Post-specimen encounters between art, science and curating: rethinking art practice and objecthood through scientific collections
'Post-Specimen Encounters in Art, Science and Curating' examines the ways in which scientific objects held within museums and other collections act as inspiration to contemporary art practices, curating strategies, and their histories. With cross-disciplinary contributions from art histori...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Bristol, UK ; Chicago, USA
Intellect
2020
|
| Schlagworte: | |
| Online-Zugang: | Rezension Inhaltsverzeichnis |
| Zusammenfassung: | 'Post-Specimen Encounters in Art, Science and Curating' examines the ways in which scientific objects held within museums and other collections act as inspiration to contemporary art practices, curating strategies, and their histories. With cross-disciplinary contributions from art historians, artists, poets, anthropologists, critics, and curators, this volume looks at how artistic encounters in museums, ranging from anatomy museums to contemporary cabinets of curiosity, can provoke new modes of thinking. In particular, this volume draws upon the concept of the specimen?a paradigmatic object in science - as a way of critically investigating these hybrid art science- practices and a means of innovating the practice of art writing itself. Edward Juler and Alistair Robinson bring together a variety of interdisciplinary perspectives from leading specialists in the visual arts that inspire new understandings of the relationships between art, science, and curating |
| Beschreibung: | "The volume germinated from a two-day interdisciplinary conference hosted by the University of Montpellier in 2016 on the occasion of the exhibition, 'A Scientific Encounter: Inter-Objectivity'" (Acknowledgements) |
| Beschreibung: | vii, 345 Seiten Illustrationen 25 cm |
| ISBN: | 9781789383119 1789383110 |
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Datensatz im Suchindex
| _version_ | 1804182174064181248 |
|---|---|
| adam_text | CONTENTS
ACKNOWLEDGEMENTS
VII
INTRODUCTION
EDWARD
JULER
AND
ALISTAIR
ROBINSON
1
NARRATIVES
OF
THE
`FETISH
26
JOHN
MACK
2
CURATING
INTEROBJECTIVELY IN MUSEUMS
51
ALISTAIR
ROBINSON
3
`A READINESS
TO
FIND
WHAT SURROUNDS US STRANGE
AND
ODD : 73
OBJECTS
IN
THE
ALTERNATIVE
CURIOSITY MUSEUM
MARION
ENDT-JONES
4
ART,
SCIENCE
AND
THE
MUTANT
OBJECT 100
RAHMA
KHAZAM
5
BLIND
SUMMIT/
MODELS
OF
SUBJECTIVITY: SURREALISM,
PHYSICS
AND
119
PSYCHOANALYSIS
GAVIN
PARKINSON
6
GLIMPSED
PHANTOMS
OF
SENSATION;
OR,
A
PSYCHOGEOGRAPHICAL
140
INVESTIGATION
OF
VARIOUS
ANATOMICAL SPECIMENS
WITH
REFERENCE
TO
CHRISTINE
BORLAND S
CET ETRE-LAE,
C EST
A
TOI
DE LE
CREER!
EDWARD
JULER
7
...
AS
FAR BACK
AS
I
WILL
REMEMBER
162
NADIA
LICHTIG
8
POETRY
AND
THE
PATHOLOGY
MUSEUM:
A MODEL
OF
DIFFERENCE
177
CHRISTY DUCKER
9
THE SCIENTIST
AND
THE
MAGICIAN
195
IRENE BROWN
10
CHOOSING, UNPICKING
AND
CONNECTING: ON DRAWING MUSEUM
OBJECTS
222
RICHARD
TALBOT
V
$
B1IOTHEK
DEUTSCHES
MUSEUM
HLUENCHE A
POST-SPECIMEN
11 POST-SPECIMENS
AND
PRESENT
ANCESTORS: PASSING
FABLES & 239
COMPARATIVE READINGS
AT
THE WILDGOOSE
MEMORIAL LIBRARY
JANE WILDGOOSE
12 MOVING
BEYOND
THE
SPECIMEN:
FROM DRAWING OBJECTS
TO
DRAWING
271
PROCESSES
GEMMA
ANDERSON
13 DESICCATION, SUSPENSION, EXTRACTION: THE INHUMAN
ART
OF
CHRISTINE 297
BORLAND
ANDREW PATRIZIO
AFTERWORD: SPECIMEN-WHAT S
AT
STAKE?
