Public Spectacles of Violence: Sensational Cinema and Journalism in Early Twentieth-Century Mexico and Brazil
In Public Spectacles of Violence Rielle Navitski examines the proliferation of cinematic and photographic images of criminality, bodily injury, and technological catastrophe in early twentieth-century Mexico and Brazil, which were among Latin America's most industrialized nations and later deve...
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| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Durham
Duke University Press
[2017]
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| Subjects: | |
| Online Access: | DE-1043 DE-1046 DE-859 DE-860 DE-473 DE-739 DE-858 Volltext |
| Summary: | In Public Spectacles of Violence Rielle Navitski examines the proliferation of cinematic and photographic images of criminality, bodily injury, and technological catastrophe in early twentieth-century Mexico and Brazil, which were among Latin America's most industrialized nations and later developed two of the region's largest film industries. Navitski analyzes a wide range of sensational cultural forms, from nonfiction films and serial cinema to illustrated police reportage, serial literature, and fan magazines, demonstrating how media spectacles of violence helped audiences make sense of the political instability, high crime rates, and social inequality that came with modernization. In both nations, sensational cinema and journalism-influenced by imported films-forged a common public sphere that reached across the racial, class, and geographic divides accentuated by economic growth and urbanization. Highlighting the human costs of modernization, these media constructed everyday experience as decidedly modern, in that it was marked by the same social ills facing industrialized countries. The legacy of sensational early twentieth-century visual culture remains felt in Mexico and Brazil today, where public displays of violence by the military, police, and organized crime are hypervisible |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) |
| Physical Description: | 1 online resource (344 pages) 45 illustrations |
| ISBN: | 9780822372899 |
| DOI: | 10.1515/9780822372899 |
Staff View
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| spelling | Navitski, Rielle Verfasser aut Public Spectacles of Violence Sensational Cinema and Journalism in Early Twentieth-Century Mexico and Brazil Rielle Navitski Durham Duke University Press [2017] © 2017 1 online resource (344 pages) 45 illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) In Public Spectacles of Violence Rielle Navitski examines the proliferation of cinematic and photographic images of criminality, bodily injury, and technological catastrophe in early twentieth-century Mexico and Brazil, which were among Latin America's most industrialized nations and later developed two of the region's largest film industries. Navitski analyzes a wide range of sensational cultural forms, from nonfiction films and serial cinema to illustrated police reportage, serial literature, and fan magazines, demonstrating how media spectacles of violence helped audiences make sense of the political instability, high crime rates, and social inequality that came with modernization. In both nations, sensational cinema and journalism-influenced by imported films-forged a common public sphere that reached across the racial, class, and geographic divides accentuated by economic growth and urbanization. Highlighting the human costs of modernization, these media constructed everyday experience as decidedly modern, in that it was marked by the same social ills facing industrialized countries. The legacy of sensational early twentieth-century visual culture remains felt in Mexico and Brazil today, where public displays of violence by the military, police, and organized crime are hypervisible In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Brazil History 20th century Motion pictures Mexico History 20th century Sensationalism in motion pictures Violence in motion pictures https://doi.org/10.1515/9780822372899 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Navitski, Rielle Public Spectacles of Violence Sensational Cinema and Journalism in Early Twentieth-Century Mexico and Brazil PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Brazil History 20th century Motion pictures Mexico History 20th century Sensationalism in motion pictures Violence in motion pictures |
| title | Public Spectacles of Violence Sensational Cinema and Journalism in Early Twentieth-Century Mexico and Brazil |
| title_auth | Public Spectacles of Violence Sensational Cinema and Journalism in Early Twentieth-Century Mexico and Brazil |
| title_exact_search | Public Spectacles of Violence Sensational Cinema and Journalism in Early Twentieth-Century Mexico and Brazil |
| title_exact_search_txtP | Public Spectacles of Violence Sensational Cinema and Journalism in Early Twentieth-Century Mexico and Brazil |
| title_full | Public Spectacles of Violence Sensational Cinema and Journalism in Early Twentieth-Century Mexico and Brazil Rielle Navitski |
| title_fullStr | Public Spectacles of Violence Sensational Cinema and Journalism in Early Twentieth-Century Mexico and Brazil Rielle Navitski |
| title_full_unstemmed | Public Spectacles of Violence Sensational Cinema and Journalism in Early Twentieth-Century Mexico and Brazil Rielle Navitski |
| title_short | Public Spectacles of Violence |
| title_sort | public spectacles of violence sensational cinema and journalism in early twentieth century mexico and brazil |
| title_sub | Sensational Cinema and Journalism in Early Twentieth-Century Mexico and Brazil |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Brazil History 20th century Motion pictures Mexico History 20th century Sensationalism in motion pictures Violence in motion pictures |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Motion pictures Brazil History 20th century Motion pictures Mexico History 20th century Sensationalism in motion pictures Violence in motion pictures |
| url | https://doi.org/10.1515/9780822372899 |
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