Hidden in the Mix: The African American Presence in Country Music
Country music's debt to African American music has long been recognized. Black musicians have helped to shape the styles of many of the most important performers in the country canon. The partnership between Lesley Riddle and A. P. Carter produced much of the Carter Family's repertoire; th...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2013]
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| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UBT01 UPA01 FCO01 URL des Erstveröffentlichers |
| Zusammenfassung: | Country music's debt to African American music has long been recognized. Black musicians have helped to shape the styles of many of the most important performers in the country canon. The partnership between Lesley Riddle and A. P. Carter produced much of the Carter Family's repertoire; the street musician Tee Tot Payne taught a young Hank Williams Sr.; the guitar playing of Arnold Schultz influenced western Kentuckians, including Bill Monroe and Ike Everly. Yet attention to how these and other African Americans enriched the music played by whites has obscured the achievements of black country-music performers and the enjoyment of black listeners.The contributors to Hidden in the Mix examine how country music became "white," how that fictive racialization has been maintained, and how African American artists and fans have used country music to elaborate their own identities. They investigate topics as diverse as the role of race in shaping old-time record catalogues, the transracial West of the hick-hopper Cowboy Troy, and the place of U.S. country music in postcolonial debates about race and resistance. Revealing how music mediates both the ideology and the lived experience of race, Hidden in the Mix challenges the status of country music as "the white man's blues."Contributors. Michael Awkward, Erika Brady, Barbara Ching, Adam Gussow, Patrick Huber, Charles Hughes, Jeffrey A. Keith, Kip Lornell, Diane Pecknold, David Sanjek, Tony Thomas, Jerry Wever |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) |
| Beschreibung: | 1 online resource (384 pages) 21 illustrations, 3 tables |
| ISBN: | 9780822394976 |
| DOI: | 10.1515/9780822394976 |
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| 520 | |a Country music's debt to African American music has long been recognized. Black musicians have helped to shape the styles of many of the most important performers in the country canon. The partnership between Lesley Riddle and A. P. Carter produced much of the Carter Family's repertoire; the street musician Tee Tot Payne taught a young Hank Williams Sr.; the guitar playing of Arnold Schultz influenced western Kentuckians, including Bill Monroe and Ike Everly. Yet attention to how these and other African Americans enriched the music played by whites has obscured the achievements of black country-music performers and the enjoyment of black listeners.The contributors to Hidden in the Mix examine how country music became "white," how that fictive racialization has been maintained, and how African American artists and fans have used country music to elaborate their own identities. They investigate topics as diverse as the role of race in shaping old-time record catalogues, the transracial West of the hick-hopper Cowboy Troy, and the place of U.S. country music in postcolonial debates about race and resistance. Revealing how music mediates both the ideology and the lived experience of race, Hidden in the Mix challenges the status of country music as "the white man's blues."Contributors. Michael Awkward, Erika Brady, Barbara Ching, Adam Gussow, Patrick Huber, Charles Hughes, Jeffrey A. Keith, Kip Lornell, Diane Pecknold, David Sanjek, Tony Thomas, Jerry Wever | ||
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| spelling | Hidden in the Mix The African American Presence in Country Music Diane Pecknold Durham Duke University Press [2013] © 2013 1 online resource (384 pages) 21 illustrations, 3 tables txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) Country music's debt to African American music has long been recognized. Black musicians have helped to shape the styles of many of the most important performers in the country canon. The partnership between Lesley Riddle and A. P. Carter produced much of the Carter Family's repertoire; the street musician Tee Tot Payne taught a young Hank Williams Sr.; the guitar playing of Arnold Schultz influenced western Kentuckians, including Bill Monroe and Ike Everly. Yet attention to how these and other African Americans enriched the music played by whites has obscured the achievements of black country-music performers and the enjoyment of black listeners.The contributors to Hidden in the Mix examine how country music became "white," how that fictive racialization has been maintained, and how African American artists and fans have used country music to elaborate their own identities. They investigate topics as diverse as the role of race in shaping old-time record catalogues, the transracial West of the hick-hopper Cowboy Troy, and the place of U.S. country music in postcolonial debates about race and resistance. Revealing how music mediates both the ideology and the lived experience of race, Hidden in the Mix challenges the status of country music as "the white man's blues."Contributors. Michael Awkward, Erika Brady, Barbara Ching, Adam Gussow, Patrick Huber, Charles Hughes, Jeffrey A. Keith, Kip Lornell, Diane Pecknold, David Sanjek, Tony Thomas, Jerry Wever In English MUSIC / Genres & Styles / Country & Bluegrass bisacsh African American country musicians African Americans Music History and criticism Country music History and criticism Pecknold, Diane edt https://doi.org/10.1515/9780822394976 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Hidden in the Mix The African American Presence in Country Music MUSIC / Genres & Styles / Country & Bluegrass bisacsh African American country musicians African Americans Music History and criticism Country music History and criticism |
| title | Hidden in the Mix The African American Presence in Country Music |
| title_auth | Hidden in the Mix The African American Presence in Country Music |
| title_exact_search | Hidden in the Mix The African American Presence in Country Music |
| title_exact_search_txtP | Hidden in the Mix The African American Presence in Country Music |
| title_full | Hidden in the Mix The African American Presence in Country Music Diane Pecknold |
| title_fullStr | Hidden in the Mix The African American Presence in Country Music Diane Pecknold |
| title_full_unstemmed | Hidden in the Mix The African American Presence in Country Music Diane Pecknold |
| title_short | Hidden in the Mix |
| title_sort | hidden in the mix the african american presence in country music |
| title_sub | The African American Presence in Country Music |
| topic | MUSIC / Genres & Styles / Country & Bluegrass bisacsh African American country musicians African Americans Music History and criticism Country music History and criticism |
| topic_facet | MUSIC / Genres & Styles / Country & Bluegrass African American country musicians African Americans Music History and criticism Country music History and criticism |
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