Beiträge und Gedanken zum Blechblas-Instrumentenbau:
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | German |
| Published: |
Ritterhude-Stendorf
Heinrich Thein
[2020]
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Physical Description: | 156 Seiten Illustrationen 25 cm |
| ISBN: | 9783000646027 3000646027 |
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MARC
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| 020 | |a 3000646027 |9 3-00-064602-7 | ||
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| 100 | 1 | |a Thein, Heinrich |d 1947- |e Verfasser |0 (DE-588)133574075 |4 aut | |
| 245 | 1 | 0 | |a Beiträge und Gedanken zum Blechblas-Instrumentenbau |c Heinrich Thein, Blechblasinstrumenten- und Schlagzeugbaumeister, Gründer von Thein-Blechblas-Instrumente in Bremen |
| 264 | 1 | |a Ritterhude-Stendorf |b Heinrich Thein |c [2020] | |
| 300 | |a 156 Seiten |b Illustrationen |c 25 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 650 | 0 | 7 | |a Blechblasinstrumentenbau |0 (DE-588)4140420-8 |2 gnd |9 rswk-swf |
| 653 | |a Trombone Posaune Trompet Trompete Horn French horn | ||
| 653 | |a Bremen | ||
| 653 | |a Kunsthandwerk | ||
| 653 | |a Blechblas-Instrumentenbau | ||
| 653 | |a Brass instrument making | ||
| 653 | |a Heinrich Thein | ||
| 689 | 0 | 0 | |a Blechblasinstrumentenbau |0 (DE-588)4140420-8 |D s |
| 689 | 0 | |C b |5 DE-604 | |
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| 856 | 4 | 2 | |m DNB Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032425857&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
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| 942 | 1 | 1 | |c 784.19 |e 22/bsb |
Record in the Search Index
| _version_ | 1804181980838887424 |
|---|---|
| adam_text | INHALTSVERZEICHNIS
/
CONTENT
EINLEITUNG.
...................................................................................
1
INTRODUCTORY
REMARKS
...............................................................................................2
2-VENTILIGE
BASSPOSAUNE
..........................................................................................
5
2-VALVE
BASS
TROMBONE
.............................................................................................
6
BIBLIOGRAPHY
CONTRABASSTROMBONE
................................................................................................................
24
INSTRUMENTENBAU
FUER
DIE
*HISTORISCHE
AUFFUEHRUNGSPRAXIS
*
............................
25
ZUR
GESCHICHTE
DER
RENAISSANCE-POSAUNE
VON
JOERG
NEUSCHEL
(1557)
UND
ZU
IHRER
NACHSCHOEPFUNG
......25
INSTRUMENT
MAKING
FOR
HISTORICAL
PERFORMANCE
PRACTICE
..............................
26
THE
HISTORY
OF
THE
RENAISSANCE
TROMBONE
BY
JORG
NEUSCHEL
(1557)
AND
ITS
RE-CREATION
......................
26
DIE
INSTRUMENTENBAUER-FAMILIE
NEUSCHEL
......................................................................................................
31
THE
NEUSCHEL
INSTRUMENT
MAKER
FAMILY
.........................................................................................................
32
RENAISSANCE-POSAUNE
UND
ZUGTROMPETE
.........................................................................................................33
RENAISSANCE
TROMBONE
AND
SLIDE
TRUMPET
......................................................................................................
34
DAS
EIGENLEBEN
UND
DIE
FARBIGKEIT
DER RENAISSANCE
POSAUNE
WURDE
DURCH
INSTRUMENTENBAUTECHNISCHE
EXTREME
VERWIRKLICHT:
........................................................................................................................................37
THE
RENAISSANCE
TROMBONE
*
S
LIFE
OF
ITS
OWN
AND
ITS
COLOURFULNESS
WERE
REALIZED
THROUGH
INSTRUMENT
MAKING
EXTREMES ................................................................................................................................................38
NACHSCHOEPFUNG
..................................................................................................................................................43
RE-CREATION
.........................................................................................................................................................
44
MODERNER
INSTRUMENTENBAU
................................................................
5
7
MODERN
INSTRUMENT
MAKING
.................................................................................
58
MASS
UND
ZAHL
........................................................................................................
61
MEASURE
AND
NUMBER
.......................................
62
UNTERSUCHUNGEN
UND
RESTAURIERUNGEN
........................................................
