Hot art, Cold War - Western and Northern European writing on American art 1945-1990:
The Irish diaspora, the Cold War and American art in Ireland / Brenda McCann -- The anniversary gift of the Swiss National Insurance Society to the Basel Art Museum / Maria Netter ; translated from German by Jonathan Blower -- Lost by society and the Disneyland of art / Leena-Maija Rossi ; translate...
Saved in:
| Other Authors: | , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York ; London
Routledge, Taylor & Francis Group
2021
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Summary: | The Irish diaspora, the Cold War and American art in Ireland / Brenda McCann -- The anniversary gift of the Swiss National Insurance Society to the Basel Art Museum / Maria Netter ; translated from German by Jonathan Blower -- Lost by society and the Disneyland of art / Leena-Maija Rossi ; translated from Finnish by Jyri Kokkonen "This book is an anthology of primary source texts on postwar American art between 1945 and 1989, translated from Northern and Western European languages into English for the first time and introduced by scholarly essays. This volume will be the first full-scale account of the reception of American art across Northern and Western Europe, greatly enriching the field of American art studies. Postwar American art triggered varied - positive and negative - responses across Europe. There was no single European discourse, as the responses were inflected by a range of issues (political, social, artistic, etc.) that varied in the different national contexts across Europe. Taken together, these diverse texts offer a representative selection of responses to American art in the Cold War period. This book covers United Kingdom, Ireland, France, Belgium, the Netherlands, West Germany (FRG), Austria, Switzerland, Denmark, Norway, Sweden and Finland. This is a companion volume to Hot Art, Cold War - Southern and Eastern European Writing on American Art 1945-1990"-- |
| Item Description: | Includes bibliographical references and index |
| Physical Description: | xxvi, 551 Seiten Illustrationen |
| ISBN: | 9780815393757 |
Staff View
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| 245 | 1 | 0 | |a Hot art, Cold War - Western and Northern European writing on American art 1945-1990 |c edited by Claudia Hopkins and Iain Boyd Whyte |
| 246 | 1 | 3 | |a Hot art, Cold War |
| 264 | 1 | |a New York ; London |b Routledge, Taylor & Francis Group |c 2021 | |
| 300 | |a xxvi, 551 Seiten |b Illustrationen | ||
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| 520 | 3 | |a The Irish diaspora, the Cold War and American art in Ireland / Brenda McCann -- The anniversary gift of the Swiss National Insurance Society to the Basel Art Museum / Maria Netter ; translated from German by Jonathan Blower -- Lost by society and the Disneyland of art / Leena-Maija Rossi ; translated from Finnish by Jyri Kokkonen | |
| 520 | 3 | |a "This book is an anthology of primary source texts on postwar American art between 1945 and 1989, translated from Northern and Western European languages into English for the first time and introduced by scholarly essays. This volume will be the first full-scale account of the reception of American art across Northern and Western Europe, greatly enriching the field of American art studies. Postwar American art triggered varied - positive and negative - responses across Europe. There was no single European discourse, as the responses were inflected by a range of issues (political, social, artistic, etc.) that varied in the different national contexts across Europe. Taken together, these diverse texts offer a representative selection of responses to American art in the Cold War period. This book covers United Kingdom, Ireland, France, Belgium, the Netherlands, West Germany (FRG), Austria, Switzerland, Denmark, Norway, Sweden and Finland. This is a companion volume to Hot Art, Cold War - Southern and Eastern European Writing on American Art 1945-1990"-- | |
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Record in the Search Index
| _version_ | 1804182001328062464 |
|---|---|
| adam_text | LIST
OF
PLAT
E
S
A
C
KNOWLEDGM
E
NT
S
EDITORS
INTR
ODUCTION
PART
1
UNITED
KINGDOM
CONTENTS
DAVID
HOPKIN
S,
A
SPECIAL RELATIONSHIP :
BRITISH AND
AMER
I
CAN
ART
1945-1989
1.1
PATRICK
HERON,
O
PP
OSING
FORCES
: PAINTINGS
B
Y
SEVEN
ARTISTS
XV
XVIII
XX
1
3
A
T
THE
L
CA
(19
5
3)
15
1.2 LAWRENCE
ALL
OWAY,
US M
O
DERN
PAINTINGS (1956)
1
6
1
.
3
J
O
H
N
BERG
E
R,
THE
BATTLE
(
1956)
17
1.4
HERBERT
READ,
AN
ART
O
FINT
ERNA
L N
ECESSITY (19
5
6)
1
9
1.5 PA
T
RICK
HERON,
THE
AMERICANS
A
T
TH
E TA
T
E
GALLERY
(1956)
22
1.6
LAWRENCE
ALLOWAY,
ART
I
N
NEW
YORK
TODAY
(1958)
26
1.7
PATRICK
HERON,
T
H
E
ASCENDANCY
OF
LONDON
IN
TH
E
SIXTIES (1966)
2
9
1.8 PA
T
RICK
HERON,
A
KIND
OF
C
ULTUR
AL
IMP
ERIALISM
(1968) 32
V
CONTENTS
1.9
LAWRENCE
ALLOWAY,
POPULAR CULTURE
AND
POP
ART
(
1
969)
1.10
JOHN
RUSSELL
,
POP
REAPPRAISED
(1969)
11
C
HARLES
HARRISON
,
THE
LATE SI
X
TI
ES
AND
LONDON
A
ND
1.
ELSEWHERE
(1984)
1.12
EDITORIAL,
THE
BURLIN
GTON
MAGA
Z
IN
E
(197
6)
1.13
RICHARD
MORPHET,
CARL
ANDRE
S
BRICKS
(1976)
1.14
WALDEMAR
JANUSZCZAK,
NOTHING
SUCC
EE
D
S
LIK
E
EXCESS
(
1
9R2): 9;
AND PETER
FULLER
,
JULIAN
SCHNABE
L
(1984)
1.15
PETER
FULLER,
THE
EASTWARD
MAR
C
H
OF
CIV
ILI
ZAT
I
ON
(19R7)
PART2
IRELAND
BRENDA
MOORE-MCC
A
NN,
THE
IRISH DIASPORA
,
THE
CO
LD
W
A
R
A
ND
AM
E
RI
CA
N
ART
IN
IRELAND
2.1 ANONYM
.
OUS,
PAINTING
A
L
AMERI
CA
IN
E
(1953)
2.2
BRIAN
FALLON,
MAGNIFICENT
EXHIBITION
OF
US
P
A
INTIN
GS
(1964)
2.3
MARIAN
BURLEIGH,
AMERICAN
ART
STYLES PLEAS
E
AND
DISPLEASE
(1964)
2.4
ANONYMOUS,
THE
GREAT
AMERICAN
ART
SHOW
(1964)
2.5
ANONYMOUS,
832
PEOPLE
A
DAY
AT
ART
EXHIBITION
(1964)
2
.
6
BRUCE
ARNOLD
,
ARTISTS ARE
CRITICAL
OF
ROSE
EXHIBITION
(
1
967)
2.7
BRIAN
FALLON,
A
HAWK S-EYE
VIEW
OF
TH
E
WORLD
S
GALLERY
(
1
967)
2.8
PF.B.,
ROSE
71
AT
RDS
IS
GAY
AND
EXCITING
(1971)
2.9
BRUCE
ARNOLD,
THE
GREAT
ROSE
ADVENTURE
(1971)
2.10
BRIAN
O DOHERTY,
THE
IRISH
IMAGINATION
1959-1971
(1971)
2.11
DESMOND
RUSH
E,
YOU
MUST
SEE
THIS
EXHIBITION!
(1971)
VI
34
36
39
44
46
48
50
57
59
68
70
73
74
74
75
77
80
8
1
83
85
PART
3
FRANCE
C
ONT
E
NTS
S
E
R
GE
GUILB
A
UT
,
WITH
L
OVE
(A
ND H
A
T
E)
FROM PARIS
3
.1
E
X
HIBITI
O
N
O
F
AM
E
RI
CA
N P
A
INT
E
R
S
IN
PARIS (1947),
TRANS.
89
91
RI
C
H
A
RD G
EO
RGE
ELLIOTT
106
3
.
