In crime's archive: the cultural afterlife of evidence
This book investigates what happens to criminal evidence after the conclusion of legal proceedings. During the criminal trial, evidentiary material is tightly regulated; it is formally regarded as part of the court record, and subject to the rules of evidence and criminal procedure. However, these r...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Abingdon, Oxon
Routledge
2019
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| Schlagworte: | |
| Online-Zugang: | URL des Erstveroeffentlichers |
| Zusammenfassung: | This book investigates what happens to criminal evidence after the conclusion of legal proceedings. During the criminal trial, evidentiary material is tightly regulated; it is formally regarded as part of the court record, and subject to the rules of evidence and criminal procedure. However, these rules and procedures cannot govern or control this material after proceedings have ended. In its 'afterlife', criminal evidence continues to proliferate in cultural contexts. It might be photographic or video evidence, private diaries and correspondence, weapons, physical objects or forensic data, and it arouses the interest of journalists, scholars, curators, writers or artists. Building on a growing cultural interest in criminal archival materials, this book shows how in its afterlife, criminal evidence gives rise to new uses and interpretations, new concepts and questions, many of which are creative and transformative of crime and evidence, and some of which are transgressive, dangerous or insensitive. It takes the judicial principle of open justice--the assumption that justice must be seen to be done--and investigates instances in which we might see too much, too little or from a distorted angle. It centres upon a series of case studies, including those of Lindy Chamberlain and, more recently, Oscar Pistorius, in which criminal evidence has re-appeared outside of the criminal process. Traversing museums, libraries, galleries and other repositories, and drawing on extensive interviews with cultural practitioners and legal professionals, this book probes the legal, ethical, affective and aesthetic implications of the cultural afterlife of evidence |
| Beschreibung: | "A GlassHouse book." |
| Beschreibung: | 1 online resource (xii, 205 pages) |
| ISBN: | 9781317402688 1317402685 9781317402671 1317402677 9781317402664 1317402669 9781315682273 1315682273 |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:58:14Z |
| indexdate | 2024-07-10T09:00:09Z |
| institution | BVB |
| isbn | 9781317402688 1317402685 9781317402671 1317402677 9781317402664 1317402669 9781315682273 1315682273 |
| language | English |
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| physical | 1 online resource (xii, 205 pages) |
| psigel | ZDB-7-TFC |
| publishDate | 2019 |
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| publisher | Routledge |
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| spelling | Biber, Katherine 1972- Verfasser aut In crime's archive the cultural afterlife of evidence Katherine Biber Abingdon, Oxon Routledge 2019 1 online resource (xii, 205 pages) txt rdacontent c rdamedia cr rdacarrier "A GlassHouse book." This book investigates what happens to criminal evidence after the conclusion of legal proceedings. During the criminal trial, evidentiary material is tightly regulated; it is formally regarded as part of the court record, and subject to the rules of evidence and criminal procedure. However, these rules and procedures cannot govern or control this material after proceedings have ended. In its 'afterlife', criminal evidence continues to proliferate in cultural contexts. It might be photographic or video evidence, private diaries and correspondence, weapons, physical objects or forensic data, and it arouses the interest of journalists, scholars, curators, writers or artists. Building on a growing cultural interest in criminal archival materials, this book shows how in its afterlife, criminal evidence gives rise to new uses and interpretations, new concepts and questions, many of which are creative and transformative of crime and evidence, and some of which are transgressive, dangerous or insensitive. It takes the judicial principle of open justice--the assumption that justice must be seen to be done--and investigates instances in which we might see too much, too little or from a distorted angle. It centres upon a series of case studies, including those of Lindy Chamberlain and, more recently, Oscar Pistorius, in which criminal evidence has re-appeared outside of the criminal process. Traversing museums, libraries, galleries and other repositories, and drawing on extensive interviews with cultural practitioners and legal professionals, this book probes the legal, ethical, affective and aesthetic implications of the cultural afterlife of evidence Criminal investigation Evidence, Criminal https://www.taylorfrancis.com/books/9781315682273 Verlag URL des Erstveroeffentlichers Volltext |
| spellingShingle | Biber, Katherine 1972- In crime's archive the cultural afterlife of evidence Criminal investigation Evidence, Criminal |
| title | In crime's archive the cultural afterlife of evidence |
| title_auth | In crime's archive the cultural afterlife of evidence |
| title_exact_search | In crime's archive the cultural afterlife of evidence |
| title_exact_search_txtP | In crime's archive the cultural afterlife of evidence |
| title_full | In crime's archive the cultural afterlife of evidence Katherine Biber |
| title_fullStr | In crime's archive the cultural afterlife of evidence Katherine Biber |
| title_full_unstemmed | In crime's archive the cultural afterlife of evidence Katherine Biber |
| title_short | In crime's archive |
| title_sort | in crime s archive the cultural afterlife of evidence |
| title_sub | the cultural afterlife of evidence |
| topic | Criminal investigation Evidence, Criminal |
| topic_facet | Criminal investigation Evidence, Criminal |
| url | https://www.taylorfrancis.com/books/9781315682273 |
| work_keys_str_mv | AT biberkatherine incrimesarchivetheculturalafterlifeofevidence |