Listening to Images:
In Listening to Images Tina M. Campt explores a way of listening closely to photography, engaging with lost archives of historically dismissed photographs of black subjects taken throughout the black diaspora. Engaging with photographs through sound, Campt looks beyond what one usually sees and attu...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Durham
Duke University Press
[2017]
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| Subjects: | |
| Online Access: | DE-1043 DE-1046 DE-859 DE-860 DE-473 DE-703 DE-739 DE-858 Volltext |
| Summary: | In Listening to Images Tina M. Campt explores a way of listening closely to photography, engaging with lost archives of historically dismissed photographs of black subjects taken throughout the black diaspora. Engaging with photographs through sound, Campt looks beyond what one usually sees and attunes her senses to the other affective frequencies through which these photographs register. She hears in these photos-which range from late nineteenth-century ethnographic photographs of rural African women and photographs taken in an early twentieth-century Cape Town prison to postwar passport photographs in Birmingham, England and 1960s mug shots of the Freedom Riders-a quiet intensity and "idian practices of refusal. Originally intended to dehumanize, police, and restrict their subjects, these photographs convey the softly buzzing tension of colonialism, the low hum of resistance and subversion, and the anticipation and performance of a future that has yet to happen. Engaging with discourses of fugitivity, black futurity, and black feminist theory, Campt takes these tools of colonialism and repurposes them, hearing and sharing their moments of refusal, rupture, and imagination |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) |
| Physical Description: | 1 online resource (152 pages) 136 photographs (inclu. 30 in color) |
| ISBN: | 9780822373582 |
| DOI: | 10.1515/9780822373582 |
Staff View
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| 520 | |a In Listening to Images Tina M. Campt explores a way of listening closely to photography, engaging with lost archives of historically dismissed photographs of black subjects taken throughout the black diaspora. Engaging with photographs through sound, Campt looks beyond what one usually sees and attunes her senses to the other affective frequencies through which these photographs register. She hears in these photos-which range from late nineteenth-century ethnographic photographs of rural African women and photographs taken in an early twentieth-century Cape Town prison to postwar passport photographs in Birmingham, England and 1960s mug shots of the Freedom Riders-a quiet intensity and "idian practices of refusal. Originally intended to dehumanize, police, and restrict their subjects, these photographs convey the softly buzzing tension of colonialism, the low hum of resistance and subversion, and the anticipation and performance of a future that has yet to happen. Engaging with discourses of fugitivity, black futurity, and black feminist theory, Campt takes these tools of colonialism and repurposes them, hearing and sharing their moments of refusal, rupture, and imagination | ||
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Record in the Search Index
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| id | DE-604.BV047048190 |
| illustrated | Illustrated |
| index_date | 2024-07-03T16:07:27Z |
| indexdate | 2025-02-19T17:29:37Z |
| institution | BVB |
| isbn | 9780822373582 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032455586 |
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| physical | 1 online resource (152 pages) 136 photographs (inclu. 30 in color) |
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| publishDate | 2017 |
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| publisher | Duke University Press |
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| spelling | Campt, Tina M. Verfasser aut Listening to Images Tina M. Campt Durham Duke University Press [2017] © 2017 1 online resource (152 pages) 136 photographs (inclu. 30 in color) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) In Listening to Images Tina M. Campt explores a way of listening closely to photography, engaging with lost archives of historically dismissed photographs of black subjects taken throughout the black diaspora. Engaging with photographs through sound, Campt looks beyond what one usually sees and attunes her senses to the other affective frequencies through which these photographs register. She hears in these photos-which range from late nineteenth-century ethnographic photographs of rural African women and photographs taken in an early twentieth-century Cape Town prison to postwar passport photographs in Birmingham, England and 1960s mug shots of the Freedom Riders-a quiet intensity and "idian practices of refusal. Originally intended to dehumanize, police, and restrict their subjects, these photographs convey the softly buzzing tension of colonialism, the low hum of resistance and subversion, and the anticipation and performance of a future that has yet to happen. Engaging with discourses of fugitivity, black futurity, and black feminist theory, Campt takes these tools of colonialism and repurposes them, hearing and sharing their moments of refusal, rupture, and imagination In English Photography / Criticism bisacsh African diaspora Africans Portraits Blacks Portraits Identification photographs Portrait photography Political aspects United States Portrait photography Social aspects United States https://doi.org/10.1515/9780822373582 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Campt, Tina M. Listening to Images Photography / Criticism bisacsh African diaspora Africans Portraits Blacks Portraits Identification photographs Portrait photography Political aspects United States Portrait photography Social aspects United States |
| title | Listening to Images |
| title_auth | Listening to Images |
| title_exact_search | Listening to Images |
| title_exact_search_txtP | Listening to Images |
| title_full | Listening to Images Tina M. Campt |
| title_fullStr | Listening to Images Tina M. Campt |
| title_full_unstemmed | Listening to Images Tina M. Campt |
| title_short | Listening to Images |
| title_sort | listening to images |
| topic | Photography / Criticism bisacsh African diaspora Africans Portraits Blacks Portraits Identification photographs Portrait photography Political aspects United States Portrait photography Social aspects United States |
| topic_facet | Photography / Criticism African diaspora Africans Portraits Blacks Portraits Identification photographs Portrait photography Political aspects United States Portrait photography Social aspects United States |
| url | https://doi.org/10.1515/9780822373582 |
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