Deleuze and the gynesis of horror: from monstrous births to the birth of the monster
"Applying Deleuze's schizoanalytic techniques to film theory, Deleuze and the Gynesis of Horror demonstrates how an embodied approach to horror film analysis can help us understand how film affects its viewers and distinguish those films which reify static, hegemonic, "molar" bei...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
New York ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2020
|
| Subjects: | |
| Online Access: | DE-12 DE-188 DE-355 DE-703 URL des Erstveröffentlichers |
| Summary: | "Applying Deleuze's schizoanalytic techniques to film theory, Deleuze and the Gynesis of Horror demonstrates how an embodied approach to horror film analysis can help us understand how film affects its viewers and distinguish those films which reify static, hegemonic, "molar" beings from those which prompt fluid, nonbinary, "molecular" becomings. It does so by analyzing the politics of reproduction in contemporary films such as Ex Machina; Mary Shelley's Frankenstein; Mad Max: Fury Road; the Twilight saga ; and the original Alien quadrilogy and its more recent prequels, Prometheus and Alien: Covenant . Author Sunny Hawkins argues that films which promote a "monstrous philosophy" of qualitative, affirmative difference as difference-in-itself, and which tend to be more molecular than molar in their expressions, can help us trace a ?line of flight? from the gender binary in the real world. Deleuze and the Gynesis of Horror demonstrates how the techniques of horror film - editing, sound and visual effects, lighting and colour, camera movement ? work in tandem with a film's content to affect the viewer's body in ways that disrupt the sense of self as a whole, unified subject with a stable, monolithic identity and, in some cases, can serve to breakdown the binary between self/Other, as we come to realize that we are none of us static, categorizable beings but are, as Henri Bergson said, "living things constantly becoming." |
| Physical Description: | 1 Online-Ressource (vi, 193 Seiten) |
| ISBN: | 9781501358425 9781501358449 9781501358432 |
| DOI: | 10.5040/9781501358425 |
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| index_date | 2024-07-03T16:13:22Z |
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| isbn | 9781501358425 9781501358449 9781501358432 |
| language | English |
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| spelling | Hawkins, Sunny 1979- Verfasser (DE-588)1225824869 aut Deleuze and the gynesis of horror from monstrous births to the birth of the monster Sunny Hawkins New York ; London ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2020 1 Online-Ressource (vi, 193 Seiten) txt rdacontent c rdamedia cr rdacarrier "Applying Deleuze's schizoanalytic techniques to film theory, Deleuze and the Gynesis of Horror demonstrates how an embodied approach to horror film analysis can help us understand how film affects its viewers and distinguish those films which reify static, hegemonic, "molar" beings from those which prompt fluid, nonbinary, "molecular" becomings. It does so by analyzing the politics of reproduction in contemporary films such as Ex Machina; Mary Shelley's Frankenstein; Mad Max: Fury Road; the Twilight saga ; and the original Alien quadrilogy and its more recent prequels, Prometheus and Alien: Covenant . Author Sunny Hawkins argues that films which promote a "monstrous philosophy" of qualitative, affirmative difference as difference-in-itself, and which tend to be more molecular than molar in their expressions, can help us trace a ?line of flight? from the gender binary in the real world. Deleuze and the Gynesis of Horror demonstrates how the techniques of horror film - editing, sound and visual effects, lighting and colour, camera movement ? work in tandem with a film's content to affect the viewer's body in ways that disrupt the sense of self as a whole, unified subject with a stable, monolithic identity and, in some cases, can serve to breakdown the binary between self/Other, as we come to realize that we are none of us static, categorizable beings but are, as Henri Bergson said, "living things constantly becoming." Deleuze, Gilles 1925-1995 Deleuze, Gilles 1925-1995 (DE-588)118524534 gnd rswk-swf Horror films History and criticism Motherhood in motion pictures Mothers in motion pictures Monsters in motion pictures Feminism and motion pictures Electronic books Deleuze, Gilles 1925-1995 (DE-588)118524534 p DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-5013-5845-6 https://doi.org/10.5040/9781501358425 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Hawkins, Sunny 1979- Deleuze and the gynesis of horror from monstrous births to the birth of the monster Deleuze, Gilles 1925-1995 Deleuze, Gilles 1925-1995 (DE-588)118524534 gnd Horror films History and criticism Motherhood in motion pictures Mothers in motion pictures Monsters in motion pictures Feminism and motion pictures |
| subject_GND | (DE-588)118524534 |
| title | Deleuze and the gynesis of horror from monstrous births to the birth of the monster |
| title_auth | Deleuze and the gynesis of horror from monstrous births to the birth of the monster |
| title_exact_search | Deleuze and the gynesis of horror from monstrous births to the birth of the monster |
| title_exact_search_txtP | Deleuze and the gynesis of horror from monstrous births to the birth of the monster |
| title_full | Deleuze and the gynesis of horror from monstrous births to the birth of the monster Sunny Hawkins |
| title_fullStr | Deleuze and the gynesis of horror from monstrous births to the birth of the monster Sunny Hawkins |
| title_full_unstemmed | Deleuze and the gynesis of horror from monstrous births to the birth of the monster Sunny Hawkins |
| title_short | Deleuze and the gynesis of horror |
| title_sort | deleuze and the gynesis of horror from monstrous births to the birth of the monster |
| title_sub | from monstrous births to the birth of the monster |
| topic | Deleuze, Gilles 1925-1995 Deleuze, Gilles 1925-1995 (DE-588)118524534 gnd Horror films History and criticism Motherhood in motion pictures Mothers in motion pictures Monsters in motion pictures Feminism and motion pictures |
| topic_facet | Deleuze, Gilles 1925-1995 Horror films History and criticism Motherhood in motion pictures Mothers in motion pictures Monsters in motion pictures Feminism and motion pictures |
| url | https://doi.org/10.5040/9781501358425 |
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