Making Cinelandia: American Films and Mexican Film Culture before the Golden Age
In the 1920s, as American films came to dominate Mexico's cinemas, many of its cultural and political elites feared that this "Yanqui invasion" would turn Mexico into a cultural vassal of the United States. In Making Cinelandia, Laura Isabel Serna contends that Hollywood films were no...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2014]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | In the 1920s, as American films came to dominate Mexico's cinemas, many of its cultural and political elites feared that this "Yanqui invasion" would turn Mexico into a cultural vassal of the United States. In Making Cinelandia, Laura Isabel Serna contends that Hollywood films were not simply tools of cultural imperialism. Instead, they offered Mexicans on both sides of the border an imaginative and crucial means of participating in global modernity, even as these films and their producers and distributors frequently displayed anti-Mexican bias. Before the Golden Age of Mexican cinema, Mexican audiences used their encounters with American films to construct a national film culture. Drawing on extensive archival research, Serna explores the popular experience of cinemagoing from the perspective of exhibitors, cinema workers, journalists, censors, and fans, showing how Mexican audiences actively engaged with American films to identify more deeply with Mexico |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
| Beschreibung: | 1 online resource (333 pages) 46 illustrations, 3 maps |
| ISBN: | 9780822376798 |
| DOI: | 10.1515/9780822376798 |
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| 520 | |a In the 1920s, as American films came to dominate Mexico's cinemas, many of its cultural and political elites feared that this "Yanqui invasion" would turn Mexico into a cultural vassal of the United States. In Making Cinelandia, Laura Isabel Serna contends that Hollywood films were not simply tools of cultural imperialism. Instead, they offered Mexicans on both sides of the border an imaginative and crucial means of participating in global modernity, even as these films and their producers and distributors frequently displayed anti-Mexican bias. Before the Golden Age of Mexican cinema, Mexican audiences used their encounters with American films to construct a national film culture. Drawing on extensive archival research, Serna explores the popular experience of cinemagoing from the perspective of exhibitors, cinema workers, journalists, censors, and fans, showing how Mexican audiences actively engaged with American films to identify more deeply with Mexico | ||
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| spelling | Serna, Laura Isabel Verfasser aut Making Cinelandia American Films and Mexican Film Culture before the Golden Age Laura Isabel Serna Durham Duke University Press [2014] © 2014 1 online resource (333 pages) 46 illustrations, 3 maps txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) In the 1920s, as American films came to dominate Mexico's cinemas, many of its cultural and political elites feared that this "Yanqui invasion" would turn Mexico into a cultural vassal of the United States. In Making Cinelandia, Laura Isabel Serna contends that Hollywood films were not simply tools of cultural imperialism. Instead, they offered Mexicans on both sides of the border an imaginative and crucial means of participating in global modernity, even as these films and their producers and distributors frequently displayed anti-Mexican bias. Before the Golden Age of Mexican cinema, Mexican audiences used their encounters with American films to construct a national film culture. Drawing on extensive archival research, Serna explores the popular experience of cinemagoing from the perspective of exhibitors, cinema workers, journalists, censors, and fans, showing how Mexican audiences actively engaged with American films to identify more deeply with Mexico In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Mexico History 20th century Motion pictures, American Mexico History 20th century Motion pictures, Mexican History 20th century National characteristics, Mexican, in motion pictures https://doi.org/10.1515/9780822376798 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Serna, Laura Isabel Making Cinelandia American Films and Mexican Film Culture before the Golden Age PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Mexico History 20th century Motion pictures, American Mexico History 20th century Motion pictures, Mexican History 20th century National characteristics, Mexican, in motion pictures |
| title | Making Cinelandia American Films and Mexican Film Culture before the Golden Age |
| title_auth | Making Cinelandia American Films and Mexican Film Culture before the Golden Age |
| title_exact_search | Making Cinelandia American Films and Mexican Film Culture before the Golden Age |
| title_exact_search_txtP | Making Cinelandia American Films and Mexican Film Culture before the Golden Age |
| title_full | Making Cinelandia American Films and Mexican Film Culture before the Golden Age Laura Isabel Serna |
| title_fullStr | Making Cinelandia American Films and Mexican Film Culture before the Golden Age Laura Isabel Serna |
| title_full_unstemmed | Making Cinelandia American Films and Mexican Film Culture before the Golden Age Laura Isabel Serna |
| title_short | Making Cinelandia |
| title_sort | making cinelandia american films and mexican film culture before the golden age |
| title_sub | American Films and Mexican Film Culture before the Golden Age |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Mexico History 20th century Motion pictures, American Mexico History 20th century Motion pictures, Mexican History 20th century National characteristics, Mexican, in motion pictures |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Motion pictures Mexico History 20th century Motion pictures, American Mexico History 20th century Motion pictures, Mexican History 20th century National characteristics, Mexican, in motion pictures |
| url | https://doi.org/10.1515/9780822376798 |
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