Internformat: Media primitivism

Media primitivism: technological art in Africa

In Media Primitivism Delinda Collier provides a sweeping new understanding of technological media in African art, rethinking the assumptions that have conceptualized African art as unmediated, primary, and natural. Collier responds to these preoccupations by exploring African artworks that challenge...

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Bibliographische Detailangaben
1. Verfasser:	Collier, Delinda 1973- (VerfasserIn)
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Durham London Duke University Press 2020
Schriftenreihe:	The visual arts of Africa and its diasporas
Schlagworte:	Geschichte 1940-2020 ART / African Art and technology > Africa Art, African New media art > Africa Diskurs Audiovisuelle Medien Technische Innovation Medienkunst Primitivismus Kunst Ästhetik Afrika
Online-Zugang:	BSB01 FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UBT01 UPA01 Volltext
Zusammenfassung:	In Media Primitivism Delinda Collier provides a sweeping new understanding of technological media in African art, rethinking the assumptions that have conceptualized African art as unmediated, primary, and natural. Collier responds to these preoccupations by exploring African artworks that challenge these narratives. From one of the first works of electronic music, Halim El-Dabh's "Ta'abir Al-Zaar" (1944), and Souleymane Cissé's 1987 film, Yeelen, to contemporary digital art, Collier argues that African media must be understood in relation to other modes of transfer and transmutation that have significant colonial and postcolonial histories, such as extractive mining and electricity. Collier reorients modern African art within a larger constellation of philosophies of aesthetics and technology, demonstrating how pivotal artworks transcend the distinctions between the constructed and the elemental, thereby expanding ideas about mediation and about what African art can do
Beschreibung:	1 Online-Ressource (262 Seiten) Illustrationen
ISBN:	9781478012313 9781478090434 147809043X
DOI:	10.1515/9781478012313

