The making of poetry: Coleridge, the Wordsworths, and their year of marvels
June 1797 to September 1798 is the most famous year in English poetry. Out of it came Samuel Taylor Coleridge's The Rime of the Ancient Mariner and "Kubla Khan," as well as his unmatched hymns to friendship and fatherhood, and William Wordsworth's revolutionary songs in Lyrical B...
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Format: | Buch |
Sprache: | English |
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New York
Farrar, Straus and Giroux
[2020]
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Ausgabe: | First American edition |
Schlagworte: | |
Zusammenfassung: | June 1797 to September 1798 is the most famous year in English poetry. Out of it came Samuel Taylor Coleridge's The Rime of the Ancient Mariner and "Kubla Khan," as well as his unmatched hymns to friendship and fatherhood, and William Wordsworth's revolutionary songs in Lyrical Ballads along with "Tintern Abbey," Wordsworth's paean to the unity of soul and cosmos, love and understanding. In The Making of Poetry, Adam Nicolson embeds himself in the reality of this unique moment, exploring the idea that these poems came from this particular place and time, and that only by experiencing the physical circumstances of the year, in all weathers and all seasons, at night and at dawn, in sunlit reverie and moonlit walks, can the genesis of the poetry start to be understood. The poetry Wordsworth and Coleridge made was not from settled conclusions but from the adventure on which they embarked, thinking of poetry as a challenge to all received ideas, stripping away the dead matter, looking to shed consciousness and so change the world. What emerges is a portrait of these great figures seen not as literary monuments but as young men, troubled, ambitious, dreaming of a vision of wholeness, knowing they had greatness in them but still in urgent search of the paths toward it. The artist Tom Hammick accompanied Nicolson for much of the year, making woodcuts from the fallen timber in the park at Alfoxden where the Wordsworths lived. Interspersed throughout the book, his images bridge the centuries, depicting lives at the source of our modern sensibility: a psychic landscape of doubt and possibility, full of beauty and thick with desire for a kind of connectedness that seems permanently at hand and yet always out of reach |
Beschreibung: | 390 Seiten Illustrationen 24 cm |
ISBN: | 9780374200213 |
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505 | 8 | |a Following -- Meeting / June 1797 -- Searching / June 1797 -- Settling / July 1797 -- Walking / July and August 1797 -- Informating / July and August 1797 -- Dreaming / September and October 1797 -- Voyaging / November 1797 -- Diverging / December 1797 and January 1798 -- Mooning / January and February 1798 -- Remembering / February 1798 -- Emerging / March 1798 -- Polarising / March 1798 -- Delighting / April, May and June 1798 -- Authoring / June 1798 -- Arriving / July 1798 -- Leaving / August and September 1798 | |
520 | 3 | |a June 1797 to September 1798 is the most famous year in English poetry. Out of it came Samuel Taylor Coleridge's The Rime of the Ancient Mariner and "Kubla Khan," as well as his unmatched hymns to friendship and fatherhood, and William Wordsworth's revolutionary songs in Lyrical Ballads along with "Tintern Abbey," Wordsworth's paean to the unity of soul and cosmos, love and understanding. In The Making of Poetry, Adam Nicolson embeds himself in the reality of this unique moment, exploring the idea that these poems came from this particular place and time, and that only by experiencing the physical circumstances of the year, in all weathers and all seasons, at night and at dawn, in sunlit reverie and moonlit walks, can the genesis of the poetry start to be understood. The poetry Wordsworth and Coleridge made was not from settled conclusions but from the adventure on which they embarked, thinking of poetry as a challenge to all received ideas, stripping away the dead matter, looking to shed consciousness and so change the world. What emerges is a portrait of these great figures seen not as literary monuments but as young men, troubled, ambitious, dreaming of a vision of wholeness, knowing they had greatness in them but still in urgent search of the paths toward it. The artist Tom Hammick accompanied Nicolson for much of the year, making woodcuts from the fallen timber in the park at Alfoxden where the Wordsworths lived. Interspersed throughout the book, his images bridge the centuries, depicting lives at the source of our modern sensibility: a psychic landscape of doubt and possibility, full of beauty and thick with desire for a kind of connectedness that seems permanently at hand and yet always out of reach | |
