The shock of recognition: motifs of modern art and science
"In The Shock of Recognition, Lewis Pyenson uses a method called Historical Complementarity to identify the motif of non-figurative abstraction in modern art and science. He identifies the motif in Picasso's and Einstein's educational environments. He shows how this motif in domestic...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Leiden ; Boston
Brill
[2021]
|
| Series: | Nuncius series
volume 5 |
| Subjects: | |
| Online Access: | DE-188 DE-Y3 Volltext |
| Summary: | "In The Shock of Recognition, Lewis Pyenson uses a method called Historical Complementarity to identify the motif of non-figurative abstraction in modern art and science. He identifies the motif in Picasso's and Einstein's educational environments. He shows how this motif in domestic furnishing and in urban lighting set the stage for Picasso's and Einstein's professional success before 1914. He applies his method to intellectual life in Argentina, using it to address that nation's focus on an inventory of the natural world until the 1940s, its adoption of non-figurative art and nuclear physics in the middle of the twentieth century, and attention to landscape painting and the wonder of nature at the end of the century" |
| Physical Description: | 1 Online-Ressource (xvi, 650 Seiten) Illustrationen |
| ISBN: | 9789004325739 |
| DOI: | 10.1163/9789004325739 |
Staff View
MARC
| LEADER | 00000nmm a2200000 cb4500 | ||
|---|---|---|---|
| 001 | BV047120556 | ||
| 003 | DE-604 | ||
| 005 | 20220909 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 210202s2021 |||| o||u| ||||||eng d | ||
| 020 | |a 9789004325739 |c ebook |9 978-90-04-32573-9 | ||
| 024 | 7 | |a 10.1163/9789004325739 |2 doi | |
| 035 | |a (ZDB-95-BOC)BRILL9789004325739 | ||
| 035 | |a (OCoLC)1237589814 | ||
| 035 | |a (DE-599)BVBBV047120556 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Y3 |a DE-188 | ||
| 100 | 1 | |a Pyenson, Lewis |d 1947- |e Verfasser |0 (DE-588)136205348 |4 aut | |
| 245 | 1 | 0 | |a The shock of recognition |b motifs of modern art and science |c by Lewis Pyenson |
| 264 | 1 | |a Leiden ; Boston |b Brill |c [2021] | |
| 264 | 4 | |c © 2021 | |
| 300 | |a 1 Online-Ressource (xvi, 650 Seiten) |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 1 | |a Nuncius series |v volume 5 | |
| 505 | 8 | |a Historical complementarity -- Ut pictura mathesis : vision and perspective in Picasso's and Einstein's education -- Inside/Outside : abstraction in domestic décor and public experience -- Nation : horizons of artistic and scientific culture in Argentina | |
| 520 | 3 | |a "In The Shock of Recognition, Lewis Pyenson uses a method called Historical Complementarity to identify the motif of non-figurative abstraction in modern art and science. He identifies the motif in Picasso's and Einstein's educational environments. He shows how this motif in domestic furnishing and in urban lighting set the stage for Picasso's and Einstein's professional success before 1914. He applies his method to intellectual life in Argentina, using it to address that nation's focus on an inventory of the natural world until the 1940s, its adoption of non-figurative art and nuclear physics in the middle of the twentieth century, and attention to landscape painting and the wonder of nature at the end of the century" | |
| 648 | 7 | |a Geschichte 1900-1940 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Naturwissenschaften |0 (DE-588)4041421-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Geistesleben |0 (DE-588)4274490-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kultur |0 (DE-588)4125698-0 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Argentinien |0 (DE-588)4002890-2 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Art and science | |
| 653 | 0 | |a Comparison (Philosophy) | |
| 653 | 2 | |a Argentina / Intellectual life | |
| 689 | 0 | 0 | |a Argentinien |0 (DE-588)4002890-2 |D g |
| 689 | 0 | 1 | |a Geistesleben |0 (DE-588)4274490-8 |D s |
| 689 | 0 | 2 | |a Kultur |0 (DE-588)4125698-0 |D s |
| 689 | 0 | 3 | |a Geschichte 1900-1940 |A z |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Kunst |0 (DE-588)4114333-4 |D s |
| 689 | 1 | 1 | |a Naturwissenschaften |0 (DE-588)4041421-8 |D s |
| 689 | 1 | 2 | |a Geschichte 1900-1940 |A z |
| 689 | 1 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 978-90-04-32572-2 |
| 830 | 0 | |a Nuncius series |v volume 5 |w (DE-604)BV047120553 |9 5 | |
| 856 | 4 | 0 | |u https://doi.org/10.1163/9789004325739 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-95-BOC | ||
| 940 | 1 | |q KUBA1-Ez-2021-BOC | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032526872 | |
| 966 | e | |u https://doi.org/10.1163/9789004325739 |l DE-188 |p ZDB-95-BOC |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1163/9789004325739 |l DE-Y3 |p ZDB-95-BOC |q KHI |x Verlag |3 Volltext | |
Record in the Search Index
