Making Samba: A New History of Race and Music in Brazil
In November 1916, a young Afro-Brazilian musician named Donga registered sheet music for the song "Pelo telefone" ("On the Telephone") at the National Library in Rio de Janeiro. This apparently simple act-claiming ownership of a musical composition-set in motion a series of event...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2013]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | In November 1916, a young Afro-Brazilian musician named Donga registered sheet music for the song "Pelo telefone" ("On the Telephone") at the National Library in Rio de Janeiro. This apparently simple act-claiming ownership of a musical composition-set in motion a series of events that would shake Brazil's cultural landscape. Before the debut of "Pelo telephone," samba was a somewhat obscure term, but by the late 1920s, the wildly popular song had helped to make it synonymous with Brazilian national music.The success of "Pelo telephone" embroiled Donga in controversy. A group of musicians claimed that he had stolen their work, and a prominent journalist accused him of selling out his people in pursuit of profit and fame. Within this single episode are many of the concerns that animate Making Samba, including intellectual property claims, the Brazilian state, popular music, race, gender, national identity, and the history of Afro-Brazilians in Rio de Janeiro. By tracing the careers of Rio's pioneering black musicians from the late nineteenth century until the 1970s, Marc A. Hertzman revises the histories of samba and of Brazilian national culture |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) |
| Beschreibung: | 1 online resource (392 pages) 1 map, 16 figures |
| ISBN: | 9780822391906 |
| DOI: | 10.1515/9780822391906 |
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| 520 | |a In November 1916, a young Afro-Brazilian musician named Donga registered sheet music for the song "Pelo telefone" ("On the Telephone") at the National Library in Rio de Janeiro. This apparently simple act-claiming ownership of a musical composition-set in motion a series of events that would shake Brazil's cultural landscape. Before the debut of "Pelo telephone," samba was a somewhat obscure term, but by the late 1920s, the wildly popular song had helped to make it synonymous with Brazilian national music.The success of "Pelo telephone" embroiled Donga in controversy. A group of musicians claimed that he had stolen their work, and a prominent journalist accused him of selling out his people in pursuit of profit and fame. Within this single episode are many of the concerns that animate Making Samba, including intellectual property claims, the Brazilian state, popular music, race, gender, national identity, and the history of Afro-Brazilians in Rio de Janeiro. By tracing the careers of Rio's pioneering black musicians from the late nineteenth century until the 1970s, Marc A. Hertzman revises the histories of samba and of Brazilian national culture | ||
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Datensatz im Suchindex
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| index_date | 2024-07-03T16:07:30Z |
| indexdate | 2024-07-10T09:01:09Z |
| institution | BVB |
| isbn | 9780822391906 |
| language | English |
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| physical | 1 online resource (392 pages) 1 map, 16 figures |
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| spelling | Hertzman, Marc A Verfasser aut Making Samba A New History of Race and Music in Brazil Marc A Hertzman Durham Duke University Press [2013] © 2013 1 online resource (392 pages) 1 map, 16 figures txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) In November 1916, a young Afro-Brazilian musician named Donga registered sheet music for the song "Pelo telefone" ("On the Telephone") at the National Library in Rio de Janeiro. This apparently simple act-claiming ownership of a musical composition-set in motion a series of events that would shake Brazil's cultural landscape. Before the debut of "Pelo telephone," samba was a somewhat obscure term, but by the late 1920s, the wildly popular song had helped to make it synonymous with Brazilian national music.The success of "Pelo telephone" embroiled Donga in controversy. A group of musicians claimed that he had stolen their work, and a prominent journalist accused him of selling out his people in pursuit of profit and fame. Within this single episode are many of the concerns that animate Making Samba, including intellectual property claims, the Brazilian state, popular music, race, gender, national identity, and the history of Afro-Brazilians in Rio de Janeiro. By tracing the careers of Rio's pioneering black musicians from the late nineteenth century until the 1970s, Marc A. Hertzman revises the histories of samba and of Brazilian national culture In English HISTORY / Latin America / South America bisacsh Blacks Race identity Brazil Blacks Brazil Music History Music and race Brazil History Sambas Social aspects Brazil History Sambas Brazil History https://doi.org/10.1515/9780822391906 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Hertzman, Marc A Making Samba A New History of Race and Music in Brazil HISTORY / Latin America / South America bisacsh Blacks Race identity Brazil Blacks Brazil Music History Music and race Brazil History Sambas Social aspects Brazil History Sambas Brazil History |
| title | Making Samba A New History of Race and Music in Brazil |
| title_auth | Making Samba A New History of Race and Music in Brazil |
| title_exact_search | Making Samba A New History of Race and Music in Brazil |
| title_exact_search_txtP | Making Samba A New History of Race and Music in Brazil |
| title_full | Making Samba A New History of Race and Music in Brazil Marc A Hertzman |
| title_fullStr | Making Samba A New History of Race and Music in Brazil Marc A Hertzman |
| title_full_unstemmed | Making Samba A New History of Race and Music in Brazil Marc A Hertzman |
| title_short | Making Samba |
| title_sort | making samba a new history of race and music in brazil |
| title_sub | A New History of Race and Music in Brazil |
| topic | HISTORY / Latin America / South America bisacsh Blacks Race identity Brazil Blacks Brazil Music History Music and race Brazil History Sambas Social aspects Brazil History Sambas Brazil History |
| topic_facet | HISTORY / Latin America / South America Blacks Race identity Brazil Blacks Brazil Music History Music and race Brazil History Sambas Social aspects Brazil History Sambas Brazil History |
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