Thomas Kinkade: The Artist in the Mall
Often featuring lighthouses, bridges, or quaint country homes, Thomas Kinkade's soft-focus landscapes have permeated American visual culture during the past twenty years, appearing on everything from Bibles to bedsheets to credit cards. Kinkade sells his work through his shopping-mall galleries...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2011]
|
| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-739 URL des Erstveröffentlichers |
| Zusammenfassung: | Often featuring lighthouses, bridges, or quaint country homes, Thomas Kinkade's soft-focus landscapes have permeated American visual culture during the past twenty years, appearing on everything from Bibles to bedsheets to credit cards. Kinkade sells his work through his shopping-mall galleries, QVC, the Internet, and Christian stores. He is quite possibly the most collected artist in the United States. While many art-world and academic critics have dismissed him as a passing fad or marketing phenomenon, the contributors to this collection do not. Instead, they explore his work and its impact on contemporary art as part of the broader history of American visual culture. They consider Kinkade's imagery and career in relation to nineteenth-century Currier and Ives prints and Andres Serrano's Piss Christ, the collectibles market and the fine-art market, the Thomas Kinkade Museum and Cultural Center, and "The Village at Hiddenbrooke," a California housing development inspired by Kinkade's paintings. The conceptual artist Jeffrey Vallance, the curator of the first major museum exhibition of Kinkade's art and collectibles, recounts his experiences organizing that show. All of the contributors draw on art history, visual culture, and cultural studies as they seek to understand Kinkade's significance for both art and audiences. Along the way, they delve into questions about beauty, class, kitsch, religion, and taste in contemporary art.Contributors. Julia Alderson, Alexis L. Boylan , Anna Brzyski, Seth Feman, Monica Kjellman-Chapin, Micki McElya, Karal Ann Marling, David Morgan, Christopher Pearson, Andrea Wolk Rager, Jeffrey Vallance |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) |
| Beschreibung: | 1 online resource (302 pages) 35 illustrations, incl. 13 in color |
| ISBN: | 9780822393399 |
| DOI: | 10.1515/9780822393399 |
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| 520 | |a Often featuring lighthouses, bridges, or quaint country homes, Thomas Kinkade's soft-focus landscapes have permeated American visual culture during the past twenty years, appearing on everything from Bibles to bedsheets to credit cards. Kinkade sells his work through his shopping-mall galleries, QVC, the Internet, and Christian stores. He is quite possibly the most collected artist in the United States. While many art-world and academic critics have dismissed him as a passing fad or marketing phenomenon, the contributors to this collection do not. Instead, they explore his work and its impact on contemporary art as part of the broader history of American visual culture. They consider Kinkade's imagery and career in relation to nineteenth-century Currier and Ives prints and Andres Serrano's Piss Christ, the collectibles market and the fine-art market, the Thomas Kinkade Museum and Cultural Center, and "The Village at Hiddenbrooke," a California housing development inspired by Kinkade's paintings. The conceptual artist Jeffrey Vallance, the curator of the first major museum exhibition of Kinkade's art and collectibles, recounts his experiences organizing that show. All of the contributors draw on art history, visual culture, and cultural studies as they seek to understand Kinkade's significance for both art and audiences. Along the way, they delve into questions about beauty, class, kitsch, religion, and taste in contemporary art.Contributors. Julia Alderson, Alexis L. Boylan , Anna Brzyski, Seth Feman, Monica Kjellman-Chapin, Micki McElya, Karal Ann Marling, David Morgan, Christopher Pearson, Andrea Wolk Rager, Jeffrey Vallance | ||
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Datensatz im Suchindex
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| author2 | Boylan, Alexis L. 1972- |
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| dewey-ones | 759 - History, geographic treatment, biography |
| dewey-raw | 759.13 |
| dewey-search | 759.13 |
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| discipline | Kunstgeschichte |
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| id | DE-604.BV047049121 |
| illustrated | Illustrated |
| index_date | 2024-07-03T16:07:30Z |
| indexdate | 2025-02-19T17:29:41Z |
| institution | BVB |
| isbn | 9780822393399 |
| language | English |
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| physical | 1 online resource (302 pages) 35 illustrations, incl. 13 in color |
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| spelling | Thomas Kinkade The Artist in the Mall Alexis L. Boylan Durham Duke University Press [2011] © 2011 1 online resource (302 pages) 35 illustrations, incl. 13 in color txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) Often featuring lighthouses, bridges, or quaint country homes, Thomas Kinkade's soft-focus landscapes have permeated American visual culture during the past twenty years, appearing on everything from Bibles to bedsheets to credit cards. Kinkade sells his work through his shopping-mall galleries, QVC, the Internet, and Christian stores. He is quite possibly the most collected artist in the United States. While many art-world and academic critics have dismissed him as a passing fad or marketing phenomenon, the contributors to this collection do not. Instead, they explore his work and its impact on contemporary art as part of the broader history of American visual culture. They consider Kinkade's imagery and career in relation to nineteenth-century Currier and Ives prints and Andres Serrano's Piss Christ, the collectibles market and the fine-art market, the Thomas Kinkade Museum and Cultural Center, and "The Village at Hiddenbrooke," a California housing development inspired by Kinkade's paintings. The conceptual artist Jeffrey Vallance, the curator of the first major museum exhibition of Kinkade's art and collectibles, recounts his experiences organizing that show. All of the contributors draw on art history, visual culture, and cultural studies as they seek to understand Kinkade's significance for both art and audiences. Along the way, they delve into questions about beauty, class, kitsch, religion, and taste in contemporary art.Contributors. Julia Alderson, Alexis L. Boylan , Anna Brzyski, Seth Feman, Monica Kjellman-Chapin, Micki McElya, Karal Ann Marling, David Morgan, Christopher Pearson, Andrea Wolk Rager, Jeffrey Vallance In English ART / Individual Artists / General bisacsh Christian art and symbolism United States Boylan, Alexis L. 1972- (DE-588)1014137802 edt Feman, Seth Sonstige oth Marling, Karal Ann 1943- Sonstige (DE-588)172249430 oth McElya, Micki 1972- Sonstige (DE-588)133692515 oth Morgan, David Sonstige oth https://doi.org/10.1515/9780822393399 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Thomas Kinkade The Artist in the Mall ART / Individual Artists / General bisacsh Christian art and symbolism United States |
| title | Thomas Kinkade The Artist in the Mall |
| title_auth | Thomas Kinkade The Artist in the Mall |
| title_exact_search | Thomas Kinkade The Artist in the Mall |
| title_exact_search_txtP | Thomas Kinkade The Artist in the Mall |
| title_full | Thomas Kinkade The Artist in the Mall Alexis L. Boylan |
| title_fullStr | Thomas Kinkade The Artist in the Mall Alexis L. Boylan |
| title_full_unstemmed | Thomas Kinkade The Artist in the Mall Alexis L. Boylan |
| title_short | Thomas Kinkade |
| title_sort | thomas kinkade the artist in the mall |
| title_sub | The Artist in the Mall |
| topic | ART / Individual Artists / General bisacsh Christian art and symbolism United States |
| topic_facet | ART / Individual Artists / General Christian art and symbolism United States |
| url | https://doi.org/10.1515/9780822393399 |
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