2
MI
C
H
E
L
E
UPHOR,
P
A
RI
S
-N
E
W
YORK
CITY
1951
(1951), TRANS.
RI
C
H
A
RD
GEO
R
GE
ELLI
O
TT
107
3.3
MI
C
H
E
L
T
A
PI
E,
J
AC
K
SO
N POLLOCK
I
S
WITH
US
(1952),
TRANS.
ANON
IN
B
E
-B
O
LLL
B
116
3
.4
C
HRI
S
TI
A
N Z
E
R
V
O
S,
M
A
RK TOB
E
Y
(1954),
TRANS.
RICHARD
GEORGE
ELLIOTT
118
3.5
PI
E
RR
E
R
ES
T
A
N
Y,
AM
E
RI
C
A
A
ND
EUROPE
(1960),
TR
ANS.
RICHARD
G
E
OR
GE
ELLIOTT
120
3
.
6
AL
A
IN
J
O
UFFRO
Y,
ROB
E
RT
RAUSCHENBERG
(1964),
TRANS. SUSAN
DE
MUTH
122
3
.7 M
A
R
CE
LIN
PL
EY
N
E
T
,
ON
AMERICAN
PAINTING
(CONCLUSION) (1967),
TRANS.
J
O
HN
GOO
DMAN
130
3
.
8 CA
TH
E
RIN
E
MILLET,
PAINTING
WHICH
VIEWING
DISPERSES
(1985),
TRANS.
SU
S
AN DE
MUTH
132
3.
9
ELIS
A
B
E
TH
L
E
BOVICI
,
THE
AMERICAN
SCENE:
TH
E
MIDDLE
KINGDOM
(1987),
TRANS. SUSAN
DE
MUTH
138
PART
4
BELGIUM
145
JAHAN
PAS,
ART
TURNED
UPSIDE
DOWN:
AMERICAN
ART
IN
BELGIUM
1958-1978
147
4.1 LEON-LOUIS SASSET,
IN
THE
AMERICAN
PAVILION: FROM
PRIMITIVES TO
ABSTRACTS
BY WAY
OF
THE NAIVE
(1958), TRANS. SUSAN DE
MUTH
156
4.2
FRANCINE-CLAIRE LEGRAND,
NEW
AMERICAN
PAINTING
(1959),
TRANS.
SUSAN
DE
MUTH
157
4.3
MARCEL BROODTHAERS,
BEWARE
THE
CHALLENGERS!
POP
ART
,
JIM
DINE,
AND
THE
INFLUENCE
OF
RENE
MAGRITTE
(1963),
TRANS.
RICHARD
GEORGE ELLIOTT
159
4.4 GEERT
BEKAERT,
HAPPENING
(1966)
,
TRANS.
VIVIEN
D.
GLASS 161
VI
I
4.5
4.6
4.7
CONTENTS
J
D
POPTHE
AMERI
CA
N N
E
W
W
A
V
E
AND
TH
E
L
O
ND
ON
-
EAN YPREAU,
.
.
N
EW
YORK
AXIS
(1966)
,
TRANS.
RI
C
H
A
RD
G
EO
R
GE
E
LLI
O
TT
ADOLF
MERCKX
,
ART
IN
PRO
CESS
(1970), TRANS.
P
A
UL
FERGUSON
MARC
CALLEWAERT,
THE
PI
ECE
N
EE
D
NOT
B
E
BUILT
(1973),
TR
A
N
S.
VIVIEN
D.
G
L
ASS
4.8
K
ARE
L GEIRLANDT,
FROM
POP
TO
HYP
E
RR
EA
LI
SM
(1973)
,
TR
A
N
S.
R
.
I
C
H
ARD
GEORGE
ELLIOTT
4
.
9 GEORGES
ROQUE,
OUR
AMERI
CA
N
MYTH
(1977)
4.10
COLLECTIVE,
AMERICAN
ART
IN
BELGIUM:
ART
TURN
E
D
UP
S
ID
E
D
OW
N
(
1
977),
TRANS. PAUL FERGUSON
PARTS
THE NETHERLANDS
JONNEKE
JOBSE,
THE
RECEPTION
OF
AMERICAN
ART
IN
TH
E
N
E
TH
E
RL
A
ND
S
5
.
1
ANONYMOUS
[CEES
DOELMAN], AM
E
RI
CA
NART:T
OO
MU
C
H
A
C
TI
O
N
,
TOO
LITTLE
REFLECTION
(1956), TRANS.
W
ENDY
L.
VAN
OS-T
H
O
MP
SO
N
5.2
C.
H.WENTINCK,
ANTI-FORM
AS
GOAL AND
REASON:
COINCIDENCE
DECIDES ALL
IN
AMERICAN
A
C
TION
P
A
INTIN
G
(
1
958),
TRANS.
16
3
165
1
68
170
1
78
1
82
185
187
197
JAN
DE
MEYER
200
5
.
3
5.4
5.5
5.6
5
.
7
5
.
8
K.
S
C
HIPPERS,
AFFIRMAT
IV
E
IRONY:
A N
EW
W
AY
OF
OB
SE
R
V
IN
G
(
1
964),
TRANS.
WENDY
L.
VAN
OS-THOMPSON
WIM
BEEREN,
A
NEW
REGIMEN
FOR
CO
L
OR
(1966)
,
TRAN
S
.
W
E
NDY
L.
V
A
N
OS-THOMPSON
R.H
.
FUCHS,
AMERICAN
MODERNISM
(1968)
,
TRAN
S
.
W
E
NDY
L.
VAN
OS-THOMPSON
ENNO
DEVELING,
INTROD
U
CTION
(1968)
CAREL
BLOTKAMP,
THE
DILEMMA
OF
THE
SQU
A
R
E
P
EGS
(1969),
TRAN
S.
W
E
NDY
L.
VAN
OS-THOMPSON
ANTJ
E
VON
GRAEVENITZ,
PAINT
IS
PAINT:
BACK
T
O
THE
B
AS
I
CS
OF
PAINTIN
O-.
THE
STEDELIJK
IS
NOT
RISKING
MUCH
WITH
FUNDAMENTAL
PAINTIN
G ::
(1975),
TRAN
S
.WENDY
L.
VAN
OS-THOMPSON
VIII
202
205
208
2
1
4
2
1
9
222
CONTE
NT
S
5.
9
CO
R
13L
O
K
,
R
EA
LI
TY
A
CC
ORD
IN
G
TO D
E
NNIS
OPPENHEIM
(1976),
TRANS.
CO
R
BL
OK
227
5.1
0
TIN
E
K
E
R
C
IJND
E
R
S,
M
Y
PAINTINGS
A
R
E
CRAZY
:JULIAN
SCHNABEL S
POTTERY
SHARD
S
P
E
R
RUNNIN
G
M
E
T
E
R
IN
TH
E
STEDELIJK
(1982),
TRANS.
WENDY
L.
VAN
O
S
-THOMPSON
230
PART
6
FEDERAL
REPUBLIC
OF
GERMANY
(WEST
GERMANY)
L
AIN
BO
Y
D
WH
Y
T
E,
AMERI
CA
N
ART
IN
CO
LD
WAR
WEST GERMANY
6
.1
EGON
VI
E
TT
A,
NON-O
BJE
C
TIVE PAINTING:
AN
AMERICAN
SHOW
IN
KARLSRUHE
235
237
(
1
94
8
),
TRAN
S
.
RI
C
HARD GEORGE ELLIOTT
251
6
.2
ALBERT
BU
CSC
H
E,
THE
PRINCIPLE
OF
NO
DOGMAS:
AMERICAN PAINTING
AT
R
AT
H
A
U
S
SC
H
O
N
E
B
E
RG
(1951),
TRANS. MARGARETHE
CLAUSEN
252
6.3
FRIT
Z
N
E
MIT
Z,
I
S
TH
E
RE SUCH
A
THING
AS
AMERICAN
PAINTING?
A
CROSS
-S
EC
TION
IN
MUNICH
(1951),
TRANS.
RICHARD
GEORGE ELLIOTT 254
6.4 DORIS
SC
HMIDT,
ART
FROM
OVER
THERE:
ON
THE
AMERICAN
EXHIBITION
IN
FRANKFURT
(
1
9
55)
,
TRANS.