63
RESEARCHES
AND
RESTORATIONS
.........................................................
64
CONTRABASSPOSAUNEN
...........................................................................................
67
CONTRABASS
TROMBONES
..........................................................................................68
ALTPOSAUNE
.............................................................................................................69
ALTO
TROMBONE
........................................................................................................
70
400
JAHRE
GESCHICHTE
THEIN
INSTRUMENTENBAU
(2017)
......................................
71
400
YEARS
OF
HISTORY
THEIN
INSTRUMENTENBAU
(2017)
.................................
72
RUECKBLICK
AUF
MEIN
LEBEN
(2018)...........................
79
REVIEW
TO
MY
LIFE
(2018)
.................................................
80
KLAVIERLIEBE
...........................................................................................................83
PIANO
LOVE.
..............................................................................................................
84
FREIES
UND
LEIDENSCHAFTLICHES
KLAVIERSPIEL
FUER
INTERESSIERTE
UND
ANFAENGER
OHNE
VORKENNTNISSE
..............................................................................................
85
FREE
AND
EMOTIONAL
PIANOPLAYING
FOR
INTERESTED
PERSONS
AND
BEGINNERS
WITHOUT
PRELIMINARY
KNOWLEDGE
.........................................................................................
86
SPAET-RENAISSANCE/FRUEHBAROCKE
BALKENDECKE
..................................................
87
LATE
RENAISSANCE/EARLY
BAROQUE
WALL
..............................................................
88
LAUDATIO
................................................................................
91
LAUDATIO
.................................................................................................................
92
DIE
GLEICHZEITIGKEIT
DER
GLEICHHEIT
....................................................................
103
THE
SIMULTANEITY
OF
EQUALITY
..................................................................
104
DIE
MUSIKINSTRUMENTENBAUKUNST
......................................................................
105
THE
ART
OF
MAKING
MUSICAL
INSTRUMENTS
.................................................
106
DREI
KOERPER:
....................................................................................................................................................
107
VERSTAENDIGUNG:
................................................................................................................................................
107
GRUNDBAUSTEINE:
............................................................................................................................................
107
THREE
BODIES:
...................................................................................................................................................
108
UNDERSTANDING:
..................................................................................
108
BASIC
ELEMENTS:
............................................................................................
108
METALLE:
.............................................................................................................................................................
109
METALS:
..............................................................................................................................................................
110
MESSING:
...........................................................................................................................................................
ILL
EINE
SCHOENE
GESCHICHTE
DES
TROMPETENGOLDES:
...........................................................................................
ILL
DAS
PRINZIP
VON
PA:
........................................................................................................
111
BRASS:
................................................................................................................................................................
112
A
BEAUTIFUL
STORY
OF
TRUMPET
GOLD:
.................................................................................................................
112
THE
PRINCIPLE
OF
PA:
.........................................................................................................................................
112
DIENEN
UND
VISION:
..........................................................................................................................................
113
ART:
..................................................................................................
114
SERVICE
AND
VISION:
..........................................................................................................................................
114
LEBENS-BEDINGUNGEN:
..............................................................................................................
115
MEISTERWERKE:
..........................................................................................................
115
LIVING
CONDITIONS:
...................................................................................................................
116
MASTERPIECES:
...............................................................................................
116
MASS
UND
ZAHL:
.................................................................................................................................................
117
DIE
RENAISSANCE
HALTUNG:
...............................................................................................................................
117
MEASURE
AND
NUMBER:
.....................................................................................................................................
118
THE
RENAISSANCE
ATTITUDE:
...............................................................................................................................
118
SCHOENHEIT
DER
TECHNIK:
.....................................................................................................................
121
ERKENNTNIS
ALS
MUSIKINSTRIIMENTENBAUER:
....................................................................................................
121
MEIN
PERSOENLICHES
CREDO:
...............................................................................................................................
121
THE
BEAUTY
OF
TECHNOLOGY:
...............................................................................................................................
122
KNOWLEDGE
AS
A
MAKER
OF
MUSEAL
INSTRUMENTS:
..........................................................................................
122
MY
PERSONAL
CREDO:
...........................................................................................................................................
122
WICHTIGE
MUSIK
FUER
MICH:
...............................................................................................................................
123
IMPORTANT
MUSIC
FOR
ME:
.................................................
124
ATEMTECHNIKEN:
.........................................................................................................
