Organising music: theory, practice, performance
"The intention behind this book is to bring together two fields: music making and organisation theory, in order to explore what might be learned. Learning may proceed in various directions within and between the fields. Within fields we are concerned with learning between alternative traditions...
Gespeichert in:
Weitere Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
2017
|
Ausgabe: | First paperback edition |
Schlagworte: | |
Zusammenfassung: | "The intention behind this book is to bring together two fields: music making and organisation theory, in order to explore what might be learned. Learning may proceed in various directions within and between the fields. Within fields we are concerned with learning between alternative traditions and genres. For example, the learning between punk and indie music might entail small-scale translation whereas ideas moving between large classical orchestras and small folk bands may need considerable adaptation".. |
Beschreibung: | xxvii, 414 Seiten Illustrationen |
ISBN: | 9781107421677 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV047021169 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | t | ||
008 | 201120s2017 a||| |||| 00||| eng d | ||
020 | |a 9781107421677 |c paperback |9 978-1-107-42167-7 | ||
035 | |a (OCoLC)1224016011 | ||
035 | |a (DE-599)BVBBV047021169 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-521 | ||
050 | 0 | |a ML3853 | |
082 | 0 | |a 780.6 |2 23 | |
084 | |a LR 56000 |0 (DE-625)109784:13528 |2 rvk | ||
084 | |a LR 57188 |0 (DE-625)109854:13536 |2 rvk | ||
084 | |a 9,2 |2 ssgn | ||
245 | 1 | 0 | |a Organising music |b theory, practice, performance |c edited by Nic Beech and Charlotte Gilmore |
250 | |a First paperback edition | ||
264 | 1 | |a Cambridge |b Cambridge University Press |c 2017 | |
300 | |a xxvii, 414 Seiten |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
520 | |a "The intention behind this book is to bring together two fields: music making and organisation theory, in order to explore what might be learned. Learning may proceed in various directions within and between the fields. Within fields we are concerned with learning between alternative traditions and genres. For example, the learning between punk and indie music might entail small-scale translation whereas ideas moving between large classical orchestras and small folk bands may need considerable adaptation".. | ||
650 | 7 | |a BUSINESS & ECONOMICS / Organizational Behavior |2 bisacsh | |
650 | 4 | |a Musik | |
650 | 4 | |a Wirtschaft | |
650 | 4 | |a Music |x Performance | |
650 | 4 | |a Organization | |
650 | 4 | |a Management | |
650 | 4 | |a BUSINESS & ECONOMICS / Organizational Behavior | |
650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Kulturmanagement |0 (DE-588)4309943-9 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Musikleben |0 (DE-588)4075128-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Öffentlichkeit |0 (DE-588)4043183-6 |2 gnd |9 rswk-swf |
655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
689 | 0 | 0 | |a Musik |0 (DE-588)4040802-4 |D s |
689 | 0 | 1 | |a Öffentlichkeit |0 (DE-588)4043183-6 |D s |
689 | 0 | |5 UMWHUI | |
689 | 1 | 0 | |a Musik |0 (DE-588)4040802-4 |D s |
689 | 1 | 1 | |a Kulturmanagement |0 (DE-588)4309943-9 |D s |
689 | 1 | 2 | |a Musikleben |0 (DE-588)4075128-4 |D s |
689 | 1 | |5 DE-604 | |
700 | 1 | |a Beech, Nic |0 (DE-588)1073890449 |4 edt | |
700 | 1 | |a Gilmore, Charlotte |e Sonstige |0 (DE-588)1073890554 |4 oth | |
775 | 0 | 8 | |i Äquivalent |n Druck-Ausgabe, Hardcover |d Cambridge : Cambridge University Press, 2015 |z 978-1-107-04095-3 |
940 | 1 | |q BSB_NED_20201120 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-032428646 | ||
942 | 1 | 1 | |c 780 |e 22/bsb |f 0905 |
942 | 1 | 1 | |c 780.2 |e 22/bsb |f 0905 |
942 | 1 | 1 | |c 306.09 |e 22/bsb |f 0905 |
Datensatz im Suchindex
_version_ | 1804181986179284992 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author2 | Beech, Nic |
author2_role | edt |
author2_variant | n b nb |
author_GND | (DE-588)1073890449 (DE-588)1073890554 |
author_facet | Beech, Nic |
building | Verbundindex |
bvnumber | BV047021169 |
callnumber-first | M - Music |
callnumber-label | ML3853 |
callnumber-raw | ML3853 |
callnumber-search | ML3853 |
callnumber-sort | ML 43853 |
callnumber-subject | ML - Literature on Music |
classification_rvk | LR 56000 LR 57188 |
ctrlnum | (OCoLC)1224016011 (DE-599)BVBBV047021169 |
dewey-full | 780.6 |
dewey-hundreds | 700 - The arts |
dewey-ones | 780 - Music |
dewey-raw | 780.6 |
dewey-search | 780.6 |
dewey-sort | 3780.6 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
discipline_str_mv | Musikwissenschaft |
edition | First paperback edition |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02745nam a2200637 c 4500</leader><controlfield tag="001">BV047021169</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">201120s2017 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781107421677</subfield><subfield code="c">paperback</subfield><subfield code="9">978-1-107-42167-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1224016011</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047021169</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-521</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">ML3853</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">780.6</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 56000</subfield><subfield code="0">(DE-625)109784:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 57188</subfield><subfield code="0">(DE-625)109854:13536</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Organising music</subfield><subfield code="b">theory, practice, performance</subfield><subfield code="c">edited by Nic Beech and Charlotte Gilmore</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">First paperback edition</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xxvii, 414 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"The intention behind this book is to bring together two fields: music making and organisation theory, in order to explore what might be learned. Learning may proceed in various directions within and between the fields. Within fields we are concerned with learning between alternative traditions and genres. For example, the learning between punk and indie music might entail small-scale translation whereas ideas moving between large classical orchestras and small folk bands may need considerable adaptation"..