Bhangra and Asian Underground: South Asian Music and the Politics of Belonging in Britain
Asian Underground music-a fusion of South Asian genres with western breakbeats created for the dance club scene by DJs and musicians of Indian, Pakistani, and Bangladeshi descent-went mainstream in the U.K. in the late 1990s. Its success was unprecedented: British bhangra, a blend of Punjabi folk mu...
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| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Durham
Duke University Press
[2013]
|
| Subjects: | |
| Online Access: | DE-1043 DE-1046 DE-859 DE-860 DE-473 DE-739 DE-858 Volltext |
| Summary: | Asian Underground music-a fusion of South Asian genres with western breakbeats created for the dance club scene by DJs and musicians of Indian, Pakistani, and Bangladeshi descent-went mainstream in the U.K. in the late 1990s. Its success was unprecedented: British bhangra, a blend of Punjabi folk music with hip-hop musical elements, was enormously popular among South Asian communities but had yet to become mainstream. For many, the widespread attention to Asian Underground music signaled the emergence of a supposedly new, tolerant, and multicultural Britain that could finally accept South Asians. Interweaving ethnography and theory, Falu Bakrania examines the social life of British Asian musical culture to reveal a more complex and contradictory story of South Asian belonging in Britain. Analyzing the production of bhangra and Asian Underground music by male artists and its consumption by female club-goers, Bakrania shows that gender, sexuality, and class intersected in ways that profoundly shaped how young people interpreted "British" and "Asian" identity and negotiated, sometimes violently, contests about ethnic authenticity, sexual morality, individual expression, and political empowerment |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) |
| Physical Description: | 1 online resource (264 pages) 15 photographs |
| ISBN: | 9780822395645 |
| DOI: | 10.1515/9780822395645 |
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| isbn | 9780822395645 |
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| spelling | Bakrania, Falu Verfasser aut Bhangra and Asian Underground South Asian Music and the Politics of Belonging in Britain Falu Bakrania Durham Duke University Press [2013] © 2013 1 online resource (264 pages) 15 photographs txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) Asian Underground music-a fusion of South Asian genres with western breakbeats created for the dance club scene by DJs and musicians of Indian, Pakistani, and Bangladeshi descent-went mainstream in the U.K. in the late 1990s. Its success was unprecedented: British bhangra, a blend of Punjabi folk music with hip-hop musical elements, was enormously popular among South Asian communities but had yet to become mainstream. For many, the widespread attention to Asian Underground music signaled the emergence of a supposedly new, tolerant, and multicultural Britain that could finally accept South Asians. Interweaving ethnography and theory, Falu Bakrania examines the social life of British Asian musical culture to reveal a more complex and contradictory story of South Asian belonging in Britain. Analyzing the production of bhangra and Asian Underground music by male artists and its consumption by female club-goers, Bakrania shows that gender, sexuality, and class intersected in ways that profoundly shaped how young people interpreted "British" and "Asian" identity and negotiated, sometimes violently, contests about ethnic authenticity, sexual morality, individual expression, and political empowerment In English SOCIAL SCIENCE / Anthropology / Cultural & Social bisacsh Nightclubs Great Britain South Asians Music Social aspects Great Britain South Asians Great Britain Ethnic identity South Asians Great Britain Music https://doi.org/10.1515/9780822395645 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Bakrania, Falu Bhangra and Asian Underground South Asian Music and the Politics of Belonging in Britain SOCIAL SCIENCE / Anthropology / Cultural & Social bisacsh Nightclubs Great Britain South Asians Music Social aspects Great Britain South Asians Great Britain Ethnic identity South Asians Great Britain Music |
| title | Bhangra and Asian Underground South Asian Music and the Politics of Belonging in Britain |
| title_auth | Bhangra and Asian Underground South Asian Music and the Politics of Belonging in Britain |
| title_exact_search | Bhangra and Asian Underground South Asian Music and the Politics of Belonging in Britain |
| title_exact_search_txtP | Bhangra and Asian Underground South Asian Music and the Politics of Belonging in Britain |
| title_full | Bhangra and Asian Underground South Asian Music and the Politics of Belonging in Britain Falu Bakrania |
| title_fullStr | Bhangra and Asian Underground South Asian Music and the Politics of Belonging in Britain Falu Bakrania |
| title_full_unstemmed | Bhangra and Asian Underground South Asian Music and the Politics of Belonging in Britain Falu Bakrania |
| title_short | Bhangra and Asian Underground |
| title_sort | bhangra and asian underground south asian music and the politics of belonging in britain |
| title_sub | South Asian Music and the Politics of Belonging in Britain |
| topic | SOCIAL SCIENCE / Anthropology / Cultural & Social bisacsh Nightclubs Great Britain South Asians Music Social aspects Great Britain South Asians Great Britain Ethnic identity South Asians Great Britain Music |
| topic_facet | SOCIAL SCIENCE / Anthropology / Cultural & Social Nightclubs Great Britain South Asians Music Social aspects Great Britain South Asians Great Britain Ethnic identity South Asians Great Britain Music |
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