Marshall Plan Modernism: Italian Postwar Abstraction and the Beginnings of Autonomia
Focusing on artwork by Lucio Fontana, Alberto Burri, and Piero Manzoni, Jaleh Mansoor demonstrates and reveals how abstract painting, especially the monochrome, broke with fascist-associated futurism and functioned as an index of social transition in postwar Italy. Mansoor refuses to read the singul...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2016]
|
| Schriftenreihe: | Art History Publication Initiative
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 URL des Erstveröffentlichers |
| Zusammenfassung: | Focusing on artwork by Lucio Fontana, Alberto Burri, and Piero Manzoni, Jaleh Mansoor demonstrates and reveals how abstract painting, especially the monochrome, broke with fascist-associated futurism and functioned as an index of social transition in postwar Italy. Mansoor refuses to read the singularly striking formal and procedural violence of Fontana's slit canvasses, Burri's burnt and exploded plastics, and Manzoni's "achromes" as metaphors of traumatic memories of World War II. Rather, she locates the motivation for this violence in the history of the medium of painting and in the economic history of postwar Italy. Reconfiguring the relationship between politics and aesthetics, Mansoor illuminates how the monochrome's reemergence reflected Fontana, Burri, and Manzoni's aesthetic and political critique of the Marshall Plan's economic warfare and growing American hegemony. It also anticipated the struggles in Italy's factories, classrooms, and streets that gave rise to Autonomia in the 1960s. Marshall Plan Modernism refigures our understanding of modernist painting as a project about labor and the geopolitics of postwar reconstruction during the Italian Miracle |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
| Beschreibung: | 1 online resource (304 pages) 26 illustrations, incl. 8 in color |
| ISBN: | 9780822373681 |
| DOI: | 10.1515/9780822373681 |
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| 520 | |a Focusing on artwork by Lucio Fontana, Alberto Burri, and Piero Manzoni, Jaleh Mansoor demonstrates and reveals how abstract painting, especially the monochrome, broke with fascist-associated futurism and functioned as an index of social transition in postwar Italy. Mansoor refuses to read the singularly striking formal and procedural violence of Fontana's slit canvasses, Burri's burnt and exploded plastics, and Manzoni's "achromes" as metaphors of traumatic memories of World War II. Rather, she locates the motivation for this violence in the history of the medium of painting and in the economic history of postwar Italy. Reconfiguring the relationship between politics and aesthetics, Mansoor illuminates how the monochrome's reemergence reflected Fontana, Burri, and Manzoni's aesthetic and political critique of the Marshall Plan's economic warfare and growing American hegemony. It also anticipated the struggles in Italy's factories, classrooms, and streets that gave rise to Autonomia in the 1960s. Marshall Plan Modernism refigures our understanding of modernist painting as a project about labor and the geopolitics of postwar reconstruction during the Italian Miracle | ||
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| index_date | 2024-07-03T16:07:27Z |
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| isbn | 9780822373681 |
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| spelling | Mansoor, Jaleh Verfasser aut Marshall Plan Modernism Italian Postwar Abstraction and the Beginnings of Autonomia Jaleh Mansoor Durham Duke University Press [2016] © 2016 1 online resource (304 pages) 26 illustrations, incl. 8 in color txt rdacontent c rdamedia cr rdacarrier Art History Publication Initiative Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) Focusing on artwork by Lucio Fontana, Alberto Burri, and Piero Manzoni, Jaleh Mansoor demonstrates and reveals how abstract painting, especially the monochrome, broke with fascist-associated futurism and functioned as an index of social transition in postwar Italy. Mansoor refuses to read the singularly striking formal and procedural violence of Fontana's slit canvasses, Burri's burnt and exploded plastics, and Manzoni's "achromes" as metaphors of traumatic memories of World War II. Rather, she locates the motivation for this violence in the history of the medium of painting and in the economic history of postwar Italy. Reconfiguring the relationship between politics and aesthetics, Mansoor illuminates how the monochrome's reemergence reflected Fontana, Burri, and Manzoni's aesthetic and political critique of the Marshall Plan's economic warfare and growing American hegemony. It also anticipated the struggles in Italy's factories, classrooms, and streets that gave rise to Autonomia in the 1960s. Marshall Plan Modernism refigures our understanding of modernist painting as a project about labor and the geopolitics of postwar reconstruction during the Italian Miracle In English ART / European bisacsh Art, Abstract Italy Art, Italian 20th century Modernism (Art) Italy https://doi.org/10.1515/9780822373681 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Mansoor, Jaleh Marshall Plan Modernism Italian Postwar Abstraction and the Beginnings of Autonomia ART / European bisacsh Art, Abstract Italy Art, Italian 20th century Modernism (Art) Italy |
| title | Marshall Plan Modernism Italian Postwar Abstraction and the Beginnings of Autonomia |
| title_auth | Marshall Plan Modernism Italian Postwar Abstraction and the Beginnings of Autonomia |
| title_exact_search | Marshall Plan Modernism Italian Postwar Abstraction and the Beginnings of Autonomia |
| title_exact_search_txtP | Marshall Plan Modernism Italian Postwar Abstraction and the Beginnings of Autonomia |
| title_full | Marshall Plan Modernism Italian Postwar Abstraction and the Beginnings of Autonomia Jaleh Mansoor |
| title_fullStr | Marshall Plan Modernism Italian Postwar Abstraction and the Beginnings of Autonomia Jaleh Mansoor |
| title_full_unstemmed | Marshall Plan Modernism Italian Postwar Abstraction and the Beginnings of Autonomia Jaleh Mansoor |
| title_short | Marshall Plan Modernism |
| title_sort | marshall plan modernism italian postwar abstraction and the beginnings of autonomia |
| title_sub | Italian Postwar Abstraction and the Beginnings of Autonomia |
| topic | ART / European bisacsh Art, Abstract Italy Art, Italian 20th century Modernism (Art) Italy |
| topic_facet | ART / European Art, Abstract Italy Art, Italian 20th century Modernism (Art) Italy |
| url | https://doi.org/10.1515/9780822373681 |
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