Soul Covers: Rhythm and Blues Remakes and the Struggle for Artistic Identity (Aretha Franklin, Al Green, Phoebe Snow)
Soul Covers is an engaging look at how three very different rhythm and blues performers-Aretha Franklin, Al Green, and Phoebe Snow-used cover songs to negotiate questions of artistic, racial, and personal authenticity. Through close readings of song lyrics and the performers' statements about t...
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | , |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2007]
|
| Schriftenreihe: | Refiguring American Music
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UBT01 UPA01 Volltext |
| Zusammenfassung: | Soul Covers is an engaging look at how three very different rhythm and blues performers-Aretha Franklin, Al Green, and Phoebe Snow-used cover songs to negotiate questions of artistic, racial, and personal authenticity. Through close readings of song lyrics and the performers' statements about their lives and work, the literary critic Michael Awkward traces how Franklin, Green, and Snow crafted their own musical identities partly by taking up songs associated with artists such as Dinah Washington, Hank Williams, Willie Nelson, George Gershwin, Billie Holiday, and the Supremes.Awkward sees Franklin's early album Unforgettable: A Tribute to Dinah Washington, released shortly after Washington's death in 1964, as an attempt by a struggling young singer to replace her idol as the acknowledged queen of the black female vocal tradition. He contends that Green's album Call Me (1973) reveals the performer's attempt to achieve formal coherence by uniting seemingly irreconcilable aspects of his personal history, including his career in popular music and his religious yearnings, as well as his sense of himself as both a cosmopolitan black artist and a forlorn country boy. Turning to Snow's album Second Childhood (1976), Awkward suggests that through covers of blues and soul songs, Snow, a white Jewish woman from New York, explored what it means for non-black enthusiasts to perform works considered by many to be black cultural productions. The only book-length examination of the role of remakes in American popular music, Soul Covers is itself a refreshing new take on the lives and work of three established soul artists |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
| Beschreibung: | 1 online resource (275 pages) 3 illustrations |
| ISBN: | 9780822389491 |
| DOI: | 10.1515/9780822389491 |
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| 520 | |a Soul Covers is an engaging look at how three very different rhythm and blues performers-Aretha Franklin, Al Green, and Phoebe Snow-used cover songs to negotiate questions of artistic, racial, and personal authenticity. Through close readings of song lyrics and the performers' statements about their lives and work, the literary critic Michael Awkward traces how Franklin, Green, and Snow crafted their own musical identities partly by taking up songs associated with artists such as Dinah Washington, Hank Williams, Willie Nelson, George Gershwin, Billie Holiday, and the Supremes.Awkward sees Franklin's early album Unforgettable: A Tribute to Dinah Washington, released shortly after Washington's death in 1964, as an attempt by a struggling young singer to replace her idol as the acknowledged queen of the black female vocal tradition. He contends that Green's album Call Me (1973) reveals the performer's attempt to achieve formal coherence by uniting seemingly irreconcilable aspects of his personal history, including his career in popular music and his religious yearnings, as well as his sense of himself as both a cosmopolitan black artist and a forlorn country boy. Turning to Snow's album Second Childhood (1976), Awkward suggests that through covers of blues and soul songs, Snow, a white Jewish woman from New York, explored what it means for non-black enthusiasts to perform works considered by many to be black cultural productions. The only book-length examination of the role of remakes in American popular music, Soul Covers is itself a refreshing new take on the lives and work of three established soul artists | ||
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Datensatz im Suchindex
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| id | DE-604.BV047048776 |
| illustrated | Illustrated |
| index_date | 2024-07-03T16:07:29Z |
| indexdate | 2024-07-10T09:01:08Z |
| institution | BVB |
