Blue Nippon: Authenticating Jazz in Japan
Japan's jazz community-both musicians and audience-has been begrudgingly recognized in the United States for its talent, knowledge, and level of appreciation. Underpinning this tentative admiration, however, has been a tacit agreement that, for cultural reasons, Japanese jazz "can't s...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2001]
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Japan's jazz community-both musicians and audience-has been begrudgingly recognized in the United States for its talent, knowledge, and level of appreciation. Underpinning this tentative admiration, however, has been a tacit agreement that, for cultural reasons, Japanese jazz "can't swing." In Blue Nippon E. Taylor Atkins shows how, strangely, Japan's own attitude toward jazz is founded on this same ambivalence about its authenticity.Engagingly told through the voices of many musicians, Blue Nippon explores the true and legitimate nature of Japanese jazz. Atkins peers into 1920s dancehalls to examine the Japanese Jazz Age and reveal the origins of urban modernism with its new set of social mores, gender relations, and consumer practices. He shows how the interwar jazz period then became a troubling symbol of Japan's intimacy with the West-but how, even during the Pacific war, the roots of jazz had taken hold too deeply for the "total jazz ban" that some nationalists desired. While the allied occupation was a setback in the search for an indigenous jazz sound, Japanese musicians again sought American validation. Atkins closes out his cultural history with an examination of the contemporary jazz scene that rose up out of Japan's spectacular economic prominence in the 1960s and 1970s but then leveled off by the 1990s, as tensions over authenticity and identity persisted.With its depiction of jazz as a transforming global phenomenon, Blue Nippon will make enjoyable reading not only for jazz fans worldwide but also for ethnomusicologists, and students of cultural studies, Asian studies, and modernism |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (384 pages) 17 b&w photos |
| ISBN: | 9780822380030 |
| DOI: | 10.1515/9780822380030 |
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| isbn | 9780822380030 |
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| spelling | Atkins, E. Taylor Verfasser aut Blue Nippon Authenticating Jazz in Japan E. Taylor Atkins Durham Duke University Press [2001] © 2001 1 online resource (384 pages) 17 b&w photos txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) Japan's jazz community-both musicians and audience-has been begrudgingly recognized in the United States for its talent, knowledge, and level of appreciation. Underpinning this tentative admiration, however, has been a tacit agreement that, for cultural reasons, Japanese jazz "can't swing." In Blue Nippon E. Taylor Atkins shows how, strangely, Japan's own attitude toward jazz is founded on this same ambivalence about its authenticity.Engagingly told through the voices of many musicians, Blue Nippon explores the true and legitimate nature of Japanese jazz. Atkins peers into 1920s dancehalls to examine the Japanese Jazz Age and reveal the origins of urban modernism with its new set of social mores, gender relations, and consumer practices. He shows how the interwar jazz period then became a troubling symbol of Japan's intimacy with the West-but how, even during the Pacific war, the roots of jazz had taken hold too deeply for the "total jazz ban" that some nationalists desired. While the allied occupation was a setback in the search for an indigenous jazz sound, Japanese musicians again sought American validation. Atkins closes out his cultural history with an examination of the contemporary jazz scene that rose up out of Japan's spectacular economic prominence in the 1960s and 1970s but then leveled off by the 1990s, as tensions over authenticity and identity persisted.With its depiction of jazz as a transforming global phenomenon, Blue Nippon will make enjoyable reading not only for jazz fans worldwide but also for ethnomusicologists, and students of cultural studies, Asian studies, and modernism In English MUSIC / Genres & Styles / Jazz bisacsh Jazz Japan History and criticism https://doi.org/10.1515/9780822380030 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Atkins, E. Taylor Blue Nippon Authenticating Jazz in Japan MUSIC / Genres & Styles / Jazz bisacsh Jazz Japan History and criticism |
| title | Blue Nippon Authenticating Jazz in Japan |
| title_auth | Blue Nippon Authenticating Jazz in Japan |
| title_exact_search | Blue Nippon Authenticating Jazz in Japan |
| title_exact_search_txtP | Blue Nippon Authenticating Jazz in Japan |
| title_full | Blue Nippon Authenticating Jazz in Japan E. Taylor Atkins |
| title_fullStr | Blue Nippon Authenticating Jazz in Japan E. Taylor Atkins |
| title_full_unstemmed | Blue Nippon Authenticating Jazz in Japan E. Taylor Atkins |
| title_short | Blue Nippon |
| title_sort | blue nippon authenticating jazz in japan |
| title_sub | Authenticating Jazz in Japan |
| topic | MUSIC / Genres & Styles / Jazz bisacsh Jazz Japan History and criticism |
| topic_facet | MUSIC / Genres & Styles / Jazz Jazz Japan History and criticism |
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