Photography after Photography: Gender, Genre, History
Presenting two decades of work by Abigail Solomon-Godeau, Photography after Photography is an inquiry into the circuits of power that shape photographic practice, criticism, and historiography. As the boundaries that separate photography from other forms of artistic production are increasingly fluid...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2017]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 URL des Erstveröffentlichers |
| Zusammenfassung: | Presenting two decades of work by Abigail Solomon-Godeau, Photography after Photography is an inquiry into the circuits of power that shape photographic practice, criticism, and historiography. As the boundaries that separate photography from other forms of artistic production are increasingly fluid, Solomon-Godeau, a pioneering feminist and politically engaged critic, argues that the relationships between photography, culture, gender, and power demand renewed attention. In her analyses of the photographic production of Cindy Sherman, Robert Mapplethorpe, Susan Meiselas, Francesca Woodman, and others, Solomon-Godeau refigures the disciplinary object of photography by considering these practices through an examination of the determinations of genre and gender as these shape the relations between photographers, their images, and their viewers. Among her subjects are the 2006 Abu Ghraib prison photographs and the Cold War-era exhibition The Family of Man, insofar as these illustrate photography's embeddedness in social relations, viewing relations, and ideological formations |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) |
| Beschreibung: | 1 online resource (288 pages) 38 photographs |
| ISBN: | 9780822373629 |
| DOI: | 10.1515/9780822373629 |
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| 520 | |a Presenting two decades of work by Abigail Solomon-Godeau, Photography after Photography is an inquiry into the circuits of power that shape photographic practice, criticism, and historiography. As the boundaries that separate photography from other forms of artistic production are increasingly fluid, Solomon-Godeau, a pioneering feminist and politically engaged critic, argues that the relationships between photography, culture, gender, and power demand renewed attention. In her analyses of the photographic production of Cindy Sherman, Robert Mapplethorpe, Susan Meiselas, Francesca Woodman, and others, Solomon-Godeau refigures the disciplinary object of photography by considering these practices through an examination of the determinations of genre and gender as these shape the relations between photographers, their images, and their viewers. Among her subjects are the 2006 Abu Ghraib prison photographs and the Cold War-era exhibition The Family of Man, insofar as these illustrate photography's embeddedness in social relations, viewing relations, and ideological formations | ||
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 770 - Photography, computer art, cinematography |
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| illustrated | Not Illustrated |
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| indexdate | 2024-07-10T09:01:06Z |
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| isbn | 9780822373629 |
| language | English |
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| spelling | Solomon-Godeau, Abigail Verfasser aut Photography after Photography Gender, Genre, History Abigail Solomon-Godeau; Sarah Parsons Durham Duke University Press [2017] © 2017 1 online resource (288 pages) 38 photographs txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) Presenting two decades of work by Abigail Solomon-Godeau, Photography after Photography is an inquiry into the circuits of power that shape photographic practice, criticism, and historiography. As the boundaries that separate photography from other forms of artistic production are increasingly fluid, Solomon-Godeau, a pioneering feminist and politically engaged critic, argues that the relationships between photography, culture, gender, and power demand renewed attention. In her analyses of the photographic production of Cindy Sherman, Robert Mapplethorpe, Susan Meiselas, Francesca Woodman, and others, Solomon-Godeau refigures the disciplinary object of photography by considering these practices through an examination of the determinations of genre and gender as these shape the relations between photographers, their images, and their viewers. Among her subjects are the 2006 Abu Ghraib prison photographs and the Cold War-era exhibition The Family of Man, insofar as these illustrate photography's embeddedness in social relations, viewing relations, and ideological formations In English Photography / Criticism bisacsh Feminism and art Photography Philosophy Photography, Artistic Parsons, Sarah edt https://doi.org/10.1515/9780822373629 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Solomon-Godeau, Abigail Photography after Photography Gender, Genre, History Photography / Criticism bisacsh Feminism and art Photography Philosophy Photography, Artistic |
| title | Photography after Photography Gender, Genre, History |
| title_auth | Photography after Photography Gender, Genre, History |
| title_exact_search | Photography after Photography Gender, Genre, History |
| title_exact_search_txtP | Photography after Photography Gender, Genre, History |
| title_full | Photography after Photography Gender, Genre, History Abigail Solomon-Godeau; Sarah Parsons |
| title_fullStr | Photography after Photography Gender, Genre, History Abigail Solomon-Godeau; Sarah Parsons |
| title_full_unstemmed | Photography after Photography Gender, Genre, History Abigail Solomon-Godeau; Sarah Parsons |
| title_short | Photography after Photography |
| title_sort | photography after photography gender genre history |
| title_sub | Gender, Genre, History |
| topic | Photography / Criticism bisacsh Feminism and art Photography Philosophy Photography, Artistic |
| topic_facet | Photography / Criticism Feminism and art Photography Philosophy Photography, Artistic |
| url | https://doi.org/10.1515/9780822373629 |
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