125
ANTIZYKLISCHES
VERHALTEN:
...............................................................................................................................
125
DENKANSTOESSE
ZU
MEINER
EIGENEN
ARBEITS-
UND
LEBENSORGANISATION:
..........................................................
125
BREATHING
TECHNIQUES:
.....................................................................................................................................
126
ANTI-CYCLICAL
BEHAVIOUR:
..................................................................................................................................
126
FOOD
FOR
THOUGHTS
ABOUT
MY
OWN
WORK
AND
LIFE
ORGANIZATION:
................................................................
126
MEISTER
ECKHARD-ERKENNTNIS:
........................................................................................................................
127
GROSS-
UND
KLEINMEISTER
..................................................................................................................................
127
OLIVIER
MESSIAEN-ERKENNTNIS:
*ET
EXSPECTO
RESURRECTIONEM
MORTUORUM
*
..............................................
127
MASTER
ECKHARD
*
S
KNOWLEDGE:
........................................................................................................................
128
GRANDMASTERS
AND
SMALL
MASTERS
...................................................................................................................
128
OLIVIER
MESSIAEN KNOWLEDGE:
ET
EXSPECTO
RESURRECTIONEM
MORTUORUM
*
...............................................
128
MASTER-WERDEGANG
......................................................................................
129
MASTER
CAREER
......................................................................................
130
GEDICHT,
EIN
LOBLIED
AUF
DAS
HANDWERK:
..........................................................
135
POEM,
A
HYMN
OF
PRAISE
TO
THE
CRAFT:
................................................................
136
DEUTSCHES
UND
AMERIKANISCHES
POSAUNENKONZEPT-
.........................................
137
GERMAN
AND
AMERICAN
TROMBONE
CONCEPT.
.............................................
138
TROMPETE-BAUWEISEN
..........................................................................................
147
TRUMPET
CONSTRUCTION
DIFFERANCES
......................................................................
148
HISTORISCHER
BLECHBLASINSTRUMENTENBAU:
.........................................................
165
HISTORICAL
BRASS
INSTRUMENT
MAKING:
.........................................................
166
STUDIEREN
ALS
AUSDRUCK
VON
AUTONOMIE,
..........................................................
185
STUDYING
AS
AN
EXPRESSION
OF
AUTONOMY,
..........................................................
186
DAS
BLECHBLASINSTRUMENT
ALS
AKUSTISCHER
RAUM
.............................................
189
THE
BRASS
INSTRUMENT
AS
AN
ACOUSTIC
SPACE
......................................................
190
NACHHALTIGKEIT
IN
EINEM
INSTRUMENTENBAU
BETRIEB
-
.......................................
221
SUSTAINABILITY
IN
AN
INSTRUMENT
MAKING
BUSINESS
-
..........................................
222
HYGIENE-ASPEKTE
FUER
BLECHBLASINSTRUMENTE
HEINRICH
THEIN
UND
PETER
KOERNER
229
HYGIENE
ASPECTS
FOR
BRASS
INSTRUMENTS
HEINRICH
THEIN
AND
PETER
KOERNER
...
230
VORTRAG
AM
*
GRAVISSIMO
*
-BRASS-FESTIVAL.239
LECTURE
AM
*GRAVISSIMO
*
-BRASS-FESTIVAL
240
SO
GEHT
KUNST
245
THIS
IS
HOW
ART
WORKS246
LYRIK
...............................................................................................
249
MEHR
..................................................................................
249
POETRY
250
MORE
250
ERHOEHT
................................................
251
INCREASED
252
FUER
EINE
WEILE
253
FOR
A
WHILE
254
DIE
ZEIT
OHNE
TOLLE
255
TIME
WITHOUT
GLASSES
256
GESCHENK
.............................................................................................................................
257
GIFT
258
NICHT
MEHR
UMGEWOEHNEN
ODER
DOCH
261
NO
LONGER
ACCUSTOMED
OR
YET
...................................................................
262
DENKEN
UND
EROERTERN
263
THINKING
AND
DISCUSSING
264
DIE
WIEDERGEBURT
DER
F-BASSPOSAUNE,
2015/2016
269
FLORO
UND
DAS
BRASSFESTIVAL
*BRASSHAGE
*
273
GLUECKLICHES
FLORS
273
FLORO
AND
THE
BRASS
FESTIVAL
BRASSHAGE
274
HAPPY
FLORE
274
BERATER
WERDEN
FREUNDE
277
VISIONS-AUSSAGE
ZUR
QUALITAETSENTWICKLUNG
DER
BLECHBLASINSTRUMENTEN-FIRMA
THEIN
(THEIN
BRASS),
.
