Romantic capabilities: Blake, Scott, Austen, and the new messages of old media
Romantic Capabilities discusses the relationship between popular new media uses of literary texts. Devising and modelling an original critical methodology that bridges historicist literary criticism and reception studies with media studies and formalism, this volume contends that how a literary text...
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| Format: | Buch |
| Sprache: | English |
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Oxford
Oxford University Press
2020
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| Ausgabe: | First edition |
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| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Romantic Capabilities discusses the relationship between popular new media uses of literary texts. Devising and modelling an original critical methodology that bridges historicist literary criticism and reception studies with media studies and formalism, this volume contends that how a literary text behaves when it encounters new media reveals medial capabilities of the text that can transform how we understand its significance for the original historical context for which it was created. Following an introductory theoretical chapter that explains the book's unconventional approach to the archive, Romantic Capabilities analyzes significant popular "media behaviors" exhibited by three major Romantic British literary corpuses: the viral circulation of William Blake's pictures and proverbs across contemporary media, the gravitation of Victorian panorama painters and 3D photographers to Walter Scott's historical fictions, and the ongoing popular practice of writing fanfiction set in the worlds of Jane Austen's novels and their imaginary country estates. The result is a book that reveals Blake to be an important early theorist of viral media and the law, Scott's novels to be studies in vision that helped give rise to modern immersive media, and Austenian realism to be a mode of ecological design whose project fanfiction grasps and extends. It offers insight into the politics of virality, the dependence of immersion on a sense of frame, and the extent to which eighteenth-century landscape gardening anticipated Deleuzian ideas of the "virtual" by granting existence to reality's as-yet-unrealized capabilities |
| Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke |
| Beschreibung: | xiii, 302 Seiten Illustrationen |
| ISBN: | 9780198862369 |
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| 520 | 3 | |a Romantic Capabilities discusses the relationship between popular new media uses of literary texts. Devising and modelling an original critical methodology that bridges historicist literary criticism and reception studies with media studies and formalism, this volume contends that how a literary text behaves when it encounters new media reveals medial capabilities of the text that can transform how we understand its significance for the original historical context for which it was created. Following an introductory theoretical chapter that explains the book's unconventional approach to the archive, Romantic Capabilities analyzes significant popular "media behaviors" exhibited by three major Romantic British literary corpuses: the viral circulation of William Blake's pictures and proverbs across contemporary media, the gravitation of Victorian panorama painters and 3D photographers to Walter Scott's historical fictions, and the ongoing popular practice of writing fanfiction set in the worlds of Jane Austen's novels and their imaginary country estates. The result is a book that reveals Blake to be an important early theorist of viral media and the law, Scott's novels to be studies in vision that helped give rise to modern immersive media, and Austenian realism to be a mode of ecological design whose project fanfiction grasps and extends. It offers insight into the politics of virality, the dependence of immersion on a sense of frame, and the extent to which eighteenth-century landscape gardening anticipated Deleuzian ideas of the "virtual" by granting existence to reality's as-yet-unrealized capabilities | |
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Datensatz im Suchindex
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Contents List ofFigures List ofAbbreviations xi xv 1. Introduction: Media Behaviors; or The New Messages of Old Media What is a Media Behavior? The Book Ahead Fields and Audiences Proposition 1: Hypermediacy Tends to Be Meta-Mediacy Proposition 2: Media Behaviors Reopen Archives Proposition 3: Media Behaviors Were Once Virtual Envoi: Romantic Capabilities 1 6 10 14 18 19 22 27 PART I. VIRAL BLAKE 2. Blakespotting On the Road of Excess Blakean Systems and Lines of Flight Hellish Wisdom and the Law Politics and Viral Media, Circa 1790 From Jim Jarmusch’s Dead Man to Computer Worms 35 35 42 49 58 62 3. The Joy of Looking: What William Blake’s Pictures Want Blake’s De-composite Art The Argument Looking through Blake: Elitist Sublimity Looking Away from Blake The Joy of Looking: Radical Beauty 65 65 72 73 83 87 PART II. IMMERSIVE SCOTT 4. History in Three Dimensions: Panorama, Stereoscopy, and Scott’s Novel Perspective 99 In Mind of Vision The Painted Panorama: Immersion in the Round Scott in the Panorama Stereoscopy: Immersion in Depth Scott, David Brewster, and the Stereoscope Plunging into “the Great Unknown”: Immersion in the Waverley Novels 99 104 120 128 139 151
