Mobilizing India: Women, Music, and Migration between India and Trinidad
Descendants of indentured laborers brought from India to the Caribbean between 1845 and 1917 comprise more than forty percent of Trinidad's population today. While many Indo-Trinidadians identify themselves as Indian, what "Indian" signifies-about nationalism, gender, culture, caste,...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Durham
Duke University Press
[2006]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UBT01 UPA01 Volltext |
| Zusammenfassung: | Descendants of indentured laborers brought from India to the Caribbean between 1845 and 1917 comprise more than forty percent of Trinidad's population today. While many Indo-Trinidadians identify themselves as Indian, what "Indian" signifies-about nationalism, gender, culture, caste, race, and religion-in the Caribbean is different from what it means on the subcontinent. Yet the ways that "Indianness" is conceived of and performed in India and in Trinidad have historically been, and remain, intimately related. Offering an innovative analysis of how ideas of Indian identity negotiated within the Indian diaspora in Trinidad affect cultural identities "back home," Tejaswini Niranjana models a necessary project: comparative research across the global South, scholarship that decenters the "first world" West as the referent against which postcolonial subjects understand themselves and are understood by others.Niranjana draws on nineteenth-century travel narratives, anthropological and historical studies of Trinidad, Hindi film music, and the lyrics, performance, and reception of chutney-soca and calypso songs to argue that perceptions of Indian female sexuality in Trinidad have long been central to the formation and disruption of dominant narratives of nationhood, modernity, and normative sexuality in India. She illuminates debates in India about "the woman question" as they played out in the early-twentieth-century campaign against indentured servitude in the tropics. In so doing, she reveals India's disavowal of the indentured woman-viewed as morally depraved by her forced labor in Trinidad-as central to its own anticolonial struggle. Turning to the present, Niranjana looks to Trinidad's most dynamic site of cultural negotiation: popular music. She describes how contested ideas of Indian femininity are staged by contemporary Trinidadian musicians-male and female, of both Indian and African descent-in genres ranging from new hybrids like chutney-soca to the older but still vibrant music of Afro-Caribbean calypso |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
| Beschreibung: | 1 online resource (288 pages) 46 b&w photos |
| ISBN: | 9780822388425 |
| DOI: | 10.1515/9780822388425 |
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| 520 | |a Descendants of indentured laborers brought from India to the Caribbean between 1845 and 1917 comprise more than forty percent of Trinidad's population today. While many Indo-Trinidadians identify themselves as Indian, what "Indian" signifies-about nationalism, gender, culture, caste, race, and religion-in the Caribbean is different from what it means on the subcontinent. Yet the ways that "Indianness" is conceived of and performed in India and in Trinidad have historically been, and remain, intimately related. | ||
| 520 | |a Offering an innovative analysis of how ideas of Indian identity negotiated within the Indian diaspora in Trinidad affect cultural identities "back home," Tejaswini Niranjana models a necessary project: comparative research across the global South, scholarship that decenters the "first world" West as the referent against which postcolonial subjects understand themselves and are understood by others.Niranjana draws on nineteenth-century travel narratives, anthropological and historical studies of Trinidad, Hindi film music, and the lyrics, performance, and reception of chutney-soca and calypso songs to argue that perceptions of Indian female sexuality in Trinidad have long been central to the formation and disruption of dominant narratives of nationhood, modernity, and normative sexuality in India. She illuminates debates in India about "the woman question" as they played out in the early-twentieth-century campaign against indentured servitude in the tropics. | ||
| 520 | |a In so doing, she reveals India's disavowal of the indentured woman-viewed as morally depraved by her forced labor in Trinidad-as central to its own anticolonial struggle. Turning to the present, Niranjana looks to Trinidad's most dynamic site of cultural negotiation: popular music. She describes how contested ideas of Indian femininity are staged by contemporary Trinidadian musicians-male and female, of both Indian and African descent-in genres ranging from new hybrids like chutney-soca to the older but still vibrant music of Afro-Caribbean calypso | ||
