellingly elusive, seeming to deny the viewer the possibility of interpreting their meaning. Tom Nichols argues that this visual ambiguity was quite deliberate, and that it was essential to Giorgione's approach in all his paintings. Nichols shows that Giorgione abandoned the more intellectual and rationalizing tendencies of Renaissance art, acknowledging the limits to human awareness or understanding. He was also to develop a newly sensual kind of art based on the intimate experiences of the body"--Inside back cover Giorgione 1478-1510 (DE-588)118539469 gnd rswk-swf Giorgione / 1477 or 1478-1510 / Criticism and interpretation Giorgione / 1477 or 1478-1510 Art criticism Criticism, interpretation, etc Giorgione 1478-1510 (DE-588)118539469 p DE-604 |
| spellingShingle | Nichols, Tom 1958- Giorgione's ambiguity Introduction -- Who was Giorgione? -- Artistic context and early religious paintings -- Portraits and portrait-types -- Landscape and figure -- Nudes -- Conclusion Giorgione 1478-1510 (DE-588)118539469 gnd |
| subject_GND | (DE-588)118539469 |
| title | Giorgione's ambiguity |
| title_auth | Giorgione's ambiguity |
| title_exact_search | Giorgione's ambiguity |
| title_exact_search_txtP | Giorgione's ambiguity |
| title_full | Giorgione's ambiguity Tom Nichols |
| title_fullStr | Giorgione's ambiguity Tom Nichols |
| title_full_unstemmed | Giorgione's ambiguity Tom Nichols |
| title_short | Giorgione's ambiguity |
| title_sort | giorgione s ambiguity |
| topic | Giorgione 1478-1510 (DE-588)118539469 gnd |
| topic_facet | Giorgione 1478-1510 |
| work_keys_str_mv | AT nicholstom giorgionesambiguity |