| _version_ | 1806959019745607680 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Pyenson, Lewis 1947- |
| author_GND | (DE-588)136205348 |
| author_facet | Pyenson, Lewis 1947- |
| author_role | aut |
| author_sort | Pyenson, Lewis 1947- |
| author_variant | l p lp |
| building | Verbundindex |
| bvnumber | BV047120556 |
| collection | ZDB-95-BOC |
| contents | Historical complementarity -- Ut pictura mathesis : vision and perspective in Picasso's and Einstein's education -- Inside/Outside : abstraction in domestic décor and public experience -- Nation : horizons of artistic and scientific culture in Argentina |
| ctrlnum | (ZDB-95-BOC)BRILL9789004325739 (OCoLC)1237589814 (DE-599)BVBBV047120556 |
| doi_str_mv | 10.1163/9789004325739 |
| era | Geschichte 1900-1940 gnd |
| era_facet | Geschichte 1900-1940 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nmm a2200000 cb4500</leader><controlfield tag="001">BV047120556</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20220909</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">210202s2021 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789004325739</subfield><subfield code="c">ebook</subfield><subfield code="9">978-90-04-32573-9</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1163/9789004325739</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-95-BOC)BRILL9789004325739</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1237589814</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047120556</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-188</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Pyenson, Lewis</subfield><subfield code="d">1947-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)136205348</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The shock of recognition</subfield><subfield code="b">motifs of modern art and science</subfield><subfield code="c">by Lewis Pyenson</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Leiden ; Boston</subfield><subfield code="b">Brill</subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xvi, 650 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Nuncius series</subfield><subfield code="v">volume 5</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Historical complementarity -- Ut pictura mathesis : vision and perspective in Picasso's and Einstein's education -- Inside/Outside : abstraction in domestic décor and public experience -- Nation : horizons of artistic and scientific culture in Argentina</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"In The Shock of Recognition, Lewis Pyenson uses a method called Historical Complementarity to identify the motif of non-figurative abstraction in modern art and science. He identifies the motif in Picasso's and Einstein's educational environments. He shows how this motif in domestic furnishing and in urban lighting set the stage for Picasso's and Einstein's professional success before 1914. He applies his method to intellectual life in Argentina, using it to address that nation's focus on an inventory of the natural world until the 1940s, its adoption of non-figurative art and nuclear physics in the middle of the twentieth century, and attention to landscape painting and the wonder of nature at the end of the century"</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1900-1940</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Naturwissenschaften</subfield><subfield code="0">(DE-588)4041421-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Geistesleben</subfield><subfield code="0">(DE-588)4274490-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kultur</subfield><subfield code="0">(DE-588)4125698-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Argentinien</subfield><subfield code="0">(DE-588)4002890-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art and science</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Comparison (Philosophy)</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Argentina / Intellectual life</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Argentinien</subfield><subfield code="0">(DE-588)4002890-2</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Geistesleben</subfield><subfield code="0">(DE-588)4274490-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kultur</subfield><subfield code="0">(DE-588)4125698-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1900-1940</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Naturwissenschaften</subfield><subfield code="0">(DE-588)4041421-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Geschichte 1900-1940</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-90-04-32572-2</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Nuncius series</subfield><subfield code="v">volume 5</subfield><subfield code="w">(DE-604)BV047120553</subfield><subfield code="9">5</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1163/9789004325739</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-95-BOC</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">KUBA1-Ez-2021-BOC</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032526872</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1163/9789004325739</subfield><subfield code="l">DE-188</subfield><subfield code="p">ZDB-95-BOC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1163/9789004325739</subfield><subfield code="l">DE-Y3</subfield><subfield code="p">ZDB-95-BOC</subfield><subfield code="q">KHI</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | Argentinien (DE-588)4002890-2 gnd |
