The victory banner over the Reichstag: film, document, and ritual in Russia's contested memory of World War II
"In one of the most iconic images from World War II, a Russian soldier raises a red flag atop the ruins of the German Reichstag on April 30, 1945. Known as the Victory Banner, this piece of fabric has come to symbolize Russian triumph, glory, and patriotism. Facsimiles are used in public celebr...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Pittsburgh, Pa.
University of Pittsburgh Press
[2020]
|
| Schriftenreihe: | Russian and East European studies
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Literaturverzeichnis Register // Gemischte Register |
| Zusammenfassung: | "In one of the most iconic images from World War II, a Russian soldier raises a red flag atop the ruins of the German Reichstag on April 30, 1945. Known as the Victory Banner, this piece of fabric has come to symbolize Russian triumph, glory, and patriotism. Facsimiles are used in public celebrations all over the country, and an exact replica is the centerpiece in the annual Victory Parade in Moscow's Red Square. The Victory Banner Over the Reichstag examines how and why this symbol was created, the changing media of its expression, and the contested evolution of its message. From association with Stalinism and communism to its acquisition of Russian nationalist meaning, Jeremy Hicks demonstrates how this symbol was used to construct a collective Russian memory of the war. He traces how the Soviets, and then Vladimir Putin, have used this image and the banner itself to build a remarkably powerful mythology of Russian greatness"-- |
| Beschreibung: | ix, 285 Seiten Illustrationen |
| ISBN: | 9780822946502 0822946505 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV047106843 | ||
| 003 | DE-604 | ||
| 005 | 20220111 | ||
| 007 | t | ||
| 008 | 210126s2020 a||| b||| 00||| eng d | ||
| 020 | |a 9780822946502 |c hbk. |9 978-0-8229-4650-2 | ||
| 020 | |a 0822946505 |c hbk. |9 0-8229-4650-5 | ||
| 035 | |a (OCoLC)1226080704 | ||
| 035 | |a (DE-599)BVBBV047106843 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-11 |a DE-29 |a DE-2334 | ||
| 084 | |a OST |q DE-12 |2 fid | ||
| 084 | |a NQ 2700 |0 (DE-625)128302: |2 rvk | ||
| 100 | 1 | |a Hicks, Jeremy |d ca. 20./21. Jahrhundert |e Verfasser |0 (DE-588)122966632X |4 aut | |
| 245 | 1 | 0 | |a The victory banner over the Reichstag |b film, document, and ritual in Russia's contested memory of World War II |c Jeremy Hicks |
| 246 | 1 | 3 | |a Film, document and ritual in Russia's contested memory of World War II |
| 246 | 1 | 0 | |a Film, document and ritual in Russia's contested memory of World War II |
| 264 | 1 | |a Pittsburgh, Pa. |b University of Pittsburgh Press |c [2020] | |
| 300 | |a ix, 285 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Russian and East European studies | |
| 505 | 8 | |a The Raising of the Victory Banner -- Victory and the Postwar Stalin Cult -- The Death of Stalin and Birth of the Victory Cult -- The Victory Cult in the Age of Television -- Iconoclasm, Resanctification, and the Post-Soviet Victory Cult | |
| 520 | 3 | |a "In one of the most iconic images from World War II, a Russian soldier raises a red flag atop the ruins of the German Reichstag on April 30, 1945. Known as the Victory Banner, this piece of fabric has come to symbolize Russian triumph, glory, and patriotism. Facsimiles are used in public celebrations all over the country, and an exact replica is the centerpiece in the annual Victory Parade in Moscow's Red Square. The Victory Banner Over the Reichstag examines how and why this symbol was created, the changing media of its expression, and the contested evolution of its message. From association with Stalinism and communism to its acquisition of Russian nationalist meaning, Jeremy Hicks demonstrates how this symbol was used to construct a collective Russian memory of the war. He traces how the Soviets, and then Vladimir Putin, have used this image and the banner itself to build a remarkably powerful mythology of Russian greatness"-- | |
| 648 | 7 | |a Geschichte 1945- |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Geschichtspolitik |0 (DE-588)1041864515 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kollektives Gedächtnis |0 (DE-588)4200793-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Russlandfeldzug |g 1941-1945, Motiv |0 (DE-588)4213143-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Schlacht um Berlin |g Motiv |0 (DE-588)4409962-9 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Russland |0 (DE-588)4076899-5 |2 gnd |9 rswk-swf | |
| 651 | 7 | |a Sowjetunion |0 (DE-588)4077548-3 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Berlin, Battle of, Berlin, Germany, 1945 / Motion pictures and the war | |
| 653 | 0 | |a World War, 1939-1945 / Soviet Union / Flags | |
| 653 | 2 | |a Soviet Union / Raboche-Krestʹi͡anskai͡a Krasnai͡a Armii͡a / Flags | |
| 653 | 0 | |a Flags / Soviet Union | |
| 653 | 0 | |a Emblems, State / Soviet Union | |
| 653 | 0 | |a Collective memory / Russia / History / 20th century | |
| 653 | 0 | |a National characteristics, Russian | |
| 653 | 0 | |a War and society / History / 20th century | |
| 653 | 2 | |a Soviet Union / Raboche-Krestʹi͡anskai͡a Krasnai͡a Armii͡a | |
| 653 | 0 | |a Armed Forces / Flags | |
| 653 | 0 | |a Collective memory | |
| 653 | 0 | |a Emblems, State | |
| 653 | 0 | |a Flags | |
| 653 | 0 | |a National characteristics, Russian | |
| 653 | 0 | |a War and motion pictures | |
| 653 | 0 | |a War and society | |
| 653 | 2 | |a Germany / Berlin | |
| 653 | 2 | |a Russia | |
| 653 | 2 | |a Soviet Union | |
| 653 | 4 | |a 1900-1999 | |
| 653 | 6 | |a History | |
| 689 | 0 | 0 | |a Sowjetunion |0 (DE-588)4077548-3 |D g |
| 689 | 0 | 1 | |a Russland |0 (DE-588)4076899-5 |D g |
| 689 | 0 | 2 | |a Russlandfeldzug |g 1941-1945, Motiv |0 (DE-588)4213143-1 |D s |
| 689 | 0 | 3 | |a Schlacht um Berlin |g Motiv |0 (DE-588)4409962-9 |D s |
| 689 | 0 | 4 | |a Kollektives Gedächtnis |0 (DE-588)4200793-8 |D s |
| 689 | 0 | 5 | |a Geschichtspolitik |0 (DE-588)1041864515 |D s |
| 689 | 0 | 6 | |a Geschichte 1945- |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 9780822987963 |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032513093&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032513093&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |3 Literaturverzeichnis |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032513093&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |3 Register // Gemischte Register |
| 940 | 1 | |n oe | |
| 940 | 1 | |q BSB_NED_20210803 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032513093 | ||
| 942 | 1 | 1 | |c 907.2 |e 22/bsb |f 0904 |g 947.08 |
| 942 | 1 | 1 | |c 907.2 |e 22/bsb |f 0905 |g 471 |
Datensatz im Suchindex
| _version_ | 1804182137825394688 |
|---|---|
| adam_text | CONTENTS Acknowledgments vii A Note on Transliteration and Document Citation ix Introduction 3 I. The Raising of the Victory Banner 20 2. Victory and the Postwar Stalin Cult 51 3. The Death of Stalin and Birth of the Victory Cult 89 4. The Victory Cult in the Age of Television 131 5. Iconoclasm, Resanctification, and the Post-Soviet Victory Cult 170 Conclusion 216 Notes 223 Bibliography 261 Index 277
BIBLIOGRAPHY ARCHIVES CONSULTED Bundesarchiv-Filmarchiv, Berlin GARF, State Archive of the Russian Federation, Moscow Gosfil mofond, Russian State Film Archive, Moscow RGAKFD, Russian State Archive for Film and Photo Documents, Krasnogorsk (Moscow region) RGALI, Russian State Archive for Literature and Arts, Moscow RGANI, Russian State Archive for Recent History, Moscow RGASPI, Russian State Archive for Social and Political Research, Moscow TsAMO RF, Central Archive of the Ministry of Defense of the Russian Federa tion, Podol sk (Moscow region) D09.2:C Abramov, Aleksandr, and Varvara Kochetova. Znamia pobedy nad Berlinom. Nizhnii Novgorod: Ekstra N, 2007. Abramov, S., and S. Kruzhkov. “Iurii Ozerov v rabote i razmyshleniiakh.” Iskusstvo kino, no. 5 (1974): 88-102. Aksiutin, Iurii. Khrushchevskaia “ottepel ” і obshchestvennye nastroeniia v SSSR v 1953-1964 gg. Moscow: ROSSPEN, 2010. Aleksandrov, G. F., et al., eds. Joseph Stalin: A Short Biography. 2nd rev. ed. Mo scow: Foreign Languages Publishing House, 1949. Anderson, K. M„ and L. V. Maksimenkov, eds. Kuľtura i vlasť ot Stalina do Gorbacheva. Kremlevskii kinoteatr 1928-1953; Dokumenty. Moscow: ROSSPEN, 2005. Anonymous. A Woman in Berlin. Translated by James Stern. London: Seeker Warburg, 1955. Anushevskaia, Anastasiia. “Chto takoe dvizhenie ‘Iunarmiia’ і zachem ono nuzhno?” Argumenty i fakty, 4 August 2016. http://www.aif.ru/dontknows/ actual/chto_takoe_dvizhenie_yunarmiya_i_zachem_ono_nuzhno. 261
262 Bibliography Andzhaparidze, M„ and V. Tsirgiladze. “Как sozdavalsia film ‘Padenie Berli ne.”’ Iskusstvo kino, no. 4 (1950): 22-26. Arsenin, A. Tsentral nyi muzei Sovetskoi Armii. Moscow: Moskovskii rabochii, 1953. Assmann, Aleida. “Transformations between History and Memory.” Social Re search 75, no. 1 (2008): 49-72. Balina, Marina. “Prose after Stalin.” In The Cambridge Companion to Twen tieth-Century Russian Literature, edited by Evgeny Dobrenko and Marina Balina, 153-73. Cambridge: Cambridge University Press, 2011. Baranov, V. P., et al., eds. Velikaia otechestvennaia voina 1941-1945 godov. 12 vols. Moscow: Kuchkovo pole, 2015. Barany, Zoltan D. Democratic Breakdown and the Decline of the Russian Milita ry. Princeton, NJ: Princeton University Press, 2007. Barbat, Victor. “Bannières et drapeaux, sur quelques manières de les lever et de les représenter: L’exemple du Reichstag, mai 1945.” 1895, no. 74 (2014): 70-95. Barber, John. “The Image of Stalin in Soviet Propaganda and Public Opinion du ring World War Two.” In World War 2 and the Soviet People: Selected Papers from the Fourth World Congress for Soviet and East European Studies, Har rogate, 1990, edited by John Garrard and Carol Garrard, 38-49. Basingstoke: Macmillan, 1993. Baron, Jaimie. The Archive Effect: Found Footage and the Audiovisual Experience ofHistory. London: Routledge, 2014. Beevor, Antony. Berlin 1945: The Downfall. London: Penguin, 2003. Belting, Hans. An Anthropology ofImages: Picture, Medium, Body. Translated by Thomas Dunlap. Princeton, NJ: Princeton University Press, 2011. Berlinskaia
operatsiia 1945 goda. Moscow: Voennoe izdatel stvo soiuza SSSR, 1950. Berman, Vladimir. “Znamia nad reikhstagom. О tekh, kto snimal istoricheskie kadry.” Lekhaim, May 2005. http://lechaim.ru/ARHIV/157/berman.htm. Bernstein, Seth. “Remembering War, Remaining Soviet: Digital Commemo ration of World War II in Putin’s Russia.” Memory Studies 9, no. 4 (2016): 422-36. Beumers, Birgit. “Sergei Loznitsa, ‘State Funeral (2019).’” Kinokultura, no. 67 (2020). http://www.kinokultura.com/2020/67r-statefuneral.shtml. Bialer, Seweryn, ed. Stalin and His Generals: Soviet Military Memoirs of World War II. Boulder, CO: Westview Press, 1984. “Bitva za Berlin.” In Ekran 1970-71, 20-22. Moscow: Iskusstvo, 1971. Bjorn, Peter. “‘Etot flag byl v Berline! Eto flag moego naroda,’ Svetlana GladysS heva otkazalas ubrať Znamia Pobedy.” Sports.ru, 22 February 2018. https:// www.sports.ru/tribuna/blogs/mama4h/1593866.html.
Bibliography 263 Black, Jeremy. Rethinking World War Two: The Conflict and Its Legacy. London: Bloomsbury Academic, 2015. Bobylev, I. R Vsadniki s Krasnoi Ploshchadi. Svidetel stva ochevidtsa. Moscow: Izdatel skii tsentr “Fedorov,” 2000. Bol shakov, Ivan, et al. “Vsesoiuznoe soveshchanie rabotnikov khudozhestvene noi kinematografii po obsuzhdeniiu resheniia TsK VKP(b) O kinofilme ‘Bol shaia Zhizn (2 Seriia), 14-15 oktiabria 1946 goda.” In Zhivye golo sa kino. Govoriat vydaiushchiesia mastera otechestvennogo kinoiskusstva (ЗО-е-40-e gody). Iz neopublikovannogo, edited by L. A. Parfenov, 308-84. Moscow: Belyi bereg, 1999. Bolter, Jay David, and Richard Grusin. Remediation: Understanding New Media. Cambridge, MA: MIT Press, 1999. Boltin, Evgenii. “Epopeia osvobozhdeniia. Mysli voennogo istoriką.” Iskusstvo kino, no. 5 (1972): 41-54. Bondarev, Iurii, Oskar Kurganov, and Iurii Ozerov. “Bitva za Berlin. Osvobozhdenie film 5.” Iskusstvo kino, no. 5 (1970): 20-66. Bonnell, Victoria E. “The Leader’s Two Bodies: A Study in the Iconography of the Vozhd .” Russian History/Histoire russe 23, no. 1-4 (1996): 113-40. Brandenberger, David. National Bolshevism: Stalinist Mass Culture and the For mation of Modern Russian National Identity, 1931-1956. Cambridge, MA: Harvard University Press, 2002. Brandenberger, David. “Stalin as Symbol: A Case Study of the Personality Cult and Its Construction.” In Stalin: A New History, edited by Sarah Davies and James Harris, 249-70. Cambridge: Cambridge University Press, 2005. Brezhnev, Leonid. Vospominaniia. Moscow: Politicheskaia literature, 1982.
Brooks, Jeffrey. Thank You, Comrade Stalin! Soviet Public Culture from Revolu tion to Cold War. Princeton, NJ: Princeton University Press, 2000. Burgoyne, Robert. Introduction to The Epic Film in World Culture, edited by Robert Burgoyne, 1-16. New York: Routledge, 2011. Bykov, Dmitrii. Bulat Okudzhava. Moscow: Molodaia gvardiia, 2009. Campbell, James. “Combat Gnosticism: The Ideology of First World War Poetry Criticism.” New Literary History 30, no. 1 (1999): 203-15. Central Museum of the Soviet Army. Relikvii boevoi slavy. Moscow: Voennoe izdatel stvo Ministerstva oborany SSSR, 1962. Chernysheva, Elena. “Voennaia rekonstruktsiia vziatiia Berlina.” Odessit.ua, 2012. Accessed 3 June 2018 (no longer available), http://www.odessit.ua/ photo/389-voennaya-rekonstrukciya-vzyatie-reyhstaga.html. Chertok, Mikhail. Muzykanty Parada Pobedy. Moscow: Kanon+, 2015. Chertok, S. “Nikolai Olialin.” In Ekran 1971-72, 60-62. Moscow: Iskusstvo, 1972. Chiaureli, Mikhail. “Bessmertie.” Sovetskoe iskusstvo, 14 March 1953,2.
264 Bibliography Chiaureli, Mikhail. “Ob Izobrazitel noi forme kinofil ma.” In Voprosy masterstva v sovetskom kinoiskusstve: Sbornik statei. Edited by B. Kravchenko. Moscow: Goskinoizdat, 1952.43-78. Christie, Ian. “Canons and Careers: The Director in Soviet Cinema.” In Stali nism and Soviet Cinema, edited by Richard Taylor and Derek Spring, 142-70. London: Routledge, 1993. Chuikov, Vasilii. “Podvig bessmerten.” Sovetsku ekran, no. 9 (1980): 1. Cruz, Trent. “‘It’s Almost Too Intense’: Nostalgia and Authenticity in Call of Duty 2.” Loading ... I, no. 1 (2007). Danilova, Nataliya. The Politics of War Commemoration in the UK and Russia. London: Palgrave-Macmillan, 2015. Davies, R. W. Soviet History in the Gorbachev Revolution. Basingstoke: Macmil lan, 1989. Dement ev, Arkadii. Znamia Pobedy. Glavnata relikviia Velikoi Otechestvennoi voiny v svete istoricheskikh issledovanii. Moscow: Granitsa, 2015. Dick, Bernard F. The Star-Spangled Screen: The American World War II Film. Lexington: University Press of Kentucky, 1985. Dommanget, Maurice. Histoire du drapeau rouge: Des origines à la guerre de 1939. Paris: Librairie de l’Étoile, 1967. Drobashenko, Sergei. “Soviet Film Chronicles and the Fall of Nazi Germany.” In Hitler’s Fall: The Newsreel Witness, edited by K. R. M. Short and Stephan Doležel, 50-56. London: Croom Helm, 1988. Drozdovskii, E. A., et al. Tverichi na Parade Pobedy. Tver : Litera-M, 2000. Dubin, Boris. “Pamiať, voina, pamiať o voine. Konstruirovanie proshlogo v sotsial noi praktike poslednikh desiatiletii.” Otechestvennye zapiski 4, no. 43 (2008).
http://www.intelros.ru/intelros/reiting/reyting_09/material_sofiy/ 5023-boris-dubin-pamyat-vojna-pamyat-o-vojne-konstruirovanie-prosh logo-v-socialnoj-praktike-poslednix-desyatiletij.html. Dunmore, Timothy. Soviet Politics, 1945-1953. London: Macmillan, 1984. Durkheim, Emile. The Elementary Forms of Religious Life. Translated and with an introduction by Karen E. Fields. New York: Free Press, 1995. Edele, Mark. Soviet Veterans of the Second World War: A Popular Movement in an Authoritarian Society, 1941-1991. Oxford: Oxford University Press, 2008. Edelman, Murray. Constructing the Political Spectacle. Chicago: University of Chicago Press, 1988. Edelman, Murray. The Symbolic Uses of Politics. Urbana: University of Illinois Press, 1964. “Egorov і Kantariia byli ne pervymi.” Argumenty i fakty, 7 May 2003. http:// www.aif.ru/archive/1628792. Erickson, John. The Road to Berlin. Voi. 2 of Stalin’s War with Germany. London: Weidenfeld and Nicolson, 1983.
Bibliography 265 Eril, Astrid. “Cultural Memory Studies: An Introduction.” In A Companion to Cultural Memory Studies, edited by Astrid Eril, Ansgar Nünning, and in col laboration with Sara В. Young, 1-15. Berlin: De Gruyter, 2010. Eril, Astrid. Memory in Culture. Translated by Sara В. Young. Basingstoke: Pal grave Macmillan, 2011. Etkind, Alexander. “Hard and Soft in Cultural Memory: Political Mourning in Russia and Germany.” Grey Room, no. 16 (2004): 36-59. Etkind, Alexander. Warped Mourning: Stories of the Undead in the Land of the Unburied. Stanford, CA: Stanford University Press, 2013. Evans, Christine E. Between Truth and Time: A History of Soviet Central Tele vision. New Haven, CT: Yale University Press, 2016. Figes, Orlando, and Boris Kolonitskii. Interpreting the Russian Revolution: The Language and Symbols of 1917. New Haven, CT: Yale University Press, 1999. Fomin, Valerii, ed. Kino na voine. Dokumenty i svideteľstva. Moscow: Materik, 2005. Forest, Benjamin, and Juliet Johnson. “Unraveling the Threads of History: Soviet-Era Monuments and Post-Soviet National Identity in Moscow.” An nals of the Association of American Geographers 92, no. 3 (2004): 524-47. Gallagher, Matthew. “Trends in Soviet Historiography of the Second World War.” In Contemporary History in the Soviet Mirror, edited by John Keep and Liliana Brisby. New York: Frederick A. Praeger, 1964. Garde-Hansen, Joanne, Andrew Hoskins, and Anna Reading, eds. Save As . . . Digital Memories. Basingstoke: Paigrave Macmillan, 2009. Gerasimov, E., ed. Shturm Berlina. Vospominaniia, pisma, dnevniki uchastnikov
boev za Berlin. Moscow: Voennoe izdatel stvo ministerstva vooruzhennykh sil SSSR, 1948. Gerasimov, Sergei. “O professii kinorezhissera.” In Voprosy masterstva v sovetskom kinoiskusstve: Sborník statei, edited by B. Kravchenko, 7-42. Мое scow: Goskinoizdat, 1952. Geroicheskaia oborona Brestskoi kreposti. Po dokumentam і relikvijam Tsentral nogo muzeia Sovetskoi Armii. Moscow: Voennoe izdateľstvo Ministerstva oborony SSSR, 1955. Ghosh, Bishnupriya. Global Icons: Apertures to the Popular. Durham, NC: Duke University Press, 2011. Gilburd, Eleonory. To See Paris and Die: The Soviet Lives of Western Culture. Cambridge, MA: Belknap Press of Harvard University Press, 2018. Gill, Graeme. Symbols and Legitimacy in Soviet Politics. Cambridge: Cambridge University Press, 2011. Gorlizki, Yoram, and Oleg Khlevniuk. Cold Peace: Stalin and the Soviet Ruling Circle, 1945-1953. Oxford: Oxford University Press, 2004.