325
LUDMILLA JORDANOVA
BIOGRAPHIES
329
INDEX 332
V1
|
| adam_txt |
CONTENTS
ACKNOWLEDGEMENTS
VII
INTRODUCTION
EDWARD
JULER
AND
ALISTAIR
ROBINSON
1
NARRATIVES
OF
THE
`FETISH'
26
JOHN
MACK
2
CURATING
INTEROBJECTIVELY IN MUSEUMS
51
ALISTAIR
ROBINSON
3
`A READINESS
TO
FIND
WHAT SURROUNDS US STRANGE
AND
ODD': 73
OBJECTS
IN
THE
ALTERNATIVE
CURIOSITY MUSEUM
MARION
ENDT-JONES
4
ART,
SCIENCE
AND
THE
MUTANT
OBJECT 100
RAHMA
KHAZAM
5
BLIND
SUMMIT/
MODELS
OF
SUBJECTIVITY: SURREALISM,
PHYSICS
AND
119
PSYCHOANALYSIS
GAVIN
PARKINSON
6
GLIMPSED
PHANTOMS
OF
SENSATION;
OR,
A
PSYCHOGEOGRAPHICAL
140
INVESTIGATION
OF
VARIOUS
ANATOMICAL SPECIMENS
WITH
REFERENCE
TO
CHRISTINE
BORLAND'S
CET ETRE-LAE,
C'EST
A
TOI
DE LE
CREER!
EDWARD
JULER
7
.
AS
FAR BACK
AS
I
WILL
REMEMBER
162
NADIA
LICHTIG
8
POETRY
AND
THE
PATHOLOGY
MUSEUM:
A MODEL
OF
DIFFERENCE
177
CHRISTY DUCKER
9
THE SCIENTIST
AND
THE
MAGICIAN
195
IRENE BROWN
10
CHOOSING, UNPICKING
AND
CONNECTING: ON DRAWING MUSEUM
OBJECTS
222
RICHARD
TALBOT
V
$
B1IOTHEK
DEUTSCHES
MUSEUM
HLUENCHE'A
POST-SPECIMEN
11 POST-SPECIMENS
AND
PRESENT
ANCESTORS: PASSING
FABLES & 239
COMPARATIVE READINGS
AT
THE WILDGOOSE
MEMORIAL LIBRARY
JANE WILDGOOSE
12 MOVING
BEYOND
THE
SPECIMEN:
FROM DRAWING OBJECTS
TO
DRAWING
271
PROCESSES
GEMMA
ANDERSON
13 DESICCATION, SUSPENSION, EXTRACTION: THE INHUMAN
ART
OF
CHRISTINE 297
BORLAND
ANDREW PATRIZIO
AFTERWORD: SPECIMEN-WHAT'S
AT
STAKE?
325
LUDMILLA JORDANOVA
BIOGRAPHIES
329
INDEX 332
V1 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author2 | Juler, Edward Robinson, Alistair |
| author2_role | edt edt |
| author2_variant | e j ej a r ar |
| author_GND | (DE-588)1230325999 (DE-588)14014112X |
| author_facet | Juler, Edward Robinson, Alistair |
| building | Verbundindex |
| bvnumber | BV047125789 |
| callnumber-first | N - Fine Arts |
| callnumber-label | N6490 |
| callnumber-raw | N6490 |
| callnumber-search | N6490 |
| callnumber-sort | N 46490 |
| callnumber-subject | N - Visual Arts |
| classification_rvk | AK 86500 LH 39930 |
| ctrlnum | (OCoLC)1236094758 (DE-599)KXP1744265429 |
| dewey-full | 701.05 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 701 - Philosophy of fine & decorative arts |
| dewey-raw | 701.05 |
| dewey-search | 701.05 |
| dewey-sort | 3701.05 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte Allgemeines |
| discipline_str_mv | Kunstgeschichte Allgemeines |
| format | Book |
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| genre_facet | Konferenzschrift 16.05.2017-17.05.2017 Montpellier Aufsatzsammlung |
| id | DE-604.BV047125789 |
| illustrated | Illustrated |
| index_date | 2024-07-03T16:30:37Z |
| indexdate | 2024-07-10T09:03:21Z |
| institution | BVB |
| isbn | 9781789383119 1789383110 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032532021 |
| oclc_num | 1236094758 |
| open_access_boolean | |
| owner | DE-210 DE-12 DE-255 DE-Y2 DE-19 DE-BY-UBM |
| owner_facet | DE-210 DE-12 DE-255 DE-Y2 DE-19 DE-BY-UBM |
| physical | vii, 345 Seiten Illustrationen 25 cm |
| psigel | BSB_NED_20210430 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Intellect |
| record_format | marc |
| spelling | Post-specimen encounters between art, science and curating rethinking art practice and objecthood through scientific collections edited by Edward Juler & Alistair Robinson Bristol, UK ; Chicago, USA Intellect 2020 vii, 345 Seiten Illustrationen 25 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier "The volume germinated from a two-day interdisciplinary conference hosted by the University of Montpellier in 2016 on the occasion of the exhibition, 'A Scientific Encounter: Inter-Objectivity'" (Acknowledgements) 'Post-Specimen Encounters in Art, Science and Curating' examines the ways in which scientific objects held within museums and other collections act as inspiration to contemporary art practices, curating strategies, and their histories. With cross-disciplinary contributions from art historians, artists, poets, anthropologists, critics, and curators, this volume looks at how artistic encounters in museums, ranging from anatomy museums to contemporary cabinets of curiosity, can provoke new modes of thinking. In particular, this volume draws upon the concept of the specimen?a paradigmatic