MARGARETHE
CLAUSEN
6
.
5
RIK
E
WANKM
IILL
ER,
TAC
HIST
S
IN
THE
USA
(1955
/
1956)
,
TRANS. LAIN
255
BOYD
WHYT
E
257
6
.
6
WILL
GROHMANN,
THE
NEW
AMERICAN
PAINTING:
ON
AN
EXHIBITION
A
T
THE
HOCHSCHU
L
E
FUR
BILDENDE KIINSTE (1958), TRANS.
RICHARD
GEO
R
GE
ELLIOTT
261
6
.
7
RI
C
HARD HUELSENBECK,
POP
ART
(1963), TRANS. LAIN
BOYD
WHYTE
263
6.8
DORIS
SCHMIDT,
POP
ART
AS
A
MISS
I
ON.
ELEVEN POP
ARTISTS
AT
FRIEDRICH
UND
DAHLEM
IN
MUNICH
(1966),
TRANS. MARGARETHE
C
L
AUSEN
265
6
.9
ROLF-GUNTER
DIENST,
DOCUMENTA
4
(1968),
TRANS. LAIN
BOYD
WHYTE
267
6.10
MAX LMDAHL,
BARNETT
NEWMAN
,
RL1O~
AFRAID
OJ
R
E
D,
Y
E
LLOW
AND BLUE
III
(1971), (1996),
TRANS. LAIN BOYD
WHYTE
268
6
.
11
EDUARD
BEAUCAMP
,
OLYMPIC
MISERY
(1972),
TRANS
.
LAIN
BOYD
WHYTE
272
6.12
JUTTA
HELD
,
MINIMAL
ART-AN
AMERICAN IDEOLOGY
(1972),
TRANS.
LAIN BOYD
WHYTE
273
IX
CONTENTS
6.13 LUCIUS GRISEBACH,
STATIONS
OF
AMERICAN
ART
IN
EUROPE
AFTER
1945
(1976)
,
TRANS. LAIN
BOYD
WHYTE
6.14 STATEMENTS
BY
COLLECTORS AND GALLERISTS (1976),
TRANS. LAIN
BOYD
WHYT
E
6.15
KLAUS
HONNEF,
REGAINING
THE POWER
OF
SPEECH:
NOTES
ON
AMERICAN
POSTMODERN
ART
(1983),
TRANS.
RICHARD
GEORGE
ELLIOTT
6.16
JOHANNES
STAHL,
THE
TRAIN
IS
A
PART
OF
ME :
NEW
YORK
GRAFFITI ARTIST
LEE
QUINONES
IN
CONVERSATION
WITH
JOHANNES
STAHL
(1987),
TRAN
S
.
276
27
8
279
RICHARD
GEORGE ELLIOTT 283
6.17
MARKUS BRIIDERLIN,
CHANGES
IN
A
VALID STANDARD FOR
GOOD
ART:
DONALD
JUDD
IN
CONVERSATION
(1988), TRANS. LAIN
BOYD
WHYTE
6.18
ANON,
JEFF
KOONS:
TOTAL
CONSUMPTION-FROM
THE
NEW
TO
EQUILIBRIUM
;
FROM INTOXICATION
TO
CLASS STRUCTURES
IN
STAINLESS STEEL
(1988),
TRANS
.
285
RICHARD
GEORGE ELLIOTT 286
6.19
WOLFGANG LANGE,
ANDY
WARHOL
OR
REPROCESSING
ART
IN
THE
SPIRIT
OF
THE
CULTURE
INDUSTRY
(1988),
TRANS.
RICHARD
GEORGE
ELLIOTT 288
PART?
AUSTRIA
OLIVER
SUKROW
AND
LAIN
BOYD
WHYTE,
MUSES
WITH
A
COLD :
AUSTRIA,
THE
VISUAL
ARTS,
AND
THE
COLD
WAR
7
.
1
PEINTRES
NAIJS:AMERICAN FOLK
PAINTING
FROM
1670
UNTIL
TODAY
(1954),
291
293
TRANS. LAIN BOYD
WHYTE
306
7.2
OTTO
F BEER,
AMERICA S
ART
AS
GUEST
(1956),
TRANS.
LAIN
BOYD
WHYTE
307
7.3
OTTO
WLADICKA,
MODERN
ART
FROM
THE
USA
(1956),
TRANS.
LAIN
BOYD
WHYTE
309
7.4
GERTRUDE
FROHLICH,
STABILES,
LABILES,
AND
MOBILES
(1956),
TRANS
.
LAIN
BOYDWHYTE
310
7.5
ANONYMOUS,
MODERN
AMERICAN
ART
IN
THE SHADOW
OF
EUROPE
(1956),
TRANS. LAIN
BOYD
WHYTE
311
7.6
OTTO
ANTONIA GRAF,
AMERICA:
DEATH
AND
ART
(1964),
TRANS.
LAIN
BOYD
WHYTE
313
X
CONTE
NT
S
7.7
WERNE
R H
OFILLALL
I
L.
THE
P
SE
UD
O
-R
EA
LITY
OF
TH
E
HAPPENING
(1966),
TRAILS
.
IAILL BOYD W
H
YTE
319
7.H
DIETER ROLLTE,
K
I
ENHO
L
Z
IN
V
I
E
N
NA (
1
9
89) 320
P
ARTS
SW
I
TZE
RL
A
ND
NATHALIE
RITTER
A
L
LD T
H
OMAS
SC
H
M
UT
Z,
I
S
L
E
OF
THE
BLESSED-AUDIENCES
SHOCKED:
ALLLERI
C
LIL
ART
IN SW
I
TZE
RL
A
ND 1
9
45-1990
H
.
I ADOLF
MAX VOGT
,
A
M
E
RI
CANS
AS
ARTI
S
TS:
EXHIBITION
AT
THE KUNSTHAUS
323
325
ILL
ZURICH
(
1 )53),
T
R
ANS
.
RI
C
H
A
RD G
E
ORGE
ELLIOTT
335
H
.
2
ARILOLD
II.IDLILLG
E
R
,
FO
R
EWO
RD
(
1
9
55)
,
TRANS
.
JONATHAN
BLOWER
337
~
..
)
MAX
EICHELLBERGER,
M
O
D
E
RN
ART
IN
THE
USA
(1955)
,
TRANS.
JOLL;]TH
~L
LL
BLOWER
338
~.-+
ARNOLD
LI.IDLINGER,
THROU
G
H
EUROPEAN
EYES
(1958), TRANS.
LAILL
BOYD
WHYTE
341
H
.
:=;
MJRIA NETTER,
T
H
E
ANNIV
E
RS
A
RY GIFT
OF
THE SWISS N
A
TIONAL INSURANCE
SOCIETY
TO
T
H
E
BASEL
ART
MUSEUM
(1960),
TRANS.
JONATHAN
BLOWER
343
~.6
CEORG
SCHM
I
DT,
FO
RMAL
MEANS
(1966),
TRANS.
JONATHAN
BLOWER 346
8.7
HAN
S
NEUBURG,
NIHILI
S
TIC
ART
(1969),
TRANS. LAIN
BOYD
WHYTE
348
8.8
JOH
A
NNES
GACHNA
N
G,
FROM
CONTINENT
TO
CONTINENT
(1986),
TRANS.
R.I
C
HARD
GEORGE
E
LLIOTT 350
PART
9
DENMARK
VIBEKE PETERSE
N
GE
THER
A
ND
TANIA
0RUM
,
AMERICAN
ART
VIEWED FROM
DENMA
R
K:
FRO
M SK
E
PTICISM
TO
ACCEPTANCE
9.
1 ALB
E
RT
M
E
RTZ
,
FROM
A PARIS DIARY
SPRING
(1963),
TRANS
.
355
357
M
A
RI
A
NNE
0LHOLM
366
9
.2
K.G
.
HULT
E
N,
ON
PAINTING
IN
NEW
YORK
AFTER POLLOCK
,
THAT
IS
ON
POP
ART
(1964),
TRANS.
MARIANN
E
0LHOLM
368
XI
CONTENTS
9.3
KNUD
WJENSEN,
POP
ART
AT
TH
E
LOUISIANA (1964),
TR
A
N
S
.