277
CONSULTANTS
BECOME
FRIENDS
278
VISION
STATEMENT
ON
THE
QUALITY
DEVELOPMENT
OF
THE
BRASS
INSTRUMENT
COMPANY
THEIN
(THEIN
BRASS),
278
SIEBZIG
JAHRE
GEHEN
DURCH
.............................................281
SEVENTY
YEARS
GO
BY
.............
282
DIE
THEIN
MODELLE
285
THE
THEIN
MODELS
................................................................................................
286
TROMPETEN:
.......................
287
TRUMPETS:
..........................................................................................................................................................
288
DUS
KORNETT
.......................................................................................................................................................
289
POSAUNENFAMILIE:
.............................................................................................................................................
289
THE
COMET
........................................................................................................................................................
290
TROMBONE
FAMILY:
............................................................................................................................................
290
INTERESSANTE
ALTPOSAUNEN:
..............................................................................................................................
293
HOMFAMILIE;
......................................................................................................................................................
293
TUBEN-
UND
CIMBASSO-FAMILIE:
......................................................................................................................
293
INTERESTING
ALTO
TROMBONES:
.........................
294
FRENCHOM-FAMILY
............................................................................................................................................294
TUBA
AND
DMBASSO
FAMILY:
.............................................................................................................................
294
WAGNER-INSTRUMENTE
VON
THAN
AUS
BREMEN
..................................................
297
WAGNER-INSTRUMENTS
BY
THEIN
FROM
BREMEN
....................................
298
THEIN-KRUSPE
STYLE-METALL
............................................................................
....301
THEIN
KRUSPE
STYLE
METAL.
.................................
302
DAS
THEIN
BRASS-TEAM
..................................................................
307
HEINRICH
THEIN
...................................................................................................
309
IMPRESSUM.
.......................................................
311
IMPRESSUM.
............................................................................................
312
|
| adam_txt |
INHALTSVERZEICHNIS
/
CONTENT
EINLEITUNG.
.
1
INTRODUCTORY
REMARKS
.2
2-VENTILIGE
BASSPOSAUNE
.
5
2-VALVE
BASS
TROMBONE
.
6
BIBLIOGRAPHY
CONTRABASSTROMBONE
.
24
INSTRUMENTENBAU
FUER
DIE
*HISTORISCHE
AUFFUEHRUNGSPRAXIS
*
.
25
ZUR
GESCHICHTE
DER
RENAISSANCE-POSAUNE
VON
JOERG
NEUSCHEL
(1557)
UND
ZU
IHRER
NACHSCHOEPFUNG
.25
INSTRUMENT
MAKING
FOR
"
HISTORICAL
PERFORMANCE
PRACTICE"
.
26
THE
HISTORY
OF
THE
RENAISSANCE
TROMBONE
BY
JORG
NEUSCHEL
(1557)
AND
ITS
RE-CREATION
.
26
DIE
INSTRUMENTENBAUER-FAMILIE
NEUSCHEL
.
31
THE
NEUSCHEL
INSTRUMENT
MAKER
FAMILY
.
32
RENAISSANCE-POSAUNE
UND
ZUGTROMPETE
.33
RENAISSANCE
TROMBONE
AND
SLIDE
TRUMPET
.
34
DAS
EIGENLEBEN
UND
DIE
FARBIGKEIT
DER RENAISSANCE
POSAUNE
WURDE
DURCH
INSTRUMENTENBAUTECHNISCHE
EXTREME
VERWIRKLICHT:
.37
THE
RENAISSANCE
TROMBONE
*
S
LIFE
OF
ITS
OWN
AND
ITS
COLOURFULNESS
WERE
REALIZED
THROUGH
INSTRUMENT
MAKING
EXTREMES'.38
NACHSCHOEPFUNG
.43
RE-CREATION
.
44
MODERNER
INSTRUMENTENBAU
.
5
7
MODERN
INSTRUMENT
MAKING
.
58
MASS
UND
ZAHL
.
61
MEASURE
AND
NUMBER
.