266 Bibliography Grechko, A. A., et al., eds. Istorila vtoroi mirovoi voiny. 12 vols. Moscow: Voennoe izdatel stvo Ministerstva Oborony SSSR, 1973-1982. Grosset, Mark. Khaldei: Un photoreporteur en Union Soviétique. Paris: Éditions du Chêne, 2004. Groys, Boris. The Total Art of Stalinism: Avant-Garde, Aesthetic Dictatorship, and Beyond. Translated by Charles Rougle. Princeton, NJ: Princeton Uni versity Press, 1992. Hariman, Robert, and John Louis Lucaites. No Caption Needed: Iconic Photo graphs, Public Culture, and Liberal Democracy. Chicago: University of Chi cago Press, 2007. Hell, Julia, and Andreas Schönle. Introduction to Ruins of Modernity, edited by Julia Hell and Andreas Schönle, 1-16. Durham, NC: Duke University Press, 2010. Hervieu-Léger, Danièle. Religion as a Chain of Memory. Translated by Simon Lee. Cambridge: Polity Press, 2000. Hicks, Jeremy. Dziga Vertov: Defining Documentary Film. London: I. B. Tauris, 2007. Hicks, Jeremy. “A Holy Relic of War: The Soviet Victory Banner as Artefact.” In Remembering the Second World War, edited by Patrick Finney, 197-216. London: Routledge, 2017. Hirsch, Joshua. Afterimage: Film, Trauma, and the Holocaust. Philadelphia: Temple University Press, 2004. Hobsbawm, Eric. “Introduction: Inventing Traditions.” In The Invention of Tradition, edited by Eric Hobsbawm and Terence Ranger, 1-14. 1983. Cam bridge: Cambridge University Press, 2002. Hosier, Joachim. “Chto znachit ‘Prorabotka proshlogo?’ Ob istoriografii Velikoj Otechestvennoi Voiny v SSSR i Rossii.” In Pamiať o voine 60 let spustia: Rossiia, Germaniia, Evropa. Moscow:
Novoe literaurnoe obozrenie, 2005. Hosking, Geoffrey A. Russia: People and Empire, 1552-1917. Cambridge, MA: Harvard University Press, 1997. Hutchings, Stephen, and Natalia Rulyova. “Commemorating the Past/Perfor ming the Present: Television Coverage of the Second World War Victory Celebrations and the (DeJConstruction of Russian Nationhood.” In The Post-Soviet Russian Media: Conflicting Signals, edited by Birgit Beumers, Stephen Hutchings, and Natalia Rulyova, 137-55. London: Routledge, 2009. Hynes, Samuel. The Soldier’s Tale: Bearing Witness to Modern War. New York: Penguin, 1998. Iamskoi, Nikolai. Kto bral Reikhstag. Geroi po umolchaniiu. Moscow: Olma Press, 2006. Iangirov, Rashit. “Proshchanie s mertvym telom. Ob odnom siuzhete rossiiskogo ekrannogo ofitsioza i ego Podtekstakh.” Otechestvennye zapiski 35, no. 2 (2007). http://www.strana-oz.rU/2007/2/proshchanie-s-mertvym-telom.
Bibliography 2 67 Innés, Paul. Epic. London: Routledge, 2013. Iurenev, Rostislav. “Rosomakha.” In Boris Andreev: Vospominaniia, stat i, vystupleniia, aforizmy, edited by B. B. Andreev, 73-82. Moscow: Iskusstvo, 1991. Jones, Polly. Myth, Memory, Trauma: Rethinking the Stalinist Past in the Soviet Union, 1953-70. New Haven, CT: Yale University Press, 2013. Juul, Jesper. “Fear of Failing? The Many Meanings of Difficulty in Video Games.” In The Video Game Theory Reader 2, edited by Bernard Perron and Mark J. P. Wolf, 237-52. London: Routledge, 2009. Kamshalov, Aleksandr. Geroika podviga na ekrane. Voenno-patrioticheskaia tema v sovetskom kinematografe. Moscow: Iskusstvo, 1986. Kapterev, Sergei. Post-Stalinist Cinema and the Russian Intelligentsia, 1953-1960: Strategies of Self-Representation, De-Stalinization and the National Cultural Tradition. Saarbrücken, Germany: Verlag Dr. Müller, 2005. Karavaev, Dmitrii. “Newsreels of Soviet Military Parades as Component of Vic tory: Some Ineffective Examples.” Paper presented at the workshop Iconic and the Archival: Images and Russian Memory of World War Two, Queen Mary University of London, 25 May 2017. Karmen, Roman. “Surovaia Pravda.” Iskusstvo kino, no. 2 (1968): 39. Kaz[i]uchitz, Maksim. “‘Sovpolikadr’. Poliekrannyi і polikadrovyi film v istoe rii kinematografii 1960-kh-1980-kh,” Kinovedcheskie zapiski, no. 104-105 (2013): 388-96. Kenez, Peter. Cinema and Soviet Society from the Revolution to the Death of Sta lin. Rev. and updated ed. London: I. B. Tauris, 2008. Kershaw, Ian. The End: Germany 1944-45. London: Penguin, 2011.
Khaniutin, Iurii. ‘“Kogda pushki streliaiut. . . . ‘” Iskusstvo kino, no. 5 (1965): 1-25. Khaniutin, Iurii. “Vozvrashchennoe vremia.” Iskusstvo kino, no. 7 (1977): 8697. Khlevniuk, Oleg V. Stalin: New Biography of a Dictator. Translated by Nora Seligman Favorov. New Haven, CT: Yale University Press, 2015. Knorring, Oleg. “Berlinskii reportazh.” In Poslednii shturm, edited by Konstan tin Telegin. Moscow: Izdatel stvo politicheskoi literatury, 1965. Kochetov, Andrei. “Magnitnye polia Leiptsiga.” Sovetsku ekran, no. 16 (1980): 16-17. Kolin, N. “V Pomoshch Nachinaiushchemu stsenaristu.” In Konkurs na kinotsenarii, 11-25. Moscow: Goskinoizdat, 1938. Kolodiazhnaia, V. Boris Andreev. Moscow: Goskinoizdat, 1951. Kozlov, Denis. “The Historical Turn in Late Soviet Culture: Retrospectivism, Factography, Doubt, 1953-91.” Kritika, n.s. 2, no. 3 (2001): 577-600. Krivonogov, Petr. “Den Pobedy. Iz dnevnika voennogo khudozhnika.” Sovetskoe iskusstvo, no. 37 (1951): 1.
268 Bibliography Kruglov, Sergei. “Istoriiu ne perepishesh .” Voenno-promyshlennyi kur er, 9 May 2007. http://vpk-news.ru/articles/3637. Krylova, Anna. ‘“Healers of Wounded Souls’: The Crisis of Private Life in Soviet Literature, 1944-1946.” Journal ofModern History 73, no. 2 (2001): 307-31. Kuby, Erich. The Russians and Berlin, 1945. Translated by Arnold J. Pomerans. London: Heinemann, 1965. Kudryashov, Sergei. “Remembering and Researching the War: The Soviet and Russian Experience.” In Experience and Memory: The Second World War in Europe, edited by Jörg Echternkamp and Stefan Martens, 86-115. New York: Berghahn Books, 2010. Kulish, V. M. “Sovetskaia istoriografiia Velikoi Otechestvennoi voiny.” In Sovetskaia Istoriografiia, edited by Iu. N. Afanas ev, 274-315. Moscow: Rossi iiskii gosudarstvennyi gumanitarnyi universitet, 1996. Kumanev, Georgii. Podvig і podlog. Stranitsy Velikoi Otechestvennoi voiny 19411945 gg. Moscow: Russkoe slovo, 2000. Leibovich, Oleg. Reforma i modernizatsiia v 1953-1964gg. Perm : Izd. Permskogo universiteta, 1993. Levchenko, Grigory. “How Russia Prosecutes Its Own People for ‘Falsifying His tory.’” Translated by Peter Marshall. Meduza, 11 May 2018. https://meduza .io/en/feature/2018/05/ll/how-russia-prosecutes-its-own֊people-for-falsify ing-history. Le Tissier, Tony. Racefor the Reichstag: The 1945 Battlefor Berlin. London: Frank Cass, 1999. Lozin, Dmitrii. Znamia Pobedy—gosudarstvennaia relikviia Rossit. Voennoistoricheskie ocherki. Moscow: Zhizn , 2014. Maisurian, Aleksandr. Drugoi Brezhnev. Moscow: Vagrius, 2004. Maksimenkov, Leonid.
“Arkhivno-istoricheskoe obespechenie nyneshnego і budushchikh iubileev.” In Pobeda-70. Rekonstruktsiia iubileia, edited by Gen nadii Bordiugov, 381-448. Moscow: AIRO-XXI, 2015. Mal tsev, Vadim. Po stranitsam voennogo dnevnika. Ot nachala voiny do Parada Pobedy. 2nd rev. ed. Moscow: Avanglion-print, 2013. Manevich, I. Mikhail Chiaureli. Moscow: Goskinoizdat, 1953. March, Luke. The Communist Party in Post-Soviet Russia. Manchester: Man chester University Press, 2002. Markwick, Roger. Rewriting History in Soviet Russia: The Politics of Revisionist History, 1956-74. New York: Paigrave, 2001. Medinskih Vladimir. Voina. Mify SSSR. 1939-1945. 2nd ed. Moscow: OLMA Media Grupp, 2014. Medvedev, Boris. “Eto bylo pri nas....” Iskusstvo kino, no. 8 (1965): 18-23. Medvedev, Roi. Lichnost i epokha. Politicheskii portret L. I. Brezhneva; Kn. 1. Moscow: Novosti, 1991.
Bibliography 269 Merridale, Catherine. Ivan’s War: The Red Army 1939-1945. London: Faber and Faber, 2005. Merridale, Catherine. Night of Stone: Death and Memory in Twentieth-Century Russia. New York: Viking, 2001. Merridale, Catherine. Red Fortress: The Secret Heart ofRussia’s History. London: Penguin, 2013. Mikhailov, Vladimir. Frontovoi kinoreportazh. Moscow: Nauchno-issledovatel nyi institut teorii і istorii kino, 1977. Miller, John. Mikhail Gorbachev and the End of Soviet Power. Basingstoke: Mac millan and St. Martin’s Press, 1993. Mlechin, Leonid. Brezhnev. Moscow: Molodaia gvardiia, 2011. Molotov, Viacheslav. Stalin and Stalin’s Leadership. Moscow: Foreign Languages Publishing House, 1950. Moos, David. “Utopian Construction? The Work of Frank Thiel.” In Frank Thiel: A Berlin Decade, 1995-2005, edited by Robert Hobbs and David Moos. Ma drid: Hatje Cantz, 2006. Mori, Masaki. Epic Grandeur: Toward a Comparative Poetics of the Epic. Albany: State University of New York Press, 1997. Muratov, L. “Filmy v bor be idei.” In Pamiat grozovykh let. Velikaia otechestvennaia voina v sovetskom kino 1970-kh godov, edited by N. Zaitsev et al., 6-30. Leningrad: Iskusstvo, 1980. Muratov, Sergei, and Georgii Fere. “Sovetskoi kul tury” and “Ekrany maia” co lumns. Sovetskaia kul tura, 3 June 1965. Naimark, Norman M. The Russians in Germany: A History of the Soviet Zone of Occupation, 1945-1949. Cambridge, MA: Belknap Press of Harvard Uni versity Press, 1995. Nakhimovsky, Alice, and Alexander Nakhimovsky. Witness to History: The Pho tography of Yevgeny Khaldei. New York: Aperture,
1997. Neustroev, Stepan. Put kreikhstagu. Moscow: Voennoe izdatel stvo Ministerstva OboronySoiuzaSSR, 1961. Neustroev, Stepan. Ό Reikhstage na sklone let.” Oktiabr 5 (1990): 130-44. Nora, Pierre. “Entre mémoire et histoire: La problématique des lieux.” In Les lieux de mémoire, edited by Pierre Nora, 23-43. Paris: Gallimard Quarto, 1997. Nove, Alec. An Economie History of the U.S.S.R. Harmondsworth: Penguin, 1969. Odom, William E. The Collapse of the Soviet Military. New Haven, CT: Yale Uni versity Press, 1998. Odom, William E. “The Military and the State: Contemporary Russia in Histori cal Perspective.” In The Military History of the Soviet Union, edited by Robin Higham and Frederick W. Kagan, 299-318. New York: Paigrave, 2002.
270 Bibliography O’Neil, Mark. “The Cold War on the Ground, 1945-1981.” In The Military His tory of the Soviet Union, edited by Robin Higham and Frederick W. Kagan, 221-36. New York: Paigrave, 2002. Orlov, Dal . “Zavershenie epopei.” Iskusstvo kino, no. 2 (1972): 6-14. Ό sovetskom cheloveke, о sovetskom narode.” Iskusstvo kino, no. 8 (1982): 94105. Oushakine, Serguei. “Remembering in Public: On the Affective Management of History.” Ab Imperio, no. 1 (2013): 269-302. “О vsesoiuznoi khudozhestvennoi výstavke.” Iskusstvo, no. 1 (1947): 6-10. Ozerov, ludi. “Na NP.” Iskusstvo kino, no. 5 (1975): 70-73. Ozerov, Iurii. “Vosslaviť podvig naroda.” Iskusstvo kino, no. 2 (1971): 1-4. Panov, Ivan. “Nad Reichstagom znamia.” In Ikh oruzhie—kinokamera, edited by Valentin Zeltov and Aleksei Lebedev, 271-80. Moscow: Iskusstvo, 1970. Parfenov, Denis. “Vytravlivanie gosudarstvennykh simvolov SSSR so Znameni Pobedy mozhet byť rastseneno как ideologicheskaia diversità.” Communist Party of the Russian Federation, 6 February 2018. https://kprf.ru/dep/gosdu ma/activities/172751 .html. Parker, John W. Kremlin in Transition. Voi. 2, Gorbachev, 1985 to 1989. Boston: Unwin Hyman, 1991. Păstoreau, Michel. Une histoire symbolique du moyen âge occidental. Paris: Seuil, 2004. Pavlenko, Petr. Kinostsenarii. Moscow: Goskinoizdat, 1952. Pavlovskih Ivan. Iazykom faktov і dokumentov.” Sovetskaia kul tura, 9 May 1985, 8. Petrone, Karen. Life Has Become More Joyous, Comrades: Celebrations in the Time of Stalin. Bloomington: Indiana University Press, 2000. Plamper, Jan. The Stalin Cult: A Study in the Alchemy
of Power. New Haven, CT: Yale University Press, 2012. Pogozheva, L. “Padenie Berlina.” Iskusstvo kino, no. 4 (1950): 10-14. Polian, Pavel. Istoriomor, Hi trepanatsiiapamiati. Moscow: AST, 2016. Pospelov, P[etr] NĮikolevich], EJvgenii] AIrsenevich] Boltin, and V. P. Moskovs ku. Istorila Velikoi Otechestvennoi Voiny Sovetskogo Soiuza 1941-1945. 6 vols. Moscow: Voennoe izdatel stvo ministerstva oborony SSSR, 1963. Prokhorova, Alexander, and Elena Prokhorov. Film and Television Genres of the Late Soviet Era. New York: Bloomsbury, 2017. Pudovkin, Vsevolod. “Podlinnaia narodnost .” Sovetskoe iskusstvo, no. 4 (1950): 4. Putin, Vladimir. “International Holocaust Remembrance Day.” Jewish Muse um and Tolerance Center, Moscow, 27 January 2015. http://en.kremlin.ru/ events/president/transcripts/47529. Putin, Vladimir. “Speech at the Forum ‘Let My People Live!’ Commemorating the Memory of the Victims of Auschwitz.” 27 January 2005, Krakow, Po land. http://en.kremlin.ru/events/president/transcripts/22800.
271 Bibliography Pyzhikov, Aleksandr. Opyt modernizatsii sovetskogo obshchestva v 1953-1964 godakh. Obshchestvenno-politicheskii aspekt. Moscow: Gamma, 1998. Raack, Richard C. “The Red Army Beflags the Reichstag: Film as Historical Fan tasy.” In Hitler’s Fall: The Newsreel Witness, edited by K. R. M. Short and Stephan Doležel, 57-69. London: Croom Helm, 1988. Raack, Richard C. Stalin’s Drive to the West, 1938-1945: The Origins of the Cold War. Stanford, CA: Stanford University Press, 1995. Raizman, Iulii. “Berlin.” In Ikh oruzhue—kinokamera, edited by V. I. Zheltov and A. A. Lebedev, 282-88. Moscow: Iskusstvo, 1970. Raizman, Iulii. Vchera і segodnia. Moscow: Biuro propagandy sovetskogo kinoiskusstva, 1969. Ramazashvili, Georgii. “Esť takaia professila—istoriiu zashchishchať: TsAr MO RF v predverii 60-iia Pobedy.” In Pamiať o voine 60 let spustia: Rossiia, Germanita, Evropa, edited by Il ia Kalinin and Mikhail Gabovich, 293-313. Moscow: Novoe literaturnoe obozrenie, 2005. Rees, E. A[rfon], “Leader Cults: Varieties, Preconditions and Functions.” In The Leader Cult in Communist Dictatorships: Stalin and the Eastern Bloc, edited by Balázs Apor et al., 3-28. Basingstoke: Paigrave Macmillan, 2004. Reuveny, Rafael, and Aseem Prakash. “The Afghanistan War and the Breakdown of the Soviet Union.” Review ofInternational Studies, no. 25 (1999): 693-708. Richie, Alexandra. Faust’s Metropolis: A History of Berlin. London: HarperCollins, 1999. Rodchenko, Aleksandr. “The Paths of Contemporary Photography.” In Experi ments for the Future: Diaries, Essays, Letters, and Other Writings,
edited by Alexander N. Lavrentiev, 207-12. New York: Museum of Modern Art, 2005. Rohdewald, Stefan. “Post-Soviet Remembrance of the Holocaust and National Memories of the Second World War in Russia, Ukraine and Lithuania.” Fo rum for Modern Language Studies 44, no. 2 (2008): 173-84. Rolf, Malte. Soviet Mass Festivals, 1917-1991. Translated by Cynthia Klohr. Pitts burgh, PA: University of Pittsburgh Press, 2013. Romm, Mikhail. Izbrannye proizvedenim. Edited by Natal ia Kuz mina. 3 vols. Moscow: Iskusstvo, 1980-1982. Rosenstone, Robert A. History on Film/Film on History. 2nd ed. Harlow: Pear son, 2012. Rothberg, Michael. Multidirectional Memory: Remembering the Holocaust in the Age ofDecolonization. Stanford, CA: Stanford University Press, 2009. Rubenstein, Joshua. The Last Days of Stalin. New Haven, CT: Yale University Press, 2016. Rubenstein, Joshua. “World War Two—Soviet Style.” In New Challenges for Do cumentary, edited by Alan Rosenthal, 465-70. Berkeley: University of Cali fornia Press, 1988. Rudnev, V. A. Prazdniki, obriady, rituály v trudovom kollektive. Moscow: Profizdat, 1984.
272 Bibliography Russell, James, The Historical Epic and Contemporary Hollywood: From “Dances with Wolves” to “Gladiator.” New York: Continuum, 2007. Rzhevskaia, Elena. Berlin, mai 1945. Zapiski voennogo perevodchika. Moscow: TERRA-Knizhnyi klub, 2005. Sakwa, Richard. Putin Redux: Power and Contradiction in Contemporary Russia. London: Routledge, 2014. Samsonov, Konstantin. Shturm Reikhstaga. Moscow: DOSAAF, 1955. Saprykov, V. N. Dvazhdypobednoe. Moscow: Moskovskie uchebniki—SiDipress, 2008. Sartre, Jean-Paul. “Discussion on the Criticism of Ivan’s Childhood.” L’Unità, 9 October 1962. Published in French in Sartre’s Situations VII. Paris: Galli mard 1965. Schattenberg, Susanne. Velichie і tragediia cheloveka i strany. Translated by V. A. Brun-Tsekhovskii. Moscow: Politicheskaia entsiklopediia, 2018. Originally published as Leonid Breschnew: Staatsmann und Schauspieler im Schatten Stalins; Eine Biographie. Cologne: Böhlau, 2017. Schleifman, Nurit. “Moscow’s Victory Park: A Monumental Change.” History and Memory 13, no. 2 (2001): 5-34. Service, Robert. Stalin: A Biography. London: Pan, 2010. Shatilov, Vasilii. V boiakh rozhdennoe znamta. 2nd rev. and expanded ed. Mo scow: Sovetskaia Rossiia, 1988. Shaw, Tony, and Denise J. Youngblood. Cinematic Cold War: The American and Soviet Struggle for Hearts and Minds. Lawrence: University Press of Kansas, 2010. Shcherbina, N. Padenie Berlina. (Ocherk o kinofiľme). Moscow: Goskinoizdat, 1950. Shkolnikov, Semen. “Tiazhkii put kinokhronikera.” Iskusstvo kino, no. 6 (2008). Accessed 22 May 2018.
http://kinoart.ru/ru/archive/2008/06/n6-ar ticlel4. Shneer, David. Through Soviet Jewish Eyes: Photography, War and the Holocaust. New Brunswick, NJ: Rutgers University Press, 2011. Short, K. R. M. Preface to Hitler’s Fall: The Newsreel Witness, edited by K. R. M. Short and Stephan Doležel. London: Croom Helm, 1988. Shtemenko, Sergei. The Soviet General Staff at War, 1941-1945. Translated by Robert Daglish. Moscow: Progress, 1970. Shukla, Vikas. “Russia’s World War II Victory Day Parade: Who Is Coming and Who Isn’t.” ValueWalk, 7 May 2015. https://www.valuewalk.com/2015/05/ russia-world֊war-ii-victory-day-parade/. Simonov, Konstantin. Głazami cheloveka moego pokoleniia. Moscow: Agentstvo pechati Novosti, 1988. Simonov, Konstantin. Simonov і voina. Moscow: Vremia, 2016. Slavin, Konstantin. “Velikaia voina і nashe vremia.” Sovetsku ekran, no. 13 (1965): 12.
