Welcome to the Dreamhouse: Popular Media and Postwar Suburbs
In Welcome to the Dreamhouse feminist media studies pioneer Lynn Spigel takes on Barbie collectors, African American media coverage of the early NASA space launches, and television's changing role in the family home and its links to the broader visual culture of modern art. Exploring postwar U....
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Durham
Duke University Press
[2001]
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Schriftenreihe: | Console-ing passions: television and cultural power
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Schlagworte: | |
Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
Zusammenfassung: | In Welcome to the Dreamhouse feminist media studies pioneer Lynn Spigel takes on Barbie collectors, African American media coverage of the early NASA space launches, and television's changing role in the family home and its links to the broader visual culture of modern art. Exploring postwar U.S. media in the context of the period's reigning ideals about home and family life, Spigel looks at a range of commercial objects and phenomena, from television and toys to comic books and magazines.The volume considers not only how the media portrayed suburban family life, but also how both middle-class ideals and a perceived division between private and public worlds helped to shape the visual forms, storytelling practices, and reception of postwar media and consumer culture. Spigel also explores those aspects of suburban culture that media typically render invisible. She looks at the often unspoken assumptions about class, nation, ethnicity, race, and sexual orientation that underscored both media images (like those of 1960s space missions) and social policies of the mass-produced suburb. Issues of memory and nostalgia are central in the final section as Spigel considers how contemporary girls use television reruns as a source for women's history and then analyzes the current nostalgia for baby boom era family ideals that runs through contemporary images of new household media technologies.Containing some of Spigel's well-known essays on television's cultural history as well as new essays on a range of topics dealing with popular visual culture, Welcome to the Dreamhouse is important reading for students and scholars of media and communications studies, popular culture, American studies, women's studies, and sociology |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
Beschreibung: | 1 online resource (440 pages) 37 b&w photographs |
ISBN: | 9780822383178 |
DOI: | 10.1515/9780822383178 |
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author | Spigel, Lynn |
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isbn | 9780822383178 |
language | English |
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spelling | Spigel, Lynn Verfasser aut Welcome to the Dreamhouse Popular Media and Postwar Suburbs Lynn Spigel Durham Duke University Press [2001] © 2001 1 online resource (440 pages) 37 b&w photographs txt rdacontent c rdamedia cr rdacarrier Console-ing passions: television and cultural power Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) In Welcome to the Dreamhouse feminist media studies pioneer Lynn Spigel takes on Barbie collectors, African American media coverage of the early NASA space launches, and television's changing role in the family home and its links to the broader visual culture of modern art. Exploring postwar U.S. media in the context of the period's reigning ideals about home and family life, Spigel looks at a range of commercial objects and phenomena, from television and toys to comic books and magazines.The volume considers not only how the media portrayed suburban family life, but also how both middle-class ideals and a perceived division between private and public worlds helped to shape the visual forms, storytelling practices, and reception of postwar media and consumer culture. Spigel also explores those aspects of suburban culture that media typically render invisible. She looks at the often unspoken assumptions about class, nation, ethnicity, race, and sexual orientation that underscored both media images (like those of 1960s space missions) and social policies of the mass-produced suburb. Issues of memory and nostalgia are central in the final section as Spigel considers how contemporary girls use television reruns as a source for women's history and then analyzes the current nostalgia for baby boom era family ideals that runs through contemporary images of new household media technologies.Containing some of Spigel's well-known essays on television's cultural history as well as new essays on a range of topics dealing with popular visual culture, Welcome to the Dreamhouse is important reading for students and scholars of media and communications studies, popular culture, American studies, women's studies, and sociology In English PERFORMING ARTS / Television / History & Criticism bisacsh Television broadcasting Social aspects United States https://doi.org/10.1515/9780822383178 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Spigel, Lynn Welcome to the Dreamhouse Popular Media and Postwar Suburbs PERFORMING ARTS / Television / History & Criticism bisacsh Television broadcasting Social aspects United States |
title | Welcome to the Dreamhouse Popular Media and Postwar Suburbs |
title_auth | Welcome to the Dreamhouse Popular Media and Postwar Suburbs |
title_exact_search | Welcome to the Dreamhouse Popular Media and Postwar Suburbs |
title_exact_search_txtP | Welcome to the Dreamhouse Popular Media and Postwar Suburbs |
title_full | Welcome to the Dreamhouse Popular Media and Postwar Suburbs Lynn Spigel |
title_fullStr | Welcome to the Dreamhouse Popular Media and Postwar Suburbs Lynn Spigel |
title_full_unstemmed | Welcome to the Dreamhouse Popular Media and Postwar Suburbs Lynn Spigel |
title_short | Welcome to the Dreamhouse |
title_sort | welcome to the dreamhouse popular media and postwar suburbs |
title_sub | Popular Media and Postwar Suburbs |
topic | PERFORMING ARTS / Television / History & Criticism bisacsh Television broadcasting Social aspects United States |
topic_facet | PERFORMING ARTS / Television / History & Criticism Television broadcasting Social aspects United States |
url | https://doi.org/10.1515/9780822383178 |
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