62
UNTERSUCHUNGEN
UND
RESTAURIERUNGEN
.
63
RESEARCHES
AND
RESTORATIONS
.
64
CONTRABASSPOSAUNEN
.
67
CONTRABASS
TROMBONES
.68
ALTPOSAUNE
.69
ALTO
TROMBONE
.
70
400
JAHRE
GESCHICHTE
THEIN
INSTRUMENTENBAU
(2017)
.
71
400
YEARS
OF
HISTORY
THEIN
INSTRUMENTENBAU
(2017)
.
72
RUECKBLICK
AUF
MEIN
LEBEN
(2018).
79
REVIEW
TO
MY
LIFE
(2018)
.
80
KLAVIERLIEBE
.83
PIANO
LOVE.
.
84
FREIES
UND
LEIDENSCHAFTLICHES
KLAVIERSPIEL
FUER
INTERESSIERTE
UND
ANFAENGER
OHNE
VORKENNTNISSE
.
85
FREE
AND
EMOTIONAL
PIANOPLAYING
FOR
INTERESTED
PERSONS
AND
BEGINNERS
WITHOUT
PRELIMINARY
KNOWLEDGE
.
86
SPAET-RENAISSANCE/FRUEHBAROCKE
BALKENDECKE
.
87
LATE
RENAISSANCE/EARLY
BAROQUE
WALL
.
88
LAUDATIO
.
91
LAUDATIO
.
92
DIE
GLEICHZEITIGKEIT
DER
GLEICHHEIT
.
103
THE
SIMULTANEITY
OF
EQUALITY
.
104
DIE
MUSIKINSTRUMENTENBAUKUNST
.
105
THE
ART
OF
MAKING
MUSICAL
INSTRUMENTS
.
106
DREI
KOERPER:
.
107
VERSTAENDIGUNG:
.
107
GRUNDBAUSTEINE:
.
107
THREE
BODIES:
.
108
UNDERSTANDING:
.
108
BASIC
ELEMENTS:
.
108
METALLE:
.
109
METALS:
.
110
MESSING:
.
ILL
EINE
SCHOENE
GESCHICHTE
DES
TROMPETENGOLDES:
.
ILL
DAS
PRINZIP
VON
PA:
.
111
BRASS:
.
112
A
BEAUTIFUL
STORY
OF
TRUMPET
GOLD:
.
112
THE
PRINCIPLE
OF
PA:
.
112
DIENEN
UND
VISION:
.
113
ART:
.
114
SERVICE
AND
VISION:
.
114
LEBENS-BEDINGUNGEN:
.
115
MEISTERWERKE:
.
115
LIVING
CONDITIONS:
.
116
MASTERPIECES:
.
116
MASS
UND
ZAHL:
.
117
DIE
RENAISSANCE
HALTUNG:
.
117
MEASURE
AND
NUMBER:
.
118
THE
RENAISSANCE
ATTITUDE:
.
118
SCHOENHEIT
DER
TECHNIK:
.
121
ERKENNTNIS
ALS
MUSIKINSTRIIMENTENBAUER:
.
121
MEIN
PERSOENLICHES
CREDO:
.
121
THE
BEAUTY
OF
TECHNOLOGY:
.
122
KNOWLEDGE
AS
A
MAKER
OF
MUSEAL
INSTRUMENTS:
.
122
MY
PERSONAL
CREDO:
.
122
WICHTIGE
MUSIK
FUER
MICH:
.
123
IMPORTANT
MUSIC
FOR
ME:
.
124
ATEMTECHNIKEN:
.
125
ANTIZYKLISCHES
VERHALTEN:
.
125
DENKANSTOESSE
ZU
MEINER
EIGENEN
ARBEITS-
UND
LEBENSORGANISATION:
.
125
BREATHING
TECHNIQUES:
.
126
ANTI-CYCLICAL
BEHAVIOUR:
.
126
FOOD
FOR
THOUGHTS
ABOUT
MY
OWN
WORK
AND
LIFE
ORGANIZATION:
.
126
MEISTER
ECKHARD-ERKENNTNIS:
.
127
GROSS-
UND
KLEINMEISTER
.
127
OLIVIER
MESSIAEN-ERKENNTNIS:
*ET
EXSPECTO
RESURRECTIONEM
MORTUORUM
*
.
127
MASTER
ECKHARD
*
S
KNOWLEDGE:
.