Bibliography 273 Slivko, Stanislav. “Kommunisty vernuli Khabarovskomu kraiu Znamia Pobedy.” Communist Party of the Russian Federation. Accessed 28 July 2016. https:// kprf.ru/party-live/regnews/127563.html. Smeiser, Ronald, and Edward J. Davies II. The Myth of the Eastern Front: The Nazi-Soviet War in American Popular Culture. Cambridge: Cambridge Uni versity Press, 2008. Smirnov, Sergei. Sobrante sochinenii. 3 vols. Moscow: Molodaia gvardiia, 1973. Smith, Kathleen E. Mythmaking in the New Russia: Politics and Memory during the Yeltsin Era. Ithaca, NY: Cornell University Press, 2002. Solonin, Mark. Zavetnaia pravda о Velikoi Otechestvennoi. Net blaga na voine! Moscow: Iauza-katalog, 2014. Sontag, Susan. Regarding the Pain of Others. London: Penguin, 2003. Sontheimer, Michael. “The Art of Soviet Propaganda: Iconic Red Army Reichs tag Photo Faked.” Spiegel Online, 7 May 2008. http://www.spiegel.de/inter national/europe/the-art-of-soviet-propaganda-iconic-red-army-reichstag -photo-faked-a-551972.html. Stalin, Iosif. О Velikoi Otechestvennoi Voine Sovetskogo Soiuza. 5th ed. Moscow: Gospolitizdat, 1948. Stalin, Joseph. “Doklad na torzhestvennom zasedanii Moskovskogo Sověta deø putatov trudiashikhsia s partiinymi і obshchestvennymi organizatsiiami goroda Moskvy 6 noiabria 1944 goda.” 1944. In Sochineniia, voi. 15, part 2. Moscow: Izdatel stvo ITRK, 2009. Statiev, Alexander. ‘“La Garde meurt mais ne se rend pas!’: Once Again on the 28 Panfilov Heroes.” Kritika: Explorations in Russian and Eurasian History 13, no. 4 (2012): 769-98. Stepaniuk, Vladimir. “Vekhi istorii glavnoi
redaktsii informatsii TsT.” TV Muk seum. Accessed 1 June 2018 (no longer available), http://tvmuseum.ru/cata log.asp?ob_no=l 1699. Stites, Richard. Russian Popular Culture: Entertainment and Society since 1900. New York: Cambridge University Press, 1992. Subbotin, Vassily. “How Wars End.” In How Wars End: Eye-Witness Accounts of the Fall of Berlin, edited by Vladimir Sevruk, 127-58. Honolulu: University Press of the Pacific, 2005. Sudarov, B. “Labirinty zhizni Nikolaia Mesiatseva.” TV Museum. Accessed 1 June 2018 (no longer available). http://tvmuseum.ru/catalog.asp?ob_ no=10852. Sumenov, Nikolai, and Oleg Sul kin. Iurii Ozerov. Moscow: Iskusstvo, 1986. Svoichakov, Maksim. Oni brali reikhstag. Moscow: Voennoe izdatel stvo, 1973. Swick, Gerald D. “WW2 Documentary Unseen for 30 Years Returns on DVD.” HistoryNet. Accessed 2 June 2018. http://www.historynet.com/ww2-docu mentary-unseen-for-30-years-returns-on-dvd.htm. Synthart (pseudonym). “Eshche о pamiatnike Pobedy na Poklonnoi Gore.” Аса cessed 11 November 2015. http://synthart.livejournal.com/217953.html
274 Bibliography Taylor, Richard. Film Propaganda: Soviet Russia and Nazi Germany. 2nd ed. London: I. B. Tauris, 1998. Tel pukhovskii, Boris, ed. Ocherki istorii Velikoi Otechestvennoi Voiny 19411945. Moscow: Akademiia nauk SSSR, Institut istorii, 1955. Thompson, Jenny. War Games: Inside the World of Twentieth-Century War Ree nactors. Washington, DC: Smithsonian Books, 2010. Timoshkina, Alissa. Representations of the Holocaust in Soviet Cinema.” PhD diss., Kings College London, 2015. Tolstoi, Andrei. “Khudozhnik na fronte.” In Evgenii Khaldei: Znamia pobedy, edited by A. V. Maksimova, 4֊7. St. Petersburg: Rosfoto, 2015. Tolstykh, Valentin. Khochu—mogu—dolzhen. Opyt obshchestvennoi avtobiografi lichnosti. Moscow: Progress-traditsiia, 2015. Tomlinina, N. G., et al., eds. Apparat Tsk KPSS i Kul tura 1965-1972: Dokumenty. Moscow: ROSSPEN, 2009. Tompson, William. The Soviet Union under Brezhnev. Harlow: Pearson, 2003. Trotsky, Leon. The History of the Russian Revolution, Volume 3: The Triumph of the Soviets. Proofed and reset by Pablo Stern, converted to eBook format by Kollektiv Yakov Perelman in 2013. Accessed 22 May 2018. https://www .marxists.org/archive/trotsky/1930/hrr/ch44.htm. Tsentral nyi Muzei Krasnoi Armii. Kratkii putevoditeľ po žalam ekspozitsii. V pmoshch posetiteliu. Moscow: Izdanie Tsentral nogo Muzeia Krasnoi Armii, 1946. Tsitriniak, Grigoril. “Napravlenie glavnogo udara.” Iskusstvo kino, no. 5 (1970): 7-19. Tucker, Robert C. The Soviet Political Mind: Studies in Stalinism and Post-Stalin Change. London: Pall Mall Press, 1963. Tumarkin, Nina. “The Great
Patriotic War as Myth and Memory.” European Re view 11, no. 4 (2002): 595-611. Tumarkin, Nina. The Living and the Dead: The Rise and Fall of the Cult of World War II in Russia. New York: Basic Books, 1994. “Ukaz ot 23 dekabria 1947 goda: Ob ob iavlenii 1 ianvaria nerabochim dnem.” In Sborník zakonov SSSR і ukazov Prezidiumą Verkhovnogo Sověta SSSR, 1938 g—iiuľ 1956g. Edited by Iu. I. Mandel shtam. Moscow: Gosudarstvenn noe izdatel stvo iuridicheskoi literatury, 1956. Ul ianov, Mikhail. Reaľnosť і mechta. Moscow: Vagrius, 2007. Ul ianov, Vladimir (pseudonym). “Aktsiia kommunistov ‘Znamia Pobe dy.’” YouTube video, 12 May 2011. https://www.youtube.com/watch?v=N 7cAAJKRj_o. Ushenin, Khristofor. Petr Aleksandrovich Krivonogov. Moscow: Sovetskii khudozhnik, 1956. Uspensky, Boris. The Semiotics of the Russian Icon. Edited by Stephen Rudy. Lis se, Netherlands: Peter de Ridder Press, 1976. Varennikov, Valentin. Parad Pobedy. Moscow: Vagrius, 2005.
Bibliography 275 Vasilevskii, Aleksandr. Delo vsei zhizni. 2nd ed. Moscow: Politizdat, 1975. Vázquez Liñán, Miguel. “History as a Propaganda Tool in Putins Russia.” Com munist and Post-Communist Studies 43, no. 2 (2010): 167-78. Volland, Ernst. Das Banner des Sieges. Berlin: Berlin Story Verlag, 2008. Volland, Ernst, and Heinz Krimmer. Von Moskau nach Berlin: Bilder des russi schen Fotografen Jewgeni Chaldej. Berlin: Nicolaische Verlagsbuchhandlung, 1994. Voľman, N. “Pamiať i dokument.” In Pamiať grozovykh let. Velikaia Otechestvennaia Voina v sovetskom kino 1970-kh godov, edited by N. Zait sev, L. Muratov, N. Vol man and V. Ivanova, 31-52. Leningrad: Iskusstvo, 1980. von Geldern, James. Bolshevik Festivals, 1917-1920. Berkeley: University of Ca lifornia Press, 1993. Voroshilov, K. E. Stalin і vooruzhennye sily SSSR. Moscow: Gosudarstvennoe izdatel stvo politicheskoi literatury, 1951. Walker, Shaun. The Long Hangover: Putin’s New Russia and the Ghosts of the Past. Oxford: Oxford University Press, 2018. Waterlow, Jonathan. It’s Only a Joke, Comrade: Humour, Trust and Everyday Life under Stalin. Oxford: n.p., 2018. Westwell, Guy. War Cinema: Hollywood on the Front Line. London: Wallflower, 2006. Weiner, Amir. Making Sense of War: The Second World War and the Fate of the Bolshevik Revolution. Princeton, NJ: Princeton University Press, 2001. White, Hayden. Metahistory: The Historical Imagination in Nineteenth-Century Europe. Baltimore: Johns Hopkins University Press, 1973. Wieviorka, Annette. The Era of the Witness. Translated from French by Jared Stark. Ithaca, NY: Cornell
University Press, 2006. Originally published as L’ère du témoin, 1998. Wolfe, Thomas C. Governing Soviet Journalism: The Press and Soviet Journalism after Stalin. Bloomington: Indiana University Press, 2005. Wolfe, Thomas C. “Past as Present, Myth, or History? Discourses of Time and the Great Fatherland War.” In The Politics of Memory in Postwar Europe, edited by Richard Ned Lebow, Wulf Kansteiner, and Claudio Fogu, 249-83. Durham, NC: Duke University Press, 2006. Woll, Josephine. Real Images: Soviet Cinema and the Thaw. London: I. B. Tauris, 2000. Wood, Elizabeth A. “Performing Memory: Vladimir Putin and the Celebration of WWII in Russia.” Soviet and Post-Soviet Review 38 (2011): 172-200. Woodward, Rachel, and K. Neil Jenkins. Bringing War to Book: Writing and Pro ducing the Military Memoir. London: Paigrave Macmillan, 2018. Wortman, Richard S. Myth and Ceremony in Russian Monarchy: From Peter the Great to the Abdication of Nicholas II. Abridged one-volume ed. Princeton, NJ: Princeton University Press, 2006.
276 Bibliography Youngblood, Denise J. Russian War Films: On the Cinema Front, 1914-2005. Lawrence: University Press of Kansas, 2007. Youngblood, Denise J. “’When Will the Real Day Come?’ War Films and Soviet Post-war Culture.” In Histories of the Aftermath: The Legacies of the Second World War in Europe, edited by Frank Biess and Robert G. Moeller, 123-38. London: Berghahn Books, 2010. Yurchak, Alexei. Everything Was Forever, Until It Was No More: The Last Soviet Generation. Princeton, NJ: Princeton University Press, 2006. Zainkin, V. V., ed. Nashiprazdniki (Sovetskie obshchegosudarstvennye, trudovye, voinskie, molodezhnye і semeino-bytovye prazdniki, obriady, rituály). Moscow: Politizdat, 1977. Zaitsev, N. “Epos i lichnosť.” In Pamiať grozovykh let. Velikaia Otechestvennaia Voina v sovetskom kino 1970-kh godov, edited by N. Zaitsev, L. Muratov, N. Voi man, and V. Ivanova. Leningrad: Iskusstvo, 1980. Zak, Mark. Iulii Raizman. Mastera kinoiskusstva. Moscow: Iskusstvo, 1962. Zemtsov, Ilya. Chernenko: The Last Bolshevik; The Soviet Union on the Eve of Perestroika. New Brunswick, NJ: Transaction, 1989. Zhukov, Georgii. Vospominaniia i raźmyshleniia. Moscow: Izdatel stvo agentstvo pechati Novosti, 1972. Ziemke, Earl F. The Battle for Berlin: End of the Third Reich. Voi. 6 of Purnell’s History of the Second World War. London: Macdonald, 1968. Zima, V. F. Golod v SSSR 1946-47godov. Proiskhozhdenie iposledstviia. Moscow: Institut rossiiskoi istorii RAN, 1996. Zinchenko, Fedor. Gemi shturma reikhstaga. Moscow: Voennoe izdatel stvo, 1983. Zubkova, Elena. Russia after the War: Hopes,
Illusions, and Disappointments, 1945-1957. Translated by Hugh Ragsdale. Armonk, NY: M. E. Sharpe, 1998.
INDEX actors, 68,146,153,165; Boris An Boltin, Evgenii, 102,103, 104,106,107 dreev, 70-71; Mikheil Gelovani, Brest Fortress, 16,113,121,155 80,81; Burt Lancaster, 153,155, Brezhnev, Leonid, 117,123-24,128, 157,158; ludi Nazarov, 195; reen 146,161, 214; administration actors, 198-206 of, 134, 246nl9; biography of, Air Time International Company, 151, 152,153,160 archives, 15-17,101,165, 172, 213; Germany’s Bundesarchiv- 243nl30; cult of, 131,165, 218; and Khrushchev, 111; and media, 133, 153, 217; speeches by, 98-99,125, 137; and Stalin, 129,130,136-37 Filmarchiv, 95; Gosfil mofond Brooks, Jeffrey, 53, 73 (Russian state film archive), Bubrik, S. D., 118,119 95,112; Krasnogorsk archives, Bulganin, 55, 82, 87, 94, 97 229n69; Russian Ministry of De fense, 106,173, 213-14 Auschwitz. See under concentration camps authoritarian repetition, notion of, 60, 120, 130,165,167, 216, 220 Baltic Republics, 5,158 Belorus, 97, 103, 143,158, 203 camera operators, 34-35, 36, 37, 38, 39, 91; Kosmatov, 75, 83 censorship, 31, 65, 93, 133,149-50, 171 Central Committee of the Party, the, 31, 93, 94-96,105,138-39; Presid ium of the, 98, 99-100 Central Museum of the Armed Forc Berest, Aleksei, 106,112,144,173 es, 8, 27-28,123,125-26,156, 173, 198-99; brochure for, 105; Petr Beriia, Lavrentii, 95, 96 Krivonogov painting titled Victory Berlin, 21,103,118,120,121; battle for, (Pobeda, 1948) at, 61-64; Victory 20, 21-22, 34, 97,114-15, 229n61; Banner at, 7, 87, 142, 254n55, Brandenburg Gate, 21, 25, 39, 256n93 64; original footage of battle for, Central Museum of the Red Army, 17, 140,141,156,190.
See also Fall of Berlin, The Central Museum of the Soviet Army, Bobylev, Ivan, 45, 23ІПІ04 28,46,48-49, 53,198 106, 109, 131, 155, 164,217 277
278 Index Central Studio of Documentary Film (TsSDF), 32, 37 CGI (computer-generated imagery), 190, 195,196,197 Chechnya conflict, 181,184, 204 Chiaureli, Mikheil, 68, 79-80, 81, 90, 91, 94-95; use of color in film by, the Russian Soviet Federal Social ist Republic (banned in 1991), 89, 178; of the Soviet Union (CPSU), 98,100; of Ukraine (KPU), 202 compilation, 122,151; documentaries, 113, 147; films, 3,15,120,197 concentration camps, 159,161, 204; 74-75,77,83; The Vow (Kliatva) Auschwitz, 159, 161,180,186, 203; by, 54, 66, 67, 80, 81. See also Fall Majdanek, 159,161,180; Willi of Berlin, The Bredel’s account, 210 Chuikov, Vasilii, 153,166 Crimea. See under Ukraine Churchill, Winston, 21, 56, 57, 58 cult of personality, 98, 99,107,115, 218 cinema, 70, 73,138,145,163,195; and documentary, 60, 66,120; and epic form, 146,147; Ministry of, 68, 80, Danilov, 111, 112 119,120,151,153; Soviet, 31, 50, Davydov, Captain, 53, 97, 111 75,134,137,195; Soviet Council Defender of the Fatherland Day (23 of Ministers’ State Committee February), 182,195 for, 126,135; and Stalin cult, 54, digital technologies, 147,197, 204, 220 89-96,115, 217; and television, documentaries, 33-34, 90, 96,107, 131,148,169,189,194; war and, 126,149,155,166; compilation, 86, 98, 99,130 113, 147; “epic,” 163,217-18; cinemas and theaters, 122,126,131; Rossiia cinema, Pushkin Square, Moscow, 121,163 fictional, 66-67,81,134-40; film, 18, 126,139; newsreel, 15,110; on television, 122 cinematography, 31-41, 68,119,120, documentary filmmakers, 43, 93,118, 130,135,166 Cold War, 86,162,169,179,180, documentary footage,
145,166,196 235n45 color film, 47, 68, 91, 135,139, 151-53; 151,154. See also Raizman, Iulii Dolmatovskii, Evgenii, 28, 56 Donbass region, 50, 70, 202 Chiaureli and, 69, 73-75, 77, 83, Donetsk region, 35, 218,220 91 Donskoi, Mark, 72, 84 commemorations, 183,187; documen Dubin, Boris, 128, 199 tary film, 47; in 1965, 217; in 1985, Duma, the, 179,182, 208 167, 170; in 1990, 174,177-78; in Dzhugashvili, Iakov, 65, 84 1993, 179 commemorative practices, 126,129, 209-13; coins and special medals, 128; ritualized nature of, 124, 220 Communist Party; of the Russian Edele, Mark, 128,129 Egorov, Mikhail, 10, 28,46,108,109, 124, 125; absent from Moscow, 71, 106; dead, 167; in film, 75, 78-80, Federation (CPRF), 178,179, 182, 111, 144; given awards, 53, 71, 173; 183, 186-87, 199, 206-7, 208; of with Konstantin Samsonov, 75,
279 Index 164; with Meliton Kantarda, 20, films: Austerlitz (dir. Loznitsa, 2016), 97, 104-6,172-73, 129, 141, 197; 204; Back to the Future, 195-96; memoir of, 171 A Ballad of a Soldier (Ballada о Eisenhower, Dwight, 21, 56 soldate, dir. Grigoril Chukhrai, Eisenstein, Sergei, 26, 68-69, 74 1959), 135; Battleship Potemkin epic, 18, 66, 77, 86, 90, 99,137,190; (Brononosets Potemkin, dir. Sergei adaptation of War and Peace, Eisenstein, 1926), 26, 68-69; 145; and “fictional documentary,” Belorussian Station (Belorusskii 65-72, 134-40, 163; form, 134-36, vokzal, dir. Andrei Smirnov, 146-47,192, 217; narrative, 67, 71, 1971), 133; Come and See (Idi і 147-48,193, 205; sweep of war, 72, smotri, dir. Elem Klimov, 1985), 139,150,160,164; tone, 67, 81 169; Composition for Victory Day Etkind, Alexander, 6,13-14 (Sochinenie к Dniu Pobedy, dir. Evans, Christine, 147-48,164 Sergei Urusliak, 1998), 181-82; Fall of Berlin, The (Padenie Berlina, zhuravli, dir. Mikhail Kalatozov, The Cranes Are Flying (Letiat dir. Mikheil Chiaureli, 1949), 33, 1957), 135; The Death of Stalin 58,84,137,142,144-45,81-88; (dir. Iannucci, Armando, 2017), Chiaureli and, 54, 63, 65-66, 69, 90; The Defeat of the Germans 73, 95; and disciplining memory, near Moscow (Razgrom nemetski- 77-81; epic grandeur of, 71-72; as kh voisk pod Moskvoi, 1942), 154; “fictional documentary” and epic, Evgenii Khaldei: A Photographer 65-72; and Liberation, 140,145, 156; still photography from, 74, Wajnberg, 1997), 174; Fate ofMan under Stalin (dir. Marc-Henri 76, 85; and the victory banner in, (Sud ba cheloveka, dir. Sergei 72-77,141
Bondarchuk, 1959), 135; The fascism, 3, 5,40, 52,117, 176, 186; Final Storm (see Liberation); Fog combat with, 114,186; German, and Fog 2 (made-for-television), 72,118; Hitler and, 115, 116; Sovi 195; The Great Farewell ( Velikoe ets and, 103,115-16,144 proshchanie), 90, 91, 94-95; The film, 16, 50,107,112,131,138-39,147, Great Glow (Velikoe zarevo, dir. 229n69; festivals, 126,162; flash Mikheil Chiaureli 1938), 80; backs in, 91,112,120-21,195; In A Great Life: Part 2 (Bol shaia stitut für Wissenschaft und Film zhizn, dir. Leonid Lukov, 1945), (IWF) in Göttingen, 173; scholars, 50; The Great Patriotic (Velikaia 26, 42, 173; script variants, 84-86; studios, 39, 40, 80, 116, 118, 122; otechestvennaia, dir. Roman Karmen, 1965), 112-14,121-23, and war, 35,134-35,217 148,151, 160, 163, 166,217; Grunta filmmakers, 15, 70, 90,138-39,146, 154,157; Soviet 66, 33, 150; and Kornakova/aka (The nightingale) (Solovei-solovushka, dir. Nikolai The Fall of Berlin, 68, 69; and The Ekk, 1936), 75; If Your Home Is Great Patriotic, 116,117,119 Dear to You (Esli dorog tebe tvot
280 Index dom, dir. Vasilii Ordyhskii, 1967), 1960), 110-12; The Third Blow 140,149,153; ln Defense ofPeace, {Treťі udar, dir. Igor Savchenko, 117; Internationale (Internatstonai, 1948), 136; Three Songs of Lenin dir. A. Svetlov, Aleksandr Shein, {Tri pesni o Lenine, dir. Dziga 1971), 147; It Happened in the Vertov, 1934), 94; 20th Anniversary Donbas {Eto bylo v Donbasset dir. of the Great Feat {20-letie velikogo Leonid Lukov), 35; Ivan’s Child podviga, dir. Irina Setkina, Elena hood (Ivanovo detstvo, dir. Andrei Vermisheva, 1965), 123; Victory Tarkovskii, 1962), 12,135; July Day {Den Pobedy, dir. Sergei Rain (liuľskii dozhd , dir. Khuts- Loznitsa, 2018), 203; Victory Parade iev, Marlen, 1966), 110; Katiuska {Paradpobedy, dir. Vasilii Beliaev, (dir. Viktor Lisakovich, 1964), Irina Venzher, Iakov Posel skii, 113; Lenin in October (Lenin v 1945), 47; The Vow {Kliatva, dir. oktiabre, dir. Mikhail Romm), 27, Mikheil Chiaureli), 54, 66, 67, 80, 69; Liberation (Osvobozhdenie, 81; We Are from the Future {My iz dir. Iurii Ozerov, 1970-1971), 18, budushchego, dir. Andrei Maliukov, 135-38, 140,142-43, 145-46,164, 2008), 194-95; World at War, 163 192, 217; The Longest Day (1962), 137,146,147; March On, Land of Firsov, General-Lieutenant, 106,108, 109 Mine {Shagai strana, dir. Alek First Belorussian Front, 22, 35, 47,142 sandr Shein, G. Brenner, 1981), First Ukrainian Front, 22-23 147; October (Oktiabr , dir. Sergei foreign dignitaries: George W. Bush, Eisenstein, 1927), 26, 69; An Office 186; Bill Clinton, 180; Averell Romance {Sluzhebnyi roman, dir. Harriman, 153; John Major,