X CONTENTS PART III. VIRTUAL AUSTEN 5. Letters from Austenland: The Designs of Fanfiction How Elizabeth Bennet Is Not Hermione Granger The Argument Why Read Mr. Darcy’s Diary? A Jane Austen Development Kit 171 171 178 184 196 6. Capability Jane: The Ecological Designs of Austenian Realism A Nest of Her Own The Metaphysics of Landscape Gardening Affordances and Allowances The Ecology of Mansfield Park 210 210 213 226 231 Epilogue: As the Plow Follows Words Bibliography Index 251 261 287 |
| adam_txt |
Contents List ofFigures List ofAbbreviations xi xv 1. Introduction: Media Behaviors; or The New Messages of Old Media What is a Media Behavior? The Book Ahead Fields and Audiences Proposition 1: Hypermediacy Tends to Be Meta-Mediacy Proposition 2: Media Behaviors Reopen Archives Proposition 3: Media Behaviors Were Once Virtual Envoi: Romantic Capabilities 1 6 10 14 18 19 22 27 PART I. VIRAL BLAKE 2. Blakespotting On the Road of Excess Blakean Systems and Lines of Flight Hellish Wisdom and the Law Politics and Viral Media, Circa 1790 From Jim Jarmusch’s Dead Man to Computer Worms 35 35 42 49 58 62 3. The Joy of Looking: What William Blake’s Pictures Want Blake’s De-composite Art The Argument Looking through Blake: Elitist Sublimity Looking Away from Blake The Joy of Looking: Radical Beauty 65 65 72 73 83 87 PART II. IMMERSIVE SCOTT 4. History in Three Dimensions: Panorama, Stereoscopy, and Scott’s Novel Perspective 99 In Mind of Vision The Painted Panorama: Immersion in the Round Scott in the Panorama Stereoscopy: Immersion in Depth Scott, David Brewster, and the Stereoscope Plunging into “the Great Unknown”: Immersion in the Waverley Novels 99 104 120 128 139 151
X CONTENTS PART III. VIRTUAL AUSTEN 5. Letters from Austenland: The Designs of Fanfiction How Elizabeth Bennet Is Not Hermione Granger The Argument Why Read Mr. Darcy’s Diary? A Jane Austen Development Kit 171 171 178 184 196 6. Capability Jane: The Ecological Designs of Austenian Realism A Nest of Her Own The Metaphysics of Landscape Gardening Affordances and Allowances The Ecology of Mansfield Park 210 210 213 226 231 Epilogue: As the Plow Follows Words Bibliography Index 251 261 287 |
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| spelling | Goode, Mike Verfasser (DE-588)1053985460 aut Romantic capabilities Blake, Scott, Austen, and the new messages of old media Mike Goode First edition Oxford Oxford University Press 2020 xiii, 302 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Hier auch später erschienene, unveränderte Nachdrucke Romantic Capabilities discusses the relationship between popular new media uses of literary texts. Devising and modelling an original critical methodology that bridges historicist literary criticism and reception studies with media studies and formalism, this volume contends that how a literary text behaves when it encounters new media reveals medial capabilities of the text that can transform how we understand its significance for the original historical context for which it was created. Following an introductory theoretical chapter that explains the book's unconventional approach to the archive, Romantic Capabilities analyzes significant popular "media behaviors" exhibited by three major Romantic British literary corpuses: the viral circulation of William Blake's pictures and proverbs across contemporary media, the gravitation of Victorian panorama painters and 3D photographers to Walter Scott's historical fictions, and the ongoing popular practice of writing fanfiction set in the worlds of Jane Austen's novels and their imaginary country estates. The result is a book that reveals Blake to be an important early theorist of viral media and the law, Scott's novels to be studies in vision that helped give rise to modern immersive media, and Austenian realism to be a mode of ecological design whose project fanfiction grasps and extends. It offers insight into the politics of virality, the dependence of immersion on a sense of frame, and the extent to which eighteenth-century landscape gardening anticipated Deleuzian ideas of the "virtual" by granting existence to reality's as-yet-unrealized capabilities Geschichte 1790-1830 gnd rswk-swf Romantik (DE-588)4050491-8 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf English literature / 18th century / History and criticism English literature / 19th century / History and criticism Romanticism / Great Britain Englisch (DE-588)4014777-0 s Literatur (DE-588)4035964-5 s Romantik (DE-588)4050491-8 s Geschichte 1790-1830 z DE-604 Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032472700&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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