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author	Collier, Delinda 1973-
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contents	Introduction: African art history and the medium concept -- Film as Light, Film as Indigenous -- Electronic Sound as Trance and Resonance -- The Song as Private Property -- Artificial Blackness: Or, Extraction as Abstraction -- "The Earth and the Substratum are Not Enough" -- The Seed and the Field
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dewey-ones	700 - The arts
dewey-raw	700
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dewey-tens	700 - The arts
discipline	Kunstgeschichte
discipline_str_mv	Kunstgeschichte
doi_str_mv	10.1515/9781478012313
era	Geschichte 1940-2020 gnd
era_facet	Geschichte 1940-2020
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isbn	9781478012313 9781478090434 147809043X
language	English
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-032457039
oclc_num	1226699401
open_access_boolean
owner	DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-703 DE-858 DE-12 DE-355 DE-BY-UBR
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physical	1 Online-Ressource (262 Seiten) Illustrationen
psigel	ZDB-198-DUB ZDB-23-DGG ZDB-23-DAD ZDB-4-EOAC ZDB-23-DAD20 ZDB-23-DAD BSB_DAD_DukeUniversityPress ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG
publishDate	2020
publishDateSearch	2020
publishDateSort	2020
publisher	Duke University Press
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series2	The visual arts of Africa and its diasporas
spelling	Collier, Delinda 1973- Verfasser (DE-588)1127083244 aut Media primitivism technological art in Africa Delinda Collier Durham London Duke University Press 2020 1 Online-Ressource (262 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier The visual arts of Africa and its diasporas Introduction: African art history and the medium concept -- Film as Light, Film as Indigenous -- Electronic Sound as Trance and Resonance -- The Song as Private Property -- Artificial Blackness: Or, Extraction as Abstraction -- "The Earth and the Substratum are Not Enough" -- The Seed and the Field In Media Primitivism Delinda Collier provides a sweeping new understanding of technological media in African art, rethinking the assumptions that have conceptualized African art as unmediated, primary, and natural. Collier responds to these preoccupations by exploring African artworks that challenge these narratives. From one of the first works of electronic music, Halim El-Dabh's "Ta'abir Al-Zaar" (1944), and Souleymane Cissé's 1987 film, Yeelen, to contemporary digital art, Collier argues that African media must be understood in relation to other modes of transfer and transmutation that have significant colonial and postcolonial histories, such as extractive mining and electricity. Collier reorients modern African art within a larger constellation of philosophies of aesthetics and technology, demonstrating how pivotal artworks transcend the distinctions between the constructed and the elemental, thereby expanding ideas about mediation and about what African art can do Geschichte 1940-2020 gnd rswk-swf ART / African bisacsh Art and technology Africa Art, African New media art Africa Diskurs (DE-588)4012475-7 gnd rswk-swf Audiovisuelle Medien (DE-588)4068939-6 gnd rswk-swf Technische Innovation (DE-588)4431027-4 gnd rswk-swf Medienkunst (DE-588)4113418-7 gnd rswk-swf Primitivismus (DE-588)4175712-9 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Afrika (DE-588)4000695-5 gnd rswk-swf Afrika (DE-588)4000695-5 g Kunst (DE-588)4114333-4 s Ästhetik (DE-588)4000626-8 s Primitivismus (DE-588)4175712-9 s Diskurs (DE-588)4012475-7 s Geschichte 1940-2020 z DE-604 Medienkunst (DE-588)4113418-7 s Audiovisuelle Medien (DE-588)4068939-6 s Technische Innovation (DE-588)4431027-4 s Erscheint auch als Druck-Ausgabe, Hardcover 978-1-4780-0883-5 Erscheint auch als Druck-Ausgabe, Paperback 978-1-4780-0969-6 https://doi.org/10.1515/9781478012313 Verlag URL des Erstveröffentlichers Volltext
spellingShingle	Collier, Delinda 1973- Media primitivism technological art in Africa Introduction: African art history and the medium concept -- Film as Light, Film as Indigenous -- Electronic Sound as Trance and Resonance -- The Song as Private Property -- Artificial Blackness: Or, Extraction as Abstraction -- "The Earth and the Substratum are Not Enough" -- The Seed and the Field ART / African bisacsh Art and technology Africa Art, African New media art Africa Diskurs (DE-588)4012475-7 gnd Audiovisuelle Medien (DE-588)4068939-6 gnd Technische Innovation (DE-588)4431027-4 gnd Medienkunst (DE-588)4113418-7 gnd Primitivismus (DE-588)4175712-9 gnd Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd
subject_GND	(DE-588)4012475-7 (DE-588)4068939-6 (DE-588)4431027-4 (DE-588)4113418-7 (DE-588)4175712-9 (DE-588)4114333-4 (DE-588)4000626-8 (DE-588)4000695-5
title	Media primitivism technological art in Africa
title_auth	Media primitivism technological art in Africa
title_exact_search	Media primitivism technological art in Africa
title_exact_search_txtP	Media primitivism technological art in Africa
title_full	Media primitivism technological art in Africa Delinda Collier
title_fullStr	Media primitivism technological art in Africa Delinda Collier
title_full_unstemmed	Media primitivism technological art in Africa Delinda Collier
title_short	Media primitivism
title_sort	media primitivism technological art in africa
title_sub	technological art in Africa
topic	ART / African bisacsh Art and technology Africa Art, African New media art Africa Diskurs (DE-588)4012475-7 gnd Audiovisuelle Medien (DE-588)4068939-6 gnd Technische Innovation (DE-588)4431027-4 gnd Medienkunst (DE-588)4113418-7 gnd Primitivismus (DE-588)4175712-9 gnd Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd
topic_facet	ART / African Art and technology Africa Art, African New media art Africa Diskurs Audiovisuelle Medien Technische Innovation Medienkunst Primitivismus Kunst Ästhetik Afrika
url	https://doi.org/10.1515/9781478012313
work_keys_str_mv	AT collierdelinda mediaprimitivismtechnologicalartinafrica

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