MARIANNE
0
LHOLM
372
9.4
ERIC
ANDERSEN,
AFTER
CAGE
(1966),
TRAN
S.
MARI
A
NN
E 0
LHOLM
373
9.
5
PER
KIRKEBY,
LE
TTER
FROM
NEW
YORK
MOVING
PICTURES
(1967),
TR
A
N
S.
M
A
RIANNE
0LHOLM
.
377
9
.
6
J
ANE
PEDERSEN,
THE
NEW
ABSTRA
C
TION
(1967),
TRANS
.
M
A
RI
A
NN
E 0
1H
O
LM
379
9.7
STIG
BF0GGER,
SO
ME
RE
CEN
T
TRENDS (1970),
TRAN
S.
R
E
N
E
LAURIT
SE
N
383
9
.
8
ERIK
THYGESEN,
THE
ATROCITY
EXHIBITION
(1970),
TR
A
N
S.
M
A
RIANN
E
0LHOLM
390
9.9
0YS
T
E
IN
HJORT,
THE
1980S:A
FOREST
OF
SIGNS
(1992)
,
TR
A
N
S.
M
AR
IANNE
0LHOLM
393
9.10
0YS
T
E
IN
HJORT,
STAGED
PHOTOGR
A
PHY
(1992),
TR
A
NS
.
M
A
RI
ANNE
0
1H
O
LM
396
PART
10
NORWAY
ASMUND
THORKILDSEN,
NORWAY
AND
AMERI
CA
N
POSTWAR
ART
DURIN
G
THE
COLD
WAR
10.1 P
E
R HOVDENAKK,
ABSTRACT
E
X
PR
ESS
IONISM
IN
EUROPE
AND
TH
E
USA
399
401
(1981),
TR
A
NS
.
ANNA
PATERSON
408
10.2 EVEN
HEBB
E
JOHNSRUD
,
BARNETT
N
EW
MAN:
THE
TRAGIC
DIMENSION
IN
ART
(1983),
TRAN
S.
ANNA
PAT
ERSO
N
413
1
0.3
PER
HOVD
E
N
AKK,
ART
IN
THE US TODA
Y
(1983),
TR
A
NS.
LUCY
MOFF
ATT
419
10.4 ASMUND
THORKILDSEN,
AN
OLD
MA
S
TER
AMONG
THE
YOUNG
WILD
(1986),
TRAN
S
.
LUCY
MOFFATT
424
PART
11
SWEDEN
ANNIK
A
OHMER,
AMERICAN
ART
IN
SWEDISH
ART
CRITICISM:
AN
INTRODU
C
TION
11.1 LUDVIG
R
AS
MUSSON
,
POP
(1963),
TRANS.
DONALD
S.
M
AC
QU
EE
N
11.2 TORSTEN
B
ERGMA
RK,
POP-THE
AM
ER
ICAN
DR
EA
M
(1964),
TR
A
N
S
.
DONALD
S.
M
AC
QUEEN
XII
433
435
443
449
CONTE
NT
S
11.
3
()Y IND
FA
HL
S
TROI11, A
STREE
T
F
ULL
OF
PR
ESEN
T
S
.
NEWYORK
,
OCTOBER
1961
(
I
%
I
)
.
TRAIL
S
.
KATHR
Y
N BOYER
452
11-+
()Y ILLD
F:LHLSTROI11,
UNTITLED
(
1
966),
TRANS.
DONALD
S.
MACQUEEN
459
11.:5
()YVIND
FAHISTROLLL,
ANDY
WAR
H
O
L
:
POP ARTIST
WITH
NO
INHIBITIONS-
EV
LTVBODY S
H
OU
L
D
13
E
MACH
IN
ES
(
1
968),
TR
A
NS. DONALD
S.
MACQUEEN
461
I
IJ)
LEIF
NYLELL,
PENTAGON
ST
RU
CT
UR
ES?
(
1
968),
TRANS. DONALD
S.
MACQUEEN
465
11.7
TORD
B
AECKST
R
O
LLL
,
NEW
YORK
CO
LL
EC
TION-A
DONATION
TO THE PEOPLE
OF
S L .KN
:
TCSTTUBE
ART
(
1
97
4)
,
TR
A
N
S.
DONALD
MACQUEEN
467
I
I.
K
JLIL
HAT
S
TOL1L,
V
I
S
ION
S
IN N
EW
YORK
(1977),
TRANS.
DONALD
MACQUEEN
470
II.()
OL
L
C
C;R311.1TH,
V
I
EWPO
INT
(
1
98
4),
TR
A
NS. KEITH
BR
A
DFIELD
472
I I.
I
(I
ULF
LI
NDC,
CLAES
OLDENB
URG
(
1985),
TRANS.
DONALD
MACQUE
E
N
477
PART
12
FINLAND
481
MAR
I
NA MDLAIS,
A
N
[NTRODUCTIO
N T
O
AMERICAN
ART
IN
FINLAND
AFTER
1945
483
12.1
S.LBRI
SA:LRIK
IVI
,
A
MERICAN
ART
EXHIBITION
(1951),
TRANS.
JYRI
KOKKONEN
487
12.2
EI
ILARI
J.
VEHMAS,
AMERICAN
CONTEMPORARY
ART
(1954),
TRANS
.
JYRI
KOKKONE
N
488
12.3
EIN:LRI
J.
VEHMAS,
PAS
T
AND
PRESENT
IN
THE
GUGGENHEIM
COLLECTION
(1957),
TR:LL1S
.
JYRI
KO
KKONEN
490
12.-+
LARS-GUNNAR
NORDS
TROM
,
T
HE
MAGIC
OF
THE
SIGN
:
OB
SE
RVATIONS
ON
THE
ARTS IN
AMER
ICA
(1961),
TRANS.
JYRI
KOKKONEN
491
12.
5
JUHAN
I
HAR
RI,
PO
P
(1964),
TRANS
.
JYRI
KOKKONEN
496
12.6
PEKKA
TARK
KA,
ECCLES
I
ASTICAL
ART
FOR MACHINES?
(1964),
TRANS
.
JYRI KOKKO
NEN
498
12.7
PETRA
UEXKULL
,
HERE
A
ND OVERSEAS
(1965),
TR
A
N
S.
J
Y
RI
KOKKONEN
502
12.8
A
NTERO
K
A
R
E,
ART
AS
A
W
EA
PON
OF
THE
CO
L
D WAR:
THE
IMAGE
OF
AMER
I
CA
IS
SEE
KING
IT
S
FORM
(1975),
TRANS
.
JYRI
KOKKONEN
503
XIII
CONTENTS
12
.
9
SAKARI
MAATTANEN
,
T
H
E
OTH
E
R F
ACE
OF
AM
E
RICA
(1975),
TRAN
S
.
J
YR
I
KOKKON
E
N
509
12
.
10
TIMO
VALJAKKA,
SPIRA
L
,
CENTER
,
A
ND
EDGES (1983),
TR
A
N
S
.
ITHA
O NEILL
512
12.11
KINUL10 SARJ
E,
NEOGEO-
THE
NEW
C
L
OTHES
OF
AB
S
TRA
C
T
ART
(1987)
,
TRAN
S
. ITH
A
O NEILL
516
12.
1
2
TIMO
VALJAKK
A,
SKETCHES
FOR H
E
ROIC
ACT
S
(1990),
TR
A
N
S.
ITH
A
O NEILL
520
12.13
LEENA-MAIJA
RO
SS
I,
LOST B
Y
SOCI
ETY
AND
TH
E
DISN
EY
L
A
ND
OF
ART
(
1
990),
TR
A
N
S
.J
Y
RI
KOKKON
E
N
521
TEXT COPYRIGHT
524
IND
EX
526
XIV
|
| adam_txt |
LIST
OF
PLAT
E
S
A
C
KNOWLEDGM
E
NT
S
EDITORS'
INTR
ODUCTION
PART
1
UNITED
KINGDOM
CONTENTS
DAVID
HOPKIN
S,
"
A
'
SPECIAL RELATIONSHIP':
BRITISH AND
AMER
I
CAN
ART
1945-1989"
1.1
PATRICK
HERON,
'''O
PP
OSING
FORCES
'
: PAINTINGS
B
Y
SEVEN
ARTISTS
XV
XVIII
XX
1
3
A
T
THE
L
CA"
(19
5
3)
15
1.2 LAWRENCE
ALL
OWAY, "
US M
O
DERN
PAINTINGS" (1956)
1
6
1
.
