The art of record production, Volume 2: creative practice in the studio
The playback of recordings is the primary means of experiencing music in contemporary society, and in recent years 'classical' musicologists and popular music theorists have begun to examine the ways in which the production of recordings affects not just the sound of the final product but...
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| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Abingdon, Oxon
Routledge
2020
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The playback of recordings is the primary means of experiencing music in contemporary society, and in recent years 'classical' musicologists and popular music theorists have begun to examine the ways in which the production of recordings affects not just the sound of the final product but also musical aesthetics more generally. Record production can, indeed, be treated as part of the creative process of composition. At the same time, training in the use of these forms of technology has moved from an apprentice-based system into university education. Musical education and music research are thus intersecting to produce a new academic field: the history and analysis of the production of recorded music. This book is designed as a general introductory reader, a text book for undergraduate degree courses studying the creative processes involved in the production of recorded music. The aim is to introduce students to the variety of approaches and methodologies that are currently being employed by scholars in this field. The book is divided into three sections covering historical approaches, theoretical approaches and case studies and practice. There are also three interludes of commentary on the academic contributions from leading record producers and other industry professionals. This collection gives students and scholars a broad overview of the way in which academics from the analytical and practice-based areas of the university system can be brought together with industry professionals to explore the ways in which this new academic field should progress |
| Beschreibung: | Description based on online resource; title from digital title page (viewed on July 14, 2019) |
| Beschreibung: | 1 online resource |
| ISBN: | 9781315467634 1315467631 9781315467658 1315467658 9781315612638 1315612631 9781315467641 131546764X 9781315467627 1315467623 |
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| 520 | |a The playback of recordings is the primary means of experiencing music in contemporary society, and in recent years 'classical' musicologists and popular music theorists have begun to examine the ways in which the production of recordings affects not just the sound of the final product but also musical aesthetics more generally. Record production can, indeed, be treated as part of the creative process of composition. At the same time, training in the use of these forms of technology has moved from an apprentice-based system into university education. Musical education and music research are thus intersecting to produce a new academic field: the history and analysis of the production of recorded music. This book is designed as a general introductory reader, a text book for undergraduate degree courses studying the creative processes involved in the production of recorded music. The aim is to introduce students to the variety of approaches and methodologies that are currently being employed by scholars in this field. The book is divided into three sections covering historical approaches, theoretical approaches and case studies and practice. There are also three interludes of commentary on the academic contributions from leading record producers and other industry professionals. This collection gives students and scholars a broad overview of the way in which academics from the analytical and practice-based areas of the university system can be brought together with industry professionals to explore the ways in which this new academic field should progress | ||
| 650 | 4 | |a Popular music / Production and direction | |
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| 700 | 1 | |a Isakoff, Katia |e Sonstige |4 oth | |
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| 700 | 1 | |a Lacasse, Serge |e Sonstige |4 oth | |
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| dewey-full | 781.49 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.49 |
| dewey-search | 781.49 |
| dewey-sort | 3781.49 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| format | Electronic eBook |
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| id | DE-604.BV047013008 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:58:12Z |
| indexdate | 2024-07-10T09:00:08Z |
| institution | BVB |
| isbn | 9781315467634 1315467631 9781315467658 1315467658 9781315612638 1315612631 9781315467641 131546764X 9781315467627 1315467623 |
| language | English |
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| publishDate | 2020 |
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| publishDateSort | 2020 |
| publisher | Routledge |
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| spelling | The art of record production, Volume 2 creative practice in the studio edited by Simon Zagorski-Thomas, Katia Isakoff, Sophie Stévance and Serge Lacasse Abingdon, Oxon Routledge 2020 © 2020 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from digital title page (viewed on July 14, 2019) The playback of recordings is the primary means of experiencing music in contemporary society, and in recent years 'classical' musicologists and popular music theorists have begun to examine the ways in which the production of recordings affects not just the sound of the final product but also musical aesthetics more generally. Record production can, indeed, be treated as part of the creative process of composition. At the same time, training in the use of these forms of technology has moved from an apprentice-based system into university education. Musical education and music research are thus intersecting to produce a new academic field: the history and analysis of the production of recorded music. This book is designed as a general introductory reader, a text book for undergraduate degree courses studying the creative processes involved in the production of recorded music. The aim is to introduce students to the variety of approaches and methodologies that are currently being employed by scholars in this field. The book is divided into three sections covering historical approaches, theoretical approaches and case studies and practice. There are also three interludes of commentary on the academic contributions from leading record producers and other industry professionals. This collection gives students and scholars a broad overview of the way in which academics from the analytical and practice-based areas of the university system can be brought together with industry professionals to explore the ways in which this new academic field should progress Popular music / Production and direction Sound recordings / Production and direction Zagorski-Thomas, Simon Sonstige oth Isakoff, Katia Sonstige oth Stévance, Sophie Sonstige oth Lacasse, Serge Sonstige oth https://www.taylorfrancis.com/books/9781315467658 Verlag URL des Erstveroeffentlichers Volltext |
| spellingShingle | The art of record production, Volume 2 creative practice in the studio Popular music / Production and direction Sound recordings / Production and direction |
| title | The art of record production, Volume 2 creative practice in the studio |
| title_auth | The art of record production, Volume 2 creative practice in the studio |
| title_exact_search | The art of record production, Volume 2 creative practice in the studio |
| title_exact_search_txtP | The art of record production, Volume 2 creative practice in the studio |
| title_full | The art of record production, Volume 2 creative practice in the studio edited by Simon Zagorski-Thomas, Katia Isakoff, Sophie Stévance and Serge Lacasse |
| title_fullStr | The art of record production, Volume 2 creative practice in the studio edited by Simon Zagorski-Thomas, Katia Isakoff, Sophie Stévance and Serge Lacasse |
| title_full_unstemmed | The art of record production, Volume 2 creative practice in the studio edited by Simon Zagorski-Thomas, Katia Isakoff, Sophie Stévance and Serge Lacasse |
| title_short | The art of record production, Volume 2 |
| title_sort | the art of record production volume 2 creative practice in the studio |
| title_sub | creative practice in the studio |
| topic | Popular music / Production and direction Sound recordings / Production and direction |
| topic_facet | Popular music / Production and direction Sound recordings / Production and direction |
| url | https://www.taylorfrancis.com/books/9781315467658 |
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