Different confessions, different visions of heaven?: visual eschatology, cross-confessional conformity and confessional identity marking in the picture motet "The Adoration of the Lamb" and in its reception
The visual programme of The Adoration of the Lamb of God is composed of two parts separated by a blanket of clouds at the middle. The upper part is a consequent, but not entirely faithful, visualisation of the so-called "throne room vision" as described in Revelation 4 and 5. The Lamb is a...
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| Format: | Article |
| Language: | English |
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2021
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| Summary: | The visual programme of The Adoration of the Lamb of God is composed of two parts separated by a blanket of clouds at the middle. The upper part is a consequent, but not entirely faithful, visualisation of the so-called "throne room vision" as described in Revelation 4 and 5. The Lamb is also the subject of the heavenly worship by the elders, creatures, all the angels and the 144,000, all of whom gathered at the foot of Mount Zion to adore the Lamb. Thus, the appearance of the Lamb is the culmination of the vision, the very essence and centre point of every praise, of the entire heavenly gathering and of the composition itself. The most important observation might, to a certain degree, appear unsatisfying: the reception of The Adoration of the Lamb, a beeldmotet by Winghe and Sadeler, is in its individual expressions so diverse that it is challenging to outline its universally characteristic features. |
| Physical Description: | Illustrationen |
| ISBN: | 978-0-367-46511-7 |
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| 520 | 3 | |a The visual programme of The Adoration of the Lamb of God is composed of two parts separated by a blanket of clouds at the middle. The upper part is a consequent, but not entirely faithful, visualisation of the so-called "throne room vision" as described in Revelation 4 and 5. The Lamb is also the subject of the heavenly worship by the elders, creatures, all the angels and the 144,000, all of whom gathered at the foot of Mount Zion to adore the Lamb. Thus, the appearance of the Lamb is the culmination of the vision, the very essence and centre point of every praise, of the entire heavenly gathering and of the composition itself. The most important observation might, to a certain degree, appear unsatisfying: the reception of The Adoration of the Lamb, a beeldmotet by Winghe and Sadeler, is in its individual expressions so diverse that it is challenging to outline its universally characteristic features. | |
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| spelling | Handl, András 1979- Verfasser (DE-588)1074719484 aut Different confessions, different visions of heaven? visual eschatology, cross-confessional conformity and confessional identity marking in the picture motet "The Adoration of the Lamb" and in its reception András Hándl 2021 Illustrationen txt rdacontent n rdamedia nc rdacarrier The visual programme of The Adoration of the Lamb of God is composed of two parts separated by a blanket of clouds at the middle. The upper part is a consequent, but not entirely faithful, visualisation of the so-called "throne room vision" as described in Revelation 4 and 5. The Lamb is also the subject of the heavenly worship by the elders, creatures, all the angels and the 144,000, all of whom gathered at the foot of Mount Zion to adore the Lamb. Thus, the appearance of the Lamb is the culmination of the vision, the very essence and centre point of every praise, of the entire heavenly gathering and of the composition itself. The most important observation might, to a certain degree, appear unsatisfying: the reception of The Adoration of the Lamb, a beeldmotet by Winghe and Sadeler, is in its individual expressions so diverse that it is challenging to outline its universally characteristic features. Sadeler, Jan 1550-1600 Die Heiligen und Märtyrer vor dem Lamme knieend (DE-588)119039510X gnd rswk-swf Winghe, Jodocus van 1544-1603 (DE-588)121978877 gnd rswk-swf Bibel Offenbarung des Johannes (DE-588)4073055-4 gnd rswk-swf Geschichte 1588 gnd rswk-swf Kirchenpolitik (DE-588)4030745-1 gnd rswk-swf Eschatologie (DE-588)4015508-0 gnd rswk-swf Stich Kunst (DE-588)4121726-3 gnd rswk-swf Niederlande (DE-588)4042203-3 gnd rswk-swf Sadeler, Jan 1550-1600 Die Heiligen und Märtyrer vor dem Lamme knieend (DE-588)119039510X u Winghe, Jodocus van 1544-1603 (DE-588)121978877 p Eschatologie (DE-588)4015508-0 s Kirchenpolitik (DE-588)4030745-1 s DE-604 Niederlande (DE-588)4042203-3 g Stich Kunst (DE-588)4121726-3 s Bibel Offenbarung des Johannes (DE-588)4073055-4 u Geschichte 1588 z The reception of the printed image in the fifteenth and sixteenth centuries / edited by Grażyna Jurkowlaniec and Magdalena Herman New York ; London, 2021 Seite [244]-263, pl. Routledge Research in Art History (DE-604)BV046915737 978-0-367-46511-7 |
| spellingShingle | Handl, András 1979- Different confessions, different visions of heaven? visual eschatology, cross-confessional conformity and confessional identity marking in the picture motet "The Adoration of the Lamb" and in its reception Sadeler, Jan 1550-1600 Die Heiligen und Märtyrer vor dem Lamme knieend (DE-588)119039510X gnd Winghe, Jodocus van 1544-1603 (DE-588)121978877 gnd Bibel Offenbarung des Johannes (DE-588)4073055-4 gnd Kirchenpolitik (DE-588)4030745-1 gnd Eschatologie (DE-588)4015508-0 gnd Stich Kunst (DE-588)4121726-3 gnd |
| subject_GND | (DE-588)119039510X (DE-588)121978877 (DE-588)4073055-4 (DE-588)4030745-1 (DE-588)4015508-0 (DE-588)4121726-3 (DE-588)4042203-3 |
| title | Different confessions, different visions of heaven? visual eschatology, cross-confessional conformity and confessional identity marking in the picture motet "The Adoration of the Lamb" and in its reception |
| title_auth | Different confessions, different visions of heaven? visual eschatology, cross-confessional conformity and confessional identity marking in the picture motet "The Adoration of the Lamb" and in its reception |
| title_exact_search | Different confessions, different visions of heaven? visual eschatology, cross-confessional conformity and confessional identity marking in the picture motet "The Adoration of the Lamb" and in its reception |
| title_exact_search_txtP | Different confessions, different visions of heaven? visual eschatology, cross-confessional conformity and confessional identity marking in the picture motet "The Adoration of the Lamb" and in its reception |
| title_full | Different confessions, different visions of heaven? visual eschatology, cross-confessional conformity and confessional identity marking in the picture motet "The Adoration of the Lamb" and in its reception András Hándl |
| title_fullStr | Different confessions, different visions of heaven? visual eschatology, cross-confessional conformity and confessional identity marking in the picture motet "The Adoration of the Lamb" and in its reception András Hándl |
| title_full_unstemmed | Different confessions, different visions of heaven? visual eschatology, cross-confessional conformity and confessional identity marking in the picture motet "The Adoration of the Lamb" and in its reception András Hándl |
| title_short | Different confessions, different visions of heaven? |
| title_sort | different confessions different visions of heaven visual eschatology cross confessional conformity and confessional identity marking in the picture motet the adoration of the lamb and in its reception |
| title_sub | visual eschatology, cross-confessional conformity and confessional identity marking in the picture motet "The Adoration of the Lamb" and in its reception |
| topic | Sadeler, Jan 1550-1600 Die Heiligen und Märtyrer vor dem Lamme knieend (DE-588)119039510X gnd Winghe, Jodocus van 1544-1603 (DE-588)121978877 gnd Bibel Offenbarung des Johannes (DE-588)4073055-4 gnd Kirchenpolitik (DE-588)4030745-1 gnd Eschatologie (DE-588)4015508-0 gnd Stich Kunst (DE-588)4121726-3 gnd |
| topic_facet | Sadeler, Jan 1550-1600 Die Heiligen und Märtyrer vor dem Lamme knieend Winghe, Jodocus van 1544-1603 Bibel Offenbarung des Johannes Kirchenpolitik Eschatologie Stich Kunst Niederlande |
| work_keys_str_mv | AT handlandras differentconfessionsdifferentvisionsofheavenvisualeschatologycrossconfessionalconformityandconfessionalidentitymarkinginthepicturemotettheadorationofthelambandinitsreception |