180; El dar Riazanov, 1977), 163; Our Augusto Pinochet, 157 March (dir. Aleksandr Shein, Aleksandr Svetlov, 1970), 147,148; A Relic ofMilitary Glory (Relikviia boevoi slavy), 126; The Soldiers gaming, 187-98; video games {Call of Duty), 189, 190-94, 256n85 German Democratic Republic (GDR), of Freedom {Soldáty svobody, dir. 132,139 Iurii Ozerov, 1977), 146; A Soldier glasnost, 170,171 Was Walking (Shel soldat, dir. Gorbachev, Mikhail, 167-69,178,180, Marina Babak, 1975), 150; The Storming of the Winter Palace (dir. 185, 213, 218, 220; speeches by, 169, Nikolai Evreinov), 26-27; Story 175-77 Grudinin, Pavel, 206-7, 208 of a Great Feat (Povesť о velikom Gulag, 6,13, 51, 219 podvige), 126; Tale ofa Communist (.Povesť o kommuniste, dir. Igor Bessarabov, Aleksandr Kochet kov), 161; Tarzan, 122; They Raised the Victory Banner (Oni vodruzili Znamia Pobedy, dir. L. Danilov, Hariman, Robert, and John Louis Lucaites. See under iconic images Hero cities, 132,163 Hero of the Soviet Union award, 127, 166,173
281 Index historical scholarship, 5,8,9,12, 56, 60, 98, 99,173, 183, 220; and analysis, 152, 213, 220, and film, Muratov and Georgii Fere, 188; Dmitrii Radyshevskii, 167 journals: Novyi mir, 101; Ogonek, 26,42; writings, 3, 11, 57, 66,134, З, 30, 55; Oktiabr , 55; Voprosy 144,171, 214, 217. See also History istorii, 99 of the Great Patriotic War of the Soviet Union, The history, 11-14,124,129, 173,213-15, Kaganovich, 94, 95, 97 Kantariia, Meliton, 10, 28, 36,97,108, 109,124,125; absent from Mos 55-60 History of the Great Patriotic War of cow, 71, 106; in film, 78-80, 111, the Soviet Union, The, 99-101, 144,195; given awards, 53, 71; in 140,152; editorial conferences for 1980s, 167,168; with Konstantin (1960,1961), 18, 25,101,103-10, Samsonov, 75,164. See also under 112, 124,129,171, 172 Hitler, Adolf, 21,68,78,82,139,155, 176; armies of, 118,121; in film, 115-16,143 Hobsbawm, Eric, 8, 9 Holocaust, the, 13,121,155,157-62, 180,186; narrative of, 214-15, 219. See also Jews; Nazis Egorov, Mikhail Karmen, Roman, 29, 36,113,156,163, 229n70; and television series, 122, 151-52,154. See also films: The Great Patriotic KGB (Komitet Gosudarstvennoy Bezopasnosti), 99,138 Khaldei, Evgenii, 25,174, 228n42, Hutchings, Stephen, and Natalia Rulyova, 184,186,187, 188 228n48; photograph printed Ianukovich, Viktor, 200, 202 lazov, Dmitrii, 172,178 tograph titled The Victory Banner iconic images, 9, 67,163,197,203; in Ogonek, 13 May 1945, 3, 30; photograph reused, 156,175; pho over the Reichstag, 4,10,17, 29, 173, 209, 230n78 Hariman and Lucaites and, 7-8, Khaniutin, Iurii, 137,140 16, 216,
220; and Victory Banner, Khrushchev, Nikita, 12, 94, 111, 116, 120, 130, 195,210, 211; in video games, 189,190 Institute of Marxism-Leninism, 25, 124, 220, 234n29; era, 96-99,109, 125; “secret speech” by, 56, 96, 98 Kiev, 155,158 105,115,124; History of the Great Kleinerman, Isaac, 154,157,160 Patriotic War Section of the, 25, Klimov, editor, 104,106,107-8 101,102,105 Ivanov, Aleksei, 70-71, 78, 79 Konev, Ivan, 22,137,139 Kremlin, the, 47, 111, 126,164,188, 217, 227n36; and Stalin, 27-29; Jews, 5,12, 85,157-59,180, 209; Nazis and, 121,161,186,214 journalists, 8,11, 39,43,162, 174; Tomb of the Unknown Soldier, 132,133,144 Krivonogov, Petr A.: painting titled Stanislav Kondrashov, 181; The Capitulation of the Fascist Aleksandr Krivitskii, 56; Sergei Armies in Berlin (Kapituliatsiia
282 fashistskikh voisk v Berline, 1946), 61-65, 69,143; painting titled Vic tory (Pobeda), 1948,17-18, 62 Kulish, V. M„ 56, 57, 60 Kumanev, Georgii, 172,173, 214, 227֊28n40 Kursk, battle of, 31,120 Kuznetsov, Colonel-General V. I. (Third Strike Army), 105, 111, 142 Lancaster, Burt. See under actors Lenin, 47, 89,90, 109, 124, 147, 181, 243nl31; funeral of, 94, 111 Leningrad, 97,113, 155 Lisimenko, Aleksandr, 107,172 literature, 55-56, 59, 66, 98, 104, 234n29, 245nl59; “Defeated Berlin,” poem by Samuil Marshak, 4, 24 Lobov, Vadim, 205, 206 Loznitsa, Sergei, 203-4 Lukov, Leonid, 25, 50, 230n78 Majdanek. See under concentration camps Makov, Captain, 172,173, 259nl40 Maksimenkov, Leonid, 101,125, 213 Malenkov, Georgii, 82,94,95, 97 massacres; Einsatzgruppen killings, 161; at Babyi Iar, 157-58; at Katyn, 159-60,171 May Day, 17, 28, 29, 51-52, 54,127; in 1900,7; in 1945, 41,42; in 1965, 126; in 1993, 178 memoirs, 8,99,107,126,129,172,214, 217; Brezhnev’s, 161; collection of, 55-56; Neustroev’s, 47; of partic ipants in battle for Berlin, 21-22, 37,47, 105,171; Raizman’s, 37; Samsonov’s, 106,107; television se ries of, 150; tightly controlled, 56, 130; used in filmmaking, 139, 148; Index various, 12, 37, 59,165; of veterans, 25, 55,100-101; war, published in the 1960s, 134,149,161; Zhukov’s, 21,134,139,171, 225nl, 228n40 Mesiatsev, Nikolai, 126,128 Mikoian, 94, 95, 97 military hardware, 33,138,179, 185-86, 187, 197, 206 military historians, 138,139,140,170, 227n36 military parades, 41,44, 45, 51,179, 184, 195, 200, 252n25; between 1965 and 1985,131,132; on May Day, 42, 52; in
November, 134, 165; on Victory Day, 53,125-27, 168,174, 177, 218 Molotov, Viacheslav, 57,82, 94,97 Moscow, 108,121,129,178-79; Patriot Park, 10, 204, 205, 257nll3; Syn ergy University, 205; University students, 212. See also Victory Parades Mosfil m film studio, 73,80,147 music: Beethoven’s “Ode to Joy”, 44; Briskin, V, “Let Us Raise the Victory Banner over Berlin!” Za chest rodiny, 24 April 1945, 23; Bulat Okudzhava’s “Pick up your greatcoat and go home” (“Beri shinel , poshli domoi,” 1975), 204; Glinka’s A Life for the Tsar, 43-44,185; national anthem, 44, 48,164,185; Red Army’s band and orchestras, 43; Shostakovich’s Thirteenth Symphony, 158; Frank Sinatra, 153; V. G. Fere, composer, 84; “Victory Day,” composed by David Tukhmanov, 185; work of Vertov or Shub, 66 Nazis, 27, 64, 82, 83, 113,155,156, 180; atrocities of, 11,84,157-59,
283 Index 161,214; and banners, 47,48, 69, 120-21 Nazism, 186, 209 Nazi-Soviet pact, 5, 57,171 Neustroev, Stepan, 46, 47, 53, 78, 97, 105-7, 111, 141,172 newspaper coverage, 32, 90, 95,164, 177 newspapers: Berlin Operation, 58; Der Tagesspiel, 66; Guardian, 200; Iz- Paris Commune, 17,147 Perestroika, 176,178 Perevertkin, Semen, 56,105,106,109, 111 photography, 7, 29, 30-31, 93,126, 129, 213, 228n44; still, 38,74, 76, 85,196 photojournalism, 17, 29-31,66 Pioneers (Soviet youth organization), 35,119, 198; Fountain of, 119 vestiia, 54, 132, 170,171, 175, 181, Poland, 5, 103, 153, 158-59 184; Krasnaia zvezda, 23, 29, 36, Politburo, 43,167,169 112,165; Los Angeles Times, 160; Pravda, 23, 25, 39, 53,106,132, Morning Star, 209; Neues Deutsch 143ПІ31; from 1945, 4, 24,43, 47; land, 66; New York Times, 154; from 1946, 52, 53, 54; from Victo Rabochaia gazeta, 171-72; Trud, ry Day 1947, 55; from 1953, 91, 93; 47. See also Pravda from 1954, 95-96; from 1990,172; newsreel, 36-37, 38, 46, 68, 91,156; and documentary, 31-32, 33, 69; footage, 39,66,97,110-11,139, 150,191; Novosti dnia, 110, 111; and film, 39,110,126,129 Novosti Press Agency, 126, 212 Nuremberg International Military Tribunal, 113,161 Okudzhava, Bulat, 133,104 150th Rifle Division, Third Strike from 1993,179 prisoners of war (POWs), 12, 20, 65, 82,171,184 propaganda, 81, 86, 96,117,128; Sovi et, 25,153-54,160, 173 Putin, Vladimir, 16,18,183, 213, 218, 219; and CPRF, 187,199; speeches, 185, 186 Raizman, Iulii, 33, 40,42,121,156, 229n61, 230n77; Berlin (1945) by, Army, 7,45-56,109,173, 209; 356th 27, 34-35,38-39,68,81,
111, 112, Regiment, 46; 674th Rifle Regi 118; footage in video game,190, 191-92; memoir by, 37 ment, 20; 756th Rifle Regiment, 20, 141,172; in video game, 190 Ozerov, Iurii, 135-39,142, 145, 146, 148. See also films: Liberation Red Army, 6,12,13, 20, 21,43,45,158, 159,186; Central Museum of the, 17, 28,46,48-49, 53,198; Day, 59, 163,205; in film, 73-74, 84,156; parades, 44-45, 82,131,178,184, 213; and television, 164,165; on 24 June and flags, 22,25,48-49,57,190; and graffiti, 28,156; in paintings, 1945, 41-43, 45, 51, 97, 127, 143, 62, 64; in photos, 29, 31; and the 184; on 9 May, 53, 55; in Novem press, 23, 38; victorious, 52, 68,81, ber, 68, 165; in 2000 and 2005, 183,186. See also military parades; Victory Parades 143; in video games, 190,193,196 red flag, 3-5,11,17-18,21-22, 25-29, 35, 40,48, 52, 55, 64, 73, 75, 78, 80,
284 Index 82, 99,120,147, 179, 182, 186, 190, 95, 111; and “Glory,” 44; orders of, 195, 202, 206, 208-9, 219, 258nl26 26-27, 38, 52, 56; at parades, 43, Red Square, 44,179, 244nl35; in film, 45, 48,116; Prize, 33,43, 61, 62, 64; 67, 68,112; military parades on, statues of, removed, 244nl35; and 42,185,187, 200; speeches on, 178, victory, 53, 77, 86 180,182; on television, 126-27, 187-88; veteran reunions on, 131, Stalingrad, 26, 86; battle of, 31,97,108, 120,121, 207 179. See also parades; Victory Day; Stalinism, 176-77,184, 219 Victory Parades State Committee for Defense, 96,97,116 Reich Chancellery, 21, 39, 82, 226n9 Supreme Soviet, 53, 54, 71,106 Rolf, Malte, 43, 82 Romm, Mikhail, 27, 69 Roshchin, Colonel S. L, 100,101,103, 105,106,108-9 Russian Federation, 178, 185, 232nll8; Tarkovskii, Andrei, 12,122,135 Taylor, Richard, 66, 68, 78, 82 Tehran conference, 116,139 television, 126,127, 146-49,164, 187, Russian Soviet Federative Socialist 217; American, 122,160; commen Republic, 17 tary, 127,177, 183, 184; coverage, 18,188,189; documentaries, 163, S ianov, Il ia, 46, 78, 111, 173 165, 196-97; minute of silence Salisbury, Harrison, 154,162 on, 128,132, 133,162, 164,211; Samsonov, Konstantin, 46, 71, 97, 111, programs, 113,133,174; Russian, 124-25; given awards, 53, 70, 127; 187, 194, 196, 203; series, 150,155, memoir by, 106,107; with Egorov 160-61,165, 166,194,195,196, 256n87. See also Unknown War, and Kantariia, 75,164 Semin, A. G., 119,120 The Seoev, Vladimir, 171,172 Thames Television, 155,190 Shatalin, V. D., 103,172 Third Strike Army of the First Belo Shatilov,
General V. M., 70,105,109, 11R 141,172 russian Front, 20, 22,101,105, 111, 142, 229n62; 171st Division, 46, Shtemenko, Sergei, 45,139 103,109,172. See also 150th Rifle Simonov, Konstantin, 56, 82, 98,149, Division, Third Strike Army 150 Smirnov, Sergei, 113,117,122, 133, 148-49 Soviet media, 31, 36, 95,137, 217, 232ПІ20 Stalin, Joseph, 21, 40-41, 50, 57, 59, 82, 114-17,214; crimes of, 121,150; Tomb of the Unknown Soldier, 5, 160-61, 132-33, 144, 155 tricolor, Russian, 178,179,187; of Revolution, 17 Tucker, Robert C., 90, 95 Tumarkin, Nina, 8, 62,167,178,195, 213 cult of, 65, 66, 89, 93, 98, 123-24, 217, 244ПІ35; in film, 73, 79-80, Twenty-Eight Panfilovites, 11,16, 56 90,92,136; following the death Ukraine, 16-17,158, 200, 206; Crimea, of, 14,16, 88; funeral of, 91, 92, 94, 201, 202, 203, 218
Index Unknown War, The (television, series, 1978), 18,147,151, 159-61, 192, 196, 217; dubbed by Vasilii Lano- 285 television, 10,127,180,184,185, 188, 189 Voroshilov, Kliment, 57, 94, 97,112 voi for Russian release titled The Great Patriotic ( Velikaia otechest- war: commemoration, 133,153,163, vennaia), 122,155; reception of, 203; cult, 12, 130, 162, 170, 210, 162-67 221; films, 86, 137, 138, 151,194; games, 194-98 veterans, 60,87,103,112,129,131, war memory, 18, 55, 64,100,134, 133,181; disabled, 176; gatherings 203, 215-17, 221; repetition of, 14, of, 110,179; interviewed, 69,150; memoirs of, 55,100; organization 184-85; Russian, 8, 220; and Sovi et television, 150-51; Stalinization of, 198,199; war, 102,139,167 of, 28, 66, 97 Victory cult, 181,189,221 Victory Day, 3, 9,55,179, 182, 186, 193, 212; commemorations of, 128-29,174-83; during the Putin era, 184,218; a holiday, 199, 233nl9; parades, 161-62, 126, 197, 204,211,215; song composed by David Tukhmanov, 185; in the 1940s, 51-52, 54, 55; on 9 May 1965,18,125,126,129, 131; on 9 May 1968,132; during the 1970s, Warsaw Uprising, the, 113,153, 158-59 wartime, 104,114, 162; footage, 35, 150,152,163; and postwar art, 60-65 Weiner, Fred, 154-55,160, 249n86. See also Air Time International Company Winter Palace, St. Petersburg, 26, 27, 69,71 164; in 2000,184; in 2005,187; in World War II, 6, 8, 89,169,198-99, 218 2010,196; in 2011 in Ukraine, 202; in 2017,203 Yalta conference, 21, 68,177 Victory Parades, 8,41-50,168,178, 182,183-89; film of 1945, 47, 69, 73, 143,152; subtext to the, Yeltsin, Boris, 178,179,180-83,185, 199,218
127-28; on 24 June 1945, 5-6, 8, Youngblood, Denise, 67, 86,137,140, 146,195 40, 41, 73, 82,198, 217. See also YouTube, 201, 204, 257nll0 under Victory Day Yurchak, Alexei, 10,15, 60,120,167 Victory Park: Hall of Glory, 198; Hill of Prostrations (Poklonnaia gora), 174, 177-78,179 Zhukov, Georgii, 22, 42, 44,46,47, 106,137,171; interview with, 149, video games. See gaming 153; memoirs of, 21, 134, 139,171, voice-over, 33, 47, 93, 97, 121-22, 123, 225nl, 228n40; not mentioned, 56, 139,190; in The Fall ofBerlin, 40, 81; in The Great Farewell, 94, 95; in The Great Patriotic, 152, 153, 166; narration, 110,118, 183; 59, 78, 116; and Stalin, 45, 142 Zinchenko, Fedor, 27, 47, 70, 141, 171; in film, 75, 78, 79,111-12
|
| adam_txt |
CONTENTS Acknowledgments vii A Note on Transliteration and Document Citation ix Introduction 3 I. The Raising of the Victory Banner 20 2. Victory and the Postwar Stalin Cult 51 3. The Death of Stalin and Birth of the Victory Cult 89 4. The Victory Cult in the Age of Television 131 5. Iconoclasm, Resanctification, and the Post-Soviet Victory Cult 170 Conclusion 216 Notes 223 Bibliography 261 Index 277
BIBLIOGRAPHY ARCHIVES CONSULTED Bundesarchiv-Filmarchiv, Berlin GARF, State Archive of the Russian Federation, Moscow Gosfil'mofond, Russian State Film Archive, Moscow RGAKFD, Russian State Archive for Film and Photo Documents, Krasnogorsk (Moscow region) RGALI, Russian State Archive for Literature and Arts, Moscow RGANI, Russian State Archive for Recent History, Moscow RGASPI, Russian State Archive for Social and Political Research, Moscow TsAMO RF, Central Archive of the Ministry of Defense of the Russian Federa tion, Podol 'sk (Moscow region) D09.2:C Abramov, Aleksandr, and Varvara Kochetova. Znamia pobedy nad Berlinom. Nizhnii Novgorod: Ekstra N, 2007. Abramov, S., and S. Kruzhkov. “Iurii Ozerov v rabote i razmyshleniiakh.” Iskusstvo kino, no. 5 (1974): 88-102. Aksiutin, Iurii. Khrushchevskaia “ottepel'” і obshchestvennye nastroeniia v SSSR v 1953-1964 gg. Moscow: ROSSPEN, 2010. Aleksandrov, G. F., et al., eds. Joseph Stalin: A Short Biography. 2nd rev. ed. Mo scow: Foreign Languages Publishing House, 1949. Anderson, K. M„ and L. V. Maksimenkov, eds. Kuľtura i vlasť ot Stalina do Gorbacheva. Kremlevskii kinoteatr 1928-1953; Dokumenty. Moscow: ROSSPEN, 2005. Anonymous. A Woman in Berlin. Translated by James Stern. London: Seeker Warburg, 1955. Anushevskaia, Anastasiia. “Chto takoe dvizhenie ‘Iunarmiia’ і zachem ono nuzhno?” Argumenty i fakty, 4 August 2016. http://www.aif.ru/dontknows/ actual/chto_takoe_dvizhenie_yunarmiya_i_zachem_ono_nuzhno. 261
262 Bibliography Andzhaparidze, M„ and V. Tsirgiladze. “Как sozdavalsia film ‘Padenie Berli ne.”’ Iskusstvo kino, no. 4 (1950): 22-26. Arsenin, A. Tsentral'nyi muzei Sovetskoi Armii. Moscow: Moskovskii rabochii, 1953. Assmann, Aleida. “Transformations between History and Memory.” Social Re search 75, no. 1 (2008): 49-72. Balina, Marina. “Prose after Stalin.” In The Cambridge Companion to Twen tieth-Century Russian Literature, edited by Evgeny Dobrenko and Marina Balina, 153-73. Cambridge: Cambridge University Press, 2011. Baranov, V. P., et al., eds. Velikaia otechestvennaia voina 1941-1945 godov. 12 vols. Moscow: Kuchkovo pole, 2015. Barany, Zoltan D. Democratic Breakdown and the Decline of the Russian Milita ry. Princeton, NJ: Princeton University Press, 2007. Barbat, Victor. “Bannières et drapeaux, sur quelques manières de les lever et de les représenter: L’exemple du Reichstag, mai 1945.” 1895, no. 74 (2014): 70-95. Barber, John. “The Image of Stalin in Soviet Propaganda and Public Opinion du ring World War Two.” In World War 2 and the Soviet People: Selected Papers from the Fourth World Congress for Soviet and East European Studies, Har rogate, 1990, edited by John Garrard and Carol Garrard, 38-49. Basingstoke: Macmillan, 1993. Baron, Jaimie. The Archive Effect: Found Footage and the Audiovisual Experience ofHistory. London: Routledge, 2014. Beevor, Antony. Berlin 1945: The Downfall. London: Penguin, 2003. Belting, Hans. An Anthropology ofImages: Picture, Medium, Body. Translated by Thomas Dunlap. Princeton, NJ: Princeton University Press, 2011. Berlinskaia
operatsiia 1945 goda. Moscow: Voennoe izdatel'stvo soiuza SSSR, 1950. Berman, Vladimir. “Znamia nad reikhstagom. О tekh, kto snimal istoricheskie kadry.” Lekhaim, May 2005. http://lechaim.ru/ARHIV/157/berman.htm. Bernstein, Seth. “Remembering War, Remaining Soviet: Digital Commemo ration of World War II in Putin’s Russia.” Memory Studies 9, no. 4 (2016): 422-36. Beumers, Birgit. “Sergei Loznitsa, ‘State Funeral (2019).’” Kinokultura, no. 67 (2020). http://www.kinokultura.com/2020/67r-statefuneral.shtml. Bialer, Seweryn, ed. Stalin and His Generals: Soviet Military Memoirs of World War II. Boulder, CO: Westview Press, 1984. “Bitva za Berlin.” In Ekran 1970-71, 20-22. Moscow: Iskusstvo, 1971. Bjorn, Peter. “‘Etot flag byl v Berline! Eto flag moego naroda,’ Svetlana GladysS heva otkazalas'ubrať Znamia Pobedy.” Sports.ru, 22 February 2018. https:// www.sports.ru/tribuna/blogs/mama4h/1593866.html.