object in science - as a way of critically investigating these hybrid art science- practices and a means of innovating the practice of art writing itself. Edward Juler and Alistair Robinson bring together a variety of interdisciplinary perspectives from leading specialists in the visual arts that inspire new understandings of the relationships between art, science, and curating Kunst (DE-588)4114333-4 gnd rswk-swf Naturwissenschaften (DE-588)4041421-8 gnd rswk-swf Wissenschaft (DE-588)4066562-8 gnd rswk-swf Kurator Museumskunde (DE-588)4688848-2 gnd rswk-swf Museumskunde (DE-588)4170787-4 gnd rswk-swf Probe (DE-588)4258863-7 gnd rswk-swf Art and science / History / 21st century Biological specimens / Collection and preservation / Social aspects Geological specimens / Collection and preservation / Social aspects Curatorship Art and science History (DE-588)1071861417 Konferenzschrift 16.05.2017-17.05.2017 Montpellier gnd-content (DE-588)4143413-4 Aufsatzsammlung gnd-content Museumskunde (DE-588)4170787-4 s Kurator Museumskunde (DE-588)4688848-2 s Kunst (DE-588)4114333-4 s Wissenschaft (DE-588)4066562-8 s DE-604 Probe (DE-588)4258863-7 s Naturwissenschaften (DE-588)4041421-8 s Juler, Edward (DE-588)1230325999 edt Robinson, Alistair (DE-588)14014112X edt Erscheint auch als Online-Ausgabe, EPUB 978-1-78938-313-3 Erscheint auch als Online-Ausgabe, PDF 978-1-78938-312-6 http://www.sehepunkte.de/2022/02/35624.html rezensiert in: sehepunkte 22 (2022), Nr. 2 Rezension Digitalisierung Deutsches Museum application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032532021&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Post-specimen encounters between art, science and curating rethinking art practice and objecthood through scientific collections Kunst (DE-588)4114333-4 gnd Naturwissenschaften (DE-588)4041421-8 gnd Wissenschaft (DE-588)4066562-8 gnd Kurator Museumskunde (DE-588)4688848-2 gnd Museumskunde (DE-588)4170787-4 gnd Probe (DE-588)4258863-7 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4041421-8 (DE-588)4066562-8 (DE-588)4688848-2 (DE-588)4170787-4 (DE-588)4258863-7 (DE-588)1071861417 (DE-588)4143413-4 |
| title | Post-specimen encounters between art, science and curating rethinking art practice and objecthood through scientific collections |
| title_auth | Post-specimen encounters between art, science and curating rethinking art practice and objecthood through scientific collections |
| title_exact_search | Post-specimen encounters between art, science and curating rethinking art practice and objecthood through scientific collections |
| title_exact_search_txtP | Post-specimen encounters between art, science and curating rethinking art practice and objecthood through scientific collections |
| title_full | Post-specimen encounters between art, science and curating rethinking art practice and objecthood through scientific collections edited by Edward Juler & Alistair Robinson |
| title_fullStr | Post-specimen encounters between art, science and curating rethinking art practice and objecthood through scientific collections edited by Edward Juler & Alistair Robinson |
| title_full_unstemmed | Post-specimen encounters between art, science and curating rethinking art practice and objecthood through scientific collections edited by Edward Juler & Alistair Robinson |
| title_short | Post-specimen encounters between art, science and curating |
| title_sort | post specimen encounters between art science and curating rethinking art practice and objecthood through scientific collections |
| title_sub | rethinking art practice and objecthood through scientific collections |
| topic | Kunst (DE-588)4114333-4 gnd Naturwissenschaften (DE-588)4041421-8 gnd Wissenschaft (DE-588)4066562-8 gnd Kurator Museumskunde (DE-588)4688848-2 gnd Museumskunde (DE-588)4170787-4 gnd Probe (DE-588)4258863-7 gnd |
| topic_facet | Kunst Naturwissenschaften Wissenschaft Kurator Museumskunde Museumskunde Probe Konferenzschrift 16.05.2017-17.05.2017 Montpellier Aufsatzsammlung |
| url | http://www.sehepunkte.de/2022/02/35624.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032532021&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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