Music history and cosmopolitanism:
This collection of essays is the first book-length study of music history and cosmopolitanism, and is informed by arguments that culture and identity do not have to be viewed as primarily located in the context of nationalist narratives. Rather than trying to distinguish between a true cosmopolitani...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Abingdon, Oxon
Routledge
2019
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This collection of essays is the first book-length study of music history and cosmopolitanism, and is informed by arguments that culture and identity do not have to be viewed as primarily located in the context of nationalist narratives. Rather than trying to distinguish between a true cosmopolitanism and a false cosmopolitanism, the book presents studies that deepen understanding of the heritage of this concept - the various ways in which the term has been used to describe a wide range of activity and social outlooks. It ranges over a two hundred-year period, and more than a dozen countries, revealing how musicians and audiences have responded to a common humanity by embracing culture beyond regional or national boundaries. Among the various topics investigated are: musical cosmopolitanism among composers in Latin America, the Ottoman Empire, and Austro-Hungarian Empire; cosmopolitan popular music historiography; cosmopolitan musical entrepreneurs; and musical cosmopolitanism in the metropolises of New York and Shanghai |
| Beschreibung: | 1 online resource |
| ISBN: | 9781351060936 1351060937 9781351060950 1351060953 9781351060943 1351060945 9781351060929 1351060929 |
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| 520 | |a This collection of essays is the first book-length study of music history and cosmopolitanism, and is informed by arguments that culture and identity do not have to be viewed as primarily located in the context of nationalist narratives. Rather than trying to distinguish between a true cosmopolitanism and a false cosmopolitanism, the book presents studies that deepen understanding of the heritage of this concept - the various ways in which the term has been used to describe a wide range of activity and social outlooks. It ranges over a two hundred-year period, and more than a dozen countries, revealing how musicians and audiences have responded to a common humanity by embracing culture beyond regional or national boundaries. Among the various topics investigated are: musical cosmopolitanism among composers in Latin America, the Ottoman Empire, and Austro-Hungarian Empire; cosmopolitan popular music historiography; cosmopolitan musical entrepreneurs; and musical cosmopolitanism in the metropolises of New York and Shanghai | ||
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Datensatz im Suchindex
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| dewey-full | 780.9 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.9 |
| dewey-search | 780.9 |
| dewey-sort | 3780.9 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:58:15Z |
| indexdate | 2024-07-10T09:00:11Z |
| institution | BVB |
| isbn | 9781351060936 1351060937 9781351060950 1351060953 9781351060943 1351060945 9781351060929 1351060929 |
| language | English |
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| spelling | Music history and cosmopolitanism edited by Anastasia Belina, Kaarina Kilpiö and Derek B. Scott Abingdon, Oxon Routledge 2019 1 online resource txt rdacontent c rdamedia cr rdacarrier This collection of essays is the first book-length study of music history and cosmopolitanism, and is informed by arguments that culture and identity do not have to be viewed as primarily located in the context of nationalist narratives. Rather than trying to distinguish between a true cosmopolitanism and a false cosmopolitanism, the book presents studies that deepen understanding of the heritage of this concept - the various ways in which the term has been used to describe a wide range of activity and social outlooks. It ranges over a two hundred-year period, and more than a dozen countries, revealing how musicians and audiences have responded to a common humanity by embracing culture beyond regional or national boundaries. Among the various topics investigated are: musical cosmopolitanism among composers in Latin America, the Ottoman Empire, and Austro-Hungarian Empire; cosmopolitan popular music historiography; cosmopolitan musical entrepreneurs; and musical cosmopolitanism in the metropolises of New York and Shanghai Music / Social aspects / History Music / History and criticism Cosmopolitanism Belina, Anastasia edt Kilpiö, Kaarina edt Scott, Derek B. edt https://www.taylorfrancis.com/books/9781351060950 Verlag URL des Erstveroeffentlichers Volltext |
| spellingShingle | Music history and cosmopolitanism Music / Social aspects / History Music / History and criticism Cosmopolitanism |
| title | Music history and cosmopolitanism |
| title_auth | Music history and cosmopolitanism |
| title_exact_search | Music history and cosmopolitanism |
| title_exact_search_txtP | Music history and cosmopolitanism |
| title_full | Music history and cosmopolitanism edited by Anastasia Belina, Kaarina Kilpiö and Derek B. Scott |
| title_fullStr | Music history and cosmopolitanism edited by Anastasia Belina, Kaarina Kilpiö and Derek B. Scott |
| title_full_unstemmed | Music history and cosmopolitanism edited by Anastasia Belina, Kaarina Kilpiö and Derek B. Scott |
| title_short | Music history and cosmopolitanism |
| title_sort | music history and cosmopolitanism |
| topic | Music / Social aspects / History Music / History and criticism Cosmopolitanism |
| topic_facet | Music / Social aspects / History Music / History and criticism Cosmopolitanism |
| url | https://www.taylorfrancis.com/books/9781351060950 |
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