Bibliography 263 Black, Jeremy. Rethinking World War Two: The Conflict and Its Legacy. London: Bloomsbury Academic, 2015. Bobylev, I. R Vsadniki s Krasnoi Ploshchadi. Svidetel'stva ochevidtsa. Moscow: Izdatel 'skii tsentr “Fedorov,” 2000. Bol'shakov, Ivan, et al. “Vsesoiuznoe soveshchanie rabotnikov khudozhestvene noi kinematografii po obsuzhdeniiu resheniia TsK VKP(b) O kinofilme ‘Bol'shaia Zhizn' (2 Seriia), 14-15 oktiabria 1946 goda.” In Zhivye golo sa kino. Govoriat vydaiushchiesia mastera otechestvennogo kinoiskusstva (ЗО-е-40-e gody). Iz neopublikovannogo, edited by L. A. Parfenov, 308-84. Moscow: Belyi bereg, 1999. Bolter, Jay David, and Richard Grusin. Remediation: Understanding New Media. Cambridge, MA: MIT Press, 1999. Boltin, Evgenii. “Epopeia osvobozhdeniia. Mysli voennogo istoriką.” Iskusstvo kino, no. 5 (1972): 41-54. Bondarev, Iurii, Oskar Kurganov, and Iurii Ozerov. “Bitva za Berlin. Osvobozhdenie film 5.” Iskusstvo kino, no. 5 (1970): 20-66. Bonnell, Victoria E. “The Leader’s Two Bodies: A Study in the Iconography of the Vozhd'.” Russian History/Histoire russe 23, no. 1-4 (1996): 113-40. Brandenberger, David. National Bolshevism: Stalinist Mass Culture and the For mation of Modern Russian National Identity, 1931-1956. Cambridge, MA: Harvard University Press, 2002. Brandenberger, David. “Stalin as Symbol: A Case Study of the Personality Cult and Its Construction.” In Stalin: A New History, edited by Sarah Davies and James Harris, 249-70. Cambridge: Cambridge University Press, 2005. Brezhnev, Leonid. Vospominaniia. Moscow: Politicheskaia literature, 1982.
Brooks, Jeffrey. Thank You, Comrade Stalin! Soviet Public Culture from Revolu tion to Cold War. Princeton, NJ: Princeton University Press, 2000. Burgoyne, Robert. Introduction to The Epic Film in World Culture, edited by Robert Burgoyne, 1-16. New York: Routledge, 2011. Bykov, Dmitrii. Bulat Okudzhava. Moscow: Molodaia gvardiia, 2009. Campbell, James. “Combat Gnosticism: The Ideology of First World War Poetry Criticism.” New Literary History 30, no. 1 (1999): 203-15. Central Museum of the Soviet Army. Relikvii boevoi slavy. Moscow: Voennoe izdatel'stvo Ministerstva oborany SSSR, 1962. Chernysheva, Elena. “Voennaia rekonstruktsiia vziatiia Berlina.” Odessit.ua, 2012. Accessed 3 June 2018 (no longer available), http://www.odessit.ua/ photo/389-voennaya-rekonstrukciya-vzyatie-reyhstaga.html. Chertok, Mikhail. Muzykanty Parada Pobedy. Moscow: Kanon+, 2015. Chertok, S. “Nikolai Olialin.” In Ekran 1971-72, 60-62. Moscow: Iskusstvo, 1972. Chiaureli, Mikhail. “Bessmertie.” Sovetskoe iskusstvo, 14 March 1953,2.
264 Bibliography Chiaureli, Mikhail. “Ob Izobrazitel noi forme kinofil 'ma.” In Voprosy masterstva v sovetskom kinoiskusstve: Sbornik statei. Edited by B. Kravchenko. Moscow: Goskinoizdat, 1952.43-78. Christie, Ian. “Canons and Careers: The Director in Soviet Cinema.” In Stali nism and Soviet Cinema, edited by Richard Taylor and Derek Spring, 142-70. London: Routledge, 1993. Chuikov, Vasilii. “Podvig bessmerten.” Sovetsku ekran, no. 9 (1980): 1. Cruz, Trent. “‘It’s Almost Too Intense’: Nostalgia and Authenticity in Call of Duty 2.” Loading . I, no. 1 (2007). Danilova, Nataliya. The Politics of War Commemoration in the UK and Russia. London: Palgrave-Macmillan, 2015. Davies, R. W. Soviet History in the Gorbachev Revolution. Basingstoke: Macmil lan, 1989. Dement'ev, Arkadii. Znamia Pobedy. Glavnata relikviia Velikoi Otechestvennoi voiny v svete istoricheskikh issledovanii. Moscow: Granitsa, 2015. Dick, Bernard F. The Star-Spangled Screen: The American World War II Film. Lexington: University Press of Kentucky, 1985. Dommanget, Maurice. Histoire du drapeau rouge: Des origines à la guerre de 1939. Paris: Librairie de l’Étoile, 1967. Drobashenko, Sergei. “Soviet Film Chronicles and the Fall of Nazi Germany.” In Hitler’s Fall: The Newsreel Witness, edited by K. R. M. Short and Stephan Doležel, 50-56. London: Croom Helm, 1988. Drozdovskii, E. A., et al. Tverichi na Parade Pobedy. Tver': Litera-M, 2000. Dubin, Boris. “Pamiať, voina, pamiať o voine. Konstruirovanie proshlogo v sotsial'noi praktike poslednikh desiatiletii.” Otechestvennye zapiski 4, no. 43 (2008).
http://www.intelros.ru/intelros/reiting/reyting_09/material_sofiy/ 5023-boris-dubin-pamyat-vojna-pamyat-o-vojne-konstruirovanie-prosh logo-v-socialnoj-praktike-poslednix-desyatiletij.html. Dunmore, Timothy. Soviet Politics, 1945-1953. London: Macmillan, 1984. Durkheim, Emile. The Elementary Forms of Religious Life. Translated and with an introduction by Karen E. Fields. New York: Free Press, 1995. Edele, Mark. Soviet Veterans of the Second World War: A Popular Movement in an Authoritarian Society, 1941-1991. Oxford: Oxford University Press, 2008. Edelman, Murray. Constructing the Political Spectacle. Chicago: University of Chicago Press, 1988. Edelman, Murray. The Symbolic Uses of Politics. Urbana: University of Illinois Press, 1964. “Egorov і Kantariia byli ne pervymi.” Argumenty i fakty, 7 May 2003. http:// www.aif.ru/archive/1628792. Erickson, John. The Road to Berlin. Voi. 2 of Stalin’s War with Germany. London: Weidenfeld and Nicolson, 1983.
Bibliography 265 Eril, Astrid. “Cultural Memory Studies: An Introduction.” In A Companion to Cultural Memory Studies, edited by Astrid Eril, Ansgar Nünning, and in col laboration with Sara В. Young, 1-15. Berlin: De Gruyter, 2010. Eril, Astrid. Memory in Culture. Translated by Sara В. Young. Basingstoke: Pal grave Macmillan, 2011. Etkind, Alexander. “Hard and Soft in Cultural Memory: Political Mourning in Russia and Germany.” Grey Room, no. 16 (2004): 36-59. Etkind, Alexander. Warped Mourning: Stories of the Undead in the Land of the Unburied. Stanford, CA: Stanford University Press, 2013. Evans, Christine E. Between Truth and Time: A History of Soviet Central Tele vision. New Haven, CT: Yale University Press, 2016. Figes, Orlando, and Boris Kolonitskii. Interpreting the Russian Revolution: The Language and Symbols of 1917. New Haven, CT: Yale University Press, 1999. Fomin, Valerii, ed. Kino na voine. Dokumenty i svideteľstva. Moscow: Materik, 2005. Forest, Benjamin, and Juliet Johnson. “Unraveling the Threads of History: Soviet-Era Monuments and Post-Soviet National Identity in Moscow.” An nals of the Association of American Geographers 92, no. 3 (2004): 524-47. Gallagher, Matthew. “Trends in Soviet Historiography of the Second World War.” In Contemporary History in the Soviet Mirror, edited by John Keep and Liliana Brisby. New York: Frederick A. Praeger, 1964. Garde-Hansen, Joanne, Andrew Hoskins, and Anna Reading, eds. Save As . . . Digital Memories. Basingstoke: Paigrave Macmillan, 2009. Gerasimov, E., ed. Shturm Berlina. Vospominaniia, pisma, dnevniki uchastnikov
boev za Berlin. Moscow: Voennoe izdatel 'stvo ministerstva vooruzhennykh sil SSSR, 1948. Gerasimov, Sergei. “O professii kinorezhissera.” In Voprosy masterstva v sovetskom kinoiskusstve: Sborník statei, edited by B. Kravchenko, 7-42. Мое scow: Goskinoizdat, 1952. Geroicheskaia oborona Brestskoi kreposti. Po dokumentam і relikvijam Tsentral'nogo muzeia Sovetskoi Armii. Moscow: Voennoe izdateľstvo Ministerstva oborony SSSR, 1955. Ghosh, Bishnupriya. Global Icons: Apertures to the Popular. Durham, NC: Duke University Press, 2011. Gilburd, Eleonory. To See Paris and Die: The Soviet Lives of Western Culture. Cambridge, MA: Belknap Press of Harvard University Press, 2018. Gill, Graeme. Symbols and Legitimacy in Soviet Politics. Cambridge: Cambridge University Press, 2011. Gorlizki, Yoram, and Oleg Khlevniuk. Cold Peace: Stalin and the Soviet Ruling Circle, 1945-1953. Oxford: Oxford University Press, 2004.
266 Bibliography Grechko, A. A., et al., eds. Istorila vtoroi mirovoi voiny. 12 vols. Moscow: Voennoe izdatel'stvo Ministerstva Oborony SSSR, 1973-1982. Grosset, Mark. Khaldei: Un photoreporteur en Union Soviétique. Paris: Éditions du Chêne, 2004. Groys, Boris. The Total Art of Stalinism: Avant-Garde, Aesthetic Dictatorship, and Beyond. Translated by Charles Rougle. Princeton, NJ: Princeton Uni versity Press, 1992. Hariman, Robert, and John Louis Lucaites. No Caption Needed: Iconic Photo graphs, Public Culture, and Liberal Democracy. Chicago: University of Chi cago Press, 2007. Hell, Julia, and Andreas Schönle. Introduction to Ruins of Modernity, edited by Julia Hell and Andreas Schönle, 1-16. Durham, NC: Duke University Press, 2010. Hervieu-Léger, Danièle. Religion as a Chain of Memory. Translated by Simon Lee. Cambridge: Polity Press, 2000. Hicks, Jeremy. Dziga Vertov: Defining Documentary Film. London: I. B. Tauris, 2007. Hicks, Jeremy. “A Holy Relic of War: The Soviet Victory Banner as Artefact.” In Remembering the Second World War, edited by Patrick Finney, 197-216. London: Routledge, 2017. Hirsch, Joshua. Afterimage: Film, Trauma, and the Holocaust. Philadelphia: Temple University Press, 2004. Hobsbawm, Eric. “Introduction: Inventing Traditions.” In The Invention of Tradition, edited by Eric Hobsbawm and Terence Ranger, 1-14. 1983. Cam bridge: Cambridge University Press, 2002. Hosier, Joachim. “Chto znachit ‘Prorabotka proshlogo?’ Ob istoriografii Velikoj Otechestvennoi Voiny v SSSR i Rossii.” In Pamiať o voine 60 let spustia: Rossiia, Germaniia, Evropa. Moscow:
Novoe literaurnoe obozrenie, 2005. Hosking, Geoffrey A. Russia: People and Empire, 1552-1917. Cambridge, MA: Harvard University Press, 1997. Hutchings, Stephen, and Natalia Rulyova. “Commemorating the Past/Perfor ming the Present: Television Coverage of the Second World War Victory Celebrations and the (DeJConstruction of Russian Nationhood.” In The Post-Soviet Russian Media: Conflicting Signals, edited by Birgit Beumers, Stephen Hutchings, and Natalia Rulyova, 137-55. London: Routledge, 2009. Hynes, Samuel. The Soldier’s Tale: Bearing Witness to Modern War. New York: Penguin, 1998. Iamskoi, Nikolai. Kto bral Reikhstag. Geroi po umolchaniiu. Moscow: Olma Press, 2006. Iangirov, Rashit. “Proshchanie s mertvym telom. Ob odnom siuzhete rossiiskogo ekrannogo ofitsioza i ego Podtekstakh.” Otechestvennye zapiski 35, no. 2 (2007). http://www.strana-oz.rU/2007/2/proshchanie-s-mertvym-telom.
Bibliography 2 67 Innés, Paul. Epic. London: Routledge, 2013. Iurenev, Rostislav. “Rosomakha.” In Boris Andreev: Vospominaniia, stat'i, vystupleniia, aforizmy, edited by B. B. Andreev, 73-82. Moscow: Iskusstvo, 1991. Jones, Polly. Myth, Memory, Trauma: Rethinking the Stalinist Past in the Soviet Union, 1953-70. New Haven, CT: Yale University Press, 2013. Juul, Jesper. “Fear of Failing? The Many Meanings of Difficulty in Video Games.” In The Video Game Theory Reader 2, edited by Bernard Perron and Mark J. P. Wolf, 237-52. London: Routledge, 2009. Kamshalov, Aleksandr. Geroika podviga na ekrane. Voenno-patrioticheskaia tema v sovetskom kinematografe. Moscow: Iskusstvo, 1986. Kapterev, Sergei. Post-Stalinist Cinema and the Russian Intelligentsia, 1953-1960: Strategies of Self-Representation, De-Stalinization and the National Cultural Tradition. Saarbrücken, Germany: Verlag Dr. Müller, 2005. Karavaev, Dmitrii. “Newsreels of Soviet Military Parades as Component of Vic tory: Some Ineffective Examples.” Paper presented at the workshop Iconic and the Archival: Images and Russian Memory of World War Two, Queen Mary University of London, 25 May 2017. Karmen, Roman. “Surovaia Pravda.” Iskusstvo kino, no. 2 (1968): 39. Kaz[i]uchitz, Maksim. “‘Sovpolikadr’. Poliekrannyi і polikadrovyi film v istoe rii kinematografii 1960-kh-1980-kh,” Kinovedcheskie zapiski, no. 104-105 (2013): 388-96. Kenez, Peter. Cinema and Soviet Society from the Revolution to the Death of Sta lin. Rev. and updated ed. London: I. B. Tauris, 2008. Kershaw, Ian. The End: Germany 1944-45. London: Penguin, 2011.
Khaniutin, Iurii. ‘“Kogda pushki streliaiut. . . . ‘” Iskusstvo kino, no. 5 (1965): 1-25. Khaniutin, Iurii. “Vozvrashchennoe vremia.” Iskusstvo kino, no. 7 (1977): 8697. Khlevniuk, Oleg V. Stalin: New Biography of a Dictator. Translated by Nora Seligman Favorov. New Haven, CT: Yale University Press, 2015. Knorring, Oleg. “Berlinskii reportazh.” In Poslednii shturm, edited by Konstan tin Telegin. Moscow: Izdatel'stvo politicheskoi literatury, 1965. Kochetov, Andrei. “Magnitnye polia Leiptsiga.” Sovetsku ekran, no. 16 (1980): 16-17. Kolin, N. “V Pomoshch' Nachinaiushchemu stsenaristu.” In Konkurs na kinotsenarii, 11-25. Moscow: Goskinoizdat, 1938. Kolodiazhnaia, V. Boris Andreev. Moscow: Goskinoizdat, 1951. Kozlov, Denis. “The Historical Turn in Late Soviet Culture: Retrospectivism, Factography, Doubt, 1953-91.” Kritika, n.s. 2, no. 3 (2001): 577-600. Krivonogov, Petr. “Den' Pobedy. Iz dnevnika voennogo khudozhnika.” Sovetskoe iskusstvo, no. 37 (1951): 1.
268 Bibliography Kruglov, Sergei. “Istoriiu ne perepishesh'.” Voenno-promyshlennyi kur'er, 9 May 2007. http://vpk-news.ru/articles/3637. Krylova, Anna. ‘“Healers of Wounded Souls’: The Crisis of Private Life in Soviet Literature, 1944-1946.” Journal ofModern History 73, no. 2 (2001): 307-31. Kuby, Erich. The Russians and Berlin, 1945. Translated by Arnold J. Pomerans. London: Heinemann, 1965. Kudryashov, Sergei. “Remembering and Researching the War: The Soviet and Russian Experience.” In Experience and Memory: The Second World War in Europe, edited by Jörg Echternkamp and Stefan Martens, 86-115. New York: Berghahn Books, 2010. Kulish, V. M. “Sovetskaia istoriografiia Velikoi Otechestvennoi voiny.” In Sovetskaia Istoriografiia, edited by Iu. N. Afanas'ev, 274-315. Moscow: Rossi iiskii gosudarstvennyi gumanitarnyi universitet, 1996. Kumanev, Georgii. Podvig і podlog. Stranitsy Velikoi Otechestvennoi voiny 19411945 gg. Moscow: Russkoe slovo, 2000. Leibovich, Oleg. Reforma i modernizatsiia v 1953-1964gg. Perm': Izd. Permskogo universiteta, 1993. Levchenko, Grigory. “How Russia Prosecutes Its Own People for ‘Falsifying His tory.’” Translated by Peter Marshall. Meduza, 11 May 2018. https://meduza .io/en/feature/2018/05/ll/how-russia-prosecutes-its-own֊people-for-falsify ing-history. Le Tissier, Tony. Racefor the Reichstag: The 1945 Battlefor Berlin. London: Frank Cass, 1999. Lozin, Dmitrii. Znamia Pobedy—gosudarstvennaia relikviia Rossit. Voennoistoricheskie ocherki. Moscow: Zhizn', 2014. Maisurian, Aleksandr. Drugoi Brezhnev. Moscow: Vagrius, 2004. Maksimenkov, Leonid.
“Arkhivno-istoricheskoe obespechenie nyneshnego і budushchikh iubileev.” In Pobeda-70. Rekonstruktsiia iubileia, edited by Gen nadii Bordiugov, 381-448. Moscow: AIRO-XXI, 2015. Mal'tsev, Vadim. Po stranitsam voennogo dnevnika. Ot nachala voiny do Parada Pobedy. 2nd rev. ed. Moscow: Avanglion-print, 2013. Manevich, I. Mikhail Chiaureli. Moscow: Goskinoizdat, 1953. March, Luke. The Communist Party in Post-Soviet Russia. Manchester: Man chester University Press, 2002. Markwick, Roger. Rewriting History in Soviet Russia: The Politics of Revisionist History, 1956-74. New York: Paigrave, 2001. Medinskih Vladimir. Voina. Mify SSSR. 1939-1945. 2nd ed. Moscow: OLMA Media Grupp, 2014. Medvedev, Boris. “Eto bylo pri nas.” Iskusstvo kino, no. 8 (1965): 18-23. Medvedev, Roi. Lichnost' i epokha. Politicheskii portret L. I. Brezhneva; Kn. 1. Moscow: Novosti, 1991.
