Scenes from bourgeois life:
"Scenes from Bourgeois Life proposes that theatre spectatorship has made a significant contribution to the historical development of a distinctive bourgeois sensibility, as characterized by the cultivation of distance. In author Nicholas Ridout's formulation, this distance is produced and...
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Ann Arbor
University of Michigan Press
May 2020
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| Series: | Theater : theory/text/performance
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| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Summary: | "Scenes from Bourgeois Life proposes that theatre spectatorship has made a significant contribution to the historical development of a distinctive bourgeois sensibility, as characterized by the cultivation of distance. In author Nicholas Ridout's formulation, this distance is produced and maintained at three different scales. First is the distance of the colonial relation, not just in miles between Jamaica and London, but also the social, economic, and psychological distances involved in that relation. The second is the distance of spectatorship, not only of the modern theatre-goer as consumer, but the larger and pervasive disposition to observe, comment, and sit in judgment, which becomes characteristic of the bourgeois relation to the rest of the world. The third is the mediated distance of social encounters, across café tables and through the haze of tobacco smoke, which are in turn captured in the distance-production technologies of capitalism's media: theatre, film, and television. This engagingly written treatise on history, class, and spectatorship offers compelling proof of "why theater matters," and demonstrates the importance of examining the question historically"-- |
| Physical Description: | xi, 211 Seiten |
| ISBN: | 9780472132003 |
Staff View
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| 520 | 3 | |a "Scenes from Bourgeois Life proposes that theatre spectatorship has made a significant contribution to the historical development of a distinctive bourgeois sensibility, as characterized by the cultivation of distance. In author Nicholas Ridout's formulation, this distance is produced and maintained at three different scales. First is the distance of the colonial relation, not just in miles between Jamaica and London, but also the social, economic, and psychological distances involved in that relation. The second is the distance of spectatorship, not only of the modern theatre-goer as consumer, but the larger and pervasive disposition to observe, comment, and sit in judgment, which becomes characteristic of the bourgeois relation to the rest of the world. The third is the mediated distance of social encounters, across café tables and through the haze of tobacco smoke, which are in turn captured in the distance-production technologies of capitalism's media: theatre, film, and television. This engagingly written treatise on history, class, and spectatorship offers compelling proof of "why theater matters," and demonstrates the importance of examining the question historically"-- | |
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Record in the Search Index
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| adam_text | Contents Acknowledgments ix Prologues 1 · Scenes from Bourgeois Life: “A Box in the Theatre of the World” z 2 · To Be a Spectator 7 3 · Compassion 14 I. An Essay Regarding the Bourgeoisie із II. The Scene with The Spectator 58 III. The Scene with the Trunk-Maker ΙΟΙ IV. The Scene with the Smoke 148 Epilogue: The Theatre Professors Persist 183 Bibliography 195 Index Z07 Digital materials related to this title can be found on the Fulcrum platform via the following citable URL https://doi.org/10.3998/mpub.10181774
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| adam_txt |
Contents Acknowledgments ix Prologues 1 · Scenes from Bourgeois Life: “A Box in the Theatre of the World” z 2 · To Be a Spectator 7 3 · Compassion 14 I. An Essay Regarding the Bourgeoisie із II. The Scene with The Spectator 58 III. The Scene with the Trunk-Maker ΙΟΙ IV. The Scene with the Smoke 148 Epilogue: The Theatre Professors Persist 183 Bibliography 195 Index Z07 Digital materials related to this title can be found on the Fulcrum platform via the following citable URL https://doi.org/10.3998/mpub.10181774 |
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| bvnumber | BV047045048 |
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| index_date | 2024-07-03T16:07:02Z |
| indexdate | 2024-07-10T09:01:00Z |
| institution | BVB |
| isbn | 9780472132003 |
| language | English |
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| physical | xi, 211 Seiten |
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| publishDate | 2020 |
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| publisher | University of Michigan Press |
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| series2 | Theater : theory/text/performance |
| spelling | Ridout, Nicholas Peter 1964- Verfasser (DE-588)1032281901 aut Scenes from bourgeois life Nicholas Ridout Ann Arbor University of Michigan Press May 2020 xi, 211 Seiten txt rdacontent n rdamedia nc rdacarrier Theater : theory/text/performance "Scenes from Bourgeois Life proposes that theatre spectatorship has made a significant contribution to the historical development of a distinctive bourgeois sensibility, as characterized by the cultivation of distance. In author Nicholas Ridout's formulation, this distance is produced and maintained at three different scales. First is the distance of the colonial relation, not just in miles between Jamaica and London, but also the social, economic, and psychological distances involved in that relation. The second is the distance of spectatorship, not only of the modern theatre-goer as consumer, but the larger and pervasive disposition to observe, comment, and sit in judgment, which becomes characteristic of the bourgeois relation to the rest of the world. The third is the mediated distance of social encounters, across café tables and through the haze of tobacco smoke, which are in turn captured in the distance-production technologies of capitalism's media: theatre, film, and television. This engagingly written treatise on history, class, and spectatorship offers compelling proof of "why theater matters," and demonstrates the importance of examining the question historically"-- Geschichte gnd rswk-swf Bürgertum (DE-588)4069722-8 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Publikum (DE-588)4047764-2 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf Distanz (DE-588)4150228-0 gnd rswk-swf Theater audiences / Psychology Aesthetic distance Middle class / Psychological aspects Theater (DE-588)4059702-7 s Aufführung (DE-588)4143388-9 s Bürgertum (DE-588)4069722-8 s Publikum (DE-588)4047764-2 s Distanz (DE-588)4150228-0 s Ästhetik (DE-588)4000626-8 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe, ebk 978-0-472-12688-0 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032452052&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Ridout, Nicholas Peter 1964- Scenes from bourgeois life Bürgertum (DE-588)4069722-8 gnd Theater (DE-588)4059702-7 gnd Ästhetik (DE-588)4000626-8 gnd Publikum (DE-588)4047764-2 gnd Aufführung (DE-588)4143388-9 gnd Distanz (DE-588)4150228-0 gnd |
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| title | Scenes from bourgeois life |
| title_auth | Scenes from bourgeois life |
| title_exact_search | Scenes from bourgeois life |
| title_exact_search_txtP | Scenes from bourgeois life |
| title_full | Scenes from bourgeois life Nicholas Ridout |
| title_fullStr | Scenes from bourgeois life Nicholas Ridout |
| title_full_unstemmed | Scenes from bourgeois life Nicholas Ridout |
| title_short | Scenes from bourgeois life |
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