3
J
O
H
N
BERG
E
R,
"THE
BATTLE"
(
1956)
17
1.4
HERBERT
READ,
"AN
ART
O
FINT
ERNA
L N
ECESSITY" (19
5
6)
1
9
1.5 PA
T
RICK
HERON,
"THE
AMERICANS
A
T
TH
E TA
T
E
GALLERY"
(1956)
22
1.6
LAWRENCE
ALLOWAY,
"ART
I
N
NEW
YORK
TODAY"
(1958)
26
1.7
PATRICK
HERON,
"T
H
E
ASCENDANCY
OF
LONDON
IN
TH
E
SIXTIES" (1966)
2
9
1.8 PA
T
RICK
HERON,
"A
KIND
OF
C
ULTUR
AL
IMP
ERIALISM"
(1968) 32
V
CONTENTS
1.9
LAWRENCE
ALLOWAY,
"POPULAR CULTURE
AND
POP
ART
"
(
1
969)
1.10
JOHN
RUSSELL
,
"POP
REAPPRAISED"
(1969)
11
C
HARLES
HARRISON
,
"THE
LATE SI
X
TI
ES
AND
LONDON
A
ND
1.
ELSEWHERE"
(1984)
1.12
"EDITORIAL,"
THE
BURLIN
GTON
MAGA
Z
IN
E
(197
6)
1.13
RICHARD
MORPHET,
"CARL
ANDRE
'S
BRICKS
"
(1976)
1.14
WALDEMAR
JANUSZCZAK,
"
NOTHING
SUCC
EE
D
S
LIK
E
EXCESS"
(
1
9R2): 9;
AND PETER
FULLER
,
"JULIAN
SCHNABE
L
"
(1984)
1.15
PETER
FULLER,
"THE
EASTWARD
MAR
C
H
OF
CIV
ILI
ZAT
I
ON"
(19R7)
PART2
IRELAND
BRENDA
MOORE-MCC
A
NN,
"THE
IRISH DIASPORA
,
THE
CO
LD
W
A
R
A
ND
AM
E
RI
CA
N
ART
IN
IRELAND"
2.1 ANONYM
.
OUS,
"PAINTING
A
L'
AMERI
CA
IN
E"
(1953)
2.2
BRIAN
FALLON,
"
MAGNIFICENT
EXHIBITION
OF
US
P
A
INTIN
GS"
(1964)
2.3
MARIAN
BURLEIGH,
"AMERICAN
ART
STYLES PLEAS
E
AND
DISPLEASE"
(1964)
2.4
ANONYMOUS,
"THE
GREAT
AMERICAN
ART
SHOW"
(1964)
2.5
ANONYMOUS,
"832
PEOPLE
A
DAY
AT
ART
EXHIBITION"
(1964)
2
.
6
BRUCE
ARNOLD
,
"ARTISTS ARE
CRITICAL
OF
ROSE
EXHIBITION"
(
1
967)
2.7
BRIAN
FALLON,
"A
HAWK'S-EYE
VIEW
OF
TH
E
WORLD
'S
GALLERY
"
(
1
967)
2.8
PF.B.,
"ROSE
'71
AT
RDS
IS
GAY
AND
EXCITING"
(1971)
2.9
BRUCE
ARNOLD,
"THE
GREAT
ROSE
ADVENTURE"
(1971)
2.10
BRIAN
O'DOHERTY,
"THE
IRISH
IMAGINATION
1959-1971
"
(1971)
2.11
DESMOND
RUSH
E,
"
YOU
MUST
SEE
THIS
EXHIBITION!"
(1971)
VI
34
36
39
44
46
48
50
57
59
68
70
73
74
74
75
77
80
8
'
1
83
85
PART
3
FRANCE
C
ONT
E
NTS
S
E
R
GE
GUILB
A
UT
,
"
WITH
L
OVE
(A
ND H
A
T
E)
FROM PARIS
"
3
.1
"
E
X
HIBITI
O
N
O
F
AM
E
RI
CA
N P
A
INT
E
R
S
IN
PARIS" (1947),
TRANS.
89
91
RI
C
H
A
RD G
EO
RGE
ELLIOTT
106
3
.
2
MI
C
H
E
L
E
UPHOR,
"
P
A
RI
S
-N
E
W
YORK
CITY
1951"
(1951), TRANS.
RI
C
H
A
RD
GEO
R
GE
ELLI
O
TT
107
3.3
MI
C
H
E
L
T
A
PI
E, "
J
AC
K
SO
N POLLOCK
I
S
WITH
US"
(1952),
TRANS.
ANON
IN
B
E
-B
O
LLL
B
116
3
.4
C
HRI
S
TI
A
N Z
E
R
V
O
S,"
M
A
RK TOB
E
Y
"
(1954),
TRANS.
RICHARD
GEORGE
ELLIOTT
118
3.5
PI
E
RR
E
R
ES
T
A
N
Y,
"
AM
E
RI
C
A
A
ND
EUROPE"
(1960),
TR
ANS.
RICHARD
G
E
OR
GE
ELLIOTT
120
3
.
6
AL
A
IN
J
O
UFFRO
Y,
"
ROB
E
RT
RAUSCHENBERG"
(1964),
TRANS. SUSAN
DE
MUTH
122
3
.7 M
A
R
CE
LIN
PL
EY
N
E
T
, "
ON
AMERICAN
PAINTING
(CONCLUSION)" (1967),
TRANS.
J
O
HN
GOO
DMAN
130
3
.
8 CA
TH
E
RIN
E
MILLET,
"
PAINTING
WHICH
VIEWING
DISPERSES"
(1985),
TRANS.
SU
S
AN DE
MUTH
132
3.
9
ELIS
A
B
E
TH
L
E
BOVICI
,
"THE
AMERICAN
SCENE:
TH
E
MIDDLE
KINGDOM"
(1987),
TRANS. SUSAN
DE
MUTH
138
PART
4
BELGIUM
145
JAHAN
PAS,
"
ART
TURNED
UPSIDE
DOWN:
AMERICAN
ART
IN
BELGIUM
1958-1978"
147
4.1 LEON-LOUIS SASSET,
"IN
THE
AMERICAN
PAVILION: FROM
PRIMITIVES TO
ABSTRACTS
BY WAY
OF
THE NAIVE"
(1958), TRANS. SUSAN DE
MUTH
156
4.2
FRANCINE-CLAIRE LEGRAND,
"NEW
AMERICAN
PAINTING"
(1959),
TRANS.
SUSAN
DE
MUTH
157
4.3
MARCEL BROODTHAERS,
"BEWARE
THE
CHALLENGERS!
POP
ART
,
JIM
DINE,
AND
THE
INFLUENCE
OF
RENE
MAGRITTE"
(1963),
TRANS.
RICHARD
GEORGE ELLIOTT
159
4.4 GEERT
BEKAERT,
"HAPPENING"
(1966)
,
TRANS.
VIVIEN
D.
GLASS 161
VI
I
4.5
4.6
4.7
CONTENTS
J
D
'
"
POPTHE
AMERI
CA
N N
E
W
W
A
V
E
AND
TH
E
L
O
ND
ON
-
EAN YPREAU,
.
.
N
EW
YORK
AXIS"
(1966)
,
TRANS.
RI
C
H
A
RD
G
EO
R
GE
E
LLI
O
TT
ADOLF
MERCKX
,
"ART
IN
PRO
CESS"
(1970), TRANS.
P
A
UL
FERGUSON
MARC
CALLEWAERT,
"
THE
PI
ECE
N
EE
D
NOT
B
E
BUILT
"
(1973),
TR
A
N
S.
VIVIEN
D.
G
L
ASS
4.8
K
ARE
L GEIRLANDT,
"FROM
POP
TO
HYP
E
RR
EA
LI
SM"
(1973)
,
TR
A
N
S.
R
.
I
C
H
ARD
GEORGE
ELLIOTT
4
.
