Children in opera:
"This book provides a musicological investigation into operas that include children. Just over 100 works have been selected here for an in-depth discussion of the composer, the children, and the productions, and around 250 relevant works from around the world are also referenced. Four composers...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne, UK
Cambridge Scholars Publishing
[2021]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "This book provides a musicological investigation into operas that include children. Just over 100 works have been selected here for an in-depth discussion of the composer, the children, and the productions, and around 250 relevant works from around the world are also referenced. Four composers to have most significantly proliferated the medium are discussed in even greater detail: César Cui, Benjamin Britten, Gian Carlo Menotti, and Peter Maxwell Davies. Since opera began, it has been inextricably linked to society, by reflecting and shaping our culture through music and narrative, and, as a result, children have been involved. Despite the contribution they played, for several centuries, their importance was overlooked. By tracing the development of children’s participation in opera, this book uncovers the changing attitudes of composers towards them, and how this was reflected in the wider society. From the early productions of the seventeenth century, to those of the twenty-first century, the operatic children’s role has undergone a fundamental change. It almost seems that contemporary composers of operas view the inclusion of children in some way as ubiquitous. The rise of the children’s opera chorus and the explosion of children’s-only productions attest to the changing view of the value they can bring to the art. Some of the children to have characterised these roles are discussed in this book in order to redress the disproportionate lack of acknowledgement they often received for their performances"--Publisher's website |
| Beschreibung: | xx, 384 Seiten Notenbeispiele |
| ISBN: | 9781527561663 |
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Datensatz im Suchindex
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| adam_text | Contents List of Figures........................................................................................... xii Acknowledgements................................................................................. xxi Chapter 1..................................................................................................... 1 Introduction What is a child?..................................................................................... 4 Vocal development in children............................................................. 5 Opera sacra........................................................................................... 6 Boys will be girls.................................................................................. 9 Changing attitudes to and regulations for children on stage................11 Children writing operas........................................................................14 The early child opera stars...................................................................18 Casting children to play children........................................................ 23 Parameters and limitations...................................................................25 Chapter 2...................................................................................................28 European beginnings Italy......................................................................................................30 Page boys in Cavalli’s operas and his contemporaries.................. 31
France.................................................................................................. 36 Psyche, Jean-Baptiste Lully, 1678..................................................37 David et Jonathas, Marc-Antoine Charpentier, 1688.................... 39 Germany..............................................................................................44 WA Mozart, Apollo et Hyacinthus, 1767...................................... 44 Tarare, Antonio Salieri, 1787........................................................ 48 Die Zauberflöte, W.A. Mozart, 1791............................................ 51 England................................................................................................53 Venus and Adonis, John Blow, 1683............................................ 57 Rosamond, Thomas Arne, 1733.................................................... 58 Aleina, George Frederic Handel, 1735.......................................... 60 Giustino, George Frederick Handel, 1736..................................... 63 Faramondo, George Frederick Handel, 1737................................ 65 The Children in the Wood, Samuel Arnold, 1793......................... 69 Epilogue...............................................................................................73
viii Contents Chapter 3....................................................................................................75 Children’s solo roles in the nineteenth century Tannhäuser, Richard Wagner, 1845.................................................... 77 Boris Godunov, Modest Mussorgsky, 1873........................................ 79 John Farmer, The Pied Piper or Rat-catcher of Hamelin, 1884.........82 La Bohème, Giacomo Puccini, 1896.................................................. 85 Pelleas et Mélisande, Claude Debussy, 1898...................................... 88 Tosca, Giacomo Puccini, 1900........................................................... 90 Epilogue............................................................................................... 93 Chapter 4................................................................................................... 94 The Emerging Children’s Chorus La damnation de Faust, Hector Berlioz, 1845..................................... 96 Carmen, George Bizet, 1875............................................................... 98 Parsifal, Richard Wagner, 1882.........................................................101 Werther, Jules Massenet, 1885-87................................................... 103 Jakobin, Antonin Dvořák, 1887....................................................... 106 Dítě Tábora, Karel Bendi, 1892....................................................... 109 Hansel und Gretel, Engelbert Humperdinck, 1893............................114 Otello, Giuseppi Verdi,
