Asian interventions in global Shakespeare: 'all the world's his stage'
This volume critically analyses and theorises Asian interventions in the expanding phenomenon of Global Shakespeare. It interrogates Shakespeare's universality' from Asian perspectives: how this has been modified or even replaced by the global bard' as a recognisable brand, and how As...
Gespeichert in:
| Weitere Verfasser: | , , |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2021
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| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Zusammenfassung: | This volume critically analyses and theorises Asian interventions in the expanding phenomenon of Global Shakespeare. It interrogates Shakespeare's universality' from Asian perspectives: how this has been modified or even replaced by the global bard' as a recognisable brand, and how Asian Shakespeares have contributed to or subverted this process by both facilitating the worldwide dissemination of the bard's plays and challenging and resisting the very templates through which they become globally legible. Critically acclaimed Asian productions have prominently figured at premier Western festivals, and popular Asian appropriations like Bollywood, manga and anime have created new kinds of globally accessible Shakespeare. Essays in this collection engage with the emergent critical issues: the efficacy of definitions of the local', global', transnational' and cosmopolitan' and of the liminalities and mobilities in between. They further examine the politics of West' and East', the evolving markers of the Asian' and the equation of the glocal' with the Asian'; they attend to performance and archiving protocols and bring the current debates on translation, appropriation, and world literature to speak to the concerns of global and transnational Shakespeare. These investigations analyse recent innovative Asian theatre productions, popular cinematic and manga appropriations and the increasing presence of Shakespeare in the Asian digital sphere. They provide an Asian standpoint and lens in rereading the processes of cultural globalisation and the mobilisation of Shakespeare. |
| Beschreibung: | 1 Online-Ressource (xiv, 249 Seiten) Illustrationen |
| ISBN: | 9781003105329 9781000214239 9781000214277 9781000214314 |
| DOI: | 10.4324/9781003105329 |
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| 520 | 3 | |a This volume critically analyses and theorises Asian interventions in the expanding phenomenon of Global Shakespeare. It interrogates Shakespeare's universality' from Asian perspectives: how this has been modified or even replaced by the global bard' as a recognisable brand, and how Asian Shakespeares have contributed to or subverted this process by both facilitating the worldwide dissemination of the bard's plays and challenging and resisting the very templates through which they become globally legible. Critically acclaimed Asian productions have prominently figured at premier Western festivals, and popular Asian appropriations like Bollywood, manga and anime have created new kinds of globally accessible Shakespeare. Essays in this collection engage with the emergent critical issues: the efficacy of definitions of the local', global', transnational' and cosmopolitan' and of the liminalities and mobilities in between. They further examine the politics of West' and East', the evolving markers of the Asian' and the equation of the glocal' with the Asian'; they attend to performance and archiving protocols and bring the current debates on translation, appropriation, and world literature to speak to the concerns of global and transnational Shakespeare. These investigations analyse recent innovative Asian theatre productions, popular cinematic and manga appropriations and the increasing presence of Shakespeare in the Asian digital sphere. They provide an Asian standpoint and lens in rereading the processes of cultural globalisation and the mobilisation of Shakespeare. | |
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| spelling | Asian interventions in global Shakespeare 'all the world's his stage' edited by Poonam Trivedi, Paromita Chakravarti and Ted Motohashi New York ; London Routledge, Taylor & Francis Group 2021 1 Online-Ressource (xiv, 249 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier This volume critically analyses and theorises Asian interventions in the expanding phenomenon of Global Shakespeare. It interrogates Shakespeare's universality' from Asian perspectives: how this has been modified or even replaced by the global bard' as a recognisable brand, and how Asian Shakespeares have contributed to or subverted this process by both facilitating the worldwide dissemination of the bard's plays and challenging and resisting the very templates through which they become globally legible. Critically acclaimed Asian productions have prominently figured at premier Western festivals, and popular Asian appropriations like Bollywood, manga and anime have created new kinds of globally accessible Shakespeare. Essays in this collection engage with the emergent critical issues: the efficacy of definitions of the local', global', transnational' and cosmopolitan' and of the liminalities and mobilities in between. They further examine the politics of West' and East', the evolving markers of the Asian' and the equation of the glocal' with the Asian'; they attend to performance and archiving protocols and bring the current debates on translation, appropriation, and world literature to speak to the concerns of global and transnational Shakespeare. These investigations analyse recent innovative Asian theatre productions, popular cinematic and manga appropriations and the increasing presence of Shakespeare in the Asian digital sphere. They provide an Asian standpoint and lens in rereading the processes of cultural globalisation and the mobilisation of Shakespeare. Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Asien (DE-588)4003217-6 gnd rswk-swf Shakespeare, William / 1564-1616 / Appreciation / Asia Shakespeare, William / 1564-1616 / Stage history / Asia Shakespeare, William / 1564-1616 Art appreciation Asia LITERARY CRITICISM / General Electronic books (DE-588)1071861417 Konferenzschrift 2016 gnd-content Shakespeare, William 1564-1616 (DE-588)118613723 p Rezeption (DE-588)4049716-1 s Asien (DE-588)4003217-6 g DE-604 Trivedi, Poonam 1949- (DE-588)130597759 edt Chakravarti, Paromita (DE-588)1172467897 edt Motohashi, Ted (DE-588)1226369146 edt Erscheint auch als Druck-Ausgabe, pbk. 978-0-367-61519-2 Erscheint auch als Druck-Ausgabe, hbk 978-0-367-61515-4 https://doi.org/10.4324/9781003105329 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Asian interventions in global Shakespeare 'all the world's his stage' Shakespeare, William 1564-1616 (DE-588)118613723 gnd Rezeption (DE-588)4049716-1 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4049716-1 (DE-588)4003217-6 (DE-588)1071861417 |
| title | Asian interventions in global Shakespeare 'all the world's his stage' |
| title_auth | Asian interventions in global Shakespeare 'all the world's his stage' |
| title_exact_search | Asian interventions in global Shakespeare 'all the world's his stage' |
| title_exact_search_txtP | Asian interventions in global Shakespeare 'all the world's his stage' |
| title_full | Asian interventions in global Shakespeare 'all the world's his stage' edited by Poonam Trivedi, Paromita Chakravarti and Ted Motohashi |
| title_fullStr | Asian interventions in global Shakespeare 'all the world's his stage' edited by Poonam Trivedi, Paromita Chakravarti and Ted Motohashi |
| title_full_unstemmed | Asian interventions in global Shakespeare 'all the world's his stage' edited by Poonam Trivedi, Paromita Chakravarti and Ted Motohashi |
| title_short | Asian interventions in global Shakespeare |
| title_sort | asian interventions in global shakespeare all the world s his stage |
| title_sub | 'all the world's his stage' |
| topic | Shakespeare, William 1564-1616 (DE-588)118613723 gnd Rezeption (DE-588)4049716-1 gnd |
| topic_facet | Shakespeare, William 1564-1616 Rezeption Asien Konferenzschrift 2016 |
| url | https://doi.org/10.4324/9781003105329 |
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