Bibliography 269 Merridale, Catherine. Ivan’s War: The Red Army 1939-1945. London: Faber and Faber, 2005. Merridale, Catherine. Night of Stone: Death and Memory in Twentieth-Century Russia. New York: Viking, 2001. Merridale, Catherine. Red Fortress: The Secret Heart ofRussia’s History. London: Penguin, 2013. Mikhailov, Vladimir. Frontovoi kinoreportazh. Moscow: Nauchno-issledovatel 'nyi institut teorii і istorii kino, 1977. Miller, John. Mikhail Gorbachev and the End of Soviet Power. Basingstoke: Mac millan and St. Martin’s Press, 1993. Mlechin, Leonid. Brezhnev. Moscow: Molodaia gvardiia, 2011. Molotov, Viacheslav. Stalin and Stalin’s Leadership. Moscow: Foreign Languages Publishing House, 1950. Moos, David. “Utopian Construction? The Work of Frank Thiel.” In Frank Thiel: A Berlin Decade, 1995-2005, edited by Robert Hobbs and David Moos. Ma drid: Hatje Cantz, 2006. Mori, Masaki. Epic Grandeur: Toward a Comparative Poetics of the Epic. Albany: State University of New York Press, 1997. Muratov, L. “Filmy v bor'be idei.” In Pamiat' grozovykh let. Velikaia otechestvennaia voina v sovetskom kino 1970-kh godov, edited by N. Zaitsev et al., 6-30. Leningrad: Iskusstvo, 1980. Muratov, Sergei, and Georgii Fere. “Sovetskoi kul'tury” and “Ekrany maia” co lumns. Sovetskaia kul'tura, 3 June 1965. Naimark, Norman M. The Russians in Germany: A History of the Soviet Zone of Occupation, 1945-1949. Cambridge, MA: Belknap Press of Harvard Uni versity Press, 1995. Nakhimovsky, Alice, and Alexander Nakhimovsky. Witness to History: The Pho tography of Yevgeny Khaldei. New York: Aperture,
1997. Neustroev, Stepan. Put' kreikhstagu. Moscow: Voennoe izdatel 'stvo Ministerstva OboronySoiuzaSSR, 1961. Neustroev, Stepan. Ό Reikhstage na sklone let.” Oktiabr' 5 (1990): 130-44. Nora, Pierre. “Entre mémoire et histoire: La problématique des lieux.” In Les lieux de mémoire, edited by Pierre Nora, 23-43. Paris: Gallimard Quarto, 1997. Nove, Alec. An Economie History of the U.S.S.R. Harmondsworth: Penguin, 1969. Odom, William E. The Collapse of the Soviet Military. New Haven, CT: Yale Uni versity Press, 1998. Odom, William E. “The Military and the State: Contemporary Russia in Histori cal Perspective.” In The Military History of the Soviet Union, edited by Robin Higham and Frederick W. Kagan, 299-318. New York: Paigrave, 2002.
270 Bibliography O’Neil, Mark. “The Cold War on the Ground, 1945-1981.” In The Military His tory of the Soviet Union, edited by Robin Higham and Frederick W. Kagan, 221-36. New York: Paigrave, 2002. Orlov, Dal'. “Zavershenie epopei.” Iskusstvo kino, no. 2 (1972): 6-14. Ό sovetskom cheloveke, о sovetskom narode.” Iskusstvo kino, no. 8 (1982): 94105. Oushakine, Serguei. “Remembering in Public: On the Affective Management of History.” Ab Imperio, no. 1 (2013): 269-302. “О vsesoiuznoi khudozhestvennoi výstavke.” Iskusstvo, no. 1 (1947): 6-10. Ozerov, ludi. “Na NP.” Iskusstvo kino, no. 5 (1975): 70-73. Ozerov, Iurii. “Vosslaviť podvig naroda.” Iskusstvo kino, no. 2 (1971): 1-4. Panov, Ivan. “Nad Reichstagom znamia.” In Ikh oruzhie—kinokamera, edited by Valentin Zeltov and Aleksei Lebedev, 271-80. Moscow: Iskusstvo, 1970. Parfenov, Denis. “Vytravlivanie gosudarstvennykh simvolov SSSR so Znameni Pobedy mozhet byť rastseneno как ideologicheskaia diversità.” Communist Party of the Russian Federation, 6 February 2018. https://kprf.ru/dep/gosdu ma/activities/172751 .html. Parker, John W. Kremlin in Transition. Voi. 2, Gorbachev, 1985 to 1989. Boston: Unwin Hyman, 1991. Păstoreau, Michel. Une histoire symbolique du moyen âge occidental. Paris: Seuil, 2004. Pavlenko, Petr. Kinostsenarii. Moscow: Goskinoizdat, 1952. Pavlovskih Ivan. "Iazykom faktov і dokumentov.” Sovetskaia kul'tura, 9 May 1985, 8. Petrone, Karen. Life Has Become More Joyous, Comrades: Celebrations in the Time of Stalin. Bloomington: Indiana University Press, 2000. Plamper, Jan. The Stalin Cult: A Study in the Alchemy
of Power. New Haven, CT: Yale University Press, 2012. Pogozheva, L. “Padenie Berlina.” Iskusstvo kino, no. 4 (1950): 10-14. Polian, Pavel. Istoriomor, Hi trepanatsiiapamiati. Moscow: AST, 2016. Pospelov, P[etr] NĮikolevich], EJvgenii] AIrsenevich] Boltin, and V. P. Moskovs ku. Istorila Velikoi Otechestvennoi Voiny Sovetskogo Soiuza 1941-1945. 6 vols. Moscow: Voennoe izdatel'stvo ministerstva oborony SSSR, 1963. Prokhorova, Alexander, and Elena Prokhorov. Film and Television Genres of the Late Soviet Era. New York: Bloomsbury, 2017. Pudovkin, Vsevolod. “Podlinnaia narodnost'.” Sovetskoe iskusstvo, no. 4 (1950): 4. Putin, Vladimir. “International Holocaust Remembrance Day.” Jewish Muse um and Tolerance Center, Moscow, 27 January 2015. http://en.kremlin.ru/ events/president/transcripts/47529. Putin, Vladimir. “Speech at the Forum ‘Let My People Live!’ Commemorating the Memory of the Victims of Auschwitz.” 27 January 2005, Krakow, Po land. http://en.kremlin.ru/events/president/transcripts/22800.
271 Bibliography Pyzhikov, Aleksandr. Opyt modernizatsii sovetskogo obshchestva v 1953-1964 godakh. Obshchestvenno-politicheskii aspekt. Moscow: Gamma, 1998. Raack, Richard C. “The Red Army Beflags the Reichstag: Film as Historical Fan tasy.” In Hitler’s Fall: The Newsreel Witness, edited by K. R. M. Short and Stephan Doležel, 57-69. London: Croom Helm, 1988. Raack, Richard C. Stalin’s Drive to the West, 1938-1945: The Origins of the Cold War. Stanford, CA: Stanford University Press, 1995. Raizman, Iulii. “Berlin.” In Ikh oruzhue—kinokamera, edited by V. I. Zheltov and A. A. Lebedev, 282-88. Moscow: Iskusstvo, 1970. Raizman, Iulii. Vchera і segodnia. Moscow: Biuro propagandy sovetskogo kinoiskusstva, 1969. Ramazashvili, Georgii. “Esť takaia professila—istoriiu zashchishchať: TsAr MO RF v predverii 60-iia Pobedy.” In Pamiať o voine 60 let spustia: Rossiia, Germanita, Evropa, edited by Il'ia Kalinin and Mikhail Gabovich, 293-313. Moscow: Novoe literaturnoe obozrenie, 2005. Rees, E. A[rfon], “Leader Cults: Varieties, Preconditions and Functions.” In The Leader Cult in Communist Dictatorships: Stalin and the Eastern Bloc, edited by Balázs Apor et al., 3-28. Basingstoke: Paigrave Macmillan, 2004. Reuveny, Rafael, and Aseem Prakash. “The Afghanistan War and the Breakdown of the Soviet Union.” Review ofInternational Studies, no. 25 (1999): 693-708. Richie, Alexandra. Faust’s Metropolis: A History of Berlin. London: HarperCollins, 1999. Rodchenko, Aleksandr. “The Paths of Contemporary Photography.” In Experi ments for the Future: Diaries, Essays, Letters, and Other Writings,
edited by Alexander N. Lavrentiev, 207-12. New York: Museum of Modern Art, 2005. Rohdewald, Stefan. “Post-Soviet Remembrance of the Holocaust and National Memories of the Second World War in Russia, Ukraine and Lithuania.” Fo rum for Modern Language Studies 44, no. 2 (2008): 173-84. Rolf, Malte. Soviet Mass Festivals, 1917-1991. Translated by Cynthia Klohr. Pitts burgh, PA: University of Pittsburgh Press, 2013. Romm, Mikhail. Izbrannye proizvedenim. Edited by Natal'ia Kuz'mina. 3 vols. Moscow: Iskusstvo, 1980-1982. Rosenstone, Robert A. History on Film/Film on History. 2nd ed. Harlow: Pear son, 2012. Rothberg, Michael. Multidirectional Memory: Remembering the Holocaust in the Age ofDecolonization. Stanford, CA: Stanford University Press, 2009. Rubenstein, Joshua. The Last Days of Stalin. New Haven, CT: Yale University Press, 2016. Rubenstein, Joshua. “World War Two—Soviet Style.” In New Challenges for Do cumentary, edited by Alan Rosenthal, 465-70. Berkeley: University of Cali fornia Press, 1988. Rudnev, V. A. Prazdniki, obriady, rituály v trudovom kollektive. Moscow: Profizdat, 1984.
272 Bibliography Russell, James, The Historical Epic and Contemporary Hollywood: From “Dances with Wolves” to “Gladiator.” New York: Continuum, 2007. Rzhevskaia, Elena. Berlin, mai 1945. Zapiski voennogo perevodchika. Moscow: TERRA-Knizhnyi klub, 2005. Sakwa, Richard. Putin Redux: Power and Contradiction in Contemporary Russia. London: Routledge, 2014. Samsonov, Konstantin. Shturm Reikhstaga. Moscow: DOSAAF, 1955. Saprykov, V. N. Dvazhdypobednoe. Moscow: Moskovskie uchebniki—SiDipress, 2008. Sartre, Jean-Paul. “Discussion on the Criticism of Ivan’s Childhood.” L’Unità, 9 October 1962. Published in French in Sartre’s Situations VII. Paris: Galli mard 1965. Schattenberg, Susanne. Velichie і tragediia cheloveka i strany. Translated by V. A. Brun-Tsekhovskii. Moscow: Politicheskaia entsiklopediia, 2018. Originally published as Leonid Breschnew: Staatsmann und Schauspieler im Schatten Stalins; Eine Biographie. Cologne: Böhlau, 2017. Schleifman, Nurit. “Moscow’s Victory Park: A Monumental Change.” History and Memory 13, no. 2 (2001): 5-34. Service, Robert. Stalin: A Biography. London: Pan, 2010. Shatilov, Vasilii. V boiakh rozhdennoe znamta. 2nd rev. and expanded ed. Mo scow: Sovetskaia Rossiia, 1988. Shaw, Tony, and Denise J. Youngblood. Cinematic Cold War: The American and Soviet Struggle for Hearts and Minds. Lawrence: University Press of Kansas, 2010. Shcherbina, N. Padenie Berlina. (Ocherk o kinofiľme). Moscow: Goskinoizdat, 1950. Shkolnikov, Semen. “Tiazhkii put' kinokhronikera.” Iskusstvo kino, no. 6 (2008). Accessed 22 May 2018.
http://kinoart.ru/ru/archive/2008/06/n6-ar ticlel4. Shneer, David. Through Soviet Jewish Eyes: Photography, War and the Holocaust. New Brunswick, NJ: Rutgers University Press, 2011. Short, K. R. M. Preface to Hitler’s Fall: The Newsreel Witness, edited by K. R. M. Short and Stephan Doležel. London: Croom Helm, 1988. Shtemenko, Sergei. The Soviet General Staff at War, 1941-1945. Translated by Robert Daglish. Moscow: Progress, 1970. Shukla, Vikas. “Russia’s World War II Victory Day Parade: Who Is Coming and Who Isn’t.” ValueWalk, 7 May 2015. https://www.valuewalk.com/2015/05/ russia-world֊war-ii-victory-day-parade/. Simonov, Konstantin. Głazami cheloveka moego pokoleniia. Moscow: Agentstvo pechati Novosti, 1988. Simonov, Konstantin. Simonov і voina. Moscow: Vremia, 2016. Slavin, Konstantin. “Velikaia voina і nashe vremia.” Sovetsku ekran, no. 13 (1965): 12.
Bibliography 273 Slivko, Stanislav. “Kommunisty vernuli Khabarovskomu kraiu Znamia Pobedy.” Communist Party of the Russian Federation. Accessed 28 July 2016. https:// kprf.ru/party-live/regnews/127563.html. Smeiser, Ronald, and Edward J. Davies II. The Myth of the Eastern Front: The Nazi-Soviet War in American Popular Culture. Cambridge: Cambridge Uni versity Press, 2008. Smirnov, Sergei. Sobrante sochinenii. 3 vols. Moscow: Molodaia gvardiia, 1973. Smith, Kathleen E. Mythmaking in the New Russia: Politics and Memory during the Yeltsin Era. Ithaca, NY: Cornell University Press, 2002. Solonin, Mark. Zavetnaia pravda о Velikoi Otechestvennoi. Net blaga na voine! Moscow: Iauza-katalog, 2014. Sontag, Susan. Regarding the Pain of Others. London: Penguin, 2003. Sontheimer, Michael. “The Art of Soviet Propaganda: Iconic Red Army Reichs tag Photo Faked.” Spiegel Online, 7 May 2008. http://www.spiegel.de/inter national/europe/the-art-of-soviet-propaganda-iconic-red-army-reichstag -photo-faked-a-551972.html. Stalin, Iosif. О Velikoi Otechestvennoi Voine Sovetskogo Soiuza. 5th ed. Moscow: Gospolitizdat, 1948. Stalin, Joseph. “Doklad na torzhestvennom zasedanii Moskovskogo Sověta deø putatov trudiashikhsia s partiinymi і obshchestvennymi organizatsiiami goroda Moskvy 6 noiabria 1944 goda.” 1944. In Sochineniia, voi. 15, part 2. Moscow: Izdatel'stvo ITRK, 2009. Statiev, Alexander. ‘“La Garde meurt mais ne se rend pas!’: Once Again on the 28 Panfilov Heroes.” Kritika: Explorations in Russian and Eurasian History 13, no. 4 (2012): 769-98. Stepaniuk, Vladimir. “Vekhi istorii glavnoi
redaktsii informatsii TsT.” TV Muk seum. Accessed 1 June 2018 (no longer available), http://tvmuseum.ru/cata log.asp?ob_no=l 1699. Stites, Richard. Russian Popular Culture: Entertainment and Society since 1900. New York: Cambridge University Press, 1992. Subbotin, Vassily. “How Wars End.” In How Wars End: Eye-Witness Accounts of the Fall of Berlin, edited by Vladimir Sevruk, 127-58. Honolulu: University Press of the Pacific, 2005. Sudarov, B. “Labirinty zhizni Nikolaia Mesiatseva.” TV Museum. Accessed 1 June 2018 (no longer available). http://tvmuseum.ru/catalog.asp?ob_ no=10852. Sumenov, Nikolai, and Oleg Sul'kin. Iurii Ozerov. Moscow: Iskusstvo, 1986. Svoichakov, Maksim. Oni brali reikhstag. Moscow: Voennoe izdatel'stvo, 1973. Swick, Gerald D. “WW2 Documentary Unseen for 30 Years Returns on DVD.” HistoryNet. Accessed 2 June 2018. http://www.historynet.com/ww2-docu mentary-unseen-for-30-years-returns-on-dvd.htm. Synthart (pseudonym). “Eshche о pamiatnike Pobedy na Poklonnoi Gore.” Аса cessed 11 November 2015. http://synthart.livejournal.com/217953.html
274 Bibliography Taylor, Richard. Film Propaganda: Soviet Russia and Nazi Germany. 2nd ed. London: I. B. Tauris, 1998. Tel'pukhovskii, Boris, ed. Ocherki istorii Velikoi Otechestvennoi Voiny 19411945. Moscow: Akademiia nauk SSSR, Institut istorii, 1955. Thompson, Jenny. War Games: Inside the World of Twentieth-Century War Ree nactors. Washington, DC: Smithsonian Books, 2010. Timoshkina, Alissa. "Representations of the Holocaust in Soviet Cinema.” PhD diss., Kings College London, 2015. Tolstoi, Andrei. “Khudozhnik na fronte.” In Evgenii Khaldei: Znamia pobedy, edited by A. V. Maksimova, 4֊7. St. Petersburg: Rosfoto, 2015. Tolstykh, Valentin. Khochu—mogu—dolzhen. Opyt obshchestvennoi avtobiografi lichnosti. Moscow: Progress-traditsiia, 2015. Tomlinina, N. G., et al., eds. Apparat Tsk KPSS i Kul 'tura 1965-1972: Dokumenty. Moscow: ROSSPEN, 2009. Tompson, William. The Soviet Union under Brezhnev. Harlow: Pearson, 2003. Trotsky, Leon. The History of the Russian Revolution, Volume 3: The Triumph of the Soviets. Proofed and reset by Pablo Stern, converted to eBook format by Kollektiv Yakov Perelman in 2013. Accessed 22 May 2018. https://www .marxists.org/archive/trotsky/1930/hrr/ch44.htm. Tsentral'nyi Muzei Krasnoi Armii. Kratkii putevoditeľ po žalam ekspozitsii. V pmoshch' posetiteliu. Moscow: Izdanie Tsentral'nogo Muzeia Krasnoi Armii, 1946. Tsitriniak, Grigoril. “Napravlenie glavnogo udara.” Iskusstvo kino, no. 5 (1970): 7-19. Tucker, Robert C. The Soviet Political Mind: Studies in Stalinism and Post-Stalin Change. London: Pall Mall Press, 1963. Tumarkin, Nina. “The Great
Patriotic War as Myth and Memory.” European Re view 11, no. 4 (2002): 595-611. Tumarkin, Nina. The Living and the Dead: The Rise and Fall of the Cult of World War II in Russia. New York: Basic Books, 1994. “Ukaz ot 23 dekabria 1947 goda: Ob ob'iavlenii 1 ianvaria nerabochim dnem.” In Sborník zakonov SSSR і ukazov Prezidiumą Verkhovnogo Sověta SSSR, 1938 g—iiuľ 1956g. Edited by Iu. I. Mandel'shtam. Moscow: Gosudarstvenn noe izdatel'stvo iuridicheskoi literatury, 1956. Ul'ianov, Mikhail. Reaľnosť і mechta. Moscow: Vagrius, 2007. Ul'ianov, Vladimir (pseudonym). “Aktsiia kommunistov ‘Znamia Pobe dy.’” YouTube video, 12 May 2011. https://www.youtube.com/watch?v=N 7cAAJKRj_o. Ushenin, Khristofor. Petr Aleksandrovich Krivonogov. Moscow: Sovetskii khudozhnik, 1956. Uspensky, Boris. The Semiotics of the Russian Icon. Edited by Stephen Rudy. Lis se, Netherlands: Peter de Ridder Press, 1976. Varennikov, Valentin. Parad Pobedy. Moscow: Vagrius, 2005.
Bibliography 275 Vasilevskii, Aleksandr. Delo vsei zhizni. 2nd ed. Moscow: Politizdat, 1975. Vázquez Liñán, Miguel. “History as a Propaganda Tool in Putins Russia.” Com munist and Post-Communist Studies 43, no. 2 (2010): 167-78. Volland, Ernst. Das Banner des Sieges. Berlin: Berlin Story Verlag, 2008. Volland, Ernst, and Heinz Krimmer. Von Moskau nach Berlin: Bilder des russi schen Fotografen Jewgeni Chaldej. Berlin: Nicolaische Verlagsbuchhandlung, 1994. Voľman, N. “Pamiať i dokument.” In Pamiať grozovykh let. Velikaia Otechestvennaia Voina v sovetskom kino 1970-kh godov, edited by N. Zait sev, L. Muratov, N. Vol'man and V. Ivanova, 31-52. Leningrad: Iskusstvo, 1980. von Geldern, James. Bolshevik Festivals, 1917-1920. Berkeley: University of Ca lifornia Press, 1993. Voroshilov, K. E. Stalin і vooruzhennye sily SSSR. Moscow: Gosudarstvennoe izdatel'stvo politicheskoi literatury, 1951. Walker, Shaun. The Long Hangover: Putin’s New Russia and the Ghosts of the Past. Oxford: Oxford University Press, 2018. Waterlow, Jonathan. It’s Only a Joke, Comrade: Humour, Trust and Everyday Life under Stalin. Oxford: n.p., 2018. Westwell, Guy. War Cinema: Hollywood on the Front Line. London: Wallflower, 2006. Weiner, Amir. Making Sense of War: The Second World War and the Fate of the Bolshevik Revolution. Princeton, NJ: Princeton University Press, 2001. White, Hayden. Metahistory: The Historical Imagination in Nineteenth-Century Europe. Baltimore: Johns Hopkins University Press, 1973. Wieviorka, Annette. The Era of the Witness. Translated from French by Jared Stark. Ithaca, NY: Cornell
University Press, 2006. Originally published as L’ère du témoin, 1998. Wolfe, Thomas C. Governing Soviet Journalism: The Press and Soviet Journalism after Stalin. Bloomington: Indiana University Press, 2005. Wolfe, Thomas C. “Past as Present, Myth, or History? Discourses of Time and the Great Fatherland War.” In The Politics of Memory in Postwar Europe, edited by Richard Ned Lebow, Wulf Kansteiner, and Claudio Fogu, 249-83. Durham, NC: Duke University Press, 2006. Woll, Josephine. Real Images: Soviet Cinema and the Thaw. London: I. B. Tauris, 2000. Wood, Elizabeth A. “Performing Memory: Vladimir Putin and the Celebration of WWII in Russia.” Soviet and Post-Soviet Review 38 (2011): 172-200. Woodward, Rachel, and K. Neil Jenkins. Bringing War to Book: Writing and Pro ducing the Military Memoir. London: Paigrave Macmillan, 2018. Wortman, Richard S. Myth and Ceremony in Russian Monarchy: From Peter the Great to the Abdication of Nicholas II. Abridged one-volume ed. Princeton, NJ: Princeton University Press, 2006.
