The Remasculinization of Korean Cinema:
In one of the first English-language studies of Korean cinema to date, Kyung Hyun Kim shows how the New Korean Cinema of the past quarter century has used the trope of masculinity to mirror the profound sociopolitical changes in the country. Since 1980, South Korea has transformed from an insular, a...
Gespeichert in:
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| Weitere Verfasser: | , , |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2004]
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| Schriftenreihe: | Asia-Pacific: Culture, Politics, and Society
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | In one of the first English-language studies of Korean cinema to date, Kyung Hyun Kim shows how the New Korean Cinema of the past quarter century has used the trope of masculinity to mirror the profound sociopolitical changes in the country. Since 1980, South Korea has transformed from an insular, authoritarian culture into a democratic and cosmopolitan society. The transition has fueled anxiety about male identity, and amid this tension, empowerment has been imagined as remasculinization. Kim argues that the brutality and violence ubiquitous in many Korean films is symptomatic of Korea's on-going quest for modernity and a post-authoritarian identity.Kim offers in-depth examinations of more than a dozen of the most representative films produced in Korea since 1980. In the process, he draws on the theories of Jacques Lacan, Slavoj Zizek, Gilles Deleuze, Rey Chow, and Kaja Silverman to follow the historical trajectory of screen representations of Korean men from self-loathing beings who desire to be controlled to subjects who are not only self-sufficient but also capable of destroying others. He discusses a range of movies from art-house films including To the Starry Island (1993) and The Day a Pig Fell into the Well (1996) to higher-grossing, popular films like Whale Hunting (1984) and Shiri (1999). He considers the work of several Korean auteurs-Park Kwang-su, Jang Sun-woo, and Hong Sang-su. Kim argues that Korean cinema must begin to imagine gender relations that defy the contradictions of sexual repression in order to move beyond such binary struggles as those between the traditional and the modern, or the traumatic and the post-traumatic |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (344 pages) 66 b&w photos |
| ISBN: | 9780822385585 |
| DOI: | 10.1515/9780822385585 |
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Datensatz im Suchindex
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| index_date | 2024-07-03T16:26:56Z |
| indexdate | 2024-07-10T09:03:00Z |
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| isbn | 9780822385585 |
| language | English |
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| series2 | Asia-Pacific: Culture, Politics, and Society |
| spelling | Kim, Kyung Hyun Verfasser aut The Remasculinization of Korean Cinema Kyung Hyun Kim; Masao Miyoshi, Harry Harootunian, Rey Chow Durham Duke University Press [2004] © 2004 1 online resource (344 pages) 66 b&w photos txt rdacontent c rdamedia cr rdacarrier Asia-Pacific: Culture, Politics, and Society Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) In one of the first English-language studies of Korean cinema to date, Kyung Hyun Kim shows how the New Korean Cinema of the past quarter century has used the trope of masculinity to mirror the profound sociopolitical changes in the country. Since 1980, South Korea has transformed from an insular, authoritarian culture into a democratic and cosmopolitan society. The transition has fueled anxiety about male identity, and amid this tension, empowerment has been imagined as remasculinization. Kim argues that the brutality and violence ubiquitous in many Korean films is symptomatic of Korea's on-going quest for modernity and a post-authoritarian identity.Kim offers in-depth examinations of more than a dozen of the most representative films produced in Korea since 1980. In the process, he draws on the theories of Jacques Lacan, Slavoj Zizek, Gilles Deleuze, Rey Chow, and Kaja Silverman to follow the historical trajectory of screen representations of Korean men from self-loathing beings who desire to be controlled to subjects who are not only self-sufficient but also capable of destroying others. He discusses a range of movies from art-house films including To the Starry Island (1993) and The Day a Pig Fell into the Well (1996) to higher-grossing, popular films like Whale Hunting (1984) and Shiri (1999). He considers the work of several Korean auteurs-Park Kwang-su, Jang Sun-woo, and Hong Sang-su. Kim argues that Korean cinema must begin to imagine gender relations that defy the contradictions of sexual repression in order to move beyond such binary struggles as those between the traditional and the modern, or the traumatic and the post-traumatic In English PERFORMING ARTS / Film & Video / General bisacsh Masculinity in motion pictures Men in motion pictures Motion pictures Korea (South) Chow, Rey edt Harootunian, Harry edt Miyoshi, Masao edt https://doi.org/10.1515/9780822385585 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Kim, Kyung Hyun The Remasculinization of Korean Cinema PERFORMING ARTS / Film & Video / General bisacsh Masculinity in motion pictures Men in motion pictures Motion pictures Korea (South) |
| title | The Remasculinization of Korean Cinema |
| title_auth | The Remasculinization of Korean Cinema |
| title_exact_search | The Remasculinization of Korean Cinema |
| title_exact_search_txtP | The Remasculinization of Korean Cinema |
| title_full | The Remasculinization of Korean Cinema Kyung Hyun Kim; Masao Miyoshi, Harry Harootunian, Rey Chow |
| title_fullStr | The Remasculinization of Korean Cinema Kyung Hyun Kim; Masao Miyoshi, Harry Harootunian, Rey Chow |
| title_full_unstemmed | The Remasculinization of Korean Cinema Kyung Hyun Kim; Masao Miyoshi, Harry Harootunian, Rey Chow |
| title_short | The Remasculinization of Korean Cinema |
| title_sort | the remasculinization of korean cinema |
| topic | PERFORMING ARTS / Film & Video / General bisacsh Masculinity in motion pictures Men in motion pictures Motion pictures Korea (South) |
| topic_facet | PERFORMING ARTS / Film & Video / General Masculinity in motion pictures Men in motion pictures Motion pictures Korea (South) |
| url | https://doi.org/10.1515/9780822385585 |
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