The cinema in flux: the evolution of motion picture technology from the magic lantern to the digital era
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Springer
[2021]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xxii, 795 Seiten Illustrationen 29 cm |
| ISBN: | 9781071609507 |
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Datensatz im Suchindex
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|---|---|
| adam_text |
Contents Part I THE GLASS CINEMA: The Cinema of Real Motion 1 Huygens and the Magic Lantern. 3 2 The Magic Lantemists. 15 3 Lantern Light and Glass. 31 Part II THE GLASS CINEMA: Apparent Motion, Discovered and Applied 4 Plateau Invents the Phenakistoscope. 43 5 A Persistent Myth. 51 6 The Zoëtrope and the Praxinoscope. 55 7 Daguerre’s Photography. 61 8 Fox Talbot’s Photography. 67 9 Protocinematographers: Duboscq to Le Prince. 75 10 Muybridge and Anschütz. 85 11 Chronophotographers: Janssen, Marey, and Demenÿ. 93 Part ІП THE CELLULOID CINEMA: The 35 mm Medium 12 Edison, Dickson, and the Kineto Project.105 13 The
Kinetograph. 117 14 The Kinetoscope: Projection’s Inspiration.127 15 Dickson Moves on: Lambda, Mutoscope, and Bitzer.137 16 Jenkins and Armat: American Projection.151 17 The Lumières and the Europeans.161 18 Edison and the Trust. 171 19 Porter the Filmmaker. 177 20 Porter and the Simplex. 183 21 Camera Design Before WWII.189 22 Camera Design After WWn.199 23 Ciné Lenses: Part I.207 24 Ciné Lenses: Part II.213 xvii
xviii Part IV THE CELLULOID CINEMA: Sound 25 Silent Sound. 221 26 Synchronizing the Phonograph.229 27 Electronics for Talking Shadows.243 28 The Origins of Sound-on-Film.249 29 One Man Bands: Lauste and lykociner.259 30 Tri-Ergon. 263 31 de Forest and Case.269 32 Phonofflm. 277 33 William Fox Hears the Future.285 34 Vitaphone. 293 35 Movietone. 303 36 RCA vs. ERPI. 311 37 William Fox vs. the
Industry.321 38 Optical Sound Evolution. 327 39 Multichannel, Magnetic, and Digital Sound.335 Part V THE CELLULOID CINEMA: Color 40 Applied Color. 345 41 Color Elucidated. 355 42 Color Photography Before the Movies.361 43 Urban and the Origins of Kinemacolor.371 44 The Rise and Fall of Kinemacolor.379 45 Additive Color After Kinemacolor.385 46 Subtractive Technologies.395 47 Kelley’s Color Microcosm. 405 48 TVuColor and Cinecolor. 411 49 Two-Color Technicolor. 423 50 Three-Color
Technicolor. 435 51 Agfa and Ansco Color. 445 52 Eastman Color. 451 Part VI THE CELLULOID CINEMA: Small Formats 53 Early Small Formats. 463 54 16 mm. 473
Contents xix 55 Kodachrome. 483 56 Double 8 mm and Super 8. 489 Part VII THE CELLULOID CINEMA: The Big Wide Screen 57 The Shape of Screens to Come. 503 58 Grandeur et al. 511 59 Expanded Screen: The Interregnum Ends. 521 60 This Is Cinerama. 527 61 Cinerama After Waller. 541 62 Cinemascope. 545 63 ‘Scope Variations. 555 64 Wide Screen and VistaVision. 561 65 Todd-AO. 567 66 65/70 mm and Technirama. 573 67 IMAX and PLF
Exhibition. 579 Part VIII THE CELLULOID CINEMA: The Stereoscopic Cinema 68 Early 3-D. 589 69 Polarization Image Selection. 601 70 3-D in the Last Half of the Twentieth Century. 607 Part IX TELEVISION AND THE DIGITAL CINEMA: Television 71 Vision at a Distance. 619 72 Jenkins and Baird. 631 73 Farnsworth. 645 74 Zworykin. 653 75 Broadcasting Begins. 663 76 Color Wars: CBS vs. RCA. 673 77 High Definition Television. 679 78 Film to Video and the VTR. 683 Part X
