Media Heterotopias: Digital Effects and Material Labor in Global Film Production
In Media Heterotopias Hye Jean Chung challenges the widespread tendency among audiences and critics to disregard the material conditions of digital film production. Drawing on interviews with directors, producers, special effects supervisors, and other film industry workers, Chung traces how the rhe...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2018]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | In Media Heterotopias Hye Jean Chung challenges the widespread tendency among audiences and critics to disregard the material conditions of digital film production. Drawing on interviews with directors, producers, special effects supervisors, and other film industry workers, Chung traces how the rhetorical and visual emphasis on seamlessness masks the social, political, and economic realities of global filmmaking and digital labor. In films such as Avatar (2009), Interstellar (2014), and The Host (2006)-which combine live action footage with CGI to create new hybrid environments-filmmaking techniques and "seamless" digital effects allow the globally dispersed labor involved to go unnoticed by audiences. Chung adapts Foucault's notion of heterotopic spaces to foreground this labor and to theorize cinematic space as a textured, multilayered assemblage in which filmmaking occurs in transnational collaborations that depend upon the global movement of bodies, resources, images, and commodities. Acknowledging cinema's increasingly digitized and globalized workflow, Chung reconnects digitally constructed and composited imagery with the reality of production spaces and laboring bodies to highlight the political, social, ethical, and aesthetic stakes in recognizing the materiality of collaborative filmmaking |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) |
| Beschreibung: | 1 online resource (240 pages) 55 illustrations |
| ISBN: | 9780822372158 |
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| isbn | 9780822372158 |
| language | English |
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| spelling | Chung, Hye Jean Verfasser aut Media Heterotopias Digital Effects and Material Labor in Global Film Production Hye Jean Chung Durham Duke University Press [2018] © 2018 1 online resource (240 pages) 55 illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) In Media Heterotopias Hye Jean Chung challenges the widespread tendency among audiences and critics to disregard the material conditions of digital film production. Drawing on interviews with directors, producers, special effects supervisors, and other film industry workers, Chung traces how the rhetorical and visual emphasis on seamlessness masks the social, political, and economic realities of global filmmaking and digital labor. In films such as Avatar (2009), Interstellar (2014), and The Host (2006)-which combine live action footage with CGI to create new hybrid environments-filmmaking techniques and "seamless" digital effects allow the globally dispersed labor involved to go unnoticed by audiences. Chung adapts Foucault's notion of heterotopic spaces to foreground this labor and to theorize cinematic space as a textured, multilayered assemblage in which filmmaking occurs in transnational collaborations that depend upon the global movement of bodies, resources, images, and commodities. Acknowledging cinema's increasingly digitized and globalized workflow, Chung reconnects digitally constructed and composited imagery with the reality of production spaces and laboring bodies to highlight the political, social, ethical, and aesthetic stakes in recognizing the materiality of collaborative filmmaking In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Cinematography Special effects Motion picture industry Technological innovations Motion pictures and globalization Motion pictures Production and direction Motion pictures Social aspects Work in motion pictures https://www.degruyter.com/isbn/9780822372158 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Chung, Hye Jean Media Heterotopias Digital Effects and Material Labor in Global Film Production PERFORMING ARTS / Film & Video / History & Criticism bisacsh Cinematography Special effects Motion picture industry Technological innovations Motion pictures and globalization Motion pictures Production and direction Motion pictures Social aspects Work in motion pictures |
| title | Media Heterotopias Digital Effects and Material Labor in Global Film Production |
| title_auth | Media Heterotopias Digital Effects and Material Labor in Global Film Production |
| title_exact_search | Media Heterotopias Digital Effects and Material Labor in Global Film Production |
| title_exact_search_txtP | Media Heterotopias Digital Effects and Material Labor in Global Film Production |
| title_full | Media Heterotopias Digital Effects and Material Labor in Global Film Production Hye Jean Chung |
| title_fullStr | Media Heterotopias Digital Effects and Material Labor in Global Film Production Hye Jean Chung |
| title_full_unstemmed | Media Heterotopias Digital Effects and Material Labor in Global Film Production Hye Jean Chung |
| title_short | Media Heterotopias |
| title_sort | media heterotopias digital effects and material labor in global film production |
| title_sub | Digital Effects and Material Labor in Global Film Production |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Cinematography Special effects Motion picture industry Technological innovations Motion pictures and globalization Motion pictures Production and direction Motion pictures Social aspects Work in motion pictures |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Cinematography Special effects Motion picture industry Technological innovations Motion pictures and globalization Motion pictures Production and direction Motion pictures Social aspects Work in motion pictures |
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