Discorrelated images:
In Discorrelated Images Shane Denson examines how computer-generated digital images displace and transform the traditional spatial and temporal relationships that viewers had with conventional analog forms of cinema. Denson analyzes works ranging from the Transformers series and Blade Runner 2049 to...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham ; London
Duke University Press
2020
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| Schlagworte: | |
| Online-Zugang: | BSB01 FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 URL des Erstveröffentlichers |
| Zusammenfassung: | In Discorrelated Images Shane Denson examines how computer-generated digital images displace and transform the traditional spatial and temporal relationships that viewers had with conventional analog forms of cinema. Denson analyzes works ranging from the Transformers series and Blade Runner 2049 to videogames and multimedia installations to show how what he calls discorrelated images-images that do not correlate with the abilities and limits of human perception-produce new subjectivities, affects, and potentials for perception and action. Denson's theorization suggests that new media theory and its focus on technological development must now be inseparable from film and cinema theory. There's more at stake in understanding discorrelated images, Denson contends, than just a reshaping of cinema, the development of new technical imaging processes, and the evolution of film and media studies: discorrelated images herald a transformation of subjectivity itself and are essential to our ability to comprehend nonhuman agency |
| Beschreibung: | 1 Online-Ressource (xi, 308 Seiten) Illustrationen |
| ISBN: | 9781478012412 |
| DOI: | 10.1515/9781478012412 |
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| 520 | |a In Discorrelated Images Shane Denson examines how computer-generated digital images displace and transform the traditional spatial and temporal relationships that viewers had with conventional analog forms of cinema. Denson analyzes works ranging from the Transformers series and Blade Runner 2049 to videogames and multimedia installations to show how what he calls discorrelated images-images that do not correlate with the abilities and limits of human perception-produce new subjectivities, affects, and potentials for perception and action. Denson's theorization suggests that new media theory and its focus on technological development must now be inseparable from film and cinema theory. There's more at stake in understanding discorrelated images, Denson contends, than just a reshaping of cinema, the development of new technical imaging processes, and the evolution of film and media studies: discorrelated images herald a transformation of subjectivity itself and are essential to our ability to comprehend nonhuman agency | ||
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Datensatz im Suchindex
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| author | Denson, Shane 1975- |
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| dewey-full | 777 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 777 - Cinematography and videography |
| dewey-raw | 777 |
| dewey-search | 777 |
| dewey-sort | 3777 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| doi_str_mv | 10.1515/9781478012412 |
| format | Electronic eBook |
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| spelling | Denson, Shane 1975- Verfasser (DE-588)1013007085 aut Discorrelated images Shane Denson Durham ; London Duke University Press 2020 1 Online-Ressource (xi, 308 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier In Discorrelated Images Shane Denson examines how computer-generated digital images displace and transform the traditional spatial and temporal relationships that viewers had with conventional analog forms of cinema. Denson analyzes works ranging from the Transformers series and Blade Runner 2049 to videogames and multimedia installations to show how what he calls discorrelated images-images that do not correlate with the abilities and limits of human perception-produce new subjectivities, affects, and potentials for perception and action. Denson's theorization suggests that new media theory and its focus on technological development must now be inseparable from film and cinema theory. There's more at stake in understanding discorrelated images, Denson contends, than just a reshaping of cinema, the development of new technical imaging processes, and the evolution of film and media studies: discorrelated images herald a transformation of subjectivity itself and are essential to our ability to comprehend nonhuman agency PERFORMING ARTS / Film & Video / History & Criticism bisacsh Digital cinematography Digital images Motion picture audiences Motion picture industry Technological innovations Motion pictures Production and direction Technological innovations Visual perception Film (DE-588)4017102-4 gnd rswk-swf Neue Medien (DE-588)4196910-8 gnd rswk-swf Computergrafik (DE-588)4010450-3 gnd rswk-swf Film (DE-588)4017102-4 s Neue Medien (DE-588)4196910-8 s Computergrafik (DE-588)4010450-3 s DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-4780-0985-6 Erscheint auch als Druck-Ausgabe, Paperback 978-1-4780-1091-3 https://doi.org/10.1515/9781478012412 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Denson, Shane 1975- Discorrelated images PERFORMING ARTS / Film & Video / History & Criticism bisacsh Digital cinematography Digital images Motion picture audiences Motion picture industry Technological innovations Motion pictures Production and direction Technological innovations Visual perception Film (DE-588)4017102-4 gnd Neue Medien (DE-588)4196910-8 gnd Computergrafik (DE-588)4010450-3 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4196910-8 (DE-588)4010450-3 |
| title | Discorrelated images |
| title_auth | Discorrelated images |
| title_exact_search | Discorrelated images |
| title_exact_search_txtP | Discorrelated images |
| title_full | Discorrelated images Shane Denson |
| title_fullStr | Discorrelated images Shane Denson |
| title_full_unstemmed | Discorrelated images Shane Denson |
| title_short | Discorrelated images |
| title_sort | discorrelated images |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Digital cinematography Digital images Motion picture audiences Motion picture industry Technological innovations Motion pictures Production and direction Technological innovations Visual perception Film (DE-588)4017102-4 gnd Neue Medien (DE-588)4196910-8 gnd Computergrafik (DE-588)4010450-3 gnd |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Digital cinematography Digital images Motion picture audiences Motion picture industry Technological innovations Motion pictures Production and direction Technological innovations Visual perception Film Neue Medien Computergrafik |
| url | https://doi.org/10.1515/9781478012412 |
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