1887........................................................... 118 L Enfant et les Sortilèges, Maurice Ravel, 1925.............................. 121 Turandot, Giacomo Puccini, 1926..................................................... 125 Epilogue............................................................................................. 127 Chapter 5..................................................................................................130 Lost innocence in the early twentieth century Osud, Leoš Janáček, 1905................................................................. 131 Königskinder, Engelbert Humperdinck, 1910................................... 134 Gianni Schicchi, Giacomo Puccini, 1918.......................................... 137 Wozzeck, Alban Berg, 1922............................................................. 139 El retablo de maese Pedro, Manuel de Falla, 1923.......................... 140 Příhody lišky Bystroušky, Leoš Janáček, 1923................................. 142 Der Jasager, Kurt Weill, 1930........................................................... 146 Porgy and Bess, George Gershwin, 1935.......................................... 150 The Second Hurricane, Aaron Copland, 1937................................... 152 Brundibár, Hans bírása, 1938............................................................ 156 Street Scene, Kurt Weill, 1946.......................................................... 159 Epilogue.............................................................................................. 162
Children in Opera ix Chapter 6................................................................................................. 163 Post-modernism and operas with children Ein Landarzt, Hans Werner Henze, 1951........................................... 168 King Priam, Michael Tippett, 1962................................................. 171 Don Rodrigo, Alberto Ginastera, 1964............................................ 175 Miss Julie, Ned Rorem, 1965............................................................ 178 Bomarzo, Alberto Ginastera, 1967.................................................... 180 Casanova’s Homecoming, Dominick Argento, 1985....................... 182 Julius Cæsar Jones, Malcolm Williamson, 1966............................... 184 Pollicino, Hans Werner Henze, 1980................................................ 187 Punainen viiva, Aulis Sallinen, 1978................................................ 191 Harvey Milk, Stewart Wallace, 1995................................................ 194 The Little Prince, Rachel Portman, 2003........................................... 197 The Love of the Nightingale, Richard Mills, 2007............................200 The Jailer’s Tale, Malcolm Singer, 2010...........................................202 The Riders, Iain Grandage, 2014.......................................................204 Der Wind in den Weiden, Elena Kats-Chernin, 2018........................207 Epilogue............................................................................................. 209 Chapter
7................................................................................................. 211 César Cui (1835-1918) The Snow Bogatyr, 1905...................................................................213 Little Red Riding-Hood, 1911.....:.................................................... 216 Puss-in-boots, 1913............................................................................219 Ivan the Fool, 1913............................................................................222 Epilogue............................................................................................. 225 Chapter 8................................................................................................. 226 Benjamin Britten (1913-1976) Albert Herring, 1947..........................................................................227 Let’s Make an Opera! 1949...............................................................230 The Turn of the Screw, 1954.............................................................232 Noye’s Fludde, 1958..........................................................................236 A Midsummer Night’s Dream, 1960.................................................240 Curlew River, 1964............................................................................242 The Burning Fiery Furnace, 1966......................................................244 The Prodigal Son, 1968......................................................................246 Epilogue.............................................................................................
249
x Contents Chapter 9................................................................................................. 251 Gian Carlo Menotti (1911-2007) The Medium, 1946............................................................................. 252 Amahl and the Night Visitors, 1951..................................................254 Maria Golovin, 1958.......................................................................... 259 The Death of the Bishop of Brindisi, 1963....................................... 260 Martin’s Lie, 1964............................................................................. 262 Help, Help, the Globolinks! 1968......................................................264 The Trial of the Gypsy, 1978.............................................................267 Chip and his Dog, 1979.....................................................................269 The Boy Who Grew Too Fast, 1982..................................................271 The Singing Child, 1993....................................................................275 Epilogue............................................................................................. 277 Chapter 10............................................................................................... 279 Peter Maxwell Davies (1934-2016) Taverner, 1970................................................................................... 280 The Two Fiddlers, 1978.....................................................................282 Cinderella,