276 Bibliography Youngblood, Denise J. Russian War Films: On the Cinema Front, 1914-2005. Lawrence: University Press of Kansas, 2007. Youngblood, Denise J. “’When Will the Real Day Come?’ War Films and Soviet Post-war Culture.” In Histories of the Aftermath: The Legacies of the Second World War in Europe, edited by Frank Biess and Robert G. Moeller, 123-38. London: Berghahn Books, 2010. Yurchak, Alexei. Everything Was Forever, Until It Was No More: The Last Soviet Generation. Princeton, NJ: Princeton University Press, 2006. Zainkin, V. V., ed. Nashiprazdniki (Sovetskie obshchegosudarstvennye, trudovye, voinskie, molodezhnye і semeino-bytovye prazdniki, obriady, rituály). Moscow: Politizdat, 1977. Zaitsev, N. “Epos i lichnosť.” In Pamiať grozovykh let. Velikaia Otechestvennaia Voina v sovetskom kino 1970-kh godov, edited by N. Zaitsev, L. Muratov, N. Voi'man, and V. Ivanova. Leningrad: Iskusstvo, 1980. Zak, Mark. Iulii Raizman. Mastera kinoiskusstva. Moscow: Iskusstvo, 1962. Zemtsov, Ilya. Chernenko: The Last Bolshevik; The Soviet Union on the Eve of Perestroika. New Brunswick, NJ: Transaction, 1989. Zhukov, Georgii. Vospominaniia i raźmyshleniia. Moscow: Izdatel'stvo agentstvo pechati Novosti, 1972. Ziemke, Earl F. The Battle for Berlin: End of the Third Reich. Voi. 6 of Purnell’s History of the Second World War. London: Macdonald, 1968. Zima, V. F. Golod v SSSR 1946-47godov. Proiskhozhdenie iposledstviia. Moscow: Institut rossiiskoi istorii RAN, 1996. Zinchenko, Fedor. Gemi shturma reikhstaga. Moscow: Voennoe izdatel'stvo, 1983. Zubkova, Elena. Russia after the War: Hopes,
Illusions, and Disappointments, 1945-1957. Translated by Hugh Ragsdale. Armonk, NY: M. E. Sharpe, 1998.
INDEX actors, 68,146,153,165; Boris An Boltin, Evgenii, 102,103, 104,106,107 dreev, 70-71; Mikheil Gelovani, Brest Fortress, 16,113,121,155 80,81; Burt Lancaster, 153,155, Brezhnev, Leonid, 117,123-24,128, 157,158; ludi Nazarov, 195; reen 146,161, 214; administration actors, 198-206 of, 134, 246nl9; biography of, Air Time International Company, 151, 152,153,160 archives, 15-17,101,165, 172, 213; Germany’s Bundesarchiv- 243nl30; cult of, 131,165, 218; and Khrushchev, 111; and media, 133, 153, 217; speeches by, 98-99,125, 137; and Stalin, 129,130,136-37 Filmarchiv, 95; Gosfil'mofond Brooks, Jeffrey, 53, 73 (Russian state film archive), Bubrik, S. D., 118,119 95,112; Krasnogorsk archives, Bulganin, 55, 82, 87, 94, 97 229n69; Russian Ministry of De fense, 106,173, 213-14 Auschwitz. See under concentration camps authoritarian repetition, notion of, 60, 120, 130,165,167, 216, 220 Baltic Republics, 5,158 Belorus, 97, 103, 143,158, 203 camera operators, 34-35, 36, 37, 38, 39, 91; Kosmatov, 75, 83 censorship, 31, 65, 93, 133,149-50, 171 Central Committee of the Party, the, 31, 93, 94-96,105,138-39; Presid ium of the, 98, 99-100 Central Museum of the Armed Forc Berest, Aleksei, 106,112,144,173 es, 8, 27-28,123,125-26,156, 173, 198-99; brochure for, 105; Petr Beriia, Lavrentii, 95, 96 Krivonogov painting titled Victory Berlin, 21,103,118,120,121; battle for, (Pobeda, 1948) at, 61-64; Victory 20, 21-22, 34, 97,114-15, 229n61; Banner at, 7, 87, 142, 254n55, Brandenburg Gate, 21, 25, 39, 256n93 64; original footage of battle for, Central Museum of the Red Army, 17, 140,141,156,190.
See also Fall of Berlin, The Central Museum of the Soviet Army, Bobylev, Ivan, 45, 23ІПІ04 28,46,48-49, 53,198 106, 109, 131, 155, 164,217 277
278 Index Central Studio of Documentary Film (TsSDF), 32, 37 CGI (computer-generated imagery), 190, 195,196,197 Chechnya conflict, 181,184, 204 Chiaureli, Mikheil, 68, 79-80, 81, 90, 91, 94-95; use of color in film by, the Russian Soviet Federal Social ist Republic (banned in 1991), 89, 178; of the Soviet Union (CPSU), 98,100; of Ukraine (KPU), 202 compilation, 122,151; documentaries, 113, 147; films, 3,15,120,197 concentration camps, 159,161, 204; 74-75,77,83; The Vow (Kliatva) Auschwitz, 159, 161,180,186, 203; by, 54, 66, 67, 80, 81. See also Fall Majdanek, 159,161,180; Willi of Berlin, The Bredel’s account, 210 Chuikov, Vasilii, 153,166 Crimea. See under Ukraine Churchill, Winston, 21, 56, 57, 58 cult of personality, 98, 99,107,115, 218 cinema, 70, 73,138,145,163,195; and documentary, 60, 66,120; and epic form, 146,147; Ministry of, 68, 80, Danilov, 111, 112 119,120,151,153; Soviet, 31, 50, Davydov, Captain, 53, 97, 111 75,134,137,195; Soviet Council Defender of the Fatherland Day (23 of Ministers’ State Committee February), 182,195 for, 126,135; and Stalin cult, 54, digital technologies, 147,197, 204, 220 89-96,115, 217; and television, documentaries, 33-34, 90, 96,107, 131,148,169,189,194; war and, 126,149,155,166; compilation, 86, 98, 99,130 113, 147; “epic,” 163,217-18; cinemas and theaters, 122,126,131; Rossiia cinema, Pushkin Square, Moscow, 121,163 fictional, 66-67,81,134-40; film, 18, 126,139; newsreel, 15,110; on television, 122 cinematography, 31-41, 68,119,120, documentary filmmakers, 43, 93,118, 130,135,166 Cold War, 86,162,169,179,180, documentary footage,
145,166,196 235n45 color film, 47, 68, 91, 135,139, 151-53; 151,154. See also Raizman, Iulii Dolmatovskii, Evgenii, 28, 56 Donbass region, 50, 70, 202 Chiaureli and, 69, 73-75, 77, 83, Donetsk region, 35, 218,220 91 Donskoi, Mark, 72, 84 commemorations, 183,187; documen Dubin, Boris, 128, 199 tary film, 47; in 1965, 217; in 1985, Duma, the, 179,182, 208 167, 170; in 1990, 174,177-78; in Dzhugashvili, Iakov, 65, 84 1993, 179 commemorative practices, 126,129, 209-13; coins and special medals, 128; ritualized nature of, 124, 220 Communist Party; of the Russian Edele, Mark, 128,129 Egorov, Mikhail, 10, 28,46,108,109, 124, 125; absent from Moscow, 71, 106; dead, 167; in film, 75, 78-80, Federation (CPRF), 178,179, 182, 111, 144; given awards, 53, 71, 173; 183, 186-87, 199, 206-7, 208; of with Konstantin Samsonov, 75,
279 Index 164; with Meliton Kantarda, 20, films: Austerlitz (dir. Loznitsa, 2016), 97, 104-6,172-73, 129, 141, 197; 204; Back to the Future, 195-96; memoir of, 171 A Ballad of a Soldier (Ballada о Eisenhower, Dwight, 21, 56 soldate, dir. Grigoril Chukhrai, Eisenstein, Sergei, 26, 68-69, 74 1959), 135; Battleship Potemkin epic, 18, 66, 77, 86, 90, 99,137,190; (Brononosets Potemkin, dir. Sergei adaptation of War and Peace, Eisenstein, 1926), 26, 68-69; 145; and “fictional documentary,” Belorussian Station (Belorusskii 65-72, 134-40, 163; form, 134-36, vokzal, dir. Andrei Smirnov, 146-47,192, 217; narrative, 67, 71, 1971), 133; Come and See (Idi і 147-48,193, 205; sweep of war, 72, smotri, dir. Elem Klimov, 1985), 139,150,160,164; tone, 67, 81 169; Composition for Victory Day Etkind, Alexander, 6,13-14 (Sochinenie к Dniu Pobedy, dir. Evans, Christine, 147-48,164 Sergei Urusliak, 1998), 181-82; Fall of Berlin, The (Padenie Berlina, zhuravli, dir. Mikhail Kalatozov, The Cranes Are Flying (Letiat dir. Mikheil Chiaureli, 1949), 33, 1957), 135; The Death of Stalin 58,84,137,142,144-45,81-88; (dir. Iannucci, Armando, 2017), Chiaureli and, 54, 63, 65-66, 69, 90; The Defeat of the Germans 73, 95; and disciplining memory, near Moscow (Razgrom nemetski- 77-81; epic grandeur of, 71-72; as kh voisk pod Moskvoi, 1942), 154; “fictional documentary” and epic, Evgenii Khaldei: A Photographer 65-72; and Liberation, 140,145, 156; still photography from, 74, Wajnberg, 1997), 174; Fate ofMan under Stalin (dir. Marc-Henri 76, 85; and the victory banner in, (Sud'ba cheloveka, dir. Sergei 72-77,141
Bondarchuk, 1959), 135; The fascism, 3, 5,40, 52,117, 176, 186; Final Storm (see Liberation); Fog combat with, 114,186; German, and Fog 2 (made-for-television), 72,118; Hitler and, 115, 116; Sovi 195; The Great Farewell ( Velikoe ets and, 103,115-16,144 proshchanie), 90, 91, 94-95; The film, 16, 50,107,112,131,138-39,147, Great Glow (Velikoe zarevo, dir. 229n69; festivals, 126,162; flash Mikheil Chiaureli 1938), 80; backs in, 91,112,120-21,195; In A Great Life: Part 2 (Bol 'shaia stitut für Wissenschaft und Film zhizn, dir. Leonid Lukov, 1945), (IWF) in Göttingen, 173; scholars, 50; The Great Patriotic (Velikaia 26, 42, 173; script variants, 84-86; studios, 39, 40, 80, 116, 118, 122; otechestvennaia, dir. Roman Karmen, 1965), 112-14,121-23, and war, 35,134-35,217 148,151, 160, 163, 166,217; Grunta filmmakers, 15, 70, 90,138-39,146, 154,157; Soviet 66, 33, 150; and Kornakova/aka (The nightingale) (Solovei-solovushka, dir. Nikolai The Fall of Berlin, 68, 69; and The Ekk, 1936), 75; If Your Home Is Great Patriotic, 116,117,119 Dear to You (Esli dorog tebe tvot
280 Index dom, dir. Vasilii Ordyhskii, 1967), 1960), 110-12; The Third Blow 140,149,153; ln Defense ofPeace, {Treťі udar, dir. Igor' Savchenko, 117; Internationale (Internatstonai, 1948), 136; Three Songs of Lenin dir. A. Svetlov, Aleksandr Shein, {Tri pesni o Lenine, dir. Dziga 1971), 147; It Happened in the Vertov, 1934), 94; 20th Anniversary Donbas {Eto bylo v Donbasset dir. of the Great Feat {20-letie velikogo Leonid Lukov), 35; Ivan’s Child podviga, dir. Irina Setkina, Elena hood (Ivanovo detstvo, dir. Andrei Vermisheva, 1965), 123; Victory Tarkovskii, 1962), 12,135; July Day {Den' Pobedy, dir. Sergei Rain (liuľskii dozhd', dir. Khuts- Loznitsa, 2018), 203; Victory Parade iev, Marlen, 1966), 110; Katiuska {Paradpobedy, dir. Vasilii Beliaev, (dir. Viktor Lisakovich, 1964), Irina Venzher, Iakov Posel 'skii, 113; Lenin in October (Lenin v 1945), 47; The Vow {Kliatva, dir. oktiabre, dir. Mikhail Romm), 27, Mikheil Chiaureli), 54, 66, 67, 80, 69; Liberation (Osvobozhdenie, 81; We Are from the Future {My iz dir. Iurii Ozerov, 1970-1971), 18, budushchego, dir. Andrei Maliukov, 135-38, 140,142-43, 145-46,164, 2008), 194-95; World at War, 163 192, 217; The Longest Day (1962), 137,146,147; March On, Land of Firsov, General-Lieutenant, 106,108, 109 Mine {Shagai strana, dir. Alek First Belorussian Front, 22, 35, 47,142 sandr Shein, G. Brenner, 1981), First Ukrainian Front, 22-23 147; October (Oktiabr', dir. Sergei foreign dignitaries: George W. Bush, Eisenstein, 1927), 26, 69; An Office 186; Bill Clinton, 180; Averell Romance {Sluzhebnyi roman, dir. Harriman, 153; John Major,
180; El'dar Riazanov, 1977), 163; Our Augusto Pinochet, 157 March (dir. Aleksandr Shein, Aleksandr Svetlov, 1970), 147,148; A Relic ofMilitary Glory (Relikviia boevoi slavy), 126; The Soldiers gaming, 187-98; video games {Call of Duty), 189, 190-94, 256n85 German Democratic Republic (GDR), of Freedom {Soldáty svobody, dir. 132,139 Iurii Ozerov, 1977), 146; A Soldier glasnost, 170,171 Was Walking (Shel soldat, dir. Gorbachev, Mikhail, 167-69,178,180, Marina Babak, 1975), 150; The Storming of the Winter Palace (dir. 185, 213, 218, 220; speeches by, 169, Nikolai Evreinov), 26-27; Story 175-77 Grudinin, Pavel, 206-7, 208 of a Great Feat (Povesť о velikom Gulag, 6,13, 51, 219 podvige), 126; Tale ofa Communist (.Povesť o kommuniste, dir. Igor' Bessarabov, Aleksandr Kochet kov), 161; Tarzan, 122; They Raised the Victory Banner (Oni vodruzili Znamia Pobedy, dir. L. Danilov, Hariman, Robert, and John Louis Lucaites. See under iconic images Hero cities, 132,163 Hero of the Soviet Union award, 127, 166,173
281 Index historical scholarship, 5,8,9,12, 56, 60, 98, 99,173, 183, 220; and analysis, 152, 213, 220, and film, Muratov and Georgii Fere, 188; Dmitrii Radyshevskii, 167 journals: Novyi mir, 101; Ogonek, 26,42; writings, 3, 11, 57, 66,134, З, 30, 55; Oktiabr', 55; Voprosy 144,171, 214, 217. See also History istorii, 99 of the Great Patriotic War of the Soviet Union, The history, 11-14,124,129, 173,213-15, Kaganovich, 94, 95, 97 Kantariia, Meliton, 10, 28, 36,97,108, 109,124,125; absent from Mos 55-60 History of the Great Patriotic War of cow, 71, 106; in film, 78-80, 111, the Soviet Union, The, 99-101, 144,195; given awards, 53, 71; in 140,152; editorial conferences for 1980s, 167,168; with Konstantin (1960,1961), 18, 25,101,103-10, Samsonov, 75,164. See also under 112, 124,129,171, 172 Hitler, Adolf, 21,68,78,82,139,155, 176; armies of, 118,121; in film, 115-16,143 Hobsbawm, Eric, 8, 9 Holocaust, the, 13,121,155,157-62, 180,186; narrative of, 214-15, 219. See also Jews; Nazis Egorov, Mikhail Karmen, Roman, 29, 36,113,156,163, 229n70; and television series, 122, 151-52,154. See also films: The Great Patriotic KGB (Komitet Gosudarstvennoy Bezopasnosti), 99,138 Khaldei, Evgenii, 25,174, 228n42, Hutchings, Stephen, and Natalia Rulyova, 184,186,187, 188 228n48; photograph printed Ianukovich, Viktor, 200, 202 lazov, Dmitrii, 172,178 tograph titled The Victory Banner iconic images, 9, 67,163,197,203; in Ogonek, 13 May 1945, 3, 30; photograph reused, 156,175; pho over the Reichstag, 4,10,17, 29, 173, 209, 230n78 Hariman and Lucaites and, 7-8, Khaniutin, Iurii, 137,140 16, 216,
220; and Victory Banner, Khrushchev, Nikita, 12, 94, 111, 116, 120, 130, 195,210, 211; in video games, 189,190 Institute of Marxism-Leninism, 25, 124, 220, 234n29; era, 96-99,109, 125; “secret speech” by, 56, 96, 98 Kiev, 155,158 105,115,124; History of the Great Kleinerman, Isaac, 154,157,160 Patriotic War Section of the, 25, Klimov, editor, 104,106,107-8 101,102,105 Ivanov, Aleksei, 70-71, 78, 79 Konev, Ivan, 22,137,139 Kremlin, the, 47, 111, 126,164,188, 217, 227n36; and Stalin, 27-29; Jews, 5,12, 85,157-59,180, 209; Nazis and, 121,161,186,214 journalists, 8,11, 39,43,162, 174; Tomb of the Unknown Soldier, 132,133,144 Krivonogov, Petr A.: painting titled Stanislav Kondrashov, 181; The Capitulation of the Fascist Aleksandr Krivitskii, 56; Sergei Armies in Berlin (Kapituliatsiia
282 fashistskikh voisk v Berline, 1946), 61-65, 69,143; painting titled Vic tory (Pobeda), 1948,17-18, 62 Kulish, V. M„ 56, 57, 60 Kumanev, Georgii, 172,173, 214, 227֊28n40 Kursk, battle of, 31,120 Kuznetsov, Colonel-General V. I. (Third Strike Army), 105, 111, 142 Lancaster, Burt. See under actors Lenin, 47, 89,90, 109, 124, 147, 181, 243nl31; funeral of, 94, 111 Leningrad, 97,113, 155 Lisimenko, Aleksandr, 107,172 literature, 55-56, 59, 66, 98, 104, 234n29, 245nl59; “Defeated Berlin,” poem by Samuil Marshak, 4, 24 Lobov, Vadim, 205, 206 Loznitsa, Sergei, 203-4 Lukov, Leonid, 25, 50, 230n78 Majdanek. See under concentration camps Makov, Captain, 172,173, 259nl40 Maksimenkov, Leonid, 101,125, 213 Malenkov, Georgii, 82,94,95, 97 massacres; Einsatzgruppen killings, 161; at Babyi Iar, 157-58; at Katyn, 159-60,171 May Day, 17, 28, 29, 51-52, 54,127; in 1900,7; in 1945, 41,42; in 1965, 126; in 1993, 178 memoirs, 8,99,107,126,129,172,214, 217; Brezhnev’s, 161; collection of, 55-56; Neustroev’s, 47; of partic ipants in battle for Berlin, 21-22, 37,47, 105,171; Raizman’s, 37; Samsonov’s, 106,107; television se ries of, 150; tightly controlled, 56, 130; used in filmmaking, 139, 148; Index various, 12, 37, 59,165; of veterans, 25, 55,100-101; war, published in the 1960s, 134,149,161; Zhukov’s, 21,134,139,171, 225nl, 228n40 Mesiatsev, Nikolai, 126,128 Mikoian, 94, 95, 97 military hardware, 33,138,179, 185-86, 187, 197, 206 military historians, 138,139,140,170, 227n36 military parades, 41,44, 45, 51,179, 184, 195, 200, 252n25; between 1965 and 1985,131,132; on May Day, 42, 52; in
November, 134, 165; on Victory Day, 53,125-27, 168,174, 177, 218 Molotov, Viacheslav, 57,82, 94,97 Moscow, 108,121,129,178-79; Patriot Park, 10, 204, 205, 257nll3; Syn ergy University, 205; University students, 212. See also Victory Parades Mosfil'm film studio, 73,80,147 music: Beethoven’s “Ode to Joy”, 44; Briskin, V, “Let Us Raise the Victory Banner over Berlin!” Za chest' rodiny, 24 April 1945, 23; Bulat Okudzhava’s “Pick up your greatcoat and go home” (“Beri shinel ', poshli domoi,” 1975), 204; Glinka’s A Life for the Tsar, 43-44,185; national anthem, 44, 48,164,185; Red Army’s band and orchestras, 43; Shostakovich’s Thirteenth Symphony, 158; Frank Sinatra, 153; V. G. Fere, composer, 84; “Victory Day,” composed by David Tukhmanov, 185; work of Vertov or Shub, 66 Nazis, 27, 64, 82, 83, 113,155,156, 180; atrocities of, 11,84,157-59,
283 Index 161,214; and banners, 47,48, 69, 120-21 Nazism, 186, 209 Nazi-Soviet pact, 5, 57,171 Neustroev, Stepan, 46, 47, 53, 78, 97, 105-7, 111, 141,172 newspaper coverage, 32, 90, 95,164, 177 newspapers: Berlin Operation, 58; Der Tagesspiel, 66; Guardian, 200; Iz- Paris Commune, 17,147 Perestroika, 176,178 Perevertkin, Semen, 56,105,106,109, 111 photography, 7, 29, 30-31, 93,126, 129, 213, 228n44; still, 38,74, 76, 85,196 photojournalism, 17, 29-31,66 Pioneers (Soviet youth organization), 35,119, 198; Fountain of, 119 vestiia, 54, 132, 170,171, 175, 181, Poland, 5, 103, 153, 158-59 184; Krasnaia zvezda, 23, 29, 36, Politburo, 43,167,169 112,165; Los Angeles Times, 160; Pravda, 23, 25, 39, 53,106,132, Morning Star, 209; Neues Deutsch 143ПІ31; from 1945, 4, 24,43, 47; land, 66; New York Times, 154; from 1946, 52, 53, 54; from Victo Rabochaia gazeta, 171-72; Trud, ry Day 1947, 55; from 1953, 91, 93; 47. See also Pravda from 1954, 95-96; from 1990,172; newsreel, 36-37, 38, 46, 68, 91,156; and documentary, 31-32, 33, 69; footage, 39,66,97,110-11,139, 150,191; Novosti dnia, 110, 111; and film, 39,110,126,129 Novosti Press Agency, 126, 212 Nuremberg International Military Tribunal, 113,161 Okudzhava, Bulat, 133,104 150th Rifle Division, Third Strike from 1993,179 prisoners of war (POWs), 12, 20, 65, 82,171,184 propaganda, 81, 86, 96,117,128; Sovi et, 25,153-54,160, 173 Putin, Vladimir, 16,18,183, 213, 218, 219; and CPRF, 187,199; speeches, 185, 186 Raizman, Iulii, 33, 40,42,121,156, 229n61, 230n77; Berlin (1945) by, Army, 7,45-56,109,173, 209; 356th 27, 34-35,38-39,68,81,
111, 112, Regiment, 46; 674th Rifle Regi 118; footage in video game,190, 191-92; memoir by, 37 ment, 20; 756th Rifle Regiment, 20, 141,172; in video game, 190 Ozerov, Iurii, 135-39,142, 145, 146, 148. See also films: Liberation Red Army, 6,12,13, 20, 21,43,45,158, 159,186; Central Museum of the, 17, 28,46,48-49, 53,198; Day, 59, 163,205; in film, 73-74, 84,156; parades, 44-45, 82,131,178,184, 213; and television, 164,165; on 24 June and flags, 22,25,48-49,57,190; and graffiti, 28,156; in paintings, 1945, 41-43, 45, 51, 97, 127, 143, 62, 64; in photos, 29, 31; and the 184; on 9 May, 53, 55; in Novem press, 23, 38; victorious, 52, 68,81, ber, 68, 165; in 2000 and 2005, 183,186. See also military parades; Victory Parades 143; in video games, 190,193,196 red flag, 3-5,11,17-18,21-22, 25-29, 35, 40,48, 52, 55, 64, 73, 75, 78, 80,
