Global Icons: Apertures to the Popular
A widely disseminated photograph of Phoolan Devi, India's famous bandit queen, surrendering to police forces in 1983 became an emotional touchstone for Indians who saw the outlaw as a lower-caste folk hero. That affective response was reignited in 1994 with the release of a feature film based o...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2011]
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| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-859 DE-860 DE-473 DE-739 DE-858 URL des Erstveröffentlichers |
| Zusammenfassung: | A widely disseminated photograph of Phoolan Devi, India's famous bandit queen, surrendering to police forces in 1983 became an emotional touchstone for Indians who saw the outlaw as a lower-caste folk hero. That affective response was reignited in 1994 with the release of a feature film based on Phoolan Devi's life. Despite charges of murder, arson, and looting pending against her, the bandit queen was elected to India's parliament in 1996. Bishnupriya Ghosh considers Phoolan Devi, as well as Mother Teresa and Arundhati Roy, the prize winning author turned environmental activist, to be global icons: highly visible public figures capable of galvanizing intense affect and sometimes even catalyzing social change. Ghosh develops a materialist theory of global iconicity, taking into account the emotional and sensory responses that these iconic figures elicit, the globalized mass media through which their images and life stories travel, and the multiple modernities within which they are interpreted. The collective aspirations embodied in figures such as Barack Obama, Eva Perón, and Princess Diana show that Ghosh's theory applies not just in South Asia but around the world |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) |
| Beschreibung: | 1 online resource (400 pages) 38 illustrations (incl. 3 frontispieces) |
| ISBN: | 9780822394242 |
| DOI: | 10.1515/9780822394242 |
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| illustrated | Illustrated |
| index_date | 2024-07-03T16:07:31Z |
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| isbn | 9780822394242 |
| language | English |
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| spelling | Ghosh, Bishnupriya Verfasser aut Global Icons Apertures to the Popular Bishnupriya Ghosh Durham Duke University Press [2011] © 2011 1 online resource (400 pages) 38 illustrations (incl. 3 frontispieces) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) A widely disseminated photograph of Phoolan Devi, India's famous bandit queen, surrendering to police forces in 1983 became an emotional touchstone for Indians who saw the outlaw as a lower-caste folk hero. That affective response was reignited in 1994 with the release of a feature film based on Phoolan Devi's life. Despite charges of murder, arson, and looting pending against her, the bandit queen was elected to India's parliament in 1996. Bishnupriya Ghosh considers Phoolan Devi, as well as Mother Teresa and Arundhati Roy, the prize winning author turned environmental activist, to be global icons: highly visible public figures capable of galvanizing intense affect and sometimes even catalyzing social change. Ghosh develops a materialist theory of global iconicity, taking into account the emotional and sensory responses that these iconic figures elicit, the globalized mass media through which their images and life stories travel, and the multiple modernities within which they are interpreted. The collective aspirations embodied in figures such as Barack Obama, Eva Perón, and Princess Diana show that Ghosh's theory applies not just in South Asia but around the world In English SOCIAL SCIENCE / Women's Studies bisacsh Celebrities Mass media Popular culture Signs and symbols https://doi.org/10.1515/9780822394242 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Ghosh, Bishnupriya Global Icons Apertures to the Popular SOCIAL SCIENCE / Women's Studies bisacsh Celebrities Mass media Popular culture Signs and symbols |
| title | Global Icons Apertures to the Popular |
| title_auth | Global Icons Apertures to the Popular |
| title_exact_search | Global Icons Apertures to the Popular |
| title_exact_search_txtP | Global Icons Apertures to the Popular |
| title_full | Global Icons Apertures to the Popular Bishnupriya Ghosh |
| title_fullStr | Global Icons Apertures to the Popular Bishnupriya Ghosh |
| title_full_unstemmed | Global Icons Apertures to the Popular Bishnupriya Ghosh |
| title_short | Global Icons |
| title_sort | global icons apertures to the popular |
| title_sub | Apertures to the Popular |
| topic | SOCIAL SCIENCE / Women's Studies bisacsh Celebrities Mass media Popular culture Signs and symbols |
| topic_facet | SOCIAL SCIENCE / Women's Studies Celebrities Mass media Popular culture Signs and symbols |
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