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653 | 0 | |a LITERARY CRITICISM / European / English, Irish, Scottish, Welsh | |
653 | 0 | |a LITERARY CRITICISM / Poetry | |
653 | 1 | |a Coleridge, Samuel Taylor / 1772-1834 | |
653 | 1 | |a Wordsworth, Dorothy / 1771-1855 | |
653 | 1 | |a Wordsworth, William / 1770-1850 | |
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Datensatz im Suchindex
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---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Nicolson, Adam 1957- |
author2 | Hammick, Tom 1963- |
author2_role | ill |
author2_variant | t h th |
author_GND | (DE-588)1089870906 (DE-588)1073723135 |
author_facet | Nicolson, Adam 1957- Hammick, Tom 1963- |
author_role | aut |
author_sort | Nicolson, Adam 1957- |
author_variant | a n an |
building | Verbundindex |
bvnumber | BV047115855 |
contents | Following -- Meeting / June 1797 -- Searching / June 1797 -- Settling / July 1797 -- Walking / July and August 1797 -- Informating / July and August 1797 -- Dreaming / September and October 1797 -- Voyaging / November 1797 -- Diverging / December 1797 and January 1798 -- Mooning / January and February 1798 -- Remembering / February 1798 -- Emerging / March 1798 -- Polarising / March 1798 -- Delighting / April, May and June 1798 -- Authoring / June 1798 -- Arriving / July 1798 -- Leaving / August and September 1798 |
ctrlnum | (OCoLC)1242727497 (DE-599)BVBBV047115855 |
edition | First American edition |
era | Geschichte 1797-1798 gnd |
era_facet | Geschichte 1797-1798 |
format | Book |
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geographic_facet | Quantock Hills |
id | DE-604.BV047115855 |
illustrated | Illustrated |
index_date | 2024-07-03T16:27:27Z |
indexdate | 2024-07-10T09:03:04Z |
institution | BVB |
isbn | 9780374200213 |
language | English |
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physical | 390 Seiten Illustrationen 24 cm |
publishDate | 2020 |
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publisher | Farrar, Straus and Giroux |
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spelling | Nicolson, Adam 1957- Verfasser (DE-588)1089870906 aut The making of poetry Coleridge, the Wordsworths, and their year of marvels Adam Nicolson ; with woodcuts and paintings by Tom Hammick First American edition New York Farrar, Straus and Giroux [2020] 390 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Following -- Meeting / June 1797 -- Searching / June 1797 -- Settling / July 1797 -- Walking / July and August 1797 -- Informating / July and August 1797 -- Dreaming / September and October 1797 -- Voyaging / November 1797 -- Diverging / December 1797 and January 1798 -- Mooning / January and February 1798 -- Remembering / February 1798 -- Emerging / March 1798 -- Polarising / March 1798 -- Delighting / April, May and June 1798 -- Authoring / June 1798 -- Arriving / July 1798 -- Leaving / August and September 1798 June 1797 to September 1798 is the most famous year in English poetry. Out of it came Samuel Taylor Coleridge's The Rime of the Ancient Mariner and "Kubla Khan," as well as his unmatched hymns to friendship and fatherhood, and William Wordsworth's revolutionary songs in Lyrical Ballads along with "Tintern Abbey," Wordsworth's paean to the unity of soul and cosmos, love and understanding. In The Making of Poetry, Adam Nicolson embeds himself in the reality of this unique moment, exploring the idea that these poems came from this particular place and time, and that only by experiencing the physical circumstances of the year, in all weathers and all seasons, at night and at dawn, in sunlit reverie and moonlit walks, can the genesis of the poetry start to be understood. The poetry Wordsworth and Coleridge made was not from settled conclusions but from the adventure on which they embarked, thinking of poetry as a challenge to all received ideas, stripping away the dead matter, looking to shed consciousness and so change the world. What emerges is a portrait of these great figures seen not as literary monuments but as young men, troubled, ambitious, dreaming of a vision of wholeness, knowing they had greatness in them but still in urgent search of the paths toward it. The artist Tom Hammick accompanied Nicolson for much of the year, making woodcuts from the fallen timber in the park at Alfoxden where the Wordsworths lived. Interspersed throughout the book, his images bridge the centuries, depicting lives at the source of our modern sensibility: a psychic landscape of doubt and possibility, full of beauty and thick with desire for a kind of connectedness that seems permanently at hand and yet always out of reach 2019 Coleridge, Samuel Taylor 1772-1834 (DE-588)118521500 gnd rswk-swf Wordsworth, William 1770-1850 (DE-588)118635212 gnd rswk-swf Geschichte 1797-1798 gnd rswk-swf Quantock Hills (DE-588)4198043-8 gnd rswk-swf Coleridge, Samuel Taylor / 1772-1834 / Homes and haunts / England / Quantock Hills Wordsworth, William / 1770-1850 / Homes and haunts / England / Quantock Hills Wordsworth, Dorothy / 1771-1855 / Homes and haunts / England / Quantock Hills English poetry / 18th century / History and criticism Creation (Literary, artistic, etc.) Quantock Hills (England) LITERARY CRITICISM / European / English, Irish, Scottish, Welsh LITERARY CRITICISM / Poetry Coleridge, Samuel Taylor / 1772-1834 Wordsworth, Dorothy / 1771-1855 Wordsworth, William / 1770-1850 English poetry Homes England / Quantock Hills 1700-1799 Poetry History Biographies Criticism, interpretation, etc Coleridge, Samuel Taylor 1772-1834 (DE-588)118521500 p Wordsworth, William 1770-1850 (DE-588)118635212 p Quantock Hills (DE-588)4198043-8 g Geschichte 1797-1798 z DE-604 Hammick, Tom 1963- (DE-588)1073723135 ill Reproduktion von Nicolson, Adam, 1957- Making of poetry 9780008126476 London : William Collins, an imprint of HarperCollinsPublishers, 2019 |
spellingShingle | Nicolson, Adam 1957- The making of poetry Coleridge, the Wordsworths, and their year of marvels Following -- Meeting / June 1797 -- Searching / June 1797 -- Settling / July 1797 -- Walking / July and August 1797 -- Informating / July and August 1797 -- Dreaming / September and October 1797 -- Voyaging / November 1797 -- Diverging / December 1797 and January 1798 -- Mooning / January and February 1798 -- Remembering / February 1798 -- Emerging / March 1798 -- Polarising / March 1798 -- Delighting / April, May and June 1798 -- Authoring / June 1798 -- Arriving / July 1798 -- Leaving / August and September 1798 Coleridge, Samuel Taylor 1772-1834 (DE-588)118521500 gnd Wordsworth, William 1770-1850 (DE-588)118635212 gnd |
subject_GND | (DE-588)118521500 (DE-588)118635212 (DE-588)4198043-8 |
title | The making of poetry Coleridge, the Wordsworths, and their year of marvels |
title_auth | The making of poetry Coleridge, the Wordsworths, and their year of marvels |
title_exact_search | The making of poetry Coleridge, the Wordsworths, and their year of marvels |
title_exact_search_txtP | The making of poetry Coleridge, the Wordsworths, and their year of marvels |
title_full | The making of poetry Coleridge, the Wordsworths, and their year of marvels Adam Nicolson ; with woodcuts and paintings by Tom Hammick |
title_fullStr | The making of poetry Coleridge, the Wordsworths, and their year of marvels Adam Nicolson ; with woodcuts and paintings by Tom Hammick |
title_full_unstemmed | The making of poetry Coleridge, the Wordsworths, and their year of marvels Adam Nicolson ; with woodcuts and paintings by Tom Hammick |
title_short | The making of poetry |
title_sort | the making of poetry coleridge the wordsworths and their year of marvels |
title_sub | Coleridge, the Wordsworths, and their year of marvels |
topic | Coleridge, Samuel Taylor 1772-1834 (DE-588)118521500 gnd Wordsworth, William 1770-1850 (DE-588)118635212 gnd |
topic_facet | Coleridge, Samuel Taylor 1772-1834 Wordsworth, William 1770-1850 Quantock Hills |
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