| isbn | 9780822389491 |
| language | English |
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| physical | 1 online resource (275 pages) 3 illustrations |
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| series2 | Refiguring American Music |
| spelling | Awkward, Michael Verfasser (DE-588)106293878X aut Soul Covers Rhythm and Blues Remakes and the Struggle for Artistic Identity (Aretha Franklin, Al Green, Phoebe Snow) Michael Awkward; Charles McGovern, Ronald Radano Durham Duke University Press [2007] © 2007 1 online resource (275 pages) 3 illustrations txt rdacontent c rdamedia cr rdacarrier Refiguring American Music Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) Soul Covers is an engaging look at how three very different rhythm and blues performers-Aretha Franklin, Al Green, and Phoebe Snow-used cover songs to negotiate questions of artistic, racial, and personal authenticity. Through close readings of song lyrics and the performers' statements about their lives and work, the literary critic Michael Awkward traces how Franklin, Green, and Snow crafted their own musical identities partly by taking up songs associated with artists such as Dinah Washington, Hank Williams, Willie Nelson, George Gershwin, Billie Holiday, and the Supremes.Awkward sees Franklin's early album Unforgettable: A Tribute to Dinah Washington, released shortly after Washington's death in 1964, as an attempt by a struggling young singer to replace her idol as the acknowledged queen of the black female vocal tradition. He contends that Green's album Call Me (1973) reveals the performer's attempt to achieve formal coherence by uniting seemingly irreconcilable aspects of his personal history, including his career in popular music and his religious yearnings, as well as his sense of himself as both a cosmopolitan black artist and a forlorn country boy. Turning to Snow's album Second Childhood (1976), Awkward suggests that through covers of blues and soul songs, Snow, a white Jewish woman from New York, explored what it means for non-black enthusiasts to perform works considered by many to be black cultural productions. The only book-length examination of the role of remakes in American popular music, Soul Covers is itself a refreshing new take on the lives and work of three established soul artists In English MUSIC / Genres & Styles / Soul & R 'n B. bisacsh Soul music History and criticism McGovern, Charles edt Radano, Ronald 19XX- (DE-588)130370843 edt https://doi.org/10.1515/9780822389491 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Awkward, Michael Soul Covers Rhythm and Blues Remakes and the Struggle for Artistic Identity (Aretha Franklin, Al Green, Phoebe Snow) MUSIC / Genres & Styles / Soul & R 'n B. bisacsh Soul music History and criticism |
| title | Soul Covers Rhythm and Blues Remakes and the Struggle for Artistic Identity (Aretha Franklin, Al Green, Phoebe Snow) |
| title_auth | Soul Covers Rhythm and Blues Remakes and the Struggle for Artistic Identity (Aretha Franklin, Al Green, Phoebe Snow) |
| title_exact_search | Soul Covers Rhythm and Blues Remakes and the Struggle for Artistic Identity (Aretha Franklin, Al Green, Phoebe Snow) |
| title_exact_search_txtP | Soul Covers Rhythm and Blues Remakes and the Struggle for Artistic Identity (Aretha Franklin, Al Green, Phoebe Snow) |
| title_full | Soul Covers Rhythm and Blues Remakes and the Struggle for Artistic Identity (Aretha Franklin, Al Green, Phoebe Snow) Michael Awkward; Charles McGovern, Ronald Radano |
| title_fullStr | Soul Covers Rhythm and Blues Remakes and the Struggle for Artistic Identity (Aretha Franklin, Al Green, Phoebe Snow) Michael Awkward; Charles McGovern, Ronald Radano |
| title_full_unstemmed | Soul Covers Rhythm and Blues Remakes and the Struggle for Artistic Identity (Aretha Franklin, Al Green, Phoebe Snow) Michael Awkward; Charles McGovern, Ronald Radano |
| title_short | Soul Covers |
| title_sort | soul covers rhythm and blues remakes and the struggle for artistic identity aretha franklin al green phoebe snow |
| title_sub | Rhythm and Blues Remakes and the Struggle for Artistic Identity (Aretha Franklin, Al Green, Phoebe Snow) |
| topic | MUSIC / Genres & Styles / Soul & R 'n B. bisacsh Soul music History and criticism |
| topic_facet | MUSIC / Genres & Styles / Soul & R 'n B. Soul music History and criticism |
| url | https://doi.org/10.1515/9780822389491 |
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