9 GEORGES
ROQUE,
"OUR
AMERI
CA
N
MYTH
"
(1977)
4.10
COLLECTIVE,
"AMERICAN
ART
IN
BELGIUM:
ART
TURN
E
D
UP
S
ID
E
D
OW
N
" (
1
977),
TRANS. PAUL FERGUSON
PARTS
THE NETHERLANDS
JONNEKE
JOBSE,
"THE
RECEPTION
OF
AMERICAN
ART
IN
TH
E
N
E
TH
E
RL
A
ND
S"
5
.
1
ANONYMOUS
[CEES
DOELMAN],"AM
E
RI
CA
NART:T
OO
MU
C
H
A
C
TI
O
N
,
TOO
LITTLE
REFLECTION"
(1956), TRANS.
W
ENDY
L.
VAN
OS-T
H
O
MP
SO
N
5.2
C.
H.WENTINCK,
"
ANTI-FORM
AS
GOAL AND
REASON:
COINCIDENCE
DECIDES ALL
IN
AMERICAN
'
A
C
TION
P
A
INTIN
G'"
(
1
958),
TRANS.
16
3
165
1
68
170
1
78
1
82
185
187
197
JAN
DE
MEYER
200
5
.
3
5.4
5.5
5.6
5
.
7
5
.
8
K.
S
C
HIPPERS,
"AFFIRMAT
IV
E
IRONY:
A N
EW
W
AY
OF
OB
SE
R
V
IN
G"
(
1
964),
TRANS.
WENDY
L.
VAN
OS-THOMPSON
WIM
BEEREN,
"A
NEW
REGIMEN
FOR
CO
L
OR"
(1966)
,
TRAN
S
.
W
E
NDY
L.
V
A
N
OS-THOMPSON
R.H
.
FUCHS,
"
AMERICAN
MODERNISM"
(1968)
,
TRAN
S
.
W
E
NDY
L.
VAN
OS-THOMPSON
ENNO
DEVELING,
"INTROD
U
CTION"
(1968)
CAREL
BLOTKAMP,
"THE
DILEMMA
OF
THE
SQU
A
R
E
P
EGS"
(1969),
TRAN
S.
W
E
NDY
L.
VAN
OS-THOMPSON
ANTJ
E
VON
GRAEVENITZ,
"PAINT
IS
PAINT:
BACK
T
O
THE
B
AS
I
CS
OF
PAINTIN
O-.
THE
STEDELIJK
IS
NOT
RISKING
MUCH
WITH
'
FUNDAMENTAL
PAINTIN
G'''::'
(1975),
TRAN
S
.WENDY
L.
VAN
OS-THOMPSON
VIII
202
205
208
2
1
4
2
1
9
222
CONTE
NT
S
5.
9
CO
R
13L
O
K
,
"
R
EA
LI
TY
A
CC
ORD
IN
G
TO D
E
NNIS
OPPENHEIM"
(1976),
TRANS.
CO
R
BL
OK
227
5.1
0
TIN
E
K
E
R
C
IJND
E
R
S,
"'
M
Y
PAINTINGS
A
R
E
CRAZY
'
:JULIAN
SCHNABEL'S
POTTERY
SHARD
S
P
E
R
RUNNIN
G
M
E
T
E
R
IN
TH
E
STEDELIJK"
(1982),
TRANS.
WENDY
L.
VAN
O
S
-THOMPSON
230
PART
6
FEDERAL
REPUBLIC
OF
GERMANY
(WEST
GERMANY)
L
AIN
BO
Y
D
WH
Y
T
E,
"
AMERI
CA
N
ART
IN
CO
LD
WAR
WEST GERMANY"
6
.1
EGON
VI
E
TT
A,
"NON-O
BJE
C
TIVE PAINTING:
AN
AMERICAN
SHOW
IN
KARLSRUHE"
235
237
(
1
94
8
),
TRAN
S
.
RI
C
HARD GEORGE ELLIOTT
251
6
.2
ALBERT
BU
CSC
H
E, "
THE
PRINCIPLE
OF
NO
DOGMAS:
AMERICAN PAINTING
AT
R
AT
H
A
U
S
SC
H
O
N
E
B
E
RG
"
(1951),
TRANS. MARGARETHE
CLAUSEN
252
6.3
FRIT
Z
N
E
MIT
Z,
"
I
S
TH
E
RE SUCH
A
THING
AS
AMERICAN
PAINTING?
A
CROSS
-S
EC
TION
IN
MUNICH"
(1951),
TRANS.
RICHARD
GEORGE ELLIOTT 254
6.4 DORIS
SC
HMIDT,
"
ART
FROM
OVER
THERE:
ON
THE
AMERICAN
EXHIBITION
IN
FRANKFURT"
(
1
9
55)
,
TRANS.
MARGARETHE
CLAUSEN
6
.
5
RIK
E
WANKM
IILL
ER,
"TAC
HIST
S
IN
THE
USA"
(1955
/
1956)
,
TRANS. LAIN
255
BOYD
WHYT
E
257
6
.
6
WILL
GROHMANN,
"THE
NEW
AMERICAN
PAINTING:
ON
AN
EXHIBITION
A
T
THE
HOCHSCHU
L
E
FUR
BILDENDE KIINSTE" (1958), TRANS.
RICHARD
GEO
R
GE
ELLIOTT
261
6
.
7
RI
C
HARD HUELSENBECK,
"POP
ART"
(1963), TRANS. LAIN
BOYD
WHYTE
263
6.8
DORIS
SCHMIDT,
"POP
ART
AS
A
MISS
I
ON.
ELEVEN POP
ARTISTS
AT
FRIEDRICH
UND
DAHLEM
IN
MUNICH"
(1966),
TRANS. MARGARETHE
C
L
AUSEN
265
6
.9
ROLF-GUNTER
DIENST,
"DOCUMENTA
4"
(1968),
TRANS. LAIN
BOYD
WHYTE
267
6.10
MAX LMDAHL,
"BARNETT
NEWMAN
,
RL1O~
AFRAID
OJ
R
E
D,
Y
E
LLOW
AND BLUE
III'
(1971), (1996),
TRANS. LAIN BOYD
WHYTE
268
6
.
11
EDUARD
BEAUCAMP
,
"OLYMPIC
MISERY
"
(1972),
TRANS
.
LAIN
BOYD
WHYTE
272
6.12
JUTTA
HELD
,
"MINIMAL
ART-AN
AMERICAN IDEOLOGY"
(1972),
TRANS.
LAIN BOYD
WHYTE
273
IX
CONTENTS
6.13 LUCIUS GRISEBACH,
"STATIONS
OF
AMERICAN
ART
IN
EUROPE
AFTER
1945"
(1976)
,
TRANS. LAIN
BOYD
WHYTE
6.14 "STATEMENTS
BY
COLLECTORS AND GALLERISTS" (1976),
TRANS. LAIN
BOYD
WHYT
E
6.15
KLAUS
HONNEF,
"REGAINING
THE POWER
OF
SPEECH:
NOTES
ON
AMERICAN
POSTMODERN
ART"
(1983),
TRANS.
RICHARD
GEORGE
ELLIOTT
6.16
JOHANNES
STAHL,
"'THE
TRAIN
IS
A
PART
OF
ME':
NEW
YORK
GRAFFITI ARTIST
LEE
QUINONES
IN
CONVERSATION
WITH
JOHANNES
STAHL"
(1987),
TRAN
S
.
276
27
8
279
RICHARD
GEORGE ELLIOTT 283
6.17
MARKUS BRIIDERLIN,
"CHANGES
IN
A
VALID STANDARD FOR
GOOD
ART:
DONALD
JUDD
IN
CONVERSATION"
(1988), TRANS. LAIN
BOYD
WHYTE
6.18
ANON,
"JEFF
KOONS:
TOTAL
CONSUMPTION-FROM
THE
NEW
TO
EQUILIBRIUM
;
FROM INTOXICATION
TO
CLASS STRUCTURES
IN
STAINLESS STEEL"
(1988),
TRANS
.
285
RICHARD
GEORGE ELLIOTT 286
6.19
WOLFGANG LANGE,
"ANDY
WARHOL
OR
REPROCESSING
ART
IN
THE
SPIRIT
OF
THE
CULTURE
INDUSTRY"
(1988),
TRANS.