128
GRANDMASTERS
AND
SMALL
MASTERS
.
128
OLIVIER
MESSIAEN KNOWLEDGE:
"ET
EXSPECTO
RESURRECTIONEM
MORTUORUM
*
.
128
MASTER-WERDEGANG
.
129
MASTER
CAREER
.
130
GEDICHT,
EIN
LOBLIED
AUF
DAS
HANDWERK:
.
135
POEM,
A
HYMN
OF
PRAISE
TO
THE
CRAFT:
.
136
DEUTSCHES
UND
AMERIKANISCHES
POSAUNENKONZEPT-
.
137
"GERMAN
"
AND
"AMERICAN
"
TROMBONE
CONCEPT.
.
138
TROMPETE-BAUWEISEN
.
147
TRUMPET
CONSTRUCTION
DIFFERANCES
.
148
HISTORISCHER
BLECHBLASINSTRUMENTENBAU:
.
165
HISTORICAL
BRASS
INSTRUMENT
MAKING:
.
166
STUDIEREN
ALS
AUSDRUCK
VON
AUTONOMIE,
.
185
STUDYING
AS
AN
EXPRESSION
OF
AUTONOMY,
.
186
DAS
BLECHBLASINSTRUMENT
ALS
AKUSTISCHER
RAUM
.
189
THE
BRASS
INSTRUMENT
AS
AN
ACOUSTIC
SPACE
.
190
NACHHALTIGKEIT
IN
EINEM
INSTRUMENTENBAU
BETRIEB
-
.
221
SUSTAINABILITY
IN
AN
INSTRUMENT
MAKING
BUSINESS
-
.
222
HYGIENE-ASPEKTE
FUER
BLECHBLASINSTRUMENTE
HEINRICH
THEIN
UND
PETER
KOERNER
229
HYGIENE
ASPECTS
FOR
BRASS
INSTRUMENTS
HEINRICH
THEIN
AND
PETER
KOERNER
.
230
VORTRAG
AM
*
GRAVISSIMO
*
-BRASS-FESTIVAL.239
LECTURE
AM
*GRAVISSIMO
*
-BRASS-FESTIVAL
240
SO
GEHT
KUNST
245
THIS
IS
HOW
ART
WORKS246
LYRIK
.
249
MEHR
.
249
POETRY
250
MORE
250
ERHOEHT
.
251
INCREASED
252
FUER
EINE
WEILE
253
FOR
A
WHILE
254
DIE
ZEIT
OHNE
TOLLE
255
TIME
WITHOUT
GLASSES
256
GESCHENK
.
257
GIFT
258
NICHT
MEHR
UMGEWOEHNEN
ODER
DOCH
261
NO
LONGER
ACCUSTOMED
OR
YET
.
262
DENKEN
UND
EROERTERN
263
THINKING
AND
DISCUSSING
264
DIE
WIEDERGEBURT
DER
F-BASSPOSAUNE,
2015/2016
269
FLORO
UND
DAS
BRASSFESTIVAL
*BRASSHAGE
*
273
GLUECKLICHES
FLORS
273
FLORO
AND
THE
BRASS
FESTIVAL
"BRASSHAGE
274
HAPPY
FLORE
274
BERATER
WERDEN
FREUNDE
277
VISIONS-AUSSAGE
ZUR
QUALITAETSENTWICKLUNG
DER
BLECHBLASINSTRUMENTEN-FIRMA
THEIN
(THEIN
BRASS),
.
277
CONSULTANTS
BECOME
FRIENDS
278
VISION
STATEMENT
ON
THE
QUALITY
DEVELOPMENT
OF
THE
BRASS
INSTRUMENT
COMPANY
THEIN
(THEIN
BRASS),
278
SIEBZIG
JAHRE
GEHEN
DURCH
.281
SEVENTY
YEARS
GO
BY
.
282
DIE
THEIN
MODELLE
285
THE
THEIN
MODELS
.
286
TROMPETEN:
.
287
TRUMPETS:
.
288
DUS
KORNETT
.
289
POSAUNENFAMILIE:
.
289
THE
COMET
.
290
TROMBONE
FAMILY:
.
290
INTERESSANTE
ALTPOSAUNEN:
.
293
HOMFAMILIE;
.
293
TUBEN-
UND
CIMBASSO-FAMILIE:
.
