The sound state of Uzbekistan: popular music and politics in the Karimov era
The Sound State of Uzbekistan: Popular Music and Politics in the Karimov Era is a pioneering study of the intersection between popular music and state politics in Central Asia. Based on 20 months of fieldwork and archival research in Tashkent, this book explores a remarkable era in Uzbekistan's...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Abingdon, Oxon
Routledge
2019
|
| Schriftenreihe: | SOAS musicology series
SOAS musicology series |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The Sound State of Uzbekistan: Popular Music and Politics in the Karimov Era is a pioneering study of the intersection between popular music and state politics in Central Asia. Based on 20 months of fieldwork and archival research in Tashkent, this book explores a remarkable era in Uzbekistan's politics (2001-2016), when the Uzbek government promoted a rather unlikely candidate to the prominent position of state sound: estrada, a genre of popular music and a musical relic of socialism. The political importance it attached to estrada was matched by the establishment of an elaborate bureaucratic apparatus for state oversight. The Sound State of Uzbekistan shows the continuing legacy of Soviet concepts to frame the nexus between music, artists and the state, and explains the extraordinary potency ascribed to estrada. At the same time, it challenges classical readings of transition and also questions common binary models for researching culture in totalitarian or authoritarian states. Proposing to approach lives in music under authoritarianism as a form of normality instead, the author promotes a post-Cold War paradigm in music studies |
| Beschreibung: | Description based on print version record and CIP data provided by publisher |
| Beschreibung: | 1 online resource |
| ISBN: | 9781351046435 1351046438 9781351046411 1351046411 9781351046428 135104642X 9781351046404 1351046403 |
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Datensatz im Suchindex
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| author | Klenke, Kerstin |
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| dewey-ones | 781 - General principles and musical forms |
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| dewey-search | 781.6309587 |
| dewey-sort | 3781.6309587 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:58:15Z |
| indexdate | 2024-07-10T09:00:10Z |
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| isbn | 9781351046435 1351046438 9781351046411 1351046411 9781351046428 135104642X 9781351046404 1351046403 |
| language | English |
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| series2 | SOAS musicology series |
| spelling | Klenke, Kerstin Verfasser aut The sound state of Uzbekistan popular music and politics in the Karimov era Kerstin Klenke Abingdon, Oxon Routledge 2019 1 online resource txt rdacontent c rdamedia cr rdacarrier SOAS musicology series Description based on print version record and CIP data provided by publisher The Sound State of Uzbekistan: Popular Music and Politics in the Karimov Era is a pioneering study of the intersection between popular music and state politics in Central Asia. Based on 20 months of fieldwork and archival research in Tashkent, this book explores a remarkable era in Uzbekistan's politics (2001-2016), when the Uzbek government promoted a rather unlikely candidate to the prominent position of state sound: estrada, a genre of popular music and a musical relic of socialism. The political importance it attached to estrada was matched by the establishment of an elaborate bureaucratic apparatus for state oversight. The Sound State of Uzbekistan shows the continuing legacy of Soviet concepts to frame the nexus between music, artists and the state, and explains the extraordinary potency ascribed to estrada. At the same time, it challenges classical readings of transition and also questions common binary models for researching culture in totalitarian or authoritarian states. Proposing to approach lives in music under authoritarianism as a form of normality instead, the author promotes a post-Cold War paradigm in music studies Popular music / Political aspects / Uzbekistan Music and state / Uzbekistan https://www.taylorfrancis.com/books/9781351046435 Verlag URL des Erstveroeffentlichers Volltext |
| spellingShingle | Klenke, Kerstin The sound state of Uzbekistan popular music and politics in the Karimov era Popular music / Political aspects / Uzbekistan Music and state / Uzbekistan |
| title | The sound state of Uzbekistan popular music and politics in the Karimov era |
| title_auth | The sound state of Uzbekistan popular music and politics in the Karimov era |
| title_exact_search | The sound state of Uzbekistan popular music and politics in the Karimov era |
| title_exact_search_txtP | The sound state of Uzbekistan popular music and politics in the Karimov era |
| title_full | The sound state of Uzbekistan popular music and politics in the Karimov era Kerstin Klenke |
| title_fullStr | The sound state of Uzbekistan popular music and politics in the Karimov era Kerstin Klenke |
| title_full_unstemmed | The sound state of Uzbekistan popular music and politics in the Karimov era Kerstin Klenke |
| title_short | The sound state of Uzbekistan |
| title_sort | the sound state of uzbekistan popular music and politics in the karimov era |
| title_sub | popular music and politics in the Karimov era |
| topic | Popular music / Political aspects / Uzbekistan Music and state / Uzbekistan |
| topic_facet | Popular music / Political aspects / Uzbekistan Music and state / Uzbekistan |
| url | https://www.taylorfrancis.com/books/9781351046435 |
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