1979.................................................................................285 The Rainbow, 1981............................................................................ 289 Dinosaur at Large, 1989..................................................................... 291 The Great Bank Robbery, 1989.........................................................293 Jupiter Landing, 1989........................................................................ 295 Dangerous Errand, 1990.................................................................... 297 The Spiders’ Revenge, 1991.............................................................. 298 The Selkie Tale, 1992........................................................................ 300 Kommilitonen!, 2010......................................................................... 302 The Hogboon, 2015........................................................................... 305 Epilogue............................................................................................. 306 Chapter 11................................................................................................309 Children-only operas La Cenicienta, Jorge Peña Hen, 1966................................................311 All the King s Men, Sir Richard Rodney Bennett, 1968....................315 The Happy Prince, Malcolm Williamson, 1965.................................320 Cassations, Malcolm Williamson......................................................322 The Moonrakers, 1967 Knights in Shining Armour, 1968 The Snow Wolf, 1971 Genesis,
1971 The Stone Wall, 1973
Children in Opera XI The Winter Star, 1974 The Glitter Gang, 1974 The Terrain of Kings, 1977 The Valley and the Hill, 1982 The Devil s Bridge, 1982 Eloise, Karl Jenkins, 1997.................................................................325 Epilogue............................................................................................. 329 Chapter 12............................................................................................... 330 Conclusions Television talent shows......................................................................333 The firture........................................................................................... 334 Education........................................................................................... 336 Referenced operas involving children.....................................................339 References............................................................................................... 350 Index........................................................................................................ 366
|
| adam_txt |
Contents List of Figures. xii Acknowledgements. xxi Chapter 1. 1 Introduction What is a child?. 4 Vocal development in children. 5 Opera sacra. 6 Boys will be girls. 9 Changing attitudes to and regulations for children on stage.11 Children writing operas.14 The early child opera stars.18 Casting children to play children. 23 Parameters and limitations.25 Chapter 2.28 European beginnings Italy.30 Page boys in Cavalli’s operas and his contemporaries. 31
France. 36 Psyche, Jean-Baptiste Lully, 1678.37 David et Jonathas, Marc-Antoine Charpentier, 1688. 39 Germany.44 WA Mozart, Apollo et Hyacinthus, 1767. 44 Tarare, Antonio Salieri, 1787. 48 Die Zauberflöte, W.A. Mozart, 1791. 51 England.53 Venus and Adonis, John Blow, 1683. 57 Rosamond, Thomas Arne, 1733. 58 Aleina, George Frederic Handel, 1735. 60 Giustino, George Frederick Handel, 1736. 63 Faramondo, George Frederick Handel, 1737. 65 The Children in the Wood, Samuel Arnold, 1793. 69 Epilogue.73
viii Contents Chapter 3.75 Children’s solo roles in the nineteenth century Tannhäuser, Richard Wagner, 1845. 77 Boris Godunov, Modest Mussorgsky, 1873. 79 John Farmer, The Pied Piper or Rat-catcher of Hamelin, 1884.82 La Bohème, Giacomo Puccini, 1896. 85 Pelleas et Mélisande, Claude Debussy, 1898. 88 Tosca, Giacomo Puccini, 1900. 90 Epilogue. 93 Chapter 4. 94 The Emerging Children’s Chorus La damnation de Faust, Hector Berlioz, 1845. 96 Carmen, George Bizet, 1875. 98 Parsifal, Richard Wagner, 1882.101 Werther, Jules Massenet, 1885-87. 103 Jakobin, Antonin Dvořák, 1887. 106 Dítě Tábora, Karel Bendi, 1892. 109 Hansel und Gretel, Engelbert Humperdinck, 1893.114 Otello, Giuseppi Verdi,
1887. 118 L'Enfant et les Sortilèges, Maurice Ravel, 1925. 121 Turandot, Giacomo Puccini, 1926. 125 Epilogue. 127 Chapter 5.130 Lost innocence in the early twentieth century Osud, Leoš Janáček, 1905. 131 Königskinder, Engelbert Humperdinck, 1910. 134 Gianni Schicchi, Giacomo Puccini, 1918. 137 Wozzeck, Alban Berg, 1922. 139 El retablo de maese Pedro, Manuel de Falla, 1923. 140 Příhody lišky Bystroušky, Leoš Janáček, 1923. 142 Der Jasager, Kurt Weill, 1930. 146 Porgy and Bess, George Gershwin, 1935. 150 The Second Hurricane, Aaron Copland, 1937. 152 Brundibár, Hans bírása, 1938. 156 Street Scene, Kurt Weill, 1946. 159 Epilogue. 162
Children in Opera ix Chapter 6. 163 Post-modernism and operas with children Ein Landarzt, Hans Werner Henze, 1951. 168 King Priam, Michael Tippett, 1962. 171 Don Rodrigo, Alberto Ginastera, 1964. 175 Miss Julie, Ned Rorem, 1965. 178 Bomarzo, Alberto Ginastera, 1967. 180 Casanova’s Homecoming, Dominick Argento, 1985. 182 Julius Cæsar Jones, Malcolm Williamson, 1966. 184 Pollicino, Hans Werner Henze, 1980. 187 Punainen viiva, Aulis Sallinen, 1978. 191 Harvey Milk, Stewart Wallace, 1995. 194 The Little Prince, Rachel Portman, 2003. 197 The Love of the Nightingale, Richard Mills, 2007.200 The Jailer’s Tale, Malcolm Singer, 2010.202 The Riders, Iain Grandage, 2014.204 Der Wind in den Weiden, Elena Kats-Chernin, 2018.207 Epilogue. 209 Chapter
7. 211 César Cui (1835-1918) The Snow Bogatyr, 1905.213 Little Red Riding-Hood, 1911.:. 216 Puss-in-boots, 1913.219 Ivan the Fool, 1913.222 Epilogue. 225 Chapter 8. 226 Benjamin Britten (1913-1976) Albert Herring, 1947.227 Let’s Make an Opera! 1949.230 The Turn of the Screw, 1954.232 Noye’s Fludde, 1958.236 A Midsummer Night’s Dream, 1960.240 Curlew River, 1964.242 The Burning Fiery Furnace, 1966.244 The Prodigal Son, 1968.246 Epilogue.