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:07:29Z |
| indexdate | 2024-07-10T09:01:07Z |
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| isbn | 9780822388425 |
| language | English |
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| spelling | Niranjana, Tejaswini Verfasser aut Mobilizing India Women, Music, and Migration between India and Trinidad Tejaswini Niranjana Durham Duke University Press [2006] © 2006 1 online resource (288 pages) 46 b&w photos txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) Descendants of indentured laborers brought from India to the Caribbean between 1845 and 1917 comprise more than forty percent of Trinidad's population today. While many Indo-Trinidadians identify themselves as Indian, what "Indian" signifies-about nationalism, gender, culture, caste, race, and religion-in the Caribbean is different from what it means on the subcontinent. Yet the ways that "Indianness" is conceived of and performed in India and in Trinidad have historically been, and remain, intimately related. Offering an innovative analysis of how ideas of Indian identity negotiated within the Indian diaspora in Trinidad affect cultural identities "back home," Tejaswini Niranjana models a necessary project: comparative research across the global South, scholarship that decenters the "first world" West as the referent against which postcolonial subjects understand themselves and are understood by others.Niranjana draws on nineteenth-century travel narratives, anthropological and historical studies of Trinidad, Hindi film music, and the lyrics, performance, and reception of chutney-soca and calypso songs to argue that perceptions of Indian female sexuality in Trinidad have long been central to the formation and disruption of dominant narratives of nationhood, modernity, and normative sexuality in India. She illuminates debates in India about "the woman question" as they played out in the early-twentieth-century campaign against indentured servitude in the tropics. In so doing, she reveals India's disavowal of the indentured woman-viewed as morally depraved by her forced labor in Trinidad-as central to its own anticolonial struggle. Turning to the present, Niranjana looks to Trinidad's most dynamic site of cultural negotiation: popular music. She describes how contested ideas of Indian femininity are staged by contemporary Trinidadian musicians-male and female, of both Indian and African descent-in genres ranging from new hybrids like chutney-soca to the older but still vibrant music of Afro-Caribbean calypso In English SOCIAL SCIENCE / Anthropology / Cultural & Social bisacsh East Indians Trinidad and Tobago Trinidad Ethnic identity Gender identity Trinidad and Tobago Trinidad Women singers Trinidad and Tobago Trinidad Social conditions Women Trinidad and Tobago Trinidad Social conditions https://doi.org/10.1515/9780822388425 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Niranjana, Tejaswini Mobilizing India Women, Music, and Migration between India and Trinidad SOCIAL SCIENCE / Anthropology / Cultural & Social bisacsh East Indians Trinidad and Tobago Trinidad Ethnic identity Gender identity Trinidad and Tobago Trinidad Women singers Trinidad and Tobago Trinidad Social conditions Women Trinidad and Tobago Trinidad Social conditions |
| title | Mobilizing India Women, Music, and Migration between India and Trinidad |
| title_auth | Mobilizing India Women, Music, and Migration between India and Trinidad |
| title_exact_search | Mobilizing India Women, Music, and Migration between India and Trinidad |
| title_exact_search_txtP | Mobilizing India Women, Music, and Migration between India and Trinidad |
| title_full | Mobilizing India Women, Music, and Migration between India and Trinidad Tejaswini Niranjana |
| title_fullStr | Mobilizing India Women, Music, and Migration between India and Trinidad Tejaswini Niranjana |
| title_full_unstemmed | Mobilizing India Women, Music, and Migration between India and Trinidad Tejaswini Niranjana |
| title_short | Mobilizing India |
| title_sort | mobilizing india women music and migration between india and trinidad |
| title_sub | Women, Music, and Migration between India and Trinidad |
| topic | SOCIAL SCIENCE / Anthropology / Cultural & Social bisacsh East Indians Trinidad and Tobago Trinidad Ethnic identity Gender identity Trinidad and Tobago Trinidad Women singers Trinidad and Tobago Trinidad Social conditions Women Trinidad and Tobago Trinidad Social conditions |
| topic_facet | SOCIAL SCIENCE / Anthropology / Cultural & Social East Indians Trinidad and Tobago Trinidad Ethnic identity Gender identity Trinidad and Tobago Trinidad Women singers Trinidad and Tobago Trinidad Social conditions Women Trinidad and Tobago Trinidad Social conditions |
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