The Witch's Flight: The Cinematic, the Black Femme, and the Image of Common Sense
Kara Keeling contends that cinema and cinematic processes had a profound significance for twentieth-century anticapitalist Black Liberation movements based in the United States. Drawing on Gilles Deleuze's notion of "the cinematic"-not just as a phenomenon confined to moving-image med...
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | , |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2007]
|
| Schriftenreihe: | Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | Kara Keeling contends that cinema and cinematic processes had a profound significance for twentieth-century anticapitalist Black Liberation movements based in the United States. Drawing on Gilles Deleuze's notion of "the cinematic"-not just as a phenomenon confined to moving-image media such as film and television but as a set of processes involved in the production and reproduction of social reality itself -Keeling describes how the cinematic structures racism, homophobia, and misogyny, and, in the process, denies viewers access to certain images and ways of knowing. She theorizes the black femme as a figure who, even when not explicitly represented within hegemonic cinematic formulations of raced and gendered subjectivities, nonetheless haunts those representations, threatening to disrupt them by making alternative social arrangements visible.Keeling draws on the thought of Frantz Fanon, Angela Davis, Karl Marx, Antonio Gramsci, and others in addition to Deleuze. She pursues the elusive figure of the black femme through Haile Gerima's film Sankofa, images of women in the Black Panther Party, Pam Grier's roles in the blaxploitation films of the early 1970s, F. Gary Gray's film Set It Off, and Kasi Lemmons's Eve's Bayou |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
| Beschreibung: | 1 online resource (222 pages) 1 b&w photo |
| ISBN: | 9780822390145 |
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| 520 | |a Kara Keeling contends that cinema and cinematic processes had a profound significance for twentieth-century anticapitalist Black Liberation movements based in the United States. Drawing on Gilles Deleuze's notion of "the cinematic"-not just as a phenomenon confined to moving-image media such as film and television but as a set of processes involved in the production and reproduction of social reality itself -Keeling describes how the cinematic structures racism, homophobia, and misogyny, and, in the process, denies viewers access to certain images and ways of knowing. She theorizes the black femme as a figure who, even when not explicitly represented within hegemonic cinematic formulations of raced and gendered subjectivities, nonetheless haunts those representations, threatening to disrupt them by making alternative social arrangements visible.Keeling draws on the thought of Frantz Fanon, Angela Davis, Karl Marx, Antonio Gramsci, and others in addition to Deleuze. She pursues the elusive figure of the black femme through Haile Gerima's film Sankofa, images of women in the Black Panther Party, Pam Grier's roles in the blaxploitation films of the early 1970s, F. Gary Gray's film Set It Off, and Kasi Lemmons's Eve's Bayou | ||
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Datensatz im Suchindex
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| index_date | 2024-07-03T16:07:29Z |
| indexdate | 2024-07-10T09:01:08Z |
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| isbn | 9780822390145 |
| language | English |
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| series2 | Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe |
| spelling | Keeling, Kara Verfasser aut The Witch's Flight The Cinematic, the Black Femme, and the Image of Common Sense Kara Keeling; Lisa Lowe, Judith Halberstam Durham Duke University Press [2007] © 2007 1 online resource (222 pages) 1 b&w photo txt rdacontent c rdamedia cr rdacarrier Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) Kara Keeling contends that cinema and cinematic processes had a profound significance for twentieth-century anticapitalist Black Liberation movements based in the United States. Drawing on Gilles Deleuze's notion of "the cinematic"-not just as a phenomenon confined to moving-image media such as film and television but as a set of processes involved in the production and reproduction of social reality itself -Keeling describes how the cinematic structures racism, homophobia, and misogyny, and, in the process, denies viewers access to certain images and ways of knowing. She theorizes the black femme as a figure who, even when not explicitly represented within hegemonic cinematic formulations of raced and gendered subjectivities, nonetheless haunts those representations, threatening to disrupt them by making alternative social arrangements visible.Keeling draws on the thought of Frantz Fanon, Angela Davis, Karl Marx, Antonio Gramsci, and others in addition to Deleuze. She pursues the elusive figure of the black femme through Haile Gerima's film Sankofa, images of women in the Black Panther Party, Pam Grier's roles in the blaxploitation films of the early 1970s, F. Gary Gray's film Set It Off, and Kasi Lemmons's Eve's Bayou In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Queer theory Race in motion pictures Sex in motion pictures Sex role in motion pictures Halberstam, Judith edt Lowe, Lisa edt https://www.degruyter.com/isbn/9780822390145 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Keeling, Kara The Witch's Flight The Cinematic, the Black Femme, and the Image of Common Sense PERFORMING ARTS / Film & Video / History & Criticism bisacsh Queer theory Race in motion pictures Sex in motion pictures Sex role in motion pictures |
| title | The Witch's Flight The Cinematic, the Black Femme, and the Image of Common Sense |
| title_auth | The Witch's Flight The Cinematic, the Black Femme, and the Image of Common Sense |
| title_exact_search | The Witch's Flight The Cinematic, the Black Femme, and the Image of Common Sense |
| title_exact_search_txtP | The Witch's Flight The Cinematic, the Black Femme, and the Image of Common Sense |
| title_full | The Witch's Flight The Cinematic, the Black Femme, and the Image of Common Sense Kara Keeling; Lisa Lowe, Judith Halberstam |
| title_fullStr | The Witch's Flight The Cinematic, the Black Femme, and the Image of Common Sense Kara Keeling; Lisa Lowe, Judith Halberstam |
| title_full_unstemmed | The Witch's Flight The Cinematic, the Black Femme, and the Image of Common Sense Kara Keeling; Lisa Lowe, Judith Halberstam |
| title_short | The Witch's Flight |
| title_sort | the witch s flight the cinematic the black femme and the image of common sense |
| title_sub | The Cinematic, the Black Femme, and the Image of Common Sense |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Queer theory Race in motion pictures Sex in motion pictures Sex role in motion pictures |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Queer theory Race in motion pictures Sex in motion pictures Sex role in motion pictures |
| url | https://www.degruyter.com/isbn/9780822390145 |
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