Embodying relation: art photography in Mali
In Embodying Relation Allison Moore examines the tensions between the local and the global in the art photography movement in Bamako, Mali, which blossomed in the 1990s after Malian photographers Seydou Keïta and Malick Sidibé became internationally famous and the Bamako Photography Biennale was fou...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham ; London
Duke University Press
2020
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| Schriftenreihe: | Art history publication initiative
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| Schlagworte: | |
| Online-Zugang: | BSB01 FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UBT01 UPA01 Volltext |
| Zusammenfassung: | In Embodying Relation Allison Moore examines the tensions between the local and the global in the art photography movement in Bamako, Mali, which blossomed in the 1990s after Malian photographers Seydou Keïta and Malick Sidibé became internationally famous and the Bamako Photography Biennale was founded. Moore traces the trajectory of Malian photography from the 1880s-when photography first arrived as an apparatus of French colonialism-to the first African studio practitioners of the 1930s and the establishment in 1994 of the Bamako Biennale, Africa's most important continent-wide photographic exhibition. In her detailed discussion of Bamakois artistic aesthetics and institutions, Moore examines the post-fame careers of Keïta and Sidibé, the Biennale's structure, the rise of women photographers, cultural preservation through photography, and how Mali's shift to democracy in the early 1990s enabled Bamako's art scene to flourish. Moore shows how Malian photographers' focus on cultural exchange, affective connections with different publics, and merging of traditional cultural precepts with modern notions of art embody Caribbean philosopher and poet Édouard Glissant's notion of "relation" in ways that spark new artistic forms, practices, and communities |
| Beschreibung: | 1 Online-Ressource (ix, 360 Seiten) Illustrationen |
| ISBN: | 9781478007340 |
| DOI: | 10.1515/9781478007340 |
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Datensatz im Suchindex
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| dewey-full | 770 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 770 - Photography, computer art, cinematography |
| dewey-raw | 770 |
| dewey-search | 770 |
| dewey-sort | 3770 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte Allgemeines |
| discipline_str_mv | Kunstgeschichte Allgemeines |
| doi_str_mv | 10.1515/9781478007340 |
| era | Geschichte 1990-2020 gnd Geschichte 1990-2000 gnd |
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| geographic | Bamako (DE-588)4086612-9 gnd Mali (DE-588)4074505-3 gnd Afrika (DE-588)4000695-5 gnd |
| geographic_facet | Bamako Mali Afrika |
| id | DE-604.BV047049556 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:07:31Z |
| indexdate | 2024-07-10T09:01:10Z |
| institution | BVB |
| isbn | 9781478007340 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032456952 |
| oclc_num | 1226703572 |
| open_access_boolean | |
| owner | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-703 DE-858 DE-12 |
| owner_facet | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-703 DE-858 DE-12 |
| physical | 1 Online-Ressource (ix, 360 Seiten) Illustrationen |
| psigel | ZDB-198-DUB ZDB-23-DGG ZDB-23-DPK ZDB-23-DPK20 ZDB-23-DPK BSB_DPK_DukeUniversityPress ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Duke University Press |
| record_format | marc |
| series2 | Art history publication initiative |
| spelling | Moore, Allison Verfasser (DE-588)116561894X aut Embodying relation art photography in Mali Allison Moore Durham ; London Duke University Press 2020 1 Online-Ressource (ix, 360 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Art history publication initiative In Embodying Relation Allison Moore examines the tensions between the local and the global in the art photography movement in Bamako, Mali, which blossomed in the 1990s after Malian photographers Seydou Keïta and Malick Sidibé became internationally famous and the Bamako Photography Biennale was founded. Moore traces the trajectory of Malian photography from the 1880s-when photography first arrived as an apparatus of French colonialism-to the first African studio practitioners of the 1930s and the establishment in 1994 of the Bamako Biennale, Africa's most important continent-wide photographic exhibition. In her detailed discussion of Bamakois artistic aesthetics and institutions, Moore examines the post-fame careers of Keïta and Sidibé, the Biennale's structure, the rise of women photographers, cultural preservation through photography, and how Mali's shift to democracy in the early 1990s enabled Bamako's art scene to flourish. Moore shows how Malian photographers' focus on cultural exchange, affective connections with different publics, and merging of traditional cultural precepts with modern notions of art embody Caribbean philosopher and poet Édouard Glissant's notion of "relation" in ways that spark new artistic forms, practices, and communities Glissant, Édouard 1928-2011 (DE-588)118717774 gnd rswk-swf Rencontres de Bamako (DE-588)1091747997 gnd rswk-swf Geschichte 1990-2020 gnd rswk-swf Geschichte 1990-2000 gnd rswk-swf Photography / History bisacsh Art, Malian Mali Bamako Photography Political aspects Mali Photography Mali 20th century Photography, Artistic Postcolonialism and the arts Mali Rezeptionsästhetik (DE-588)4129895-0 gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf Biennale (DE-588)4634328-3 gnd rswk-swf Bamako (DE-588)4086612-9 gnd rswk-swf Mali (DE-588)4074505-3 gnd rswk-swf Afrika (DE-588)4000695-5 gnd rswk-swf Glissant, Édouard 1928-2011 (DE-588)118717774 p Mali (DE-588)4074505-3 g Fotografie (DE-588)4045895-7 s Rezeptionsästhetik (DE-588)4129895-0 s Geschichte 1990-2000 z DE-604 Rencontres de Bamako (DE-588)1091747997 f Biennale (DE-588)4634328-3 s Afrika (DE-588)4000695-5 g Geschichte 1990-2020 z Bamako (DE-588)4086612-9 g Erscheint auch als Druck-Ausgabe, Hardcover 978-1-4780-0597-1 Erscheint auch als Druck-Ausgabe, Paperback 978-1-4780-0662-6 https://doi.org/10.1515/9781478007340 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Moore, Allison Embodying relation art photography in Mali Glissant, Édouard 1928-2011 (DE-588)118717774 gnd Rencontres de Bamako (DE-588)1091747997 gnd Photography / History bisacsh Art, Malian Mali Bamako Photography Political aspects Mali Photography Mali 20th century Photography, Artistic Postcolonialism and the arts Mali Rezeptionsästhetik (DE-588)4129895-0 gnd Fotografie (DE-588)4045895-7 gnd Biennale (DE-588)4634328-3 gnd |
| subject_GND | (DE-588)118717774 (DE-588)1091747997 (DE-588)4129895-0 (DE-588)4045895-7 (DE-588)4634328-3 (DE-588)4086612-9 (DE-588)4074505-3 (DE-588)4000695-5 |
| title | Embodying relation art photography in Mali |
| title_auth | Embodying relation art photography in Mali |
| title_exact_search | Embodying relation art photography in Mali |
| title_exact_search_txtP | Embodying relation art photography in Mali |
| title_full | Embodying relation art photography in Mali Allison Moore |
| title_fullStr | Embodying relation art photography in Mali Allison Moore |
| title_full_unstemmed | Embodying relation art photography in Mali Allison Moore |
| title_short | Embodying relation |
| title_sort | embodying relation art photography in mali |
| title_sub | art photography in Mali |
| topic | Glissant, Édouard 1928-2011 (DE-588)118717774 gnd Rencontres de Bamako (DE-588)1091747997 gnd Photography / History bisacsh Art, Malian Mali Bamako Photography Political aspects Mali Photography Mali 20th century Photography, Artistic Postcolonialism and the arts Mali Rezeptionsästhetik (DE-588)4129895-0 gnd Fotografie (DE-588)4045895-7 gnd Biennale (DE-588)4634328-3 gnd |
| topic_facet | Glissant, Édouard 1928-2011 Rencontres de Bamako Photography / History Art, Malian Mali Bamako Photography Political aspects Mali Photography Mali 20th century Photography, Artistic Postcolonialism and the arts Mali Rezeptionsästhetik Fotografie Biennale Bamako Mali Afrika |
| url | https://doi.org/10.1515/9781478007340 |
| work_keys_str_mv | AT mooreallison embodyingrelationartphotographyinmali |