TELEVISION AND THE DIGITAL CINEMA: The Electronic Cinema 79 Early Adopters: Electronic Cinematography and CGI. 691 80 Digital Technology. 701 81 The Hybridization of Post-production. 709 82 Electro-Mechanical to Digital Projection 713
XX 83 Digital Projection and 3-D Converge. 725 Afterword and Acknowledgments.735 Bibliographies. 737 Index.759 |
| adam_txt |
Contents Part I THE GLASS CINEMA: The Cinema of Real Motion 1 Huygens and the Magic Lantern. 3 2 The Magic Lantemists. 15 3 Lantern Light and Glass. 31 Part II THE GLASS CINEMA: Apparent Motion, Discovered and Applied 4 Plateau Invents the Phenakistoscope. 43 5 A Persistent Myth. 51 6 The Zoëtrope and the Praxinoscope. 55 7 Daguerre’s Photography. 61 8 Fox Talbot’s Photography. 67 9 Protocinematographers: Duboscq to Le Prince. 75 10 Muybridge and Anschütz. 85 11 Chronophotographers: Janssen, Marey, and Demenÿ. 93 Part ІП THE CELLULOID CINEMA: The 35 mm Medium 12 Edison, Dickson, and the Kineto Project.105 13 The
Kinetograph. 117 14 The Kinetoscope: Projection’s Inspiration.127 15 Dickson Moves on: Lambda, Mutoscope, and Bitzer.137 16 Jenkins and Armat: American Projection.151 17 The Lumières and the Europeans.161 18 Edison and the Trust. 171 19 Porter the Filmmaker. 177 20 Porter and the Simplex. 183 21 Camera Design Before WWII.189 22 Camera Design After WWn.199 23 Ciné Lenses: Part I.207 24 Ciné Lenses: Part II.213 xvii
xviii Part IV THE CELLULOID CINEMA: Sound 25 Silent Sound. 221 26 Synchronizing the Phonograph.229 27 Electronics for Talking Shadows.243 28 The Origins of Sound-on-Film.249 29 One Man Bands: Lauste and lykociner.259 30 Tri-Ergon. 263 31 de Forest and Case.269 32 Phonofflm. 277 33 William Fox Hears the Future.285 34 Vitaphone. 293 35 Movietone. 303 36 RCA vs. ERPI. 311 37 William Fox vs. the
Industry.321 38 Optical Sound Evolution. 327 39 Multichannel, Magnetic, and Digital Sound.335 Part V THE CELLULOID CINEMA: Color 40 Applied Color. 345 41 Color Elucidated. 355 42 Color Photography Before the Movies.361 43 Urban and the Origins of Kinemacolor.371 44 The Rise and Fall of Kinemacolor.379 45 Additive Color After Kinemacolor.385 46 Subtractive Technologies.395 47 Kelley’s Color Microcosm. 405 48 TVuColor and Cinecolor. 411 49 Two-Color Technicolor. 423 50 Three-Color
Technicolor. 435 51 Agfa and Ansco Color. 445 52 Eastman Color. 451 Part VI THE CELLULOID CINEMA: Small Formats 53 Early Small Formats. 463 54 16 mm. 473
Contents xix 55 Kodachrome. 483 56 Double 8 mm and Super 8. 489 Part VII THE CELLULOID CINEMA: The Big Wide Screen 57 The Shape of Screens to Come. 503 58 Grandeur et al. 511 59 Expanded Screen: The Interregnum Ends. 521 60 This Is Cinerama. 527 61 Cinerama After Waller. 541 62 Cinemascope. 545 63 ‘Scope Variations. 555 64 Wide Screen and VistaVision. 561 65 Todd-AO. 567 66 65/70 mm and Technirama. 573 67 IMAX and PLF
Exhibition. 579 Part VIII THE CELLULOID CINEMA: The Stereoscopic Cinema 68 Early 3-D. 589 69 Polarization Image Selection. 601 70 3-D in the Last Half of the Twentieth Century. 607 Part IX TELEVISION AND THE DIGITAL CINEMA: Television 71 Vision at a Distance. 619 72 Jenkins and Baird. 631 73 Farnsworth. 645 74 Zworykin. 653 75 Broadcasting Begins. 663 76 Color Wars: CBS vs. RCA. 673 77 High Definition Television. 679 78 Film to Video and the VTR. 683 Part X
