Sound art and music: philosophy, composition, performance
Saved in:
| Other Authors: | , , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Newcastle upon Tyne, UK
Cambridge Scholars Publishing
2020
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| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | xi, 215 Seiten, 4 ungezählte Seiten Bildtafeln |
| ISBN: | 9781527557819 |
Staff View
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Record in the Search Index
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Table of Contents List of Figures, Tables and Examples.vii Foreword.x John Dack, Tansy Spinks, Adam Stanovíc Chapter One. 1 Introducing a Compositional Model for Live, Site-specific, Sound Art Performance Tansy Spinks Chapter Two.12 The Methodology Mythology: Reconsidering Compositional Practice in Acousmatic Music Adam Stanovíc Chapter Three. 37 Antiphonal Authorities: Exchanges of Control and Creativity in Collaborative Electroacoustic Performance James Williams Chapter Four. 52 Spectromorphology, Animal Voices, Dynamic Soundscapes: Investigative Listening AnnM. Warde Chapter Five. 70 Touching Sounds: Re-examining Audiotactile Affect with Reference to ASMR YouTube Content and Musical Production Practices Edward K. Spencer Chapter Six. Agential Instruments: Re-thinking Materiality Through My Recent Compositional Practice Matthew Sergeant 93
vi Table of Contents Chapter Seven. 106 Expressivity in Western-Art and Jazz Piano Performance: An Exploratory Study Alfonso Вenetti Chapter Eight.122 The Making of a Hearing of Voices of Objects OlafHochherz Chapter Nine.138 Re-thinking the Musical Instrument. as a Tool for Thinking Katharina Schmidt Chapter Ten.154 Casa and other Works: Studies on Audiences and Space in the Piano Recital Késia Decoté Rodrigues Chapter Eleven.175 The Body as Transitory Space of Relations and the Instrument as Multisensory Space: Expressive and Musical Gesture Analysis Slavisa Lamounier and Paulo Ferreira-Lopes Chapter Twelve.191 Using Embodiment Ideals to Mediate the Acoustic and Electronic in a Work for Solo Instrument and Fixed Media: An Experiment in Auto-choreography Hubert Ho Contributors.204 Index.212 |
| adam_txt |
Table of Contents List of Figures, Tables and Examples.vii Foreword.x John Dack, Tansy Spinks, Adam Stanovíc Chapter One. 1 Introducing a Compositional Model for Live, Site-specific, Sound Art Performance Tansy Spinks Chapter Two.12 The Methodology Mythology: Reconsidering Compositional Practice in Acousmatic Music Adam Stanovíc Chapter Three. 37 Antiphonal Authorities: Exchanges of Control and Creativity in Collaborative Electroacoustic Performance James Williams Chapter Four. 52 Spectromorphology, Animal Voices, Dynamic Soundscapes: Investigative Listening AnnM. Warde Chapter Five. 70 Touching Sounds: Re-examining Audiotactile Affect with Reference to ASMR YouTube Content and Musical Production Practices Edward K. Spencer Chapter Six. Agential Instruments: Re-thinking Materiality Through My Recent Compositional Practice Matthew Sergeant 93
vi Table of Contents Chapter Seven. 106 Expressivity in Western-Art and Jazz Piano Performance: An Exploratory Study Alfonso Вenetti Chapter Eight.122 The Making of a Hearing of Voices of Objects OlafHochherz Chapter Nine.138 Re-thinking the Musical Instrument. as a Tool for Thinking Katharina Schmidt Chapter Ten.154 Casa and other Works: Studies on Audiences and Space in the Piano Recital Késia Decoté Rodrigues Chapter Eleven.175 The Body as Transitory Space of Relations and the Instrument as Multisensory Space: Expressive and Musical Gesture Analysis Slavisa Lamounier and Paulo Ferreira-Lopes Chapter Twelve.191 Using Embodiment Ideals to Mediate the Acoustic and Electronic in a Work for Solo Instrument and Fixed Media: An Experiment in Auto-choreography Hubert Ho Contributors.204 Index.212 |
| any_adam_object | 1 |
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| author2 | Dack, John ca. 20. Jh Spinks, Tansy Stanović, Adam |
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| bvnumber | BV047132104 |
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| ctrlnum | (OCoLC)1256414340 (DE-599)BVBBV047132104 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| format | Book |
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| spelling | Sound art and music philosophy, composition, performance edited by John Dack, Tansy Spinks, and Adam Stanović Newcastle upon Tyne, UK Cambridge Scholars Publishing 2020 © 2020 xi, 215 Seiten, 4 ungezählte Seiten Bildtafeln txt rdacontent n rdamedia nc rdacarrier Musik (DE-588)4040802-4 gnd rswk-swf Klangkunst (DE-588)4430771-8 gnd rswk-swf Performance Künste (DE-588)4173750-7 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Art and music Music / Philosophy and aesthetics Sound in art (DE-588)1071861417 Konferenzschrift 2014-2015 Karlsruhe gnd-content Klangkunst (DE-588)4430771-8 s Musik (DE-588)4040802-4 s Performance Künste (DE-588)4173750-7 s Ästhetik (DE-588)4000626-8 s DE-604 Dack, John ca. 20. Jh. (DE-588)1031429506 edt Spinks, Tansy (DE-588)1233713302 edt Stanović, Adam (DE-588)1156690846 edt Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032538187&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Sound art and music philosophy, composition, performance Musik (DE-588)4040802-4 gnd Klangkunst (DE-588)4430771-8 gnd Performance Künste (DE-588)4173750-7 gnd Ästhetik (DE-588)4000626-8 gnd |
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| title | Sound art and music philosophy, composition, performance |
| title_auth | Sound art and music philosophy, composition, performance |
| title_exact_search | Sound art and music philosophy, composition, performance |
| title_exact_search_txtP | Sound Art and Music Philosophy, Composition, Performance |
| title_full | Sound art and music philosophy, composition, performance edited by John Dack, Tansy Spinks, and Adam Stanović |
| title_fullStr | Sound art and music philosophy, composition, performance edited by John Dack, Tansy Spinks, and Adam Stanović |
| title_full_unstemmed | Sound art and music philosophy, composition, performance edited by John Dack, Tansy Spinks, and Adam Stanović |
| title_short | Sound art and music |
| title_sort | sound art and music philosophy composition performance |
| title_sub | philosophy, composition, performance |
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| topic_facet | Musik Klangkunst Performance Künste Ästhetik Konferenzschrift 2014-2015 Karlsruhe |
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