Aesthetics and Modernity from Schiller to the Frankfurt School:
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bern
Peter Lang AG, Internationaler Verlag der Wissenschaften
2012
|
| Ausgabe: | 1st, New ed |
| Schlagworte: | |
| Online-Zugang: | UER01 URL des Erstveröffentlichers |
| Beschreibung: | Online resource; title from title screen (viewed June 27, 2019) |
| Beschreibung: | 1 Online-Ressource (376 Seiten) |
| ISBN: | 9783035302080 |
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| 245 | 1 | 0 | |a Aesthetics and Modernity from Schiller to the Frankfurt School |c Jerome Carroll, Steve Giles, Maike Oergel |
| 250 | |a 1st, New ed | ||
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| 505 | 8 | |a The essays in this book investigate the complex and often contradictory relationships between aesthetics and modernity from the late Enlightenment in the 1790s to the Frankfurt School in the 1960s and engage with the classic German tradition of socio-cultural and aesthetic theory that extends from Friedrich Schiller to Theodor W. Adorno. While contemporary discussions in aesthetics are often dominated by abstract philosophical approaches, this book embeds aesthetic theory in broader social and cultural contexts and considers a wide range of artistic practices in literature, drama, music and visual arts. Contributions include research on Schiller's writings and his work in relation to moral sentimentalism, Romantic aesthetics, Friedrich Schlegel, Beethoven, Huizinga and Greenberg; philosophers such as Kierkegaard, Benjamin, Heidegger and Adorno; and thematic approaches to Darwinism and Naturalism, modern tragedy, postmodern realism and philosophical anthropology from the eighteenth century to the present day. This book is based on papers given at an international symposium held under the auspices of the University of Nottingham at the Institute of German and Romance Studies, London, in September 2009 | |
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| contents | The essays in this book investigate the complex and often contradictory relationships between aesthetics and modernity from the late Enlightenment in the 1790s to the Frankfurt School in the 1960s and engage with the classic German tradition of socio-cultural and aesthetic theory that extends from Friedrich Schiller to Theodor W. Adorno. While contemporary discussions in aesthetics are often dominated by abstract philosophical approaches, this book embeds aesthetic theory in broader social and cultural contexts and considers a wide range of artistic practices in literature, drama, music and visual arts. Contributions include research on Schiller's writings and his work in relation to moral sentimentalism, Romantic aesthetics, Friedrich Schlegel, Beethoven, Huizinga and Greenberg; philosophers such as Kierkegaard, Benjamin, Heidegger and Adorno; and thematic approaches to Darwinism and Naturalism, modern tragedy, postmodern realism and philosophical anthropology from the eighteenth century to the present day. This book is based on papers given at an international symposium held under the auspices of the University of Nottingham at the Institute of German and Romance Studies, London, in September 2009 |
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| discipline | Philosophie |
| discipline_str_mv | Philosophie |
| edition | 1st, New ed |
| era | Geschichte 1750-1950 gnd |
| era_facet | Geschichte 1750-1950 |
| format | Electronic eBook |
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| spelling | Aesthetics and Modernity from Schiller to the Frankfurt School Jerome Carroll, Steve Giles, Maike Oergel 1st, New ed Bern Peter Lang AG, Internationaler Verlag der Wissenschaften 2012 1 Online-Ressource (376 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 27, 2019) The essays in this book investigate the complex and often contradictory relationships between aesthetics and modernity from the late Enlightenment in the 1790s to the Frankfurt School in the 1960s and engage with the classic German tradition of socio-cultural and aesthetic theory that extends from Friedrich Schiller to Theodor W. Adorno. While contemporary discussions in aesthetics are often dominated by abstract philosophical approaches, this book embeds aesthetic theory in broader social and cultural contexts and considers a wide range of artistic practices in literature, drama, music and visual arts. Contributions include research on Schiller's writings and his work in relation to moral sentimentalism, Romantic aesthetics, Friedrich Schlegel, Beethoven, Huizinga and Greenberg; philosophers such as Kierkegaard, Benjamin, Heidegger and Adorno; and thematic approaches to Darwinism and Naturalism, modern tragedy, postmodern realism and philosophical anthropology from the eighteenth century to the present day. This book is based on papers given at an international symposium held under the auspices of the University of Nottingham at the Institute of German and Romance Studies, London, in September 2009 Geschichte 1750-1950 gnd rswk-swf Moderne (DE-588)4039827-4 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Theorie (DE-588)4059787-8 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 2009 London gnd-content (DE-588)1071861417 Konferenzschrift gnd-content Ästhetik (DE-588)4000626-8 s Theorie (DE-588)4059787-8 s Moderne (DE-588)4039827-4 s Geschichte 1750-1950 z DE-604 Carroll, Jerome edt Giles, Steve edt Oergel, Maike edt Erscheint auch als Druck-Ausgabe 9783034302173 https://www.peterlang.com/view/product/43776?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Aesthetics and Modernity from Schiller to the Frankfurt School The essays in this book investigate the complex and often contradictory relationships between aesthetics and modernity from the late Enlightenment in the 1790s to the Frankfurt School in the 1960s and engage with the classic German tradition of socio-cultural and aesthetic theory that extends from Friedrich Schiller to Theodor W. Adorno. While contemporary discussions in aesthetics are often dominated by abstract philosophical approaches, this book embeds aesthetic theory in broader social and cultural contexts and considers a wide range of artistic practices in literature, drama, music and visual arts. Contributions include research on Schiller's writings and his work in relation to moral sentimentalism, Romantic aesthetics, Friedrich Schlegel, Beethoven, Huizinga and Greenberg; philosophers such as Kierkegaard, Benjamin, Heidegger and Adorno; and thematic approaches to Darwinism and Naturalism, modern tragedy, postmodern realism and philosophical anthropology from the eighteenth century to the present day. This book is based on papers given at an international symposium held under the auspices of the University of Nottingham at the Institute of German and Romance Studies, London, in September 2009 Moderne (DE-588)4039827-4 gnd Ästhetik (DE-588)4000626-8 gnd Theorie (DE-588)4059787-8 gnd |
| subject_GND | (DE-588)4039827-4 (DE-588)4000626-8 (DE-588)4059787-8 (DE-588)1071861417 |
| title | Aesthetics and Modernity from Schiller to the Frankfurt School |
| title_auth | Aesthetics and Modernity from Schiller to the Frankfurt School |
| title_exact_search | Aesthetics and Modernity from Schiller to the Frankfurt School |
| title_exact_search_txtP | Aesthetics and Modernity from Schiller to the Frankfurt School |
| title_full | Aesthetics and Modernity from Schiller to the Frankfurt School Jerome Carroll, Steve Giles, Maike Oergel |
| title_fullStr | Aesthetics and Modernity from Schiller to the Frankfurt School Jerome Carroll, Steve Giles, Maike Oergel |
| title_full_unstemmed | Aesthetics and Modernity from Schiller to the Frankfurt School Jerome Carroll, Steve Giles, Maike Oergel |
| title_short | Aesthetics and Modernity from Schiller to the Frankfurt School |
| title_sort | aesthetics and modernity from schiller to the frankfurt school |
| topic | Moderne (DE-588)4039827-4 gnd Ästhetik (DE-588)4000626-8 gnd Theorie (DE-588)4059787-8 gnd |
| topic_facet | Moderne Ästhetik Theorie Konferenzschrift 2009 London Konferenzschrift |
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