Still Moving: Between Cinema and Photography
In Still Moving noted artists, filmmakers, art historians, and film scholars explore the boundary between cinema and photography. The interconnectedness of the two media has emerged as a critical concern for scholars in the field of cinema studies responding to new media technologies, and for those...
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| Other Authors: | , , , , , , , , , , , , , , |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Durham
Duke University Press
[2008]
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| Series: | e-Duke books scholarly collection
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| Subjects: | |
| Online Access: | DE-1043 DE-1046 DE-859 DE-860 DE-473 DE-739 DE-858 Volltext |
| Summary: | In Still Moving noted artists, filmmakers, art historians, and film scholars explore the boundary between cinema and photography. The interconnectedness of the two media has emerged as a critical concern for scholars in the field of cinema studies responding to new media technologies, and for those in the field of art history confronting the ubiquity of film, video, and the projected image in contemporary art practice. Engaging still, moving, and ambiguous images from a wide range of geographical spaces and historical moments, the contributors to this volume address issues of indexicality, medium specificity, and hybridity as they examine how cinema and photography have developed and defined themselves through and against one another.Foregrounding the productive tension between stasis and motion, two terms inherent to cinema and to photography, the contributors trace the shifting contours of the encounter between still and moving images across the realms of narrative and avant-garde film, photography, and installation art. Still Moving suggests that art historians and film scholars must rethink their disciplinary objects and boundaries, and that the question of medium specificity is a necessarily interdisciplinary question. From a variety of perspectives, the contributors take up that challenge, offering new ways to think about what contemporary visual practice is and what it will become.Contributors: George Baker, Rebecca Baron, Karen Beckman, Raymond Bellour, Zoe Beloff,Timothy Corrigan, Nancy Davenport, Atom Egoyan, Rita Gonzalez, Tom Gunning, Louis Kaplan,Jean Ma, Janet Sarbanes, Juan A. Suárez |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
| Physical Description: | 1 online resource (323 pages) 57 b&w photographs |
| ISBN: | 9780822391432 |
| DOI: | 10.1515/9780822391432 |
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| 520 | |a In Still Moving noted artists, filmmakers, art historians, and film scholars explore the boundary between cinema and photography. The interconnectedness of the two media has emerged as a critical concern for scholars in the field of cinema studies responding to new media technologies, and for those in the field of art history confronting the ubiquity of film, video, and the projected image in contemporary art practice. Engaging still, moving, and ambiguous images from a wide range of geographical spaces and historical moments, the contributors to this volume address issues of indexicality, medium specificity, and hybridity as they examine how cinema and photography have developed and defined themselves through and against one another.Foregrounding the productive tension between stasis and motion, two terms inherent to cinema and to photography, the contributors trace the shifting contours of the encounter between still and moving images across the realms of narrative and avant-garde film, photography, and installation art. Still Moving suggests that art historians and film scholars must rethink their disciplinary objects and boundaries, and that the question of medium specificity is a necessarily interdisciplinary question. From a variety of perspectives, the contributors take up that challenge, offering new ways to think about what contemporary visual practice is and what it will become.Contributors: George Baker, Rebecca Baron, Karen Beckman, Raymond Bellour, Zoe Beloff,Timothy Corrigan, Nancy Davenport, Atom Egoyan, Rita Gonzalez, Tom Gunning, Louis Kaplan,Jean Ma, Janet Sarbanes, Juan A. Suárez | ||
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| author2 | Atom, Egoyan George, Baker Jean, Ma Juan, Suárez Karen, Beckman Louis, Kaplan Ma, Jean Nancy, Davenport Raymond, Bellour Rebecca, Baron Redrobe Beckman, Karen Rita, Gonzalez Timothy, Corrigan Tom, Gunning Zoe, Beloff |
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| author_facet | Atom, Egoyan George, Baker Jean, Ma Juan, Suárez Karen, Beckman Louis, Kaplan Ma, Jean Nancy, Davenport Raymond, Bellour Rebecca, Baron Redrobe Beckman, Karen Rita, Gonzalez Timothy, Corrigan Tom, Gunning Zoe, Beloff |
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| discipline | Allgemeines |
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| doi_str_mv | 10.1515/9780822391432 |
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| spelling | Still Moving Between Cinema and Photography Karen Redrobe Beckman, Jean Ma Durham Duke University Press [2008] © 2008 1 online resource (323 pages) 57 b&w photographs txt rdacontent c rdamedia cr rdacarrier e-Duke books scholarly collection Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) In Still Moving noted artists, filmmakers, art historians, and film scholars explore the boundary between cinema and photography. The interconnectedness of the two media has emerged as a critical concern for scholars in the field of cinema studies responding to new media technologies, and for those in the field of art history confronting the ubiquity of film, video, and the projected image in contemporary art practice. Engaging still, moving, and ambiguous images from a wide range of geographical spaces and historical moments, the contributors to this volume address issues of indexicality, medium specificity, and hybridity as they examine how cinema and photography have developed and defined themselves through and against one another.Foregrounding the productive tension between stasis and motion, two terms inherent to cinema and to photography, the contributors trace the shifting contours of the encounter between still and moving images across the realms of narrative and avant-garde film, photography, and installation art. Still Moving suggests that art historians and film scholars must rethink their disciplinary objects and boundaries, and that the question of medium specificity is a necessarily interdisciplinary question. From a variety of perspectives, the contributors take up that challenge, offering new ways to think about what contemporary visual practice is and what it will become.Contributors: George Baker, Rebecca Baron, Karen Beckman, Raymond Bellour, Zoe Beloff,Timothy Corrigan, Nancy Davenport, Atom Egoyan, Rita Gonzalez, Tom Gunning, Louis Kaplan,Jean Ma, Janet Sarbanes, Juan A. Suárez In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Installations (Art) Motion pictures Photography Atom, Egoyan ctb Corrigan, Timothy Sonstige oth George, Baker ctb Gunning, Tom Sonstige oth Jean, Ma ctb Juan, Suárez ctb Karen, Beckman ctb Louis, Kaplan ctb Ma, Jean edt Nancy, Davenport ctb Raymond, Bellour ctb Rebecca, Baron ctb Redrobe Beckman, Karen edt Rita, Gonzalez ctb Timothy, Corrigan ctb Tom, Gunning ctb Zoe, Beloff ctb https://doi.org/10.1515/9780822391432 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Still Moving Between Cinema and Photography PERFORMING ARTS / Film & Video / History & Criticism bisacsh Installations (Art) Motion pictures Photography |
| title | Still Moving Between Cinema and Photography |
| title_auth | Still Moving Between Cinema and Photography |
| title_exact_search | Still Moving Between Cinema and Photography |
| title_exact_search_txtP | Still Moving Between Cinema and Photography |
| title_full | Still Moving Between Cinema and Photography Karen Redrobe Beckman, Jean Ma |
| title_fullStr | Still Moving Between Cinema and Photography Karen Redrobe Beckman, Jean Ma |
| title_full_unstemmed | Still Moving Between Cinema and Photography Karen Redrobe Beckman, Jean Ma |
| title_short | Still Moving |
| title_sort | still moving between cinema and photography |
| title_sub | Between Cinema and Photography |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Installations (Art) Motion pictures Photography |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Installations (Art) Motion pictures Photography |
| url | https://doi.org/10.1515/9780822391432 |
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