Southeast Asia on screen: from independence to financial crisis (1945-1998)
This collection examines Southeast Asia's cinematic development throughout the latter part of the 20th century, before the post-2000 revival and the advent of digital filmmaking.[-][-]Following the end of World War 2, after which many Southeast Asian nations gained their national independence,...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2020]
|
| Schriftenreihe: | Asian visual cultures
10 |
| Schlagworte: | |
| Zusammenfassung: | This collection examines Southeast Asia's cinematic development throughout the latter part of the 20th century, before the post-2000 revival and the advent of digital filmmaking.[-][-]Following the end of World War 2, after which many Southeast Asian nations gained their national independence, and up until the Asian Financial Crisis of 1997-1998, film industries in Southeast Asia had distinctive and colourful histories shaped by unique national and domestic conditions. This collection addresses the similar themes, histories, trends, technologies, and socio-political events that have moulded the art and industry of film in this region, identifying the unique characteristics that continue to shape cinema, spectatorship and Southeast Asian filmmaking in the present and the future. Bringing together scholars across the region, chapters explore the conditions that have given rise to today's burgeoning Southeast Asian cinemas as well as the gaps that manifest as temporal belatedness and historical disjunctures in the more established regional industries. |
| Beschreibung: | 303 Seiten |
| ISBN: | 9789462989344 |
Internformat
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| 520 | |a This collection examines Southeast Asia's cinematic development throughout the latter part of the 20th century, before the post-2000 revival and the advent of digital filmmaking.[-][-]Following the end of World War 2, after which many Southeast Asian nations gained their national independence, and up until the Asian Financial Crisis of 1997-1998, film industries in Southeast Asia had distinctive and colourful histories shaped by unique national and domestic conditions. This collection addresses the similar themes, histories, trends, technologies, and socio-political events that have moulded the art and industry of film in this region, identifying the unique characteristics that continue to shape cinema, spectatorship and Southeast Asian filmmaking in the present and the future. Bringing together scholars across the region, chapters explore the conditions that have given rise to today's burgeoning Southeast Asian cinemas as well as the gaps that manifest as temporal belatedness and historical disjunctures in the more established regional industries. | ||
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Datensatz im Suchindex
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| format | Book |
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| id | DE-604.BV047046621 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:07:11Z |
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| isbn | 9789462989344 |
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| publishDate | 2020 |
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| publisher | Amsterdam University Press |
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| series | Asian visual cultures |
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| spelling | Southeast Asia on screen from independence to financial crisis (1945-1998) edited by Gaik Cheng Khoo, Thomas Barker, and Mary J. Ainslie Amsterdam Amsterdam University Press [2020] © 2020 303 Seiten txt rdacontent n rdamedia nc rdacarrier Asian visual cultures 10 This collection examines Southeast Asia's cinematic development throughout the latter part of the 20th century, before the post-2000 revival and the advent of digital filmmaking.[-][-]Following the end of World War 2, after which many Southeast Asian nations gained their national independence, and up until the Asian Financial Crisis of 1997-1998, film industries in Southeast Asia had distinctive and colourful histories shaped by unique national and domestic conditions. This collection addresses the similar themes, histories, trends, technologies, and socio-political events that have moulded the art and industry of film in this region, identifying the unique characteristics that continue to shape cinema, spectatorship and Southeast Asian filmmaking in the present and the future. Bringing together scholars across the region, chapters explore the conditions that have given rise to today's burgeoning Southeast Asian cinemas as well as the gaps that manifest as temporal belatedness and historical disjunctures in the more established regional industries. Geschichte 1945-1998 gnd rswk-swf Asian Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion picture industry Southeast Asia History 20th century Motion pictures Southeast Asia History 20th century Motion pictures Southeast Asia Plots, themes, etc Filmwirtschaft (DE-588)4154384-1 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Südostasien (DE-588)4058448-3 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Südostasien (DE-588)4058448-3 g Film (DE-588)4017102-4 s Filmwirtschaft (DE-588)4154384-1 s Geschichte 1945-1998 z DE-604 Khoo, Gaik Cheng 1969- (DE-588)132242699 edt Barker, Thomas 1980- (DE-588)121224754X edt Ainslie, Mary J. (DE-588)1162539135 edt Erscheint auch als Online-Ausgabe 978-90-485-4190-4 Asian visual cultures 10 (DE-604)BV044603802 10 |
| spellingShingle | Southeast Asia on screen from independence to financial crisis (1945-1998) Asian visual cultures Asian Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion picture industry Southeast Asia History 20th century Motion pictures Southeast Asia History 20th century Motion pictures Southeast Asia Plots, themes, etc Filmwirtschaft (DE-588)4154384-1 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4154384-1 (DE-588)4017102-4 (DE-588)4058448-3 (DE-588)4143413-4 |
| title | Southeast Asia on screen from independence to financial crisis (1945-1998) |
| title_auth | Southeast Asia on screen from independence to financial crisis (1945-1998) |
| title_exact_search | Southeast Asia on screen from independence to financial crisis (1945-1998) |
| title_exact_search_txtP | Southeast Asia on screen from independence to financial crisis (1945-1998) |
| title_full | Southeast Asia on screen from independence to financial crisis (1945-1998) edited by Gaik Cheng Khoo, Thomas Barker, and Mary J. Ainslie |
| title_fullStr | Southeast Asia on screen from independence to financial crisis (1945-1998) edited by Gaik Cheng Khoo, Thomas Barker, and Mary J. Ainslie |
| title_full_unstemmed | Southeast Asia on screen from independence to financial crisis (1945-1998) edited by Gaik Cheng Khoo, Thomas Barker, and Mary J. Ainslie |
| title_short | Southeast Asia on screen |
| title_sort | southeast asia on screen from independence to financial crisis 1945 1998 |
| title_sub | from independence to financial crisis (1945-1998) |
| topic | Asian Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion picture industry Southeast Asia History 20th century Motion pictures Southeast Asia History 20th century Motion pictures Southeast Asia Plots, themes, etc Filmwirtschaft (DE-588)4154384-1 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Asian Studies PERFORMING ARTS / Film & Video / History & Criticism Motion picture industry Southeast Asia History 20th century Motion pictures Southeast Asia History 20th century Motion pictures Southeast Asia Plots, themes, etc Filmwirtschaft Film Südostasien Aufsatzsammlung |
| volume_link | (DE-604)BV044603802 |
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