RICHARD
GEORGE
ELLIOTT 288
PART?
AUSTRIA
OLIVER
SUKROW
AND
LAIN
BOYD
WHYTE,
"'MUSES
WITH
A
COLD':
AUSTRIA,
THE
VISUAL
ARTS,
AND
THE
COLD
WAR"
7
.
1
"PEINTRES
NAIJS:AMERICAN FOLK
PAINTING
FROM
1670
UNTIL
TODAY"
(1954),
291
293
TRANS. LAIN BOYD
WHYTE
306
7.2
OTTO
F BEER,
"AMERICA'S
ART
AS
GUEST"
(1956),
TRANS.
LAIN
BOYD
WHYTE
307
7.3
OTTO
WLADICKA,
"MODERN
ART
FROM
THE
USA"
(1956),
TRANS.
LAIN
BOYD
WHYTE
309
7.4
GERTRUDE
FROHLICH,
"STABILES,
LABILES,
AND
MOBILES"
(1956),
TRANS
.
LAIN
BOYDWHYTE
310
7.5
ANONYMOUS,
"
MODERN
AMERICAN
ART
IN
THE SHADOW
OF
EUROPE"
(1956),
TRANS. LAIN
BOYD
WHYTE
311
7.6
OTTO
ANTONIA GRAF,
"AMERICA:
DEATH
AND
ART"
(1964),
TRANS.
LAIN
BOYD
WHYTE
313
X
CONTE
NT
S
7.7
WERNE
R H
OFILLALL
I
L.
"THE
P
SE
UD
O
-R
EA
LITY
OF
TH
E '
HAPPENING'"
(1966),
TRAILS
.
IAILL BOYD W
H
YTE
319
7.H
DIETER ROLLTE,
"
K
I
ENHO
L
Z
IN
V
I
E
N
NA" (
1
9
89) 320
P
ARTS
SW
I
TZE
RL
A
ND
NATHALIE
RITTER
A
L
LD T
H
OMAS
SC
H
M
UT
Z,
"
I
S
L
E
OF
THE
BLESSED-AUDIENCES
SHOCKED:
ALLLERI
C
LIL
ART
IN SW
I
TZE
RL
A
ND 1
9
45-1990"
H
.
I ADOLF
MAX VOGT
,
"A
M
E
RI
CANS
AS
ARTI
S
TS:
EXHIBITION
AT
THE KUNSTHAUS
323
325
ILL
ZURICH"
(
1 )53),
T
R
ANS
.
RI
C
H
A
RD G
E
ORGE
ELLIOTT
335
H
.
2
ARILOLD
II.IDLILLG
E
R
,
"FO
R
EWO
RD
" (
1
9
55)
,
TRANS
.
JONATHAN
BLOWER
337
~
.
)
MAX
EICHELLBERGER,
"
M
O
D
E
RN
ART
IN
THE
USA"
(1955)
,
TRANS.
JOLL;]TH
~L
LL
BLOWER
338
~.-+
ARNOLD
LI.IDLINGER,
"
THROU
G
H
EUROPEAN
EYES"
(1958), TRANS.
LAILL
BOYD
WHYTE
341
H
.
:=;
MJRIA NETTER,
"T
H
E
ANNIV
E
RS
A
RY GIFT
OF
THE SWISS N
A
TIONAL INSURANCE
SOCIETY
TO
T
H
E
BASEL
ART
MUSEUM"
(1960),
TRANS.
JONATHAN
BLOWER
343
~.6
CEORG
SCHM
I
DT,
"FO
RMAL
MEANS"
(1966),
TRANS.
JONATHAN
BLOWER 346
8.7
HAN
S
NEUBURG,
"
NIHILI
S
TIC
ART"
(1969),
TRANS. LAIN
BOYD
WHYTE
348
8.8
JOH
A
NNES
GACHNA
N
G, "
FROM
CONTINENT
TO
CONTINENT
"
(1986),
TRANS.
R.I
C
HARD
GEORGE
E
LLIOTT 350
PART
9
DENMARK
VIBEKE PETERSE
N
GE
THER
A
ND
TANIA
0RUM
, "
AMERICAN
ART
VIEWED FROM
DENMA
R
K:
FRO
M SK
E
PTICISM
TO
ACCEPTANCE"
9.
1 ALB
E
RT
M
E
RTZ
,
"FROM
A PARIS DIARY
SPRING"
(1963),
TRANS
.
355
357
M
A
RI
A
NNE
0LHOLM
366
9
.2
K.G
.
HULT
E
N,
"ON
PAINTING
IN
NEW
YORK
AFTER POLLOCK
,
THAT
IS
ON
POP
ART
"
(1964),
TRANS.
MARIANN
E
0LHOLM
368
XI
CONTENTS
9.3
KNUD
WJENSEN,
"POP
ART
AT
TH
E
LOUISIANA" (1964),
TR
A
N
S
.
MARIANNE
0
LHOLM
372
9.4
ERIC
ANDERSEN,
"AFTER
CAGE"
(1966),
TRAN
S.
MARI
A
NN
E 0
LHOLM
373
9.
5
PER
KIRKEBY,
"LE
TTER
FROM
NEW
YORK
MOVING
PICTURES
"
(1967),
TR
A
N
S.
M
A
RIANNE
0LHOLM
.
377
9
.
6
J
ANE
PEDERSEN,
"THE
NEW
ABSTRA
C
TION"
(1967),
TRANS
.
M
A
RI
A
NN
E 0
1H
O
LM
379
9.7
STIG
BF0GGER,
"SO
ME
RE
CEN
T
TRENDS" (1970),
TRAN
S.
R
E
N
E
LAURIT
SE
N
383
9
.
8
ERIK
THYGESEN,
"THE
ATROCITY
EXHIBITION"
(1970),
TR
A
N
S.
M
A
RIANN
E
0LHOLM
390
9.9
0YS
T
E
IN
HJORT,
"THE
1980S:A
FOREST
OF
SIGNS"
(1992)
,
TR
A
N
S.
M
AR
IANNE
0LHOLM
393
9.10
0YS
T
E
IN
HJORT,
"STAGED
PHOTOGR
A
PHY
"
(1992),
TR
A
NS
.
M
A
RI
ANNE
0
1H
O
LM
396
PART
10
NORWAY
ASMUND
THORKILDSEN,
"
NORWAY
AND
AMERI
CA
N
POSTWAR
ART
DURIN
G
THE
COLD
WAR"
10.1 P
E
R HOVDENAKK,
"ABSTRACT
E
X
PR
ESS
IONISM
IN
EUROPE
AND
TH
E
USA
"
399
401
(1981),
TR
A
NS
.
ANNA
PATERSON
408
10.2 EVEN
HEBB
E
JOHNSRUD
,
"BARNETT
N
EW
MAN:
THE
TRAGIC
DIMENSION
IN
ART"
(1983),
TRAN
S.
ANNA
PAT
ERSO
N
413
1
0.3
PER
HOVD
E
N
AKK,
"
ART
IN
THE US TODA
Y"
(1983),
TR
A
NS.
LUCY
MOFF
ATT
419
10.4 ASMUND
THORKILDSEN,
"AN
OLD
MA
S
TER
AMONG
THE
YOUNG
WILD
"
(1986),
TRAN
S
.
LUCY
MOFFATT
424
PART
11
SWEDEN
ANNIK
A
OHMER,
"AMERICAN
ART
IN
SWEDISH
ART
CRITICISM:
AN
INTRODU
C
TION
"
11.1 LUDVIG
R
AS
MUSSON
,
"POP"
(1963),
TRANS.
DONALD
S.
M
AC
QU
EE
N
11.2 TORSTEN
B
ERGMA
RK,
"POP-THE
AM
ER
ICAN
DR
EA
M"
(1964),
TR
A
N
S
.
DONALD
S.
M
AC
QUEEN
XII
433
435
443
449
CONTE
NT
S
11.
3
()Y\'IND
FA
HL
S
TROI11,"A
STREE
T
F
ULL
OF
PR
ESEN
T
S
.
NEWYORK
,
OCTOBER
1961"
(
I
%
I
)
.
TRAIL
S
.