| geographic_facet | Argentinien |
| id | DE-604.BV047120556 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:29:14Z |
| indexdate | 2024-08-10T00:40:07Z |
| institution | BVB |
| isbn | 9789004325739 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032526872 |
| oclc_num | 1237589814 |
| open_access_boolean | |
| owner | DE-Y3 DE-188 |
| owner_facet | DE-Y3 DE-188 |
| physical | 1 Online-Ressource (xvi, 650 Seiten) Illustrationen |
| psigel | ZDB-95-BOC KUBA1-Ez-2021-BOC ZDB-95-BOC KHI |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Brill |
| record_format | marc |
| series | Nuncius series |
| series2 | Nuncius series |
| spelling | Pyenson, Lewis 1947- Verfasser (DE-588)136205348 aut The shock of recognition motifs of modern art and science by Lewis Pyenson Leiden ; Boston Brill [2021] © 2021 1 Online-Ressource (xvi, 650 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Nuncius series volume 5 Historical complementarity -- Ut pictura mathesis : vision and perspective in Picasso's and Einstein's education -- Inside/Outside : abstraction in domestic décor and public experience -- Nation : horizons of artistic and scientific culture in Argentina "In The Shock of Recognition, Lewis Pyenson uses a method called Historical Complementarity to identify the motif of non-figurative abstraction in modern art and science. He identifies the motif in Picasso's and Einstein's educational environments. He shows how this motif in domestic furnishing and in urban lighting set the stage for Picasso's and Einstein's professional success before 1914. He applies his method to intellectual life in Argentina, using it to address that nation's focus on an inventory of the natural world until the 1940s, its adoption of non-figurative art and nuclear physics in the middle of the twentieth century, and attention to landscape painting and the wonder of nature at the end of the century" Geschichte 1900-1940 gnd rswk-swf Naturwissenschaften (DE-588)4041421-8 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Geistesleben (DE-588)4274490-8 gnd rswk-swf Kultur (DE-588)4125698-0 gnd rswk-swf Argentinien (DE-588)4002890-2 gnd rswk-swf Art and science Comparison (Philosophy) Argentina / Intellectual life Argentinien (DE-588)4002890-2 g Geistesleben (DE-588)4274490-8 s Kultur (DE-588)4125698-0 s Geschichte 1900-1940 z DE-604 Kunst (DE-588)4114333-4 s Naturwissenschaften (DE-588)4041421-8 s Erscheint auch als Druck-Ausgabe, Hardcover 978-90-04-32572-2 Nuncius series volume 5 (DE-604)BV047120553 5 https://doi.org/10.1163/9789004325739 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Pyenson, Lewis 1947- The shock of recognition motifs of modern art and science Nuncius series Historical complementarity -- Ut pictura mathesis : vision and perspective in Picasso's and Einstein's education -- Inside/Outside : abstraction in domestic décor and public experience -- Nation : horizons of artistic and scientific culture in Argentina Naturwissenschaften (DE-588)4041421-8 gnd Kunst (DE-588)4114333-4 gnd Geistesleben (DE-588)4274490-8 gnd Kultur (DE-588)4125698-0 gnd |
| subject_GND | (DE-588)4041421-8 (DE-588)4114333-4 (DE-588)4274490-8 (DE-588)4125698-0 (DE-588)4002890-2 |
| title | The shock of recognition motifs of modern art and science |
| title_auth | The shock of recognition motifs of modern art and science |
| title_exact_search | The shock of recognition motifs of modern art and science |
| title_exact_search_txtP | The shock of recognition motifs of modern art and science |
| title_full | The shock of recognition motifs of modern art and science by Lewis Pyenson |
| title_fullStr | The shock of recognition motifs of modern art and science by Lewis Pyenson |
| title_full_unstemmed | The shock of recognition motifs of modern art and science by Lewis Pyenson |
| title_short | The shock of recognition |
| title_sort | the shock of recognition motifs of modern art and science |
| title_sub | motifs of modern art and science |
| topic | Naturwissenschaften (DE-588)4041421-8 gnd Kunst (DE-588)4114333-4 gnd Geistesleben (DE-588)4274490-8 gnd Kultur (DE-588)4125698-0 gnd |
| topic_facet | Naturwissenschaften Kunst Geistesleben Kultur Argentinien |
| url | https://doi.org/10.1163/9789004325739 |
| volume_link | (DE-604)BV047120553 |
| work_keys_str_mv | AT pyensonlewis theshockofrecognitionmotifsofmodernartandscience |