284 Index 82, 99,120,147, 179, 182, 186, 190, 95, 111; and “Glory,” 44; orders of, 195, 202, 206, 208-9, 219, 258nl26 26-27, 38, 52, 56; at parades, 43, Red Square, 44,179, 244nl35; in film, 45, 48,116; Prize, 33,43, 61, 62, 64; 67, 68,112; military parades on, statues of, removed, 244nl35; and 42,185,187, 200; speeches on, 178, victory, 53, 77, 86 180,182; on television, 126-27, 187-88; veteran reunions on, 131, Stalingrad, 26, 86; battle of, 31,97,108, 120,121, 207 179. See also parades; Victory Day; Stalinism, 176-77,184, 219 Victory Parades State Committee for Defense, 96,97,116 Reich Chancellery, 21, 39, 82, 226n9 Supreme Soviet, 53, 54, 71,106 Rolf, Malte, 43, 82 Romm, Mikhail, 27, 69 Roshchin, Colonel S. L, 100,101,103, 105,106,108-9 Russian Federation, 178, 185, 232nll8; Tarkovskii, Andrei, 12,122,135 Taylor, Richard, 66, 68, 78, 82 Tehran conference, 116,139 television, 126,127, 146-49,164, 187, Russian Soviet Federative Socialist 217; American, 122,160; commen Republic, 17 tary, 127,177, 183, 184; coverage, 18,188,189; documentaries, 163, S'ianov, Il'ia, 46, 78, 111, 173 165, 196-97; minute of silence Salisbury, Harrison, 154,162 on, 128,132, 133,162, 164,211; Samsonov, Konstantin, 46, 71, 97, 111, programs, 113,133,174; Russian, 124-25; given awards, 53, 70, 127; 187, 194, 196, 203; series, 150,155, memoir by, 106,107; with Egorov 160-61,165, 166,194,195,196, 256n87. See also Unknown War, and Kantariia, 75,164 Semin, A. G., 119,120 The Seoev, Vladimir, 171,172 Thames Television, 155,190 Shatalin, V. D., 103,172 Third Strike Army of the First Belo Shatilov,
General V. M., 70,105,109, 11R 141,172 russian Front, 20, 22,101,105, 111, 142, 229n62; 171st Division, 46, Shtemenko, Sergei, 45,139 103,109,172. See also 150th Rifle Simonov, Konstantin, 56, 82, 98,149, Division, Third Strike Army 150 Smirnov, Sergei, 113,117,122, 133, 148-49 Soviet media, 31, 36, 95,137, 217, 232ПІ20 Stalin, Joseph, 21, 40-41, 50, 57, 59, 82, 114-17,214; crimes of, 121,150; Tomb of the Unknown Soldier, 5, 160-61, 132-33, 144, 155 tricolor, Russian, 178,179,187; of Revolution, 17 Tucker, Robert C., 90, 95 Tumarkin, Nina, 8, 62,167,178,195, 213 cult of, 65, 66, 89, 93, 98, 123-24, 217, 244ПІ35; in film, 73, 79-80, Twenty-Eight Panfilovites, 11,16, 56 90,92,136; following the death Ukraine, 16-17,158, 200, 206; Crimea, of, 14,16, 88; funeral of, 91, 92, 94, 201, 202, 203, 218
Index Unknown War, The (television, series, 1978), 18,147,151, 159-61, 192, 196, 217; dubbed by Vasilii Lano- 285 television, 10,127,180,184,185, 188, 189 Voroshilov, Kliment, 57, 94, 97,112 voi for Russian release titled The Great Patriotic ( Velikaia otechest- war: commemoration, 133,153,163, vennaia), 122,155; reception of, 203; cult, 12, 130, 162, 170, 210, 162-67 221; films, 86, 137, 138, 151,194; games, 194-98 veterans, 60,87,103,112,129,131, war memory, 18, 55, 64,100,134, 133,181; disabled, 176; gatherings 203, 215-17, 221; repetition of, 14, of, 110,179; interviewed, 69,150; memoirs of, 55,100; organization 184-85; Russian, 8, 220; and Sovi et television, 150-51; Stalinization of, 198,199; war, 102,139,167 of, 28, 66, 97 Victory cult, 181,189,221 Victory Day, 3, 9,55,179, 182, 186, 193, 212; commemorations of, 128-29,174-83; during the Putin era, 184,218; a holiday, 199, 233nl9; parades, 161-62, 126, 197, 204,211,215; song composed by David Tukhmanov, 185; in the 1940s, 51-52, 54, 55; on 9 May 1965,18,125,126,129, 131; on 9 May 1968,132; during the 1970s, Warsaw Uprising, the, 113,153, 158-59 wartime, 104,114, 162; footage, 35, 150,152,163; and postwar art, 60-65 Weiner, Fred, 154-55,160, 249n86. See also Air Time International Company Winter Palace, St. Petersburg, 26, 27, 69,71 164; in 2000,184; in 2005,187; in World War II, 6, 8, 89,169,198-99, 218 2010,196; in 2011 in Ukraine, 202; in 2017,203 Yalta conference, 21, 68,177 Victory Parades, 8,41-50,168,178, 182,183-89; film of 1945, 47, 69, 73, 143,152; subtext to the, Yeltsin, Boris, 178,179,180-83,185, 199,218
127-28; on 24 June 1945, 5-6, 8, Youngblood, Denise, 67, 86,137,140, 146,195 40, 41, 73, 82,198, 217. See also YouTube, 201, 204, 257nll0 under Victory Day Yurchak, Alexei, 10,15, 60,120,167 Victory Park: Hall of Glory, 198; Hill of Prostrations (Poklonnaia gora), 174, 177-78,179 Zhukov, Georgii, 22, 42, 44,46,47, 106,137,171; interview with, 149, video games. See gaming 153; memoirs of, 21, 134, 139,171, voice-over, 33, 47, 93, 97, 121-22, 123, 225nl, 228n40; not mentioned, 56, 139,190; in The Fall ofBerlin, 40, 81; in The Great Farewell, 94, 95; in The Great Patriotic, 152, 153, 166; narration, 110,118, 183; 59, 78, 116; and Stalin, 45, 142 Zinchenko, Fedor, 27, 47, 70, 141, 171; in film, 75, 78, 79,111-12 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Hicks, Jeremy ca. 20./21. Jahrhundert |
| author_GND | (DE-588)122966632X |
| author_facet | Hicks, Jeremy ca. 20./21. Jahrhundert |
| author_role | aut |
| author_sort | Hicks, Jeremy ca. 20./21. Jahrhundert |
| author_variant | j h jh |
| building | Verbundindex |
| bvnumber | BV047106843 |
| classification_rvk | NQ 2700 |
| contents | The Raising of the Victory Banner -- Victory and the Postwar Stalin Cult -- The Death of Stalin and Birth of the Victory Cult -- The Victory Cult in the Age of Television -- Iconoclasm, Resanctification, and the Post-Soviet Victory Cult |
| ctrlnum | (OCoLC)1226080704 (DE-599)BVBBV047106843 |
| discipline | Geschichte |
| discipline_str_mv | Geschichte |
| era | Geschichte 1945- gnd |
| era_facet | Geschichte 1945- |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05354nam a2200877 c 4500</leader><controlfield tag="001">BV047106843</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20220111 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">210126s2020 a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780822946502</subfield><subfield code="c">hbk.</subfield><subfield code="9">978-0-8229-4650-2</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0822946505</subfield><subfield code="c">hbk.</subfield><subfield code="9">0-8229-4650-5</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1226080704</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047106843</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-29</subfield><subfield code="a">DE-2334</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">OST</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">NQ 2700</subfield><subfield code="0">(DE-625)128302:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Hicks, Jeremy</subfield><subfield code="d">ca. 20./21. Jahrhundert</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)122966632X</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The victory banner over the Reichstag</subfield><subfield code="b">film, document, and ritual in Russia's contested memory of World War II</subfield><subfield code="c">Jeremy Hicks</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Film, document and ritual in Russia's contested memory of World War II</subfield></datafield><datafield tag="246" ind1="1" ind2="0"><subfield code="a">Film, document and ritual in Russia's contested memory of World War II</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Pittsburgh, Pa.</subfield><subfield code="b">University of Pittsburgh Press</subfield><subfield code="c">[2020]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">ix, 285 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Russian and East European studies</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">The Raising of the Victory Banner -- Victory and the Postwar Stalin Cult -- The Death of Stalin and Birth of the Victory Cult -- The Victory Cult in the Age of Television -- Iconoclasm, Resanctification, and the Post-Soviet Victory Cult</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"In one of the most iconic images from World War II, a Russian soldier raises a red flag atop the ruins of the German Reichstag on April 30, 1945. Known as the Victory Banner, this piece of fabric has come to symbolize Russian triumph, glory, and patriotism. Facsimiles are used in public celebrations all over the country, and an exact replica is the centerpiece in the annual Victory Parade in Moscow's Red Square. The Victory Banner Over the Reichstag examines how and why this symbol was created, the changing media of its expression, and the contested evolution of its message. From association with Stalinism and communism to its acquisition of Russian nationalist meaning, Jeremy Hicks demonstrates how this symbol was used to construct a collective Russian memory of the war. He traces how the Soviets, and then Vladimir Putin, have used this image and the banner itself to build a remarkably powerful mythology of Russian greatness"--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1945-</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Geschichtspolitik</subfield><subfield code="0">(DE-588)1041864515</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kollektives Gedächtnis</subfield><subfield code="0">(DE-588)4200793-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Russlandfeldzug</subfield><subfield code="g">1941-1945, Motiv</subfield><subfield code="0">(DE-588)4213143-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Schlacht um Berlin</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4409962-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Russland</subfield><subfield code="0">(DE-588)4076899-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Sowjetunion</subfield><subfield code="0">(DE-588)4077548-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Berlin, Battle of, Berlin, Germany, 1945 / Motion pictures and the war</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">World War, 1939-1945 / Soviet Union / Flags</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Soviet Union / Raboche-Krestʹi͡anskai͡a Krasnai͡a Armii͡a / Flags</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Flags / Soviet Union</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Emblems, State / Soviet Union</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Collective memory / Russia / History / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">National characteristics, Russian</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">War and society / History / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Soviet Union / Raboche-Krestʹi͡anskai͡a Krasnai͡a Armii͡a</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Armed Forces / Flags</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Collective memory</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Emblems, State</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Flags</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">National characteristics, Russian</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">War and motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">War and society</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Germany / Berlin</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Russia</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Soviet Union</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">1900-1999</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">History</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Sowjetunion</subfield><subfield code="0">(DE-588)4077548-3</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Russland</subfield><subfield code="0">(DE-588)4076899-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Russlandfeldzug</subfield><subfield code="g">1941-1945, Motiv</subfield><subfield code="0">(DE-588)4213143-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Schlacht um Berlin</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4409962-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Kollektives Gedächtnis</subfield><subfield code="0">(DE-588)4200793-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Geschichtspolitik</subfield><subfield code="0">(DE-588)1041864515</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="6"><subfield code="a">Geschichte 1945-</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">9780822987963</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032513093&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032513093&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Literaturverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032513093&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Register // Gemischte Register</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">oe</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20210803</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032513093</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">907.2</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">947.08</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">907.2</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">471</subfield></datafield></record></collection> |
| geographic | Russland (DE-588)4076899-5 gnd Sowjetunion (DE-588)4077548-3 gnd |
| geographic_facet | Russland Sowjetunion |
| id | DE-604.BV047106843 |
| illustrated | Illustrated |
| index_date | 2024-07-03T16:25:07Z |
| indexdate | 2024-07-10T09:02:46Z |
| institution | BVB |
| isbn | 9780822946502 0822946505 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032513093 |
| oclc_num | 1226080704 |
| open_access_boolean | |
| owner | DE-12 DE-11 DE-29 DE-2334 |
| owner_facet | DE-12 DE-11 DE-29 DE-2334 |
| physical | ix, 285 Seiten Illustrationen |
| psigel | BSB_NED_20210803 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | University of Pittsburgh Press |
| record_format | marc |
| series2 | Russian and East European studies |
| spelling | Hicks, Jeremy ca. 20./21. Jahrhundert Verfasser (DE-588)122966632X aut The victory banner over the Reichstag film, document, and ritual in Russia's contested memory of World War II Jeremy Hicks Film, document and ritual in Russia's contested memory of World War II Pittsburgh, Pa. University of Pittsburgh Press [2020] ix, 285 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Russian and East European studies The Raising of the Victory Banner -- Victory and the Postwar Stalin Cult -- The Death of Stalin and Birth of the Victory Cult -- The Victory Cult in the Age of Television -- Iconoclasm, Resanctification, and the Post-Soviet Victory Cult "In one of the most iconic images from World War II, a Russian soldier raises a red flag atop the ruins of the German Reichstag on April 30, 1945. Known as the Victory Banner, this piece of fabric has come to symbolize Russian triumph, glory, and patriotism. Facsimiles are used in public celebrations all over the country, and an exact replica is the centerpiece in the annual Victory Parade in Moscow's Red Square. The Victory Banner Over the Reichstag examines how and why this symbol was created, the changing media of its expression, and the contested evolution of its message. From association with Stalinism and communism to its acquisition of Russian nationalist meaning, Jeremy Hicks demonstrates how this symbol was used to construct a collective Russian memory of the war. He traces how the Soviets, and then Vladimir Putin, have used this image and the banner itself to build a remarkably powerful mythology of Russian greatness"-- Geschichte 1945- gnd rswk-swf Geschichtspolitik (DE-588)1041864515 gnd rswk-swf Kollektives Gedächtnis (DE-588)4200793-8 gnd rswk-swf Russlandfeldzug 1941-1945, Motiv (DE-588)4213143-1 gnd rswk-swf Schlacht um Berlin Motiv (DE-588)4409962-9 gnd rswk-swf Russland (DE-588)4076899-5 gnd rswk-swf Sowjetunion (DE-588)4077548-3 gnd rswk-swf Berlin, Battle of, Berlin, Germany, 1945 / Motion pictures and the war World War, 1939-1945 / Soviet Union / Flags Soviet Union / Raboche-Krestʹi͡anskai͡a Krasnai͡a Armii͡a / Flags Flags / Soviet Union Emblems, State / Soviet Union Collective memory / Russia / History / 20th century National characteristics, Russian War and society / History / 20th century Soviet Union / Raboche-Krestʹi͡anskai͡a Krasnai͡a Armii͡a Armed Forces / Flags Collective memory Emblems, State Flags War and motion pictures War and society Germany / Berlin Russia Soviet Union 1900-1999 History Sowjetunion (DE-588)4077548-3 g Russland (DE-588)4076899-5 g Russlandfeldzug 1941-1945, Motiv (DE-588)4213143-1 s Schlacht um Berlin Motiv (DE-588)4409962-9 s Kollektives Gedächtnis (DE-588)4200793-8 s Geschichtspolitik (DE-588)1041864515 s Geschichte 1945- z DE-604 Erscheint auch als Online-Ausgabe 9780822987963 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032513093&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032513093&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032513093&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Register // Gemischte Register |
| spellingShingle | Hicks, Jeremy ca. 20./21. Jahrhundert The victory banner over the Reichstag film, document, and ritual in Russia's contested memory of World War II The Raising of the Victory Banner -- Victory and the Postwar Stalin Cult -- The Death of Stalin and Birth of the Victory Cult -- The Victory Cult in the Age of Television -- Iconoclasm, Resanctification, and the Post-Soviet Victory Cult Geschichtspolitik (DE-588)1041864515 gnd Kollektives Gedächtnis (DE-588)4200793-8 gnd Russlandfeldzug 1941-1945, Motiv (DE-588)4213143-1 gnd Schlacht um Berlin Motiv (DE-588)4409962-9 gnd |
| subject_GND | (DE-588)1041864515 (DE-588)4200793-8 (DE-588)4213143-1 (DE-588)4409962-9 (DE-588)4076899-5 (DE-588)4077548-3 |
| title | The victory banner over the Reichstag film, document, and ritual in Russia's contested memory of World War II |
| title_alt | Film, document and ritual in Russia's contested memory of World War II |
| title_auth | The victory banner over the Reichstag film, document, and ritual in Russia's contested memory of World War II |
| title_exact_search | The victory banner over the Reichstag film, document, and ritual in Russia's contested memory of World War II |
| title_exact_search_txtP | The victory banner over the Reichstag film, document, and ritual in Russia's contested memory of World War II |
| title_full | The victory banner over the Reichstag film, document, and ritual in Russia's contested memory of World War II Jeremy Hicks |
| title_fullStr | The victory banner over the Reichstag film, document, and ritual in Russia's contested memory of World War II Jeremy Hicks |
| title_full_unstemmed | The victory banner over the Reichstag film, document, and ritual in Russia's contested memory of World War II Jeremy Hicks |
| title_short | The victory banner over the Reichstag |
| title_sort | the victory banner over the reichstag film document and ritual in russia s contested memory of world war ii |
| title_sub | film, document, and ritual in Russia's contested memory of World War II |
| topic | Geschichtspolitik (DE-588)1041864515 gnd Kollektives Gedächtnis (DE-588)4200793-8 gnd Russlandfeldzug 1941-1945, Motiv (DE-588)4213143-1 gnd Schlacht um Berlin Motiv (DE-588)4409962-9 gnd |
| topic_facet | Geschichtspolitik Kollektives Gedächtnis Russlandfeldzug 1941-1945, Motiv Schlacht um Berlin Motiv Russland Sowjetunion |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032513093&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032513093&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032513093&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT hicksjeremy thevictorybanneroverthereichstagfilmdocumentandritualinrussiascontestedmemoryofworldwarii AT hicksjeremy filmdocumentandritualinrussiascontestedmemoryofworldwarii |