</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">BUSINESS & ECONOMICS / Organizational Behavior</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Wirtschaft</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music</subfield><subfield code="x">Performance</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Organization</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Management</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">BUSINESS & ECONOMICS / Organizational Behavior</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kulturmanagement</subfield><subfield code="0">(DE-588)4309943-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikleben</subfield><subfield code="0">(DE-588)4075128-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Öffentlichkeit</subfield><subfield code="0">(DE-588)4043183-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Öffentlichkeit</subfield><subfield code="0">(DE-588)4043183-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">UMWHUI</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Kulturmanagement</subfield><subfield code="0">(DE-588)4309943-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Musikleben</subfield><subfield code="0">(DE-588)4075128-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Beech, Nic</subfield><subfield code="0">(DE-588)1073890449</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Gilmore, Charlotte</subfield><subfield code="e">Sonstige</subfield><subfield code="0">(DE-588)1073890554</subfield><subfield code="4">oth</subfield></datafield><datafield tag="775" ind1="0" ind2="8"><subfield code="i">Äquivalent</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="d">Cambridge : Cambridge University Press, 2015</subfield><subfield code="z">978-1-107-04095-3</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20201120</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032428646</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield></record></collection> |
genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
genre_facet | Aufsatzsammlung |
id | DE-604.BV047021169 |
illustrated | Illustrated |
index_date | 2024-07-03T15:59:11Z |
indexdate | 2024-07-10T09:00:22Z |
institution | BVB |
isbn | 9781107421677 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032428646 |
oclc_num | 1224016011 |
open_access_boolean | |
owner | DE-521 |
owner_facet | DE-521 |
physical | xxvii, 414 Seiten Illustrationen |
psigel | BSB_NED_20201120 |
publishDate | 2017 |
publishDateSearch | 2017 |
publishDateSort | 2017 |
publisher | Cambridge University Press |
record_format | marc |
spelling | Organising music theory, practice, performance edited by Nic Beech and Charlotte Gilmore First paperback edition Cambridge Cambridge University Press 2017 xxvii, 414 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier "The intention behind this book is to bring together two fields: music making and organisation theory, in order to explore what might be learned. Learning may proceed in various directions within and between the fields. Within fields we are concerned with learning between alternative traditions and genres. For example, the learning between punk and indie music might entail small-scale translation whereas ideas moving between large classical orchestras and small folk bands may need considerable adaptation".. BUSINESS & ECONOMICS / Organizational Behavior bisacsh Musik Wirtschaft Music Performance Organization Management BUSINESS & ECONOMICS / Organizational Behavior Musik (DE-588)4040802-4 gnd rswk-swf Kulturmanagement (DE-588)4309943-9 gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Öffentlichkeit (DE-588)4043183-6 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Musik (DE-588)4040802-4 s Öffentlichkeit (DE-588)4043183-6 s UMWHUI Kulturmanagement (DE-588)4309943-9 s Musikleben (DE-588)4075128-4 s DE-604 Beech, Nic (DE-588)1073890449 edt Gilmore, Charlotte Sonstige (DE-588)1073890554 oth Äquivalent Druck-Ausgabe, Hardcover Cambridge : Cambridge University Press, 2015 978-1-107-04095-3 |
spellingShingle | Organising music theory, practice, performance BUSINESS & ECONOMICS / Organizational Behavior bisacsh Musik Wirtschaft Music Performance Organization Management BUSINESS & ECONOMICS / Organizational Behavior Musik (DE-588)4040802-4 gnd Kulturmanagement (DE-588)4309943-9 gnd Musikleben (DE-588)4075128-4 gnd Öffentlichkeit (DE-588)4043183-6 gnd |
subject_GND | (DE-588)4040802-4 (DE-588)4309943-9 (DE-588)4075128-4 (DE-588)4043183-6 (DE-588)4143413-4 |
title | Organising music theory, practice, performance |
title_auth | Organising music theory, practice, performance |
title_exact_search | Organising music theory, practice, performance |
title_exact_search_txtP | Organising music theory, practice, performance |
title_full | Organising music theory, practice, performance edited by Nic Beech and Charlotte Gilmore |
title_fullStr | Organising music theory, practice, performance edited by Nic Beech and Charlotte Gilmore |
title_full_unstemmed | Organising music theory, practice, performance edited by Nic Beech and Charlotte Gilmore |
title_short | Organising music |
title_sort | organising music theory practice performance |
title_sub | theory, practice, performance |
topic | BUSINESS & ECONOMICS / Organizational Behavior bisacsh Musik Wirtschaft Music Performance Organization Management BUSINESS & ECONOMICS / Organizational Behavior Musik (DE-588)4040802-4 gnd Kulturmanagement (DE-588)4309943-9 gnd Musikleben (DE-588)4075128-4 gnd Öffentlichkeit (DE-588)4043183-6 gnd |
topic_facet | BUSINESS & ECONOMICS / Organizational Behavior Musik Wirtschaft Music Performance Organization Management Kulturmanagement Musikleben Öffentlichkeit Aufsatzsammlung |
work_keys_str_mv | AT beechnic organisingmusictheorypracticeperformance AT gilmorecharlotte organisingmusictheorypracticeperformance |