TELEVISION AND THE DIGITAL CINEMA: The Electronic Cinema 79 Early Adopters: Electronic Cinematography and CGI. 691 80 Digital Technology. 701 81 The Hybridization of Post-production. 709 82 Electro-Mechanical to Digital Projection 713
XX 83 Digital Projection and 3-D Converge. 725 Afterword and Acknowledgments.735 Bibliographies. 737 Index.759 |
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| spelling | Lipton, Leonard 1940- Verfasser (DE-588)1160644349 aut The cinema in flux the evolution of motion picture technology from the magic lantern to the digital era Lenny Lipton New York, NY Springer [2021] © 2021 xxii, 795 Seiten Illustrationen 29 cm txt rdacontent n rdamedia nc rdacarrier Geschichte gnd rswk-swf Technik (DE-588)4059205-4 gnd rswk-swf Filmwirtschaft (DE-588)4154384-1 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Aufzeichnung (DE-588)4112626-9 gnd rswk-swf Filmtechnik (DE-588)4017144-9 gnd rswk-swf Wiedergabetechnik (DE-588)4117645-5 gnd rswk-swf Film (DE-588)4017102-4 s Wiedergabetechnik (DE-588)4117645-5 s Aufzeichnung (DE-588)4112626-9 s Technik (DE-588)4059205-4 s Geschichte z DE-604 Filmtechnik (DE-588)4017144-9 s Filmwirtschaft (DE-588)4154384-1 s Erscheint auch als Online-Ausgabe 978-1-0716-0951-4 Digitalisierung UB Bayreuth - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032474783&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Lipton, Leonard 1940- The cinema in flux the evolution of motion picture technology from the magic lantern to the digital era Technik (DE-588)4059205-4 gnd Filmwirtschaft (DE-588)4154384-1 gnd Film (DE-588)4017102-4 gnd Aufzeichnung (DE-588)4112626-9 gnd Filmtechnik (DE-588)4017144-9 gnd Wiedergabetechnik (DE-588)4117645-5 gnd |
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| title | The cinema in flux the evolution of motion picture technology from the magic lantern to the digital era |
| title_auth | The cinema in flux the evolution of motion picture technology from the magic lantern to the digital era |
| title_exact_search | The cinema in flux the evolution of motion picture technology from the magic lantern to the digital era |
| title_exact_search_txtP | The cinema in flux the evolution of motion picture technology from the magic lantern to the digital era |
| title_full | The cinema in flux the evolution of motion picture technology from the magic lantern to the digital era Lenny Lipton |
| title_fullStr | The cinema in flux the evolution of motion picture technology from the magic lantern to the digital era Lenny Lipton |
| title_full_unstemmed | The cinema in flux the evolution of motion picture technology from the magic lantern to the digital era Lenny Lipton |
| title_short | The cinema in flux |
| title_sort | the cinema in flux the evolution of motion picture technology from the magic lantern to the digital era |
| title_sub | the evolution of motion picture technology from the magic lantern to the digital era |
| topic | Technik (DE-588)4059205-4 gnd Filmwirtschaft (DE-588)4154384-1 gnd Film (DE-588)4017102-4 gnd Aufzeichnung (DE-588)4112626-9 gnd Filmtechnik (DE-588)4017144-9 gnd Wiedergabetechnik (DE-588)4117645-5 gnd |
| topic_facet | Technik Filmwirtschaft Film Aufzeichnung Filmtechnik Wiedergabetechnik |
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