KATHR
Y
N BOYER
452
11-+
()Y\'ILLD
F:LHLSTROI11,
"
UNTITLED"
(
1
966),
TRANS.
DONALD
S.
MACQUEEN
459
11.:5
()YVIND
FAHISTROLLL,
"ANDY
WAR
H
O
L
:
POP ARTIST
WITH
NO
INHIBITIONS-
'EV
LTVBODY S
H
OU
L
D
13
E
MACH
IN
ES'"
(
1
968),
TR
A
NS. DONALD
S.
MACQUEEN
461
I
IJ)
LEIF
NYLELL,"
PENTAGON
ST
RU
CT
UR
ES?
"
(
1
968),
TRANS. DONALD
S.
MACQUEEN
465
11.7
TORD
B
AECKST
R
O
LLL
, "
NEW
YORK
CO
LL
EC
TION-A
DONATION
TO THE PEOPLE
OF
S\\"L' .KN
:
TCSTTUBE
ART"
(
1
97
4)
,
TR
A
N
S.
DONALD
MACQUEEN
467
I
I.
K
JLIL
HAT
S
TOL1L,
"V
I
S
ION
S
IN N
EW
YORK"
(1977),
TRANS.
DONALD
MACQUEEN
470
II.()
OL
L
C
C;R311.1TH,
"
V
I
EWPO
INT
"
(
1
98
4),
TR
A
NS. KEITH
BR
A
DFIELD
472
I I.
I
(I
ULF
LI
NDC,
"CLAES
OLDENB
URG
"
(
1985),
TRANS.
DONALD
MACQUE
E
N
477
PART
12
FINLAND
481
MAR
I
NA MDLAIS,
"A
N
[NTRODUCTIO
N T
O
AMERICAN
ART
IN
FINLAND
AFTER
1945"
483
12.1
S.LBRI
SA:LRIK
IVI
,
"A
MERICAN
ART
EXHIBITION"
(1951),
TRANS.
JYRI
KOKKONEN
487
12.2
EI
ILARI
J.
VEHMAS,
"
AMERICAN
CONTEMPORARY
ART
"
(1954),
TRANS
.
JYRI
KOKKONE
N
488
12.3
EIN:LRI
J.
VEHMAS,
"
PAS
T
AND
PRESENT
IN
THE
GUGGENHEIM
COLLECTION"
(1957),
TR:LL1S
.
JYRI
KO
KKONEN
490
12.-+
LARS-GUNNAR
NORDS
TROM
,
"T
HE
MAGIC
OF
THE
SIGN
:
OB
SE
RVATIONS
ON
THE
ARTS IN
AMER
ICA
"
(1961),
TRANS.
JYRI
KOKKONEN
491
12.
5
JUHAN
I
HAR
RI,
"PO
P
"
(1964),
TRANS
.
JYRI
KOKKONEN
496
12.6
PEKKA
TARK
KA,
"ECCLES
I
ASTICAL
ART
FOR MACHINES?
"
(1964),
TRANS
.
JYRI KOKKO
NEN
498
12.7
PETRA
UEXKULL
,
"HERE
A
ND OVERSEAS
"
(1965),
TR
A
N
S.
J
Y
RI
KOKKONEN
502
12.8
A
NTERO
K
A
R
E,
"ART
AS
A
W
EA
PON
OF
THE
CO
L
D WAR:
THE
IMAGE
OF
AMER
I
CA
IS
SEE
KING
IT
S
FORM
"
(1975),
TRANS
.
JYRI
KOKKONEN
503
XIII
CONTENTS
12
.
9
SAKARI
MAATTANEN
,
"T
H
E
OTH
E
R F
ACE
OF
AM
E
RICA"
(1975),
TRAN
S
.
J
YR
I
KOKKON
E
N
509
12
.
10
TIMO
VALJAKKA,
"
SPIRA
L
,
CENTER
,
A
ND
EDGES" (1983),
TR
A
N
S
.
ITHA
O'NEILL
512
12.11
KINUL10 SARJ
E,
"
NEOGEO-
THE
NEW
C
L
OTHES
OF
AB
S
TRA
C
T
ART
"
(1987)
,
TRAN
S
. ITH
A
O'NEILL
516
12.
1
2
TIMO
VALJAKK
A,
"SKETCHES
FOR H
E
ROIC
ACT
S"
(1990),
TR
A
N
S.
ITH
A
O'NEILL
520
12.13
LEENA-MAIJA
RO
SS
I,
"
LOST B
Y
SOCI
ETY
AND
TH
E
DISN
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L
A
ND
OF
ART
"
(
1
990),
TR
A
N
S
.J
Y
RI
KOKKON
E
N
521
TEXT COPYRIGHT
524
IND
EX
526
XIV |
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| spelling | Hot art, Cold War - Western and Northern European writing on American art 1945-1990 edited by Claudia Hopkins and Iain Boyd Whyte Hot art, Cold War New York ; London Routledge, Taylor & Francis Group 2021 xxvi, 551 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index The Irish diaspora, the Cold War and American art in Ireland / Brenda McCann -- The anniversary gift of the Swiss National Insurance Society to the Basel Art Museum / Maria Netter ; translated from German by Jonathan Blower -- Lost by society and the Disneyland of art / Leena-Maija Rossi ; translated from Finnish by Jyri Kokkonen "This book is an anthology of primary source texts on postwar American art between 1945 and 1989, translated from Northern and Western European languages into English for the first time and introduced by scholarly essays. This volume will be the first full-scale account of the reception of American art across Northern and Western Europe, greatly enriching the field of American art studies. Postwar American art triggered varied - positive and negative - responses across Europe. There was no single European discourse, as the responses were inflected by a range of issues (political, social, artistic, etc.) that varied in the different national contexts across Europe. Taken together, these diverse texts offer a representative selection of responses to American art in the Cold War period. This book covers United Kingdom, Ireland, France, Belgium, the Netherlands, West Germany (FRG), Austria, Switzerland, Denmark, Norway, Sweden and Finland. This is a companion volume to Hot Art, Cold War - Southern and Eastern European Writing on American Art 1945-1990"-- Geschichte 1945-1990 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Kunstgeschichtsschreibung (DE-588)4033643-8 gnd rswk-swf Kunstkritik (DE-588)4033659-1 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Westeuropa (DE-588)4079215-8 gnd rswk-swf Südeuropa (DE-588)4078023-5 gnd rswk-swf Osteuropa (DE-588)4075739-0 gnd rswk-swf Nordeuropa (DE-588)4075455-8 gnd rswk-swf Art, American / 20th century / Sources Art criticism / Europe, Western / History / 20th century / Sources Art criticism / Europe, Northern / History / 20th century / Sources (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Kunst (DE-588)4114333-4 s Rezeption (DE-588)4049716-1 s Nordeuropa (DE-588)4075455-8 g Westeuropa (DE-588)4079215-8 g Kunstkritik (DE-588)4033659-1 s Kunstgeschichtsschreibung (DE-588)4033643-8 s Geschichte 1945-1990 z DE-604 Südeuropa (DE-588)4078023-5 g Osteuropa (DE-588)4075739-0 g Hopkins, Claudia (DE-588)1224975502 edt Whyte, Iain Boyd 1947- (DE-588)118104608 edt V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032437113&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Hot art, Cold War - Western and Northern European writing on American art 1945-1990 |
| title_alt | Hot art, Cold War |
| title_auth | Hot art, Cold War - Western and Northern European writing on American art 1945-1990 |
| title_exact_search | Hot art, Cold War - Western and Northern European writing on American art 1945-1990 |
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| title_full | Hot art, Cold War - Western and Northern European writing on American art 1945-1990 edited by Claudia Hopkins and Iain Boyd Whyte |
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| title_full_unstemmed | Hot art, Cold War - Western and Northern European writing on American art 1945-1990 edited by Claudia Hopkins and Iain Boyd Whyte |
| title_short | Hot art, Cold War - Western and Northern European writing on American art 1945-1990 |
| title_sort | hot art cold war western and northern european writing on american art 1945 1990 |
| topic | Rezeption (DE-588)4049716-1 gnd Kunstgeschichtsschreibung (DE-588)4033643-8 gnd Kunstkritik (DE-588)4033659-1 gnd Kunst (DE-588)4114333-4 gnd |
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