249
x Contents Chapter 9. 251 Gian Carlo Menotti (1911-2007) The Medium, 1946. 252 Amahl and the Night Visitors, 1951.254 Maria Golovin, 1958. 259 The Death of the Bishop of Brindisi, 1963. 260 Martin’s Lie, 1964. 262 Help, Help, the Globolinks! 1968.264 The Trial of the Gypsy, 1978.267 Chip and his Dog, 1979.269 The Boy Who Grew Too Fast, 1982.271 The Singing Child, 1993.275 Epilogue. 277 Chapter 10. 279 Peter Maxwell Davies (1934-2016) Taverner, 1970. 280 The Two Fiddlers, 1978.282 Cinderella,
1979.285 The Rainbow, 1981. 289 Dinosaur at Large, 1989. 291 The Great Bank Robbery, 1989.293 Jupiter Landing, 1989. 295 Dangerous Errand, 1990. 297 The Spiders’ Revenge, 1991. 298 The Selkie Tale, 1992. 300 Kommilitonen!, 2010. 302 The Hogboon, 2015. 305 Epilogue. 306 Chapter 11.309 Children-only operas La Cenicienta, Jorge Peña Hen, 1966.311 All the King's Men, Sir Richard Rodney Bennett, 1968.315 The Happy Prince, Malcolm Williamson, 1965.320 Cassations, Malcolm Williamson.322 The Moonrakers, 1967 Knights in Shining Armour, 1968 The Snow Wolf, 1971 Genesis,
1971 The Stone Wall, 1973
Children in Opera XI The Winter Star, 1974 The Glitter Gang, 1974 The Terrain of Kings, 1977 The Valley and the Hill, 1982 The Devil's Bridge, 1982 Eloise, Karl Jenkins, 1997.325 Epilogue. 329 Chapter 12. 330 Conclusions Television talent shows.333 The firture. 334 Education. 336 Referenced operas involving children.339 References. 350 Index. 366 |
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| spelling | Sutherland, Andrew 1975- Verfasser (DE-588)1144976413 aut Children in opera by Andrew Sutherland Newcastle upon Tyne, UK Cambridge Scholars Publishing [2021] ©2021 xx, 384 Seiten Notenbeispiele txt rdacontent n rdamedia nc rdacarrier "This book provides a musicological investigation into operas that include children. Just over 100 works have been selected here for an in-depth discussion of the composer, the children, and the productions, and around 250 relevant works from around the world are also referenced. Four composers to have most significantly proliferated the medium are discussed in even greater detail: César Cui, Benjamin Britten, Gian Carlo Menotti, and Peter Maxwell Davies. Since opera began, it has been inextricably linked to society, by reflecting and shaping our culture through music and narrative, and, as a result, children have been involved. Despite the contribution they played, for several centuries, their importance was overlooked. By tracing the development of children’s participation in opera, this book uncovers the changing attitudes of composers towards them, and how this was reflected in the wider society. From the early productions of the seventeenth century, to those of the twenty-first century, the operatic children’s role has undergone a fundamental change. It almost seems that contemporary composers of operas view the inclusion of children in some way as ubiquitous. The rise of the children’s opera chorus and the explosion of children’s-only productions attest to the changing view of the value they can bring to the art. Some of the children to have characterised these roles are discussed in this book in order to redress the disproportionate lack of acknowledgement they often received for their performances"--Publisher's website Geschichte gnd rswk-swf Kind (DE-588)4030550-8 gnd rswk-swf Operngestalt (DE-588)4172624-8 gnd rswk-swf Characters and characteristics in opera Opera / Analysis, appreciation Kind (DE-588)4030550-8 s Operngestalt (DE-588)4172624-8 s Geschichte z DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032563193&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Sutherland, Andrew 1975- Children in opera Kind (DE-588)4030550-8 gnd Operngestalt (DE-588)4172624-8 gnd |
| subject_GND | (DE-588)4030550-8 (DE-588)4172624-8 |
| title | Children in opera |
| title_auth | Children in opera |
| title_exact_search | Children in opera |
| title_exact_search_txtP | Children in opera |
| title_full | Children in opera by Andrew Sutherland |
| title_fullStr | Children in opera by Andrew Sutherland |
| title_full_unstemmed | Children in opera by Andrew Sutherland |
| title_short | Children in opera |
| title_sort | children in opera |
| topic | Kind (DE-588)4030550-8 gnd Operngestalt (DE-588)4172624-8 gnd |
| topic_facet | Kind Operngestalt |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032563193&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT sutherlandandrew childreninopera |