293
INTERESTING
ALTO
TROMBONES:
.
294
FRENCHOM-FAMILY
.294
TUBA
AND
DMBASSO
FAMILY:
.
294
WAGNER-INSTRUMENTE
VON
THAN
AUS
BREMEN
.
297
WAGNER-INSTRUMENTS
BY
THEIN
FROM
BREMEN
.
298
THEIN-KRUSPE
STYLE-METALL
.
.301
THEIN
KRUSPE
STYLE
METAL.
.
302
DAS
THEIN
BRASS-TEAM
.
307
HEINRICH
THEIN
.
309
IMPRESSUM.
.
311
IMPRESSUM.
.
312 |
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| author | Thein, Heinrich 1947- |
| author_GND | (DE-588)133574075 |
| author_facet | Thein, Heinrich 1947- |
| author_role | aut |
| author_sort | Thein, Heinrich 1947- |
| author_variant | h t ht |
| building | Verbundindex |
| bvnumber | BV047018348 |
| ctrlnum | (OCoLC)1231966161 (DE-599)DNB1204146187 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| format | Book |
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| id | DE-604.BV047018348 |
| illustrated | Illustrated |
| index_date | 2024-07-03T15:58:42Z |
| indexdate | 2024-07-10T09:00:17Z |
| institution | BVB |
| isbn | 9783000646027 3000646027 |
| language | German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032425857 |
| oclc_num | 1231966161 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 156 Seiten Illustrationen 25 cm |
| psigel | BSB_NED_20210121 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Heinrich Thein |
| record_format | marc |
| spelling | Thein, Heinrich 1947- Verfasser (DE-588)133574075 aut Beiträge und Gedanken zum Blechblas-Instrumentenbau Heinrich Thein, Blechblasinstrumenten- und Schlagzeugbaumeister, Gründer von Thein-Blechblas-Instrumente in Bremen Ritterhude-Stendorf Heinrich Thein [2020] 156 Seiten Illustrationen 25 cm txt rdacontent n rdamedia nc rdacarrier Blechblasinstrumentenbau (DE-588)4140420-8 gnd rswk-swf Trombone Posaune Trompet Trompete Horn French horn Bremen Kunsthandwerk Blechblas-Instrumentenbau Brass instrument making Heinrich Thein Blechblasinstrumentenbau (DE-588)4140420-8 s b DE-604 B:DE-101 application/pdf https://d-nb.info/1204146187/04 Inhaltsverzeichnis DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032425857&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p dnb 20201026 DE-101 https://d-nb.info/provenance/plan#dnb |
| spellingShingle | Thein, Heinrich 1947- Beiträge und Gedanken zum Blechblas-Instrumentenbau Blechblasinstrumentenbau (DE-588)4140420-8 gnd |
| subject_GND | (DE-588)4140420-8 |
| title | Beiträge und Gedanken zum Blechblas-Instrumentenbau |
| title_auth | Beiträge und Gedanken zum Blechblas-Instrumentenbau |
| title_exact_search | Beiträge und Gedanken zum Blechblas-Instrumentenbau |
| title_exact_search_txtP | Beiträge und Gedanken zum Blechblas-Instrumentenbau |
| title_full | Beiträge und Gedanken zum Blechblas-Instrumentenbau Heinrich Thein, Blechblasinstrumenten- und Schlagzeugbaumeister, Gründer von Thein-Blechblas-Instrumente in Bremen |
| title_fullStr | Beiträge und Gedanken zum Blechblas-Instrumentenbau Heinrich Thein, Blechblasinstrumenten- und Schlagzeugbaumeister, Gründer von Thein-Blechblas-Instrumente in Bremen |
| title_full_unstemmed | Beiträge und Gedanken zum Blechblas-Instrumentenbau Heinrich Thein, Blechblasinstrumenten- und Schlagzeugbaumeister, Gründer von Thein-Blechblas-Instrumente in Bremen |
| title_short | Beiträge und Gedanken zum Blechblas-Instrumentenbau |
| title_sort | beitrage und gedanken zum blechblas instrumentenbau |
| topic | Blechblasinstrumentenbau (DE-588)4140420-8 gnd |
| topic_facet | Blechblasinstrumentenbau |
| url | https://d-nb.info/1204146187/04 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032425857&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT theinheinrich beitrageundgedankenzumblechblasinstrumentenbau |
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