Performance in America: Contemporary U.S. Culture and the Performing Arts
Performance in America demonstrates the vital importance of the performing arts to contemporary U.S. culture. Looking at a series of specific performances mounted between 1994 and 2004, well-known performance studies scholar David Román challenges the belief that theatre, dance, and live music are m...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Durham
Duke University Press
[2005]
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Schriftenreihe: | Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe
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Schlagworte: | |
Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
Zusammenfassung: | Performance in America demonstrates the vital importance of the performing arts to contemporary U.S. culture. Looking at a series of specific performances mounted between 1994 and 2004, well-known performance studies scholar David Román challenges the belief that theatre, dance, and live music are marginal art forms in the United States. He describes the crucial role that the performing arts play in local, regional, and national communities, emphasizing the power of live performance, particularly its immediacy and capacity to create a dialogue between artists and audiences. Román draws attention to the ways that the performing arts provide unique perspectives on many of the most pressing concerns within American studies: questions about history and politics, citizenship and society, and culture and nation.The performances that Román analyzes range from localized community-based arts events to full-scale Broadway productions and from the controversial works of established artists such as Tony Kushner to those of emerging artists. Román considers dances produced by the choreographers Bill T. Jones and Neil Greenberg in the mid-1990s as new aids treatments became available and the aids crisis was reconfigured; a production of the Asian American playwright Chay Yew's A Beautiful Country in a high-school auditorium in Los Angeles's Chinatown; and Latino performer John Leguizamo's one-man Broadway show Freak. He examines the revival of theatrical legacies by female impersonators and the resurgence of cabaret in New York City. Román also looks at how the performing arts have responded to 9/11, the U.S. invasion of Afghanistan, and the second war in Iraq. Including more than eighty illustrations, Performance in America highlights the dynamic relationships among performance, history, and contemporary culture through which the past is revisited and the future reimagined |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
Beschreibung: | 1 online resource (376 pages) 86 b&w photos |
ISBN: | 9780822387442 |
DOI: | 10.1515/9780822387442 |
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Datensatz im Suchindex
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adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Román, David |
author_facet | Román, David |
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author_sort | Román, David |
author_variant | d r dr |
building | Verbundindex |
bvnumber | BV047114082 |
collection | ZDB-23-DGG |
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dewey-ones | 791 - Public performances |
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dewey-search | 791/.0973 |
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doi_str_mv | 10.1515/9780822387442 |
format | Electronic eBook |
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illustrated | Not Illustrated |
index_date | 2024-07-03T16:26:56Z |
indexdate | 2024-07-10T09:03:01Z |
institution | BVB |
isbn | 9780822387442 |
language | English |
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physical | 1 online resource (376 pages) 86 b&w photos |
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series2 | Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe |
spelling | Román, David Verfasser aut Performance in America Contemporary U.S. Culture and the Performing Arts David Román Durham Duke University Press [2005] © 2005 1 online resource (376 pages) 86 b&w photos txt rdacontent c rdamedia cr rdacarrier Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) Performance in America demonstrates the vital importance of the performing arts to contemporary U.S. culture. Looking at a series of specific performances mounted between 1994 and 2004, well-known performance studies scholar David Román challenges the belief that theatre, dance, and live music are marginal art forms in the United States. He describes the crucial role that the performing arts play in local, regional, and national communities, emphasizing the power of live performance, particularly its immediacy and capacity to create a dialogue between artists and audiences. Román draws attention to the ways that the performing arts provide unique perspectives on many of the most pressing concerns within American studies: questions about history and politics, citizenship and society, and culture and nation.The performances that Román analyzes range from localized community-based arts events to full-scale Broadway productions and from the controversial works of established artists such as Tony Kushner to those of emerging artists. Román considers dances produced by the choreographers Bill T. Jones and Neil Greenberg in the mid-1990s as new aids treatments became available and the aids crisis was reconfigured; a production of the Asian American playwright Chay Yew's A Beautiful Country in a high-school auditorium in Los Angeles's Chinatown; and Latino performer John Leguizamo's one-man Broadway show Freak. He examines the revival of theatrical legacies by female impersonators and the resurgence of cabaret in New York City. Román also looks at how the performing arts have responded to 9/11, the U.S. invasion of Afghanistan, and the second war in Iraq. Including more than eighty illustrations, Performance in America highlights the dynamic relationships among performance, history, and contemporary culture through which the past is revisited and the future reimagined In English SOCIAL SCIENCE / LGBT Studies / Gay Studies bisacsh Performing arts Social aspects United States TermineXXefunderXX4fndXX4http://id.loc.gov/vocabulary/relators/fnd Sonstige oth https://doi.org/10.1515/9780822387442 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Román, David Performance in America Contemporary U.S. Culture and the Performing Arts SOCIAL SCIENCE / LGBT Studies / Gay Studies bisacsh Performing arts Social aspects United States |
title | Performance in America Contemporary U.S. Culture and the Performing Arts |
title_auth | Performance in America Contemporary U.S. Culture and the Performing Arts |
title_exact_search | Performance in America Contemporary U.S. Culture and the Performing Arts |
title_exact_search_txtP | Performance in America Contemporary U.S. Culture and the Performing Arts |
title_full | Performance in America Contemporary U.S. Culture and the Performing Arts David Román |
title_fullStr | Performance in America Contemporary U.S. Culture and the Performing Arts David Román |
title_full_unstemmed | Performance in America Contemporary U.S. Culture and the Performing Arts David Román |
title_short | Performance in America |
title_sort | performance in america contemporary u s culture and the performing arts |
title_sub | Contemporary U.S. Culture and the Performing Arts |
topic | SOCIAL SCIENCE / LGBT Studies / Gay Studies bisacsh Performing arts Social aspects United States |
topic_facet | SOCIAL SCIENCE / LGBT Studies / Gay Studies Performing arts Social aspects United States |
url | https://doi.org/10.1515/9780822387442 |
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