Radical Sensations: World Movements, Violence, and Visual Culture
The significant anarchist, black, and socialist world-movements that emerged in the late nineteenth century and early twentieth adapted discourses of sentiment and sensation and used the era's new forms of visual culture to move people to participate in projects of social, political, and econom...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2013]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 URL des Erstveröffentlichers |
| Zusammenfassung: | The significant anarchist, black, and socialist world-movements that emerged in the late nineteenth century and early twentieth adapted discourses of sentiment and sensation and used the era's new forms of visual culture to move people to participate in projects of social, political, and economic transformation. Drawing attention to the vast archive of images and texts created by radicals prior to the 1930s, Shelley Streeby analyzes representations of violence and of abuses of state power in response to the Haymarket police riot, of the trial and execution of the Chicago anarchists, and of the mistreatment and imprisonment of Ricardo and Enrique Flores Magón and other members of the Partido Liberal Mexicano. She considers radicals' reactions to and depictions of U.S. imperialism, state violence against the Yaqui Indians in the U.S.-Mexico borderlands, the failure of the United States to enact laws against lynching, and the harsh repression of radicals that accelerated after the United States entered the First World War. By focusing on the adaptation and critique of sentiment, sensation, and visual culture by radical world-movements in the period between the Haymarket riots of 1886 and the deportation of Marcus Garvey in 1927, Streeby sheds new light on the ways that these movements reached across national boundaries, criticized state power, and envisioned alternative worlds |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) |
| Beschreibung: | 1 online resource (352 pages) 88 illustrations |
| ISBN: | 9780822395546 |
| DOI: | 10.1515/9780822395546 |
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| 520 | |a The significant anarchist, black, and socialist world-movements that emerged in the late nineteenth century and early twentieth adapted discourses of sentiment and sensation and used the era's new forms of visual culture to move people to participate in projects of social, political, and economic transformation. Drawing attention to the vast archive of images and texts created by radicals prior to the 1930s, Shelley Streeby analyzes representations of violence and of abuses of state power in response to the Haymarket police riot, of the trial and execution of the Chicago anarchists, and of the mistreatment and imprisonment of Ricardo and Enrique Flores Magón and other members of the Partido Liberal Mexicano. She considers radicals' reactions to and depictions of U.S. imperialism, state violence against the Yaqui Indians in the U.S.-Mexico borderlands, the failure of the United States to enact laws against lynching, and the harsh repression of radicals that accelerated after the United States entered the First World War. By focusing on the adaptation and critique of sentiment, sensation, and visual culture by radical world-movements in the period between the Haymarket riots of 1886 and the deportation of Marcus Garvey in 1927, Streeby sheds new light on the ways that these movements reached across national boundaries, criticized state power, and envisioned alternative worlds | ||
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| isbn | 9780822395546 |
| language | English |
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| spelling | Streeby, Shelley Verfasser aut Radical Sensations World Movements, Violence, and Visual Culture Shelley Streeby Durham Duke University Press [2013] © 2013 1 online resource (352 pages) 88 illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) The significant anarchist, black, and socialist world-movements that emerged in the late nineteenth century and early twentieth adapted discourses of sentiment and sensation and used the era's new forms of visual culture to move people to participate in projects of social, political, and economic transformation. Drawing attention to the vast archive of images and texts created by radicals prior to the 1930s, Shelley Streeby analyzes representations of violence and of abuses of state power in response to the Haymarket police riot, of the trial and execution of the Chicago anarchists, and of the mistreatment and imprisonment of Ricardo and Enrique Flores Magón and other members of the Partido Liberal Mexicano. She considers radicals' reactions to and depictions of U.S. imperialism, state violence against the Yaqui Indians in the U.S.-Mexico borderlands, the failure of the United States to enact laws against lynching, and the harsh repression of radicals that accelerated after the United States entered the First World War. By focusing on the adaptation and critique of sentiment, sensation, and visual culture by radical world-movements in the period between the Haymarket riots of 1886 and the deportation of Marcus Garvey in 1927, Streeby sheds new light on the ways that these movements reached across national boundaries, criticized state power, and envisioned alternative worlds In English HISTORY / United States / 20th Century bisacsh Arts, Modern Political aspects 20th century Arts, Modern 20th century Political aspects Political violence History 20th century Social movements History 20th century https://doi.org/10.1515/9780822395546 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Streeby, Shelley Radical Sensations World Movements, Violence, and Visual Culture HISTORY / United States / 20th Century bisacsh Arts, Modern Political aspects 20th century Arts, Modern 20th century Political aspects Political violence History 20th century Social movements History 20th century |
| title | Radical Sensations World Movements, Violence, and Visual Culture |
| title_auth | Radical Sensations World Movements, Violence, and Visual Culture |
| title_exact_search | Radical Sensations World Movements, Violence, and Visual Culture |
| title_exact_search_txtP | Radical Sensations World Movements, Violence, and Visual Culture |
| title_full | Radical Sensations World Movements, Violence, and Visual Culture Shelley Streeby |
| title_fullStr | Radical Sensations World Movements, Violence, and Visual Culture Shelley Streeby |
| title_full_unstemmed | Radical Sensations World Movements, Violence, and Visual Culture Shelley Streeby |
| title_short | Radical Sensations |
| title_sort | radical sensations world movements violence and visual culture |
| title_sub | World Movements, Violence, and Visual Culture |
| topic | HISTORY / United States / 20th Century bisacsh Arts, Modern Political aspects 20th century Arts, Modern 20th century Political aspects Political violence History 20th century Social movements History 20th century |
| topic_facet | HISTORY / United States / 20th Century Arts, Modern Political aspects 20th century Arts, Modern 20th century Political